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Samuel Beckett (べケット) 1906-1989 研究学術論文(III)

　このページではサムエル・ベケット(Samuel, Beckett)およびその作品に関する研究論文の中、2006-2010年に刊行された英語の論文を紹介しています。
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　　[ フランス語論文1991-2010; フランス語論文1971-1990； 英語論文2001-2005]

[論文の著者別昇順リスト]

     
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  1. Abbott, H. Porter.;
    The Legacy of Samuel Beckett: An Anatomy.  In: S. E. Gontarski, ed., A Companion to Samuel Beckett (Oxford: Blackwell, 2010), ISBN: 978-1-4051-5869-5. pp. 73-83(10)

  2. Ackerley, Chris.;
    Demented Particularity, or, the Art of Annotation. etc.,  In: The Beckett Circle Spring 2007. 30 pp.

  3. Ackerley, Chris.;
    "The Last Ditch": Shades of Swift in Samuel Beckett's "Fingal".  In: Eighteenth-Century Life, Vol. 32, no. 2, Spring 2008, pp. 60-67(8)

  4. Ackerley, Chris.;
    "The Past in Monochrome": (In)voluntary Memory in Samuel Beckett's Krapp's Last Tape.  In: Daniela Guardamagna & Rossana M. Sebellin (editors)., The Tragic Comedy of Samuel Beckett "Beckett in Rome" 17-19 April 2008. Università degli Studi di Roma. "Tor Vergata" o Editori Laterza. 2009. ISBN 978-88-420-9070-0, p. 277-291(15)

  5. Ackerley, C. J.;
    Samuel Beckett and Max Nordau: Degeneration, Sausage Poisoning, the Bloody Rafflesia, Coenaesthesis, and the Not-I.  In: Beckett after Beckett, S. Gontarski and A. Uhlmannn ed., University Press of Florida, 2006. p. 167-176(10)

  6. Ackerley, C.J.;
    Samuel Beckett and Science.  In: S. E. Gontarski, ed., A Companion to Samuel Beckett (Oxford: Blackwell, 2010), pp. 143-162(20)

  7. Ackerman, Alan L. (Alan Louis).;
    The Prompter's Box: Birthdays and Beckett's Bony Ghost.  In: Modern Drama, Vol. 49, no. 4, Winter 2006, pp. 419-427(9)

  8. Addyman, David.;
    Beckett and Place: The Lie of the Land.  In: Daniela Guardamagna & Rossana M. Sebellin (editors)., The Tragic Comedy of Samuel Beckett "Beckett in Rome" 17-19 April 2008. Università degli Studi di Roma. "Tor Vergata" o Editori Laterza. 2009. p. 210-222(13)

  9. Aiuto, Ninny.;
    Aspittannu a Godot.  In: Daniela Guardamagna & Rossana M. Sebellin (editors)., The Tragic Comedy of Samuel Beckett "Beckett in Rome" 17-19 April 2008. Università degli Studi di Roma. "Tor Vergata" o Editori Laterza. 2009. p. 426-429(4)

  10. Astbury, Helen.;
    Killing his texts dead : Beckett's Hiberno-English translations.  In: Plural Beckett Pluriel. Centenary Essays Essais d'un Centenaire. Ed. by Paulo Eduardo Carvalho, Rui Carvalho Homem. 2008. p. 189-197(9)

  11. Atkins, Emily.;
    "Study That Tree": The Iconic Stage in Purgatory and Waiting for Godot.  In: The South Carolina Review, vol. 39, no. 2(Spring 2007), p.66-77(12)
     
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  12. Bailey, Iain.;
    Beckett, Drama, and the Writing on the Wall.  In: Daniela Guardamagna & Rossana M. Sebellin (editors)., The Tragic Comedy of Samuel Beckett "Beckett in Rome" 17-19 April 2008. Università degli Studi di Roma. "Tor Vergata" o Editori Laterza. 2009. p. 143-155(13)

  13. Banville, John.;
    Beckett's Last Words.  In: Samuel Beckett : 100 Years : Centenary Essays. edited by Christopher Murray. New Island, 2006. p. 122-131(10)

