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Margaret, Atwood（アトウッド）研究 1999年までの論文

　Margaret, Atwood（マーガレット・アトウッド）の1999年までに刊行された研究論文を紹介します。
　ここで紹介する論文・書評はすべて企画商品CD「カナダ文学論文撰」の「Margaret Atwood」第2集に収録しています。
　収録タイトルリストは下記リンクからご覧できます。

　1)2000-2010年刊行論文リスト; 3)2009-2016年刊行論文リスト

　[1977-1999年の研究論文リスト]

下記の著者別索引をご利用下さい。

　
　入手ご希望論文のお問い合わせは、このお問い合わせフォームをご利用になるか custom@articles-club.com へお願いします。

     
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  1. Ahern, Stephen.;
    Meat Like You Like It': The Production of Identity in Atwood's Cat's Eye.  In: Canadian Literature 137 (1993 Summer): p. 8-20(13)

  2. Atwood, Margaret.;
    Great Unexpectations. An Autobiographical Foreword.  In: Kathryn Vanspanckeren (Hrsg.) Margaret Atwood, vision and forms. Southern Illinois University Press, Carbondale 1988. 269 pp. ISBN 0-8093-1408-8 p. xiii-xvi(4)

  3. Atwood, Margarets.;
    [Review of Second Words].  In: Critical Essays on Margaret Atwood. Ed. Judith McCombs. New York : G.K. Hall & Co, 1988. 306 pp. ISBN 0-8161-8840-8. p. 251-253(3)      [Also: Globe and Mail, 20 November 1982, p. L2]

  4. Baer, Elizabeth R.;
    Pilgrimage Inward. Quest and Fairy Tale Motifs in Surfacing.  In: Kathryn Vanspanckeren (Hrsg.) Margaret Atwood, vision and forms. Southern Illinois University Press, Carbondale 1988. 269 pp. ISBN 0-8093-1408-8 p. 24-34(11)

  5. Barbour, Douglas.;
    [Review of Two-Headed Poems].  In: Critical Essays on Margaret Atwood. Ed. Judith McCombs. New York : G.K. Hall & Co, 1988. 306 pp. ISBN 0-8161-8840-8. p. 208-212(5)      [Also: Fiddlehead, no. 121 (Spring 1979): p. 139-142]

  6. Belyea, Barbara.;
    Mackenzie meets Moodie at the Great Divide.  In: Journal of Canadian Studies. Peterborough: Fall 1988. Vol. 23, no. 3; p. 118-129(12)

  7. Beran, Carol L.;
    George, Leda, and a poured concrete balcony: a study of three aspects of the evolution of "Lady Oracle".  In: Canadian Literature. Vancouver: 112(Spring 1987), p. 18-28(11)

  8. Beran, Carol L.;
    Images of Women's Power in Contemporary Canadian Fiction by Women.  In: Studies in Canadian Literature, 15.2(1990): p. 55-76(22)

  9. Bergmann, Harriet F.;
    Teaching Them to Read": A Fishing Expedition in the Handmaid's Tale.  In: College English, Vol. 51, No. 8 (Dec., 1989), p. 847-854 (8)

  10. Beyer, Charlotte.;
    Re-Imagining Metropolis and Wilderness: Margaret Atwood's Life Before Man, Cat's Eye, 'Death by Landscape'.  In: The London Journal of Canadian Studies, Vol. 12(1996), p. 69-94(26)

  11. Blakely, Barbara.;
    The Pronunciation of Flesh: A Feminist Reading of Atwood's Poetry.  In: Margaret Atwood : Language, Text and System. Eds. Sherrill E. Grace & Lorraine Weir. Vancouver: University of British Columbia Press, 1983. p.33-52(20)

  12. Blott, Anne.;
    Journey to Light [Interlunar].  In: Critical Essays on Margaret Atwood. Ed. Judith McCombs. New York : G.K. Hall & Co, 1988. 306 pp. ISBN 0-8161-8840-8. p. 275-279(5)      [Also: Fiddlehead, no. 146 (Winter 1985): p. 90-95]

  13. Bök, Christian.;
    Sibyls: Echoes of French Feminism in The Diviners and Lady Oracle.  In: Canadian Literature, 135 (1992 Winter): p. 80-96(17)

  14. Bontatibus, Donna.;
    Reconnecting with the Past: Personal Hauntings in Margaret Atwood's The Robber Bride.  In: Papers on Language and Literature, 34(4) (1998 Fall): 358-371(14)

  15. Brewster, Elizabeth.;
    Powerful Poetry [Power Politics].  In: Critical Essays on Margaret Atwood. Ed. Judith McCombs. New York : G.K. Hall & Co, 1988. 306 pp. ISBN 0-8161-8840-8. p. 35-36(2)      [ Also: Edmonton Journal, 16 April 1971, p. 60]

  16. Bromberg, Pamela S.;
    The Two Faces of the Mirror in The Edible Woman and Lady Oracle.  In: Kathryn Vanspanckeren (Hrsg.) Margaret Atwood, vision and forms. Southern Illinois University Press, Carbondale 1988. 269 pp. ISBN 0-8093-1408-8 p. 12-23(12)

  17. Brown, Russell.;
    Atwood's Sacred Wells [Dancing Girls, poetry, and Surfacing].  In: Critical Essays on Margaret Atwood. Ed. Judith McCombs. New York : G.K. Hall & Co, 1988. 306 pp. ISBN 0-8161-8840-8. p. 213-229(17)      [ Also: Essays on Canadian Writing, no. 17 (Spring 1980): p. 5-43]

  18. Buchbinder, David.;
    Weaving Her Version. The Homeric Model and Gender Politics in Selected Poems.  In: Kathryn Vanspanckeren (Hrsg.) Margaret Atwood, vision and forms. Southern Illinois University Press, Carbondale 1988. 269 pp. ISBN 0-8093-1408-8 p. 122-141(20)

  19. Buitenhuis, Peter, & Coe, Richard M.;
    Introduction.  In: College English. Urbana: Dec 1988. Vol. 50, no. 8; p. 845-848 (4)

  20. Buell, Lawrence.;
    Introduction: In Pursuit of Ethics.  In: PMLA 114.1 (1999): p. 7-19(13)
     
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  21. Cameron, Elspeth.;
    Famininity, or Parody of Autonomy: Anorexia Nervosa and The Edible Woman.  In: Joumal of Canadian Studies 20(2), (1985 Summer): p. 45-69(25)