  14. Barker, Stephen.;
    Qu'est~ce qite c'est d'apres in Beckettian Time.  In: Beckett after Beckett, S. Gontarski and A. Uhlmannn ed., University Press of Florida, 2006. ISBN: 0-8130-2909-0, p. 98-115(18)

  15. Barry, Elizabeth.;
    One's Own Company: Agency, Identity and the Middle Voice in the Work of Samuel Beckett.  In: Journal of Modern Literature, Vol. 31, no. 2, Winter 2008, pp. 115-132(18)

  16. Barry, Liz.;
    Beckett, Bourdieu and the Resistance to Consumption.  In: Modernist Cultures, 2(2006):11, p. 31-41(11)

  17. Beach, Lee.;
    Preaching Subversively: The Book of Esther as a Homiletical Model.  In: McMaster Journal of Theology and Ministry 10(2008-2009), p. 75-100(26)

  18. Beckett, Samuel.;
    Letter to Georges Duthuit, 9-10 March 1949.  In: Beckett after Beckett, S. Gontarski and A. Uhlmannn ed., University Press of Florida, 2006. p. 15-21(7)

  19. Begam, Richard.;
    How to Do Nothing with Words, or Waiting for Godot as Performativity.  In: Modern Drama, Vol. 50, no. 2, Summer 2007, pp. 138-167(30)

  20. Belleggia, Lino.;
    The Indiscreet Charm of the Cinematic Eye in Samuel Beckett's Film.  In: Daniela Guardamagna & Rossana M. Sebellin (editors)., The Tragic Comedy of Samuel Beckett "Beckett in Rome" 17-19 April 2008. Università degli Studi di Roma. "Tor Vergata" o Editori Laterza. 2009. p. 389-404(16)

  21. Ben-Zvi, Linda.;
    Beckett and Television: In a Different Context.  In: Modern Drama, Vol. 49, no. 4, Winter 2006, pp. 469-490(22)

  22. Benjamin, Roy.;
    The Stone of Stumbling in Finnegans Wake.  In: Journal of Modern Literature. Bloomington: Winter 2008. Vol. 31, no. 2; p. 66-78(13)

  23. Berlin, Normand.;
    Traffic of our Stage: Beckett's Endgame.  In: The Massachusetts Review. Amherst: Autumn 2009. Vol. 50, no. 3; p. 402-411(10)

  24. Berlin, Normand.;
    Traffic of Our Stage: Godot Returns to Broadway.  In: The Massachusetts Review. Amherst: Winter 2009. Vol. 50, no. 4; p. 632-639(8)

  25. Bianchi, Valentina.;
    Subjectless language: syntactic aspects of Samuel Beckett's "Rockaby".  In: Rivista di grammatica generativa, vol. 31(2006), p. 3-17(15)

  26. Blau, Herbert.;
    Apnea and True Illusion: Breath(less) in Beckett.  In: Modern Drama. Vol. 49, No. 4 (Winter 2006), p. 452-468(17)

  27. Blau, Herbert.;
    Beckett, Samuel (translated by Walter Redfern)."The Commodius Vicus" of Beckett: Vicissitudes of the Arts in the Science of Affliction.  In: Beckett after Beckett, S. Gontarski and A. Uhlmannn ed., University Press of Florida, 2006. p. 22-38(17)

  28. Bloom, Emily C.;
    "The Protestant Thing to Do": Anglo-Irish Performance in James Joyce's Dubliners and Samuel Beckett's All That Fall.  In: Texas Studies in Literature and Language, Vol. 51, no. 1, Spring 2009, pp. 1-16(16)

  29. Bolin, John.;
    'Preserving the Integrity of Incoherence'?: Dostoevsky, Gide and the Novel in Beckett's 1930 Lectures and Dream of Fair to Middling Women.  In: The Review of English Studies, 2009. vol. 60, no. 214, p. 515-537(23)

  30. Borriello, Antonio.;
    Beckett the Euclidean (as is he who interprets him).  In: Daniela Guardamagna & Rossana M. Sebellin (editors)., The Tragic Comedy of Samuel Beckett "Beckett in Rome" 17-19 April 2008. Università degli Studi di Roma. "Tor Vergata" o Editori Laterza. 2009. p. 430-434(5)