  22. Cameron, Elspeth.;
    In Darkest Atwood [Murder in the Dark].  In: Critical Essays on Margaret Atwood. Ed. Judith McCombs. New York : G.K. Hall & Co, 1988. 306 pp. ISBN 0-8161-8840-8. p. 254-256(3)      [ Also: Saturday Night 98, no. 3 (March 1983): p. 70-72]

  23. Caminero-Santangelo, Marta.;
    Moving Beyond 'The Blank White Spaces': Atwood's Gilead, Postmodernism, and Strategic Resistance.  In: Studies in Canadian Literature/Etudes en littérature canadienne 19(1) (1994):p. 20-41(22)

  24. Campbell, Josie P.;
    The Woman as Hero in Margaret Atwood's Surfacing.  In: Critical Essays on Margaret Atwood. Ed. Judith McCombs. New York : G.K. Hall & Co, 1988. 306 pp. ISBN 0-8161-8840-8. p. 168-179(12)      [ Also: Mosaic, Special Issue on "Post-War Canadian Fiction," 11, no. 3 (Spring 1978); p. 17-28]

  25. Carrington, Ildikó de Papp.;
    Demons, Doubles, and Dinosaurs: Life Before Man, The Origin of Consciousness, and "The Icicle".  In: Critical Essays on Margaret Atwood. Ed. Judith McCombs. New York : G.K. Hall & Co, 1988. 306 pp. ISBN 0-8161-8840-8. p. 229-245(17)      [ Also: Essays on Canadian Writing, no. 33 (Fall 1986), p. 68-88]

  26. Castro, Jan Garden.;
    An Interview with Margaret Atwood 20 April 1983.  In: Kathryn Vanspanckeren (Hrsg.) Margaret Atwood, vision and forms. Southern Illinois University Press, Carbondale 1988. 269 pp. ISBN 0-8093-1408-8 p. 215-232(18)

  27. Cathy N. and Davidson, Arnold E.;
    Prospects and Retrospect in Life Before Man.  In: The Art of Margaret Atwood : Essays in Criticism. Eds. Arnold E. & Cathy N. Davidson. Toronto : Anansi, 1981. p. 205-221(17)

  28. Chinmoy Banerjee.;
    Atwood's Time: Hiding Art in Cat's Eye.  In: MFS Modern Fiction Studies, Vol. 36, no. 4, Winter 1990, p. 513-522(10)

  29. Cluett, Robert.;
    Surface Structures: The Syntactic Profile of Surfacing.  In: Margaret Atwood : Language, Text and System. Eds. Sherrill E. Grace & Lorraine Weir. Vancouver: University of British Columbia Press, 1983. p. 67-90(24)

  30. Comiskey, Barbara.;
    You can mean more than one--age, gender and Atwood's addresses.  In: Journal of Gender Studies. Hull: Jul 1997. Vol. 6, no. 2; p. 131-143 (12)

  31. Cooper, Pamela.;
    Sexual surveillance and medical authority in two versions of The Handmaid's Tale.  In: Journal of Popular Culture, Spring 1995. Vol. 28; p. 49-66(18)
     
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  32. Davey, Frank.;
    Alternate Stories: The Short Fiction of Audrey Thomas and Margaret Atwood.  In: Canadian Literature, 109 (1986 Summer): p. 5-14(10)

  33. Davidson, Arnold E.;
    Future Tense. Marketing History in The Handmaid's Tale.  In: Kathryn Vanspanckeren (Hrsg.) Margaret Atwood, vision and forms. Southern Illinois University Press, Carbondale 1988. 269 pp. ISBN 0-8093-1408-8 p. 113-121(9)

  34. Davey, Frank.;
    An Atwood Vocabulary.(Technological Skin, Mirrors, The Gothic, Refugees and Tourists, Underground Mazes, Metamorphosis, Signposts/Totems).  In: Dears, Margaret Atwood: a Feminist Poetics. Talon Books, 1984. p. 93-127(35)

  35. Davey, Frank.;
    Atwood's Gorgon Touch [Seven books of poetry, from Double Persephone to You Are Happy].  In: Critical Essays on Margaret Atwood. Ed. Judith McCombs. New York : G.K. Hall & Co, 1988. 306 pp. ISBN 0-8161-8840-8. p. 134-153(20)      [ Also: Studies in Canadian Literature, 2, no. 2(Summer 1977): p. 146-163 ]

  36. Davey, Frank.;
    Four Female 'Comedies'.  In: Dears, Margaret Atwood: a Feminist Poetics. Talon Books, 1984. p. 57-80(24)

  37. Davey, Frank.;
    The Insufficiency of Poetry.  In: Dears, Margaret Atwood: a Feminist Poetics. Talon Books, 1984. p. 37-56(20)

  38. Davey, Frank.;
    Life Before Man.  In: Dears, Margaret Atwood: a Feminist Poetics. Talon Books, 1984. p. 81-92(12)

  39. Davey, Frank.;
    Poetry of Male and Female Space.  In: Dears, Margaret Atwood: a Feminist Poetics. Talon Books, 1984. p. 16-36(21)

  40. Davey, Frank.;
    The Short Stories.  In: Dears, Margaret Atwood: a Feminist Poetics. Talon Books, 1984. p. 128-152(25)

  41. Davey, Frank.;
    Survival: The Victim Theme.  In: Dears, Margaret Atwood: a Feminist Poetics. Talon Books, 1984. p. 153-161(9)

  42. Davidson, Arnold E.;
    The Anatomy of Margaret Atwood's Surfacing.  In: Ariel, 10(3) (1979): p. 38-54(17)

  43. Dawson, Carrie.;
    Never cry fraud: Remembering grey owl, rethinking imposture.  In: Essays on Canadian Writing. Toronto: Fall 1998. p. 120-140 (21)

  44. Deer, Glenn.;
    Rhetorical strategies in The Handmaid's Tale: Dystopia and the paradoxes of power.  In: English Studies in Canada, 18.2 (June 1992): p. 215-233(19)

  45. Deery, June.;
    Science for feminists: Margaret Atwood's body of knowledge.  In: Twentieth Century Literature. Hempstead: Winter 1997. Vol. 43, no. 4; p. 470-486 (17)

  46. Delord, Marie.;
    A Textual Quilt: Margaret Atwood's Alias Grace.  In: Etudes canadiennes/Canadian Studies, 46(1999): p. 111-121(11)