  31. Bowles, Hugo.;
    The 'Untellability' of Stories in Endgame.  In: Daniela Guardamagna & Rossana M. Sebellin (editors)., The Tragic Comedy of Samuel Beckett "Beckett in Rome" 17-19 April 2008. Università degli Studi di Roma. "Tor Vergata" o Editori Laterza. 2009. p. 292-304(13)

  32. Boxall, Peter.;
    "There's no Lack of Void": Waste and Abundance in Beckett and DeLillo.  In: SubStance, vol. 37, no. 2, 2008, p. 56-70(15)

  33. Bradby, David.;
    Beckett's Production of Waiting for Godot (Warten auf Godot).  In: S. E. Gontarski, ed., A Companion to Samuel Beckett (Oxford: Blackwell, 2010), pp. 329-345(17)

  34. Brater, Enoch.;
    Beckett and a Way of Thinking. etc.,  In: The Beckett Circle Fall 2006. 28 pp.

  35. Brater, Enoch.;
    The Seated Figure on Beckett's Stage.  In: Daniela Guardamagna & Rossana M. Sebellin (editors)., The Tragic Comedy of Samuel Beckett "Beckett in Rome" 17-19 April 2008. Università degli Studi di Roma. "Tor Vergata" o Editori Laterza. 2009. p. 259-276(18)

  36. Brater, Enoch.;
    Talk about Landscapes: What There Is to Recognize.  In: Modern Drama, Vol. 49, no. 4, Winter 2006, pp. 501-513(13)

  37. Brown, Stephen.;
    Fail better! Samuel Beckett's secrets of business and branding success.  In: Business Horizons (2006) 49, 161-169(9)

  38. Brown, Terence.;
    Beckett and Irish Society.  In: Samuel Beckett : 100 Years : Centenary Essays. edited by Christopher Murray. New Island, 2006. p. 12-22(11)

  39. Bryden, Mary.;
    Clowning with Beckett.  In: S. E. Gontarski, ed., A Companion to Samuel Beckett (Oxford: Blackwell, 2010), pp. 358-371(14)

  40. Bryden, Mary.;
    "Hommage furtif": Cixous's Difficult Love of Beckett.  In: Daniela Guardamagna & Rossana M. Sebellin (editors)., The Tragic Comedy of Samuel Beckett "Beckett in Rome" 17-19 April 2008. Università degli Studi di Roma. "Tor Vergata" o Editori Laterza. 2009. p. 75-85(10)

  41. Bureu Ramos, Nela.;
    Looking Forward to the End. /ou topos/: An Approach to the Art of Samuel Beckett.  In: Miscelánea 34 (2006): p. 31-40(10)
     
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  42. Caretti, Laura.;
    Winnie's Italian Stage.  In: Daniela Guardamagna & Rossana M. Sebellin (editors)., The Tragic Comedy of Samuel Beckett "Beckett in Rome" 17-19 April 2008. Università degli Studi di Roma. "Tor Vergata" o Editori Laterza. 2009. p. 364-374(11)

  43. Carvalho, Paulo Eduardo.;
    Introduction: All that Write.  In: Plural Beckett Pluriel. Centenary Essays Essais d'un Centenaire. Ed. by Paulo Eduardo Carvalho, Rui Carvalho Homem. 2008. p. 7-15(9)

  44. Caselli, Daniela.;
    The Politics of Reading Dante in Beckett's Mercier and / et Camier and "The Calmative" / "Le calmant".  In: Daniela Guardamagna & Rossana M. Sebellin (editors)., The Tragic Comedy of Samuel Beckett "Beckett in Rome" 17-19 April 2008. Università degli Studi di Roma. "Tor Vergata" o Editori Laterza. 2009. p. 20-35(16)

  45. Cavecchi, Mariacristina.;
    Samuel Beckett, Visual Artist.  In: Daniela Guardamagna & Rossana M. Sebellin (editors)., The Tragic Comedy of Samuel Beckett "Beckett in Rome" 17-19 April 2008. Università degli Studi di Roma. "Tor Vergata" o Editori Laterza. 2009. p. 122-142(21)

  46. Chevaillier, Flore.;
    "Something Wrong There": Punning in Comment C'est.  In: Journal of Modern Literature. Bloomington: Winter 2008. Vol. 31, no. 2; p. 133-142 (10)

  47. Clément, Bruno. (translated by Anthony Uhlmann).;
    What the Philosophers Do with Samuel Beckett.  In: Beckett after Beckett, S. Gontarski and A. Uhlmannn ed., University Press of Florida, 2006. p. 116-139(24)

  48. Cohn, Ruby.;
    A Krapp Chronology.  In: Modern Drama, Vol. 49, no. 4, Winter 2006, pp. 514-524(11)

  49. Connor, Steven.;
    Beckett's Atmospheres.  In: Beckett after Beckett, S. Gontarski and A. Uhlmannn ed., University Press of Florida, 2006. p. 52-65(14)

  50. Connor, Steven.;
    Beckett's Low Church. A lecture given at the Beyond Belief symposium, English Institute, Harvard University, 28 September 2007. 20 pp.

  51. Connor, Steven.;
    Looping the Loop: Tape-Time in Burroughs and Beckett. A lecture given in the series Taping the World, University of Iowa, 28 January 2010. 17 pp.

  52. Cordingley, Anthony.;
    The reading eye from scriptura continua to modernism: orality and punctuation between Beckett's L'image and Comment c'est/How It Is.  In: Journal of the Short Story in English. Num?ro 47 (Autumn 2006), 12 pp.

  53. Critchley, Simon.;
    To be or no to be is not not the question: On Beckett's Film.  In: Film-Philosophy, 11.2 August 2007, p. 108-121(14)

  54. Cronin, Anthony.;
    Beckett's Trilogy.  In: Samuel Beckett : 100 Years : Centenary Essays. edited by Christopher Murray. New Island, 2006.p. 81-92(12)

  55. Crosara, Davide.;
    Breathing the Void.  In: Daniela Guardamagna & Rossana M. Sebellin (editors)., The Tragic Comedy of Samuel Beckett "Beckett in Rome" 17-19 April 2008. Università degli Studi di Roma. "Tor Vergata" o Editori Laterza. 2009. p. 113-121(9)
     
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  56. D'hoker, Elke.;
    Self-Consciousness, Solipsism, and Storytelling: John Banville's Debt to Samuel Beckett.  In: Irish University Review, Vol. 36, No. 1, (Spring - Summer, 2006), pp. 68-80(13)

  57. Davies, Matthew.;
    'Someone is looking at me still': The Audience-Creature Relationship in the Theater Plays of Samuel Beckett.  In: Texas Studies in Literature and Language. Vol. 51, No. 1 (Spring 2009), 76-93(18)

  58. Davies, Paul.;
    Strange Weather: Beckett from the Perspective of Ecocriticism.  In: Beckett after Beckett, S. Gontarski and A. Uhlmannn ed., University Press of Florida, 2006. p. 66-78(13)

  59. Deligianni, Anastasia.;
    FriEndgame.  In: Daniela Guardamagna & Rossana M. Sebellin (editors)., The Tragic Comedy of Samuel Beckett "Beckett in Rome" 17-19 April 2008. Università degli Studi di Roma. "Tor Vergata" o Editori Laterza. 2009. p. 375-385(11)

  60. Dilks, Stephen.;
    Portraits of Beckett as a Famous Writer.  In: Journal of Modern Literature. Vol. 29, No. 4 (Summer 2006), p. 161-188(28)

  61. Dilworth, Thomas and Christopher Langlois.;
    The Nietzschean Madman in Beckett's Endgame.  In: The Explicator. Vol. 65, No. 3 (Spring 2007), p. 167-172(6)

  62. Dilworth, Thomas and Goodwin, Mike.;
    Antonin Artaud and the Madman in Beckett's Endgame.  In: The Explicator. Vol. 66, No. 3 (Spring 2008), p. 143-147(5)

  63. Dimock, Wai Chee.;
    Weird Conjunction: "Dante and the Lobster".  In: Beckett after Beckett, S. Gontarski and A. Uhlmannn ed., University Press of Florida, 2006. p. 197-201(5)