  47. Demos, John.;
    In search of reasons for historians to read novels.  In: The American Historical Review. Washington: Dec 1998. Vol. 103, no. 5; p. 1526-1529(4)

  48. Djwa, Sandra;
    The Where of Here: Margaret Atwood and a Canadian Tradition.  In: The Art of Margaret Atwood : Essays in Criticism. Eds. Arnold E. & Cathy N. Davidson. Toronto : Anansi, 1981.p. 15-34(20)

  49. Dodson, Danita J.;
    An interview with Margaret Atwood.  In: Critique. Washington: Winter 1997. Vol. 38, no. 2; p. 96-104 (9)

  50. Dreifus, Claudia.;
    Margaret Atwood: 'Respectability Can Kill You Very Quickly.'   In: The Progressive. Madison: Mar 1992. Vol. 56, no. 3; p. 30-33 (4)

  51. Dvorak, M.;
    Boundaries and borders in the world of Margaret Atwood.  In: Etudes canadiennes. 1999 , vol. 25 , no 47 , p. 131-144(14)

  52. Dvorak, Marta,;
    What Is Real/Reel? Margaret Atwood's 'Rearrangement of Shapes on a Flat Surface' or Narration as Collage.  In: Études anglaises, 51(4) (1998 Oct-Dec): p. 448-459(12)
     
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  53. Feuer, Lois.;
    The calculus of love and nightmare: The Handmaid's Tale and the dystopian tradition.  In: Critique. Washington: Winter 1997. Vol. 38, no. 2; p. 83-95 (13)

  54. Filipczak, Dorota.;
    Is There No Balm in Gilead?-Biblical Intertext in The Handmaid's Tale.  In: Literature and Theology, 7:2 (1993): p. 171-185(15)

  55. Freibert, Lucy M.;
    Brutal Choreographies: Oppositional Strategies and Narrative Design in the Novels of Margaret Atwood. [Review].  In: MFS Modern Fiction Studies, Vol. 40, no. 4, Winter 1994, p. 870-872(3)

  56. Freibert, Lucy M.;
    Control and Creativity: The Politics of Risk in Margaret Atwood's The Handmaid's Tale.  In: Critical Essays on Margaret Atwood. Ed. Judith McCombs. New York : G.K. Hall & Co, 1988. 306 pp. ISBN 0-8161-8840-8. p. 280-291(12)

  57. Freibert, Lucy M.;
    The Artist as Picaro: The Revelation of Margaret Atwood's Lady Oracle.  In: Canadian Literature, 92 (1982 Spring): p. 23-33(11)

  58. Foster, John Wilson.;
    The Poetry of Margaret Atwood [Six books of poetry, from The Circle Game to You Are Happy].  In: Critical Essays on Margaret Atwood. Ed. Judith McCombs. New York : G.K. Hall & Co, 1988. 306 pp. ISBN 0-8161-8840-8. p. 153-167(15)      [ All: Canadian Literature, no. 74 (Autumn 1977), p. 5-20]
     
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  59. Gernes, S.;
    Transcendent Women: Uses of the Mystical in Margaret Atwood's Cat's Eye and Marilynne Robinson's Housekeeping.  In: Religion & literature, 1991, vol. 23, no. 3, p. 143-165(23)

  60. Gilbert, Emily, and Paul Simpson-Housley..;
    Places and Spaces of Dislocation: Lady Oracle's Toronto.  In: The Canadian Geographer, 41(1997): 235-248(14)

  61. Gillen, Francis X.;
    A Conversation. Margaret Atwood and Students Moderated by Francis X. Gillen.  In: Kathryn Vanspanckeren (Hrsg.) Margaret Atwood, vision and forms. Southern Illinois University Press, Carbondale 1988. 269 pp. ISBN 0-8093-1408-8 p. 233-243(11)

  62. Givner, Jessie;
    Names, Faces and Signatures in Margaret Atwood's Cat's Eye and The Handmaind's Tale.  In: Canadian Literature, 133 (1992, Summer): p. 56-75(20)

  63. Godard, Barbara.;
    Tales Within Tales: Margaret Atwood's Folk Narratives.  In: Canadian Literature, 109 (1986 Summer): p. 57-86(30)

  64. Goldblatt, Patricia F.;
    Reconstructing Margaret Atwood's Protagonists.  In: World Literature Today, 73(2) (1999 Spring): p. 275-282(8)

  65. Goldie, Terry.;
    Folklore, Popular Culture and Individuation in Surfacing and The Diviners.  In: Canadian Literature, 104 (1985 Spring): p. 95-108(14)

  66. Goldmann, Marlene.;
    Margaret Atwood's Wilderness Tips: Apocalyptic Cannibal Fiction.  In: Etudes canadiennes/Canadian Studies, 46 (1999): p. 93-110(18)

  67. Grace, Dominick M.;
    The Handmaid's Tale: "Historical notes" amd documentary subversion.  In: Science - Fiction Studies. Montreal: Nov 1998. Vol. 25; p. 481-494 (14)

  68. Grace, Sherrill E.;
    Articlaing he 'Sace Between': Atwood's Untold Strories and Fresh Beginnings.  In: Margaret Atwood : Language, Text and System. Eds. Sherrill E. Grace & Lorraine Weir. Vancouver: University of British Columbia Press, 1983. p. 1-16(16)

  69. Grace, Sherrill E.;
    In Search of Demeter. The Lost, Silent Mother in Surfacing.  In: Kathryn Vanspanckeren (Hrsg.) Margaret Atwood, vision and forms. Southern Illinois University Press, Carbondale 1988. 269 pp. ISBN 0-8093-1408-8 p. 35-47(13)

  70. Grace, Sherrill E.;
    Margaret Atwood and the Poetics of Duplicity.  In: The Art of Margaret Atwood : Essays in Criticism. Eds. Arnold E. & Cathy N. Davidson. Toronto : Anansi, 1981. p. 55-68(14)

  71. Granofsky, Ronald.;
    Fairy-tale morphology in Margaret Atwood's Surfacing.  In: Mosaic : a Journal for the Interdisciplinary Study of Literature. Winnipeg: Fall 1990. Vol. 23, no. 4; p. 51-65(15)

  72. Gray, Francine du Plessix.;
    Nature as the Nunnery [Surfacing].  In: Critical Essays on Margaret Atwood. Ed. Judith McCombs. New York : G.K. Hall & Co, 1988. 306 pp. ISBN 0-8161-8840-8. p. 131-134(4)