  64. Duckworth, Colin.;
    En attendant Godot : Notes on the Manuscript.  In: Australian Journal of French Studies, mai-ao?t 2006, 43 (2), p. 150-167(18)

  65. Dukes, Gerry.;
    The Godot Phenomenon.  In: Samuel Beckett : 100 Years : Centenary Essays. edited by Christopher Murray. New Island, 2006. p. 23-33(11)

  66. Durbach, Errol.;
    Afterword: Ibsen, Beckett, and Uncertainty.  In: Modern Drama. Toronto: Fall 2006. Vol. 49, no. 3; p. 396-401(6)
     
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  67. Eagleton, Terry.;
    Political Beckett?  In: l8:Beckett. Essays by Terry Eagleton & Séamus Kealy. Blackwood Gallery University of Toronto Mississauga. 2006. p. 31-38(8) [Also: New Left Review (2006), Vol. 40, no: 40, p. 67-74(8) ]

  68. Erickson, Jon.;
    Is Nothing to Be Done?  In: Modern Drama. Toronto: Summer 2007. Vol. 50, no. 2; p. 258-275(18)

  69. Faraone, Mario.;
    "Pity we haven't a piece of rope": Beckett, Zen and the Lack of a Piece of Rope.  In: Daniela Guardamagna & Rossana M. Sebellin (editors)., The Tragic Comedy of Samuel Beckett "Beckett in Rome" 17-19 April 2008. Università degli Studi di Roma. "Tor Vergata" o Editori Laterza. 2009. p. 156-173(18)

  70. Feldman, Matthew.;
    After 'The End' of Samuel Beckett: Influences, Legacies, and "Legacees".  In: Beckett's Literary Legacies, edited by Matthew Feldman and Mark Nixon. Cambridge Scholars Publishing, 2007, p. 1-20(20)

  71. Feldman, Matthew.;
    Beckett, Sartre and Phenomenology.  In: Limit(e) Beckett n°0, Spring 2010, ISSN: 2105-1119, pp. 1-26(26)

  72. Florescu, Catalina.;
    From Dialogue and Carnival to Dramatic Characters Gone Aphasic: A Bakhtinian Reading of Samuel Beckett's Krapp's Last Tape, Luigi Pirandello's Henry IV and Eugène Ionesco's Rhinoceros.  In: Vitalpoetics: A Journal of Critical Literary Theory, Vol.1 No.1 2008, 56 pp.

  73. Franklin, Seb.;
    "as from an evil core... the evil spread": Beckett and Horror Cinema.  In: Daniela Guardamagna & Rossana M. Sebellin (editors)., The Tragic Comedy of Samuel Beckett "Beckett in Rome" 17-19 April 2008. Università degli Studi di Roma. "Tor Vergata" o Editori Laterza. 2009. ISBN 978-88-420-9070-0, p. 405-414(10)

  74. Friedman, Alan Warren.;
    Beckett's Musicals.  In: Études Anglaises. Paris: Jan-Mar 2006. Vol. 59, no. 1; p. 47-59 (13)

  75. Friedman, Alan Warren.;
    Samuel Beckett Meets Buster Keaton: Godeau, "Film", and New York.  In: Texas Studies in Literature and Language, Vol. 51, no. 1, Spring 2009, pp. 41-46(6)

  76. Friedman Alan W. and Charles Rossman.;
    Samuel Beckett in Austin and Beyond.  In: Texas Studies in Literature and Language, 51- 1 (Spring 2009) : iv-vii(4)

  77. Frost, Everett C.;
    "No Frills for the love of God": Reading a Staged Reading of Beckett's All That Fall. etc.,  In: The Beckett Circle Fall 2007. 20 pp.