  73. Greene, Gayle.;
    Life Before Man. "Can Anything Be Saved?".  In: Kathryn Vanspanckeren (Hrsg.) Margaret Atwood, vision and forms. Southern Illinois University Press, Carbondale 1988. 269 pp. ISBN 0-8093-1408-8 p. 65-84(20)

  74. Grosskurth, Phyllis.;
    Survival Kit.  In: Critical Essays on Margaret Atwood. Ed. Judith McCombs. New York : G.K. Hall & Co, 1988. 306 pp. ISBN 0-8161-8840-8. p. 66-70(5)      [ Also: the New Stateman, 24 August 1973, p. 254-255]

  75. Guédon, Marie-Françoise.;
    Surfacing: Amerindian Themes and Shamanism.  In: Margaret Atwood : Language, Text and System. Eds. Sherrill E. Grace & Lorraine Weir. Vancouver: University of British Columbia Press, 1983. 91-112(22)
     
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  76. Heinimann, David.;
    Ironized Man: A Jest of God and Life Before Man.  In: Canadian Literature 154 (1997Autumn): p. 52-67(16)

  77. Helwig, David.;
    [Review of The Animals in That Country].  In: Critical Essays on Margaret Atwood. Ed. Judith McCombs. New York : G.K. Hall & Co, 1988. 306 pp. ISBN 0-8161-8840-8. p. 32-33(2)      [ Also: Queen's Quarterly 76 (Spring 1969): p. 161-162].

  78. Hinz, Evelyn J.;
    The Religious Roots of the Feminine Identity Issue: Margaret Laurence's The Stone Angel and Margaret Atwood's Surfacing".  In: Journal of Canadian Studies/Revue d'Etudes canadiennes, 22(1) (1987 Spring): p. 17-31(15)

  79. Hite, Molly.;
    Optics and Autobiography in Margaret Atwood's Cat's Eye.  In: Twentieth Century Literature, 41.2 (1995).p. 135-159(25)

  80. Hogsette, David S.;
    Margaret Atwood's Rhetorical Epilogue in The Handmaid's Tale: The Reader's Role in Empowering Offred's Speech Act.  In: Critique. Washington: Summer 1997. Vol. 38, no. 4; p. 262-278(17)

  81. Horsley, Lee, & Horsley, Katharine.;
    Mères Fatales: Maternal Guilt in the Noir Crime Novel.  In: MFS Modern Fiction Studies, Vol. 45, no. 2, Summer 1999, pp. 369-402(34)

  82. Howells, Coral Ann.;
    Worlds Alongside: Contradictory Discourses in the Fiction of Alice Munro and Margaret Atwood.  In: Gaining Ground:European Critics on Canadian Literature. Eds. Robert Kroetsch & Reingard M. Nischik. Edmonton: NeWest, 1985. p. 121-135(15)

  83. Hufnagel, Jill.;
    Atwood's Variation on the Word Sleep.  In: The Explicator. Washington: Spring 1996. Vol. 54, no. 3; p. 188-191(4)

  84. Hutcheon, Linda.;
    Circling the Downspout of Empire: Post-Colonialism and Postmodernism.  In: Ariel, 20.4 (1989): p. 149-175(27)

  85. Hutcheon, Linda.;
    From Poetic to Narrative Structures: The Novels of Margaret Atwood.  In: Margaret Atwood : Language, Text and System. Eds. Sherrill E. Grace & Lorraine Weir. Vancouver: University of British Columbia Press, 1983. p. 17-32(16)

  86. Ingersoll, Earl G.;
    Margaret Atwood's "Cat's Eye": Re-Viewing Women in a Postmodern World.  In: Ariel. Calgary: Oct 1991. Vol. 22, no. 4; p. 17-27(11)

  87. Irvine, Lorna.;
    Murder and mayhem: Margaret Atwood deconstructs.  In: Contemporary Literature, vol. 29(1988), no. 2, Summer, p. 265-276(12)

  88. Irvine, Lorna.;
    The Here and Now of Bodily Harm.  In: Kathryn Vanspanckeren (Hrsg.) Margaret Atwood, vision and forms. Southern Illinois University Press, Carbondale 1988. 269 pp. ISBN 0-8093-1408-8 p. 85-100(16)
     
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  89. James, William C.;
    Atwood's Surfacing.  In: Canadian Literature, 91 (1981 Winter): p. 174-181(8)

  90. Johnson, Brian.;
    Language, Power, and Responsibility in The Handmaid's Tale: Toward a Discourse of Literary Gossip.  In: Canadian Literature 148 (1996 Spring): p. 39-55(17)

  91. Kaler,-Anne-K.;
    'A Sister, Dipped in Blood': Satiric Inversion of the Formation Techniques of Women Religious in Margaret Atwood's Novel The Handmaid's Tale.  In: Christianity and Literature, 38:2 (Winter 1989): p. 43-62(20)

  92. Kathleen, Wall.;
    Representing the Other Body: Frame Narratives in Margaret Atwood's 'Giving Birth' and Alice Munro's 'Meneseteung.  In: Canadian Literature 154 (1997 Autumn): 74-90(17)

  93. Kirtz, Mary K.;
    "I am become a name": the representation of Ukrainians in Ross, Laurence, Ryga and Atwood.  In: Canadian Ethnic Studies. Calgary: 1992. Vol. 24, no. 2; p. 34-45(12)

  94. Klarer, Mario.;
    Orality and Literacy as Gender-Supporting Structures in Margaret Atwood's The Handmaid's Tale.  In: Mosaic, 28.4 (December 1995): p. 129-142(14)

  95. Larkin, Joan.;
    Soul Survior [Surfacing and Power Politics].  In: Critical Essays on Margaret Atwood. Ed. Judith McCombs. New York : G.K. Hall & Co, 1988. pp. 306. ISBN 0-8161-8840-8. p. 48-52(5)

  96. Laurence, Margaret.;
    [Review of Surfacing].  In: Critical Essays on Margaret Atwood. Ed. Judith McCombs. New York : G.K. Hall & Co, 1988. pp. 306. ISBN 0-8161-8840-8. p. 45-47(3)      [ Also: Quarry, 22, no. 4 (Spring 1973): p. 62-64]

  97. Lecker, Robert.;
    Janus through the Looking Glass: Atwood's First Three Novels.  In: The Art of Margaret Atwood : Essays in Criticism. Eds. Arnold E. & Cathy N. Davidson. Toronto : Anansi, 1981. p. 177-203(27)

  98. Ledbetter, Mark.;
    Revisiting Old Friends, Making New Enemies: How Reading Relogiously Changes My Life.  In: Literature and Theology, 1995; vol. 9: p. 279-292(14)

  99. Lilienfeld, Jane.;
    Circe's Emergence: Transforming Traditional Love in Margaret Atwood's You Are Happy.  In: Critical Essays on Margaret Atwood. Ed. Judith McCombs. New York : G.K. Hall & Co, 1988. pp. 306. ISBN 0-8161-8840-8. p. 123-130(8)      [ Also: Worcester Review, 5(Spring 1977): p. 29-31, 33-37]

  100. Lovelady, Stephanie.;
    I Am Telling This to No One But You: Private Voice, Passing, and the Private Sphere in Margaret Atwood's Alias Grace.  In: Studies in Canadian Literature 24(2) (1999): p. 35-63(29)

  101. Lucking, David.;
    In Pursuit of the Faceless Stranger: Depths and Surfaces in Margaret Atwood's Bodily Harm.  In: Studies in Canadian Literature, 15.1 (1990): p. 76-93(18)
     
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  102. MacLulich, T.D.;
    Atwood's Adult Fairy Tale: Lévi-Strauss, Bettelheim, and The Edible Woman.  In: Critical Essays on Margaret Atwood. Ed. Judith McCombs. New York : G.K. Hall & Co, 1988. pp. 306. ISBN 0-8161-8840-8. p. 179-197(19)      [ Also: Essays on Canadian Writing, no. 11 (Summer 1978): p. 111-129]

  103. Mack, Marcia.;
    The Sacrifice and Crackpot: What a women can learn by rewriting a fairy tale and clarifying its meaning.  In: Essays on Canadian Writing. Toronto: Summer 1999. p. 134-158 (25)

  104. Malak, Amin.;
    Margaret Atwood's The Handmaid's Tale and the Dystopian Tradition.  In: Canadian Literature, 112 (1987 Spring): p. 9-16(8)

  105. Mandel, Ann.;
    [Review of True Stories].  In: Critical Essays on Margaret Atwood. Ed. Judith McCombs. New York : G.K. Hall & Co, 1988. 306 pp. ISBN 0-8161-8840-8. p. 245-251(7)      [ Also: Fiddlehead, o. 131 (January 1982): p. 63-70]

  106. Mandel, Eli.;
    Atwood Gothic [You Are Happy, Surfacing, Survival, The Animals in That Country, The Circle Game, and Power Politics].  In: Critical Essays on Margaret Atwood. Ed. Judith McCombs. New York : G.K. Hall & Co, 1988. 306 pp. ISBN 0-8161-8840-8. p. 114-123(10)      [ Also: Malahat Review: A Symposium, edited by Linda Sandler, no. 41 (January 1977), p. 165-174.]

  107. Mandel, Eli.;
    Atwood's Poetic Politics.  In: Margaret Atwood : Language, Text and System. Eds. Sherrill E. Grace & Lorraine Weir. Vancouver: University of British Columbia Press, 1983. p. 53-66(14)

  108. March, Cristie.:
    Crimson Silks and New Potatoes: The Heteroglossic Power of the Object Atwood's Alias Grace.  In: Studies in Canadian Literature/Etudes en Littérature Canadienne, 22:2 (1997): p. 66-82(17)

  109. McCombs, Judith.;
    Atwood's Haunted Sequences: The Circle Game, The Journals of Susanna Moodie, and Power Politics.  In: The Art of Margaret Atwood : Essays in Criticism. Eds. Arnold E. & Cathy N. Davidson. Toronto : Anansi, 1981. p. 35-54(20)

  110. McCombs, Judith.;
    Contrary Re-memberings: The Creating Self and Feminism in "Cat's Eye.  In: Canadian Literature. Vancouver: Summer 1991. p. 9-23(15)

  111. McCombs, Judith.;
    Introduction.  In: Critical Essays on Margaret Atwood. Ed. Judith McCombs. New York : G.K. Hall & Co, 1988. pp. 306. ISBN 0-8161-8840-8. p. 1-28(28)

  112. McCombs, Judith.;
    Politics, Structure, and Poetic Development in Atwood's Canadian-American Sequences From an Apprentice Pair to "The Circl Game" to "Two-Headed Poems".  In: Kathryn Vanspanckeren (Hrsg.) Margaret Atwood, vision and forms. Southern Illinois University Press, Carbondale 1988. 269 pp. ISBN 0-8093-1408-8 p. 142-162(21)

  113. McDonald, Larry.;
    Socialism and the English Canadian Literary Tradition.  In: Essays on Canadian Writing. Toronto: Summer 1999. p. 213-241 (29)

  114. McLay, Catherine.;
    The Dark Voyage: The Edible Woman as Romance.  In: The Art of Margaret Atwood : Essays in Criticism. Eds. Arnold E. & Cathy N. Davidson. Toronto : Anansi, 1981. p. 123-138(16)

  115. McMillan, Ann.;
    The Transforming Eye. Lady Oracle and Gothic Tradition.  In: Kathryn Vanspanckeren (Hrsg.) Margaret Atwood, vision and forms. Southern Illinois University Press, Carbondale 1988. 269 pp. ISBN 0-8093-1408-8 p. 48-64(17)

  116. Miner, Madonne.;
    Trust Me': Reading the Romance Plot in Margaret Atwood's The Handmaid's Tale.  In: Twentieth Century Literature, 37:2 (Summer 1991): p. 148-168(21)

  117. Montelaro, Janet J.;
    Maternity and the Ideology of Sexual Difference in The Handmaid's Tale.  In: LIT: literature, interpretation, theory 6(1995): p. 233-256(24)

  118. Morey, Ann-Janine.;
    Margaret Atwood and Toni Morrison: Reflections on Postmodernism and the Study of Religion and Literature.  In: Journal of American Academy of Religion 60 (1992): p. 493-514(22)

  119. Newman, Christina.;
    In Search of a Native Tongue [Surfacing].  In: Critical Essays on Margaret Atwood. Ed. Judith McCombs. New York : G.K. Hall & Co, 1988. 306 pp. ISBN 0-8161-8840-8. p. 43-45(3)      [Also: Maclean's, September 1972, p. 88]
     
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  120. Oltarzewska, Jagna.;
    Reflections on the concept of territory in the work of Margaret Atwood : Deconstructions and reconstructions.  In: Etudes canadiennes, 1999 , vol. 25 , no. 47 , p. 145- 154(10)

  121. Ondaatje, Michael.;
    {Review of The Circle Game].  In: Critical Essays on Margaret Atwood. Ed. Judith McCombs. New York : G.K. Hall & Co, 1988. pp. 306. ISBN 0-8161-8840-8. p. 29-32(4)      [ Also: Canadian Forum, April 1967, p. 22-23.]