  78. Fusella, Patrizia.;
    Chamber Music and Camera Trio: Samuel Beckett's Second Television Play.  In: Daniela Guardamagna & Rossana M. Sebellin (editors)., The Tragic Comedy of Samuel Beckett "Beckett in Rome" 17-19 April 2008. Università degli Studi di Roma. "Tor Vergata" o Editori Laterza. 2009. ISBN 978-88-420-9070-0, p. 305-323(19)
     
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  79. Gardner, Heather.;
    Company.  In: Daniela Guardamagna & Rossana M. Sebellin (editors)., The Tragic Comedy of Samuel Beckett "Beckettin Rome" 17-19 April 2008. Università degli Studi di Roma. "Tor Vergata" o Editori Laterza. 2009. p. 86-102(17)

  80. Gardiner, Michael.;
    Kelman * Deleuze * Beckett.  In: Journal of Irish and Scottish Studies. vol. 1(2007), no. 1, p. 241-252(12)

  81. Gatten, Brian.;
    The Posthumous Worlds of 'Not I and Play'.  In: Texas Studies in Literature and Language, Vol. 51, no. 1, Spring 2009, pp. 94-101(8)

  82. Gauthier, Brigitte.;
    Beckett vs. Pinter.  In: Cercles, Occasional Papers (2010), p. 1-16(16)

  83. Giovanni, Careri.;
    Time of History and Time Out of History: The Sistine Chapel as Theoretical Object.  In: Art History, June 2007, vol. 30, no: 3, p. 326-348(23)

  84. Gomes, Miguel Ramalhete.;
    "Brief Laugh" : on disguised comedies in Beckett in late 20th century drama.  In: Plural Beckett Pluriel. Centenary Essays Essais d'un Centenaire. Ed. by Paulo Eduardo Carvalho, Rui Carvalho Homem. 2008. p. 105-112(8)

  85. Gontarski, S. E.;
    Greying the Canon: Beckett in Performance.  In: Beckett after Beckett, S. Gontarski and A. Uhlmannn ed., University Press of Florida, 2006. p. 141-157(17)

  86. Gontarski, S.E.;
    Introduction.  In: S. E. Gontarski, ed., A Companion to Samuel Beckett (Oxford: Blackwell, 2010), pp. 1-10(10)

  87. Gontarski, Stanley E.;
    Redirecting Beckett.  In: Daniela Guardamagna & Rossana M. Sebellin (editors)., The Tragic Comedy of Samuel Beckett "Beckett in Rome" 17-19 April 2008. Università degli Studi di Roma. "Tor Vergata" o Editori Laterza. 2009. p. 327-341(15)

  88. Gontarski, Stanley E.;
    Reinventing Beckett.  In: Modern Drama. Vol. 49, No. 4 (Winter 2006), p. p. 428-451(24)

  89. Gontarski, Stanley E.;
    Within a Budding Grove: Publishing Beckett in America.  In: S. E. Gontarski, ed., A Companion to Samuel Beckett (Oxford: Blackwell, 2010), ISBN: 978-1-4051-5869-5. pp. 23-31(9)

  90. Gontarski, S.E. & Ackerley, G.J.;
    The Knowing Non-Exister: Thirteen Ways of Reading Texts for Nothing.  In: S. E. Gontarski, ed., A Companion to Samuel Beckett (Oxford: Blackwell, 2010), ISBN: 978-1-4051-5869-5. pp. 289-295(7)

  91. Gontarski S. and A. Uhlmannn.;
    Afterimages: Introducing Beckett's Ghosts.  In: Beckett after Beckett, S. Gontarski and A. Uhlmannn ed., University Press of Florida, 2006. p. 1-14(14)

  92. Goodall, Jane R.;
    Lucky's Energy.  In: Beckett after Beckett, S. Gontarski and A. Uhlmannn ed., University Press of Florida, 2006. p. 187-196(10)

  93. Gordon, Lois.;
    Samuel Beckett and Waiting for Godot.  In: S. E. Gontarski, ed., A Companion to Samuel Beckett (Oxford: Blackwell, 2010), pp. 32-47(16)

  94. Grene, Nicholas.;
    The Hibernicization of En attendant Godot.  In: Etudes irlandaises, 2008, vol. 33, n° 2, pp. 135-144(10)

  95. Groninger, Hunter. & Childress, Marcia Day.;
    Samuel Beckett's Rockaby : Dramatizing the Plight of the Solitary Elderly at Life's End.  In: Perspectives in Biology and Medicine, Vol. 50, no. 2, Spring 2007, pp. 260-275(16)

  96. Guardamagna, Daniela.;
    Cecchi's Endgame, and the Question of Fidelity.  In: Daniela Guardamagna & Rossana M. Sebellin (editors)., The Tragic Comedy of Samuel Beckett "Beckett in Rome" 17-19 April 2008. Università degli Studi di Roma. "Tor Vergata" o Editori Laterza. 2009. p. 342-354(13)

  97. Guardamagna, Daniela and Sebellin, Rossana M.:
    Introduction.  In: Daniela Guardamagna & Rossana M. Sebellin (editors)., The Tragic Comedy of Samuel Beckett "Beckett in Rome" 17-19 April 2008. Università degli Studi di Roma. "Tor Vergata" o Editori Laterza. 2009. p. XI-XVIII(8)

  98. Güçbilmez, Beliz.;
    An Uncanny Theatricality: the Representation of the Offstage.  In: New Theatre Quarterly, 23(2007), pp 152-160(9)
     
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  99. Hansen, Jim.;
    Samuel Beckett's Catastrophe and the Theater of Pure Means.  In: Contemporary Literature. Madison: Winter 2008. Vol. 49, no. 4; p. 660-682(23)

  100. Hayman, David.;
    How Two Love Letters Elicited a Singular Third Person: Generating a Watt.  In: Beckett after Beckett, S. Gontarski and A. Uhlmannn ed., University Press of Florida, 2006. ISBN: 0-8130-2909-0, p. 202-212(11)

  101. Herren, Graley.;
    Beckett on Television.  In: S. E. Gontarski, ed., A Companion to Samuel Beckett (Oxford: Blackwell, 2010), pp. 389-402(14)

  102. Hornby, Richard.;
    Beckett at 102.  In: The Hudson Review. New York: Spring 2008. Vol. 61, Iss. 1; p. 165-171 (7)

  103. Hornby, Richard.;
    Star Vehicles.  In: The Hudson Review. New York: Autumn 2009. Vol. 62, no. 3; p. 456-462 (7)

  104. Hramova, Tatyana.;
    The Study of Names in Samuel Beckett's Texts: Problems and Prospects.  In: Names: A Journal of Onomastics, March 2010, Vol. 58, no. 1, p. 5-12(8)

  105. Huchings, William.;
    "In the Old Style," Yet Anew: Happy Days in the "AfterBeckett".  In: S. E. Gontarski, ed., A Companion to Samuel Beckett (Oxford: Blackwell, 2010), pp. 308-325(18)

  106. Hulle, Dirk van.;
    Figures of Script: The Development of Beckett's Short Prose and the "Aesthetic of Inaudibilities".  In: S. E. Gontarski, ed., A Companion to Samuel Beckett (Oxford: Blackwell, 2010), pp. 244-261(18)

  107. Irigaray, Luce.;
    The Path Toward the Other.  In: Beckett after Beckett, S. Gontarski and A. Uhlmannn ed., University Press of Florida, 2006. pp. 39-51(13)

  108. Iser, Wolfgang.;
    Erasing Narration: Samuel Beckett's 'Malone Dies' and 'Texts for Nothing'.  In: Partial Answers: Journal of Literature and the History of Ideas, Vol. 4, no. 2, June 2006, pp. 1-18(18)

  109. Janus, Adrienne.;
    From "Ha he hi ho hu. Mummum" to "Haw! Hell! Haw!": Listening to Laughter in Joyce and Beckett.  In: Journal of Modern Literature, Vol. 32, no. 3, Spring 2009, pp. 144-166(23)

  110. Janus, Adrienne.;
    In One Ear and Out the Other: Beckett…. Mahon, Muldoon.  In: Journal of Modern Literature. Vol. 30, No. 2 (2007), p.180-196(17)

  111. Javadi, Iman.;
    The English Reception of Dante's De vulgari eloquentia.  In: Forum for Modern Language Studies, 19 July 2008, vol. 44, no. 3, p. 295-306(12)

  112. Jesson, James.;
    "White World. Not a Sound": Beckett's Radioactive Text in 'Embers'.  In: Texas Studies in Literature and Language, Vol. 51, no. 1, Spring 2009, pp. 47-65(19)

  113. Juliet, Charles.;
    from Encounters with Samuel Beckett.  In: Review of Contemporary Fiction. Normal: Summer 2008. Vol. 28, no. 2; p. 119-126 (8)

  114. Jungsoo, Kim.;
    Res Videns: The Subject and Vision in the Plays of Samuel Beckett, Sam Shepard, and Harold Pinter. Dissertation. Indiana University, August 2008. 239 pp.
     