  122. Onley, Gloria.;
    Power Politics in Bluebeard's Castle [Power Politics, The Edible Woman, Surfacing, Survival, Procedures for Underground, and "Polarities"].  In: Critical Essays on Margaret Atwood. Ed. Judith McCombs. New York : G.K. Hall & Co, 1988. 306 pp. ISBN 0-8161-8840-8. p. 70-89(20)      [ Also: Canadian Literature, no. 60 (Spring 1974): p. 21-42.]

  123. Parker, Emma.;
    You Are What You Eat: The Politics of Eating in the Novels of Margaret Atwood.  In: Twentieth-Century Literature, 41.3 (Fall 1995), p. 349-368(20)

  124. Patton, Marilyn D.;
    "Lady Oracle: The Politics of the Body.  In: ARIEL, 22(4) (1991 Oct): 29-48(20)

  125. Peel,.Ellen.;
    Subject, Object, and the Alternation of First- and Third- Person Narration in Novels by Alther, Atwood, and Drabble: Toward a Theory of Feminist Aesthetics.  In: Critique, 30.2 (1989): p. 107-122(16)

  126. Perrakis, Phyllis Sternberg.;
    Atwood's The Robber Bride: The vampire as intersubjective catalyst.  In: Mosaic : a Journal for the Interdisciplinary Study of Literature. Winnipeg: Sep 1997. Vol. 30, no. 3; p. 151-168 (18)

  127. Phelps, Henry C.;
    Atwood's Edible Woman and Surfacing   In: The Explicator. Washington: Winter 1997. Vol. 55, no. 2; p. 112-114 (3)

  128. Piercy, Marge.;
    Margaret Atwood: Beyond Victimhood [Survival, The Edible Woman, Surfacing, and five books of poetry].  In: Critical Essays on Margaret Atwood. Ed. Judith McCombs. New York : G.K. Hall & Co, 1988. 306 pp. ISBN 0-8161-8840-8. p. 53-66(14)

  129. Potts, Donna L.;
    "The old maps are dissolving": Intertextuality and identity in Atwood's The Robber Bride.  In: Tulsa Studies in Women's Literature. Tulsa: Fall 1999. Vol. 18, no. 2; p. 281-298(18)

  130. Pratt, Annis.;
    Surfacing and the Rebirth Journey.  In: The Art of Margaret Atwood : Essays in Criticism. Eds. Arnold E. & Cathy N. Davidson. Toronto: Anansi, 1981. p. 139-157(19)

  131. Purdy, A.W.;
    Atwood's Moodie [ The Journals of Susanna Moodie].  In: Critical Essays on Margaret Atwood. Ed. Judith McCombs. New York : G.K. Hall & Co, 1988. 306 pp. ISBN 0-8161-8840-8. p. 38-42(5)      [ Also: Canadian Literature, no. 47 (Winter 1971): p. 80-84.]
     
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  132. Raschke, Deborah.;
    Margaret Atwood's The Handmaid's Tale: False Borders and Subtle Subversions.  In: LIT: literature, interpretation, theory, 6(1995): p. 257-268(12)

  133. Redekop, Magdalene.;
    Charms and Riddles [Bluebeard's Egg].  In: Critical Essays on Margaret Atwood. Ed. Judith McCombs. New York : G.K. Hall & Co, 1988. 306 pp. ISBN 0-8161-8840-8. p. 256-258(3)      [ Also: Canadian Forum, January 1984, p. 30-31.]

  134. Restuccia, Frances.;
    Tales of Beauty: Aestheticizing Female Melancholia.  In: American Imago, vol.53, no.4, Winter 1997, p. 353-383(31)

  135. Robinson, Sally.;
    The Anti-logos Weapon: Multiplicity in Women's Texts.  In: Contemporary Literature, 29 (Spring 1988): p. 105-124(20)

  136. Rosowski, Susan J.;
    Margaret Atwood's Lady Oracle: Fantasy and the Modern Gothic Novel.  In: Critical Essays on Margaret Atwood. Ed. Judith McCombs. New York : G.K. Hall & Co, 1988. 306 pp. ISBN 0-8161-8840-8. p. 197-208(12)       [ Also: Research Studies, 49, no. 2 (June 1981): p. 87-98.]

  137. Ross, Gary.;
    The Divided Self.  In: Canadian Literature, 71 (1976): p. 31-49(19)

  138. Ross-Sheldrick, Catherine.;
    'Banished to This Other Place': Atwood's Lady Oracle.  In: English Studies in Canada, 6(1980): p. 460-474(15)

  139. Ross-Sheldrick, Catherine.;
    Nancy Drew as Shaman. Atwood's Surfacing.  In: Canadian Literature, 84 (1980): p. 7-17(11)

  140. Rubenstein, Roberta.;
    Nature and Nurture inDystopia. The Handmaid's Tale.  In: Kathryn Vanspanckeren (Hrsg.) Margaret Atwood, vision and forms. Southern Illinois University Press, Carbondale 1988. 269 pp. ISBN 0-8093-1408-8 p. 101-112(12)

  141. Rubenstein, Roberta.;
    Pandora's Box and Female Survival: Margaret Atwood's Bodily Harm.  In: Critical Essays on Margaret Atwood. Ed. Judith McCombs. New York : G.K. Hall & Co, 1988. 306 pp. ISBN 0-8161-8840-8. p. 259-275(17)      [ Also: Journal of Canadian Studies, 20, no. 1 (Spring 1985): p. 120-135.]

  142. Rubenstein, Robert.;
    Surfacing: Margaret Atwood's Journey to the Interior.  In: Modern Fiction Studies, 22 (1976): p. 387-399(13)

  143. Rubik, Margarete.;
    National Identity, Internarional Lifestyles and Cosmopolitan Culture in Margaret Atwood's 'Significant Moments in the Life of My Mother', 'Hurricane Hazel' and 'Unearthing Sutte'.  In: Brno Studies in English, 23(1997), p. 145-150(6)
     
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  144. Schissel, Wendy L.;
    Margaret Atwood: Vision and Forms, and: An Other I: The Fictions of Clark Blaise (review).  In: MFS Modern Fiction Studies, Vol. 35, no. 4, Winter 1989, p. 781-783(3)

  145. Schlueter, June.;
    Canlit/Victimlit. Suevival and Second Words.  In: Kathryn Vanspanckeren (Hrsg.) Margaret Atwood, vision and forms. Southern Illinois University Press, Carbondale 1988. 269 pp. ISBN 0-8093-1408-8 p. 1-11(11)

  146. Sciff-Zamaro, Roberta.;
    The Re/Membering of Female Power in Lady Oracle.  In: Canadian Literature 112 (1987,Spring): p. 32-38(7)

  147. Shepherd, V.;
    Narrative survival: the power of personal narration, discussed through the personal story-telling of fictional characters, particularly those created by Margaret Atwood.  In: Language and Communication, vol.15, no.4, 1995, p. 355-374(20)

  148. Simmons, Jes.;
    Atwood's (Your Fit Into Me).  In: The Explicator. Washington: Summer 1993. Vol. 51, no. 4; p. 259-260 (2)

  149. Sizemore, Christine W.;
    Negotiating between ideologies: The search for identity in Tsitsi Dangarembga's Nervous Conditions and Margaret Atwood's Cat's Eye.  In: Women's Studies Quarterly. New York: Fall 1997. Vol. 25, no, 3-4; p. 68-82 (15)

  150. Skelton, Robin.;
    [Review of The Journals of Susanna Moodie and Procedures for Underground].  In: Critical Essays on Margaret Atwood. Ed. Judith McCombs. New York : G.K. Hall & Co, 1988. 306 pp. ISBN 0-8161-8840-8. p. 34-35(2)      [ Also: Malahat Review, no. 17 (January 1971), p. 133-134.]

  151. Sparrow, F.;
    This place is some kind of a garden": Clearings in the bush in the works of Susanna Moodie, Catharine Parr Traill, Margaret Atwood and Margaret Laurence.  In: The Journal of Commonwealth literature, 1990, Vol. 25, no. 1, p. 24-41(18)

  152. Spector, Judith Ann.;
    Marriage, endings, and art in Updike and Atwood.  In: The Midwest Quarterly. Pittsburg: Summer 1993. Vol. 34, no. 4; p. 426-445 (20)

  153. Spence, Jonathan. D.;
    Margaret Atwood and the edges of history.  In: American Historical Review, vol.103, no.5, 1998, p. 1522-1525(4)

  154. Staels, Hilde.;
    Margaret Atwood's The Handmaid's Tale: Resistance through Narrating.  In: English Studies, 76(5) (1995 Sept): p. 455-467(13)

  155. Stein, Karen F.;
    Margaret Atwood's Modest Proposal: The Handmaid's Tale.  In: Canadian Literature 148 (1996 Spring): p. 57-73(17)

  156. Stevens, Peter.;
    Dark Mouth [Procedures for Underground].  In: Critical Essays on Margaret Atwood. Ed. Judith McCombs. New York : G.K. Hall & Co, 1988. 306 pp. ISBN 0-8161-8840-8. p. 37-38(2)      [ Also: Canadian Literature, no. 50 (Autumn 1971), p. 91-92.]

  157. Stein, Karen F.;
    Margaret Atwood's The Handmaid's Tale.: Scheherezade in Dystopia.  In: University of Toronto Quarterly, 61.2 (Winter 1991/2): p. 269-279(11)

  158. Stow, Glenys.;
    Nonsense as Social Commentary in The Edible Woman.  In: Journal of Canadian Studies, 23,3(1988): p. 90-101(12)

  159. Stratford, Philip.;
    The Uses of Ambiguity: Margaret Atwood and Hubert Aquin.  In: Eds. Sherrill E. Grace and Lorraine Weir. Margaret Atwood: Language, Text, and System. Vancouver: University of British Columbia Press, 1983. p. 113-124(12)

  160. Strobel, C.;
    On the representation of representation in Margaret Atwood's Surfacing..  In: Zeitschrift für Anglistik und Amerikanistik, Vol. 40(1992), no. 1, PG: 35-43(9)

  161. Sullivan, Rosemary.;
    A Size Larger Than Seeing: The Poetry of P.K. Page.  In: Canadian Literature 79(1978): p. 32-41(10)

  162. Sullivan, Rosemary.;
    Alias Margaret: The Radcliffe years.  In: Saturday Night. Toronto: Jun 1998. Vol. 113, no. 5; p. 54-60 (7)

  163. Sullivan, Rosemary.;
    Breaking the Circle [The Circle Game, Survival, The Journals of Susanna Moodie, The Animals in That Country, and Surfacing].  In: Critical Essays on Margaret Atwood. Ed. Judith McCombs. New York : G.K. Hall & Co, 1988. 306 pp. ISBN 0-8161-8840-8. p. 104-114(11)      [Also : Malahat Review: Margaret Atwood; A Symposium, edited by Linda Sandler, no. 41 (January 1977): p. 30-41.]

  164. Sullivan, Rosemary.;
    Surfacing and Deliverance.  In: Canadian Literature, 67 (1976): p. 6-20(15)

  165. Sullivan, Rosemary.;
    The writer bride.  In: Saturday Night. Toronto: Jul/Aug 1998. Vol. 113, no. 6; p. 56-63 (8)
     
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  166. Templin, Charlotte.;
    Atwood's the Handmaid's Tale.  In: The Explicator. Washington: Summer 1991. Vol. 49, no. 4; p. 255-256 (2)

  167. Thomas, Clara.;
    Lady Oracle: The Narrative of a Fool-Heroine.  In: The Art of Margaret Atwood : Essays in Criticism. Eds. Arnold E. & Cathy N. Davidson. Toronto : Anansi, 1981. p. 159-175(17)

  168. Thomas, Sue.;
    Mythic Reconception of the Mother/Daughter Relationship in Margaret Atwood's Surfacing.  In: ARIEL, 19(2) (1988 Apr.): p. 73-85(13)

  169. Thompson, Lee Briscoe.;
    Minuets and madness: Margaret Atwood's Dancing Girls.  In: Davidson, Arnold E. (ed.)., The art of Margaret Atwood: essays in criticism. Anansi, 1981, pp. 107-122(16)

  170. Timson, Judith.;
    Atwood's Triumph.  In: Maclean's. Toronto: Oct 3, 1988. Vol. 101, no. 41; p. 56-60 (5)

  171. Tomc, Sandra.;
    'The Missionary Position': Feminism and Nationalism in Margaret Atwood's The Handmaid's Tale.  In: Canadian Literature, 138-139 (1993 Fall-Winter): p. 73-87(15)

  172. Turbide, Diane.;
    Amazing Atwood.  In: Maclean's. Toronto: Sep 23, 1996. Vol. 109, no. 39; p. 42-45(4)

  173. Turcotte, Gerry.;
    Sexual Gothic: Marian Engel's Bear and Elizabeth Jolley's The Well.  In: Ariel: A Review of International English Literature, 26(2), April 1995, p. 65-91(27)

  174. Tuttle-Hansen, Elaine.;
    Fiction and (Post)Feminism in Atwood's Bodily Harm.  In: Novel, 19(1) (1985 Fall): p. 5-21(17)

  175. Tyler, Lisa.;
    I just don't understand it": teaching Margaret Atwood's "Rape fantasies.  In: Teaching English in the Two - Year College, Feb 1998. Vol. 25; p. 51-57(7)
     
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  176. VanSpanckeren, Kathryn.;
    Introduction.  In: Kathryn Vanspanckeren (Hrsg.) Margaret Atwood, vision and forms. Southern Illinois University Press, Carbondale 1988. 269 pp. ISBN 0-8093-1408-8 p. xix-xxvii (9)

  177. VanSpanckeren, Kathryn.;
    Shamanism in the Works of Margaret Atwood.  In: Kathryn Vanspanckeren (Hrsg.) Margaret Atwood, vision and forms. Southern Illinois University Press, Carbondale 1988. 269 pp. ISBN 0-8093-1408-8 p. 183-204(22)

  178. Vogt, Kathleen.;
    Real and Imaginary. Animals in the Poetry of Margaret Atwood.  In: Kathryn Vanspanckeren (Hrsg.) Margaret Atwood, vision and forms. Southern Illinois University Press, Carbondale 1988. 269 pp. ISBN 0-8093-1408-8 p. 163-182(20)

  179. Wagner, Linda W.;
    The Making of Selected Poems, the Process of Surfacing.  In: The Art of Margaret Atwood : Essays in Criticism. Eds. Arnold E. & Cathy N. Davidson. Toronto : Anansi, 1981.p. 81-95(15)

  180. Wainwright, J A.;
    "New skin for the old ceremony": Canadian identity revisited.  In: Essays on Canadian Writing. Toronto: Spring 1998. p. 56-75 (20)

  181. Weir, Lorraine.;
    Atwood in a Landscape.  In: Margaret Atwood : Language, Text and System. Eds. Sherrill E. Grace & Lorraine Weir. Vancouver: University of British Columbia Press, 1983. p. 143-153(11)

  182. Weir, Lorraine.;
    Fauna of Mirrors': The Poetry of Hébert and Atwood.  In: Ariel 10(3) (1979): p. 99-113(15)

  183. Weir, Lorraine.;
    Meridians of Perception: A Reading of The Journals of Susanna Moodie.  In: The Art of Margaret Atwood : Essays in Criticism. Eds. Arnold E. & Cathy N. Davidson. Toronto : Anansi, 1981. p. 69-80(12)

  184. Wilkins, Peter.;
    Defense of the Realm: Canada's Relationship to The United States in Margaret Atwood's Surfacing.  In: The Yearbook of Research in English and American Literature 14 (1998): 205-222(18)

  185. Wilson, Jean.;
    Identity Politics in Atwood, Kogawa, and Wolf.  In: CLCWeb: Comparative Literature and Culture, 1.3 (1999), Article 5. 8pp.

  186. Wilson, Sharon R.;
    Sexual Politics in Margaret Atwood's Visual Art.  In: Kathryn Vanspanckeren (Hrsg.) Margaret Atwood, vision and forms. Southern Illinois University Press, Carbondale 1988. 269 pp. ISBN 0-8093-1408-8 p. 205-214(10)

  187. Wilson, Sharon R.;
    Margaret Atwood.  In: International Literature in English: Essays on the Major Writers. Ed. Robert L.Ross. New York & London: Garland Publishing, 1991. p.225-239(15)

  188. Wilson, Sharon R.;
    Turning Life into Popular Art: Bodily Harm's Life Tourist.  In: Studies in Canadian Literature, 10(1-2) (1985): p. 136-145(10)

  189. Woodcock, George.;
    Bashful but Bold: Notes on Margaret Atwood as Critic.  In: The Art of Margaret Atwood : Essays in Criticism. Eds. Arnold E. & Cathy N. Davidson. Toronto : Anansi, 1981.p. 223-242(20)

  190. Woodcock, George.;
    Canadian Poetry: The Emergent Tradition.  In: Yearbook of English Studies, 15(1985): p. 239-252(14)

  191. Woodcock, George.;
    Margaret Atwood: Poet as Novelist [Power Politics, The Circle Game, The Edible Woman, The Journals of Susanna Moodie, The Animals in That Country, Suvival, and Surfacing].  In: Critical Essays on Margaret Atwood. Ed. Judith McCombs. New York : G.K. Hall & Co, 1988. 306 pp. ISBN 0-8161-8840-8. p. 90-104(15)

  192. Woodcock, George.;
    Metamorphosis and Survival: Notes on the Recent Poetry of Margaret Atwood.  In: Margaret Atwood : Language, Text and System. Eds. Sherrill E. Grace & Lorraine Weir. Vancouver: University of British Columbia Press, 1983. p. 125-142(18)

  193. Workman, Nancy V.;
    Sufi Mysticism in Margaret Atwood's The Handmaid's Tale.  In: Studies in Canadian Literature, 14:2 (1989): p. 10-26(17)

  194. Wyatt, Jean.;
    I want to be you: Envy, the Lacanian double, and feminist community in Margaret Atwood's The Robber Bride.  In: Tulsa Studies in Women's Literature. Tulsa: Spring 1998. Vol. 17, no. 1; p. 37-64 (28)

  195. York, Lorraine M.;
    The Habits of Language: Uniform(ity), Transgression and Margaret Atwood.  In: Canadian Literature, 126 (1990 Autumn):p. 6-19(14)

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