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  115. Kalb, Jonathan.;
    American Playwrights on Beckett.  In: PAJ: A Journal of Performance and Art, Vol. 29, no. 1, January 2007, pp. 1-20(20)

  116. Kalb, Jonathan.;
    Beckett After Beckett.  In: Salmagundi. Saratoga Springs: Fall 2008-Winter 2009. no. 160, p. 140-150 (11)

  117. Katz, Danièle.;
    Beckett's Absent Paris: Malone Dies, Céline, and the Modernist City.  In: Études Anglaises. Paris: Jan-Mar 2006. Vol. 59, no. 1; p. 7-17(11)

  118. Kearney, Richard.;
    Imagination Wanted: Dead or Alive.  In: Samuel Beckett : 100 Years : Centenary Essays. edited by Christopher Murray. New Island, 2006. pp. 111-121(11)

  119. Keatinge, Benjamin.;
    Beckett and Language Pathology.  In: Journal of Modern Literature, Vol. 31, no. 4, Summer 2008, pp. 86-101(16)

  120. Keatinge, Benjamin.;
    The hammers of the stone-cutters: Samuel Beckett's stone imagery,  In: Irish University Review, 2007, vol. 37; no. 2, p. 322-339(8)

  121. Kealy, Séamus.;
    Ten Texts for l8:Beckett.  In: l8:Beckett. Essays by Terry Eagleton & Séamus Kealy. Blackwood Gallery University of Toronto Mississauga. 2006. p. 41-72(32)

  122. Kennedy, Patrick.;
    The Letters of Samuel Beckett: Volume I, 1929-1940.  In: MLN. Baltimore: Dec 2009. Vol. 124, no. 5; p. 1223-1232 (10)

  123. Kermany, Vaziri Nasab Fereshteh.;
    Towards Delogocentrism: A study of the Dramatic works of Samuel Beckett, Tom Stoppard and Caryl Churchill. Dissertation. Johann-Wolfgang-Goethe-Universität, Oktober 2008. 217 pp.

  124. Kiberd, Declan.;
    Murphy and the World of Samuel Beckett.  In: Samuel Beckett : 100 Years : Centenary Essays. edited by Christopher Murray. New Island, 2006. p. 34-47(14)

  125. Kintzele, Paul.;
    Sacrifice, Inhibition, and Oedipal Fantasy in Krapp's Last Tape.  In: Modern Drama, Volume 52, Number 2, Summer 2009, pp. 207-219(13)

  126. Kirschen, Robert M.;
    The Influences of and on Samuel Beckett. [Review]  In: Journal of Modern Literature, Volume 31, Number 2, Winter 2008, pp. 143-148(6)

  127. Knowlson, James.;
    A Writer's Homes - A Writer's Life.  In: S. E. Gontarski, ed., A Companion to Samuel Beckett (Oxford: Blackwell, 2010), pp. 13-21(9)

  128. Knowlson, James.;
    All that Fall on Stage. etc.,  In: The Beckett Circle Fall 2008. 24 pp.

  129. Knowlson, Jim.;
    Beckett's Passion for Art - A Biographical Note.  In: The Beckett Circle Spring 2008. 22 pp.
     
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  130. Lawlor, Sean.;
    The "Dream" Poems: Poems in Personae.  In: S. E. Gontarski, ed., A Companion to Samuel Beckett (Oxford: Blackwell, 2010), pp. 228-243(16)

  131. Lazzarini, Giulia.;
    Remembering Happy Days.  In: Daniela Guardamagna & Rossana M. Sebellin (editors)., The Tragic Comedy of Samuel Beckett "Beckett in Rome" 17-19 April 2008. Università degli Studi di Roma. "Tor Vergata" o Editori Laterza. 2009. p. 417-425(9)

  132. Lecossois, Hélène.;
    Samuel Beckett and Matéi Visniec : from One Godot to the Last.  In: Plural Beckett Pluriel. Centenary Essays Essais d'un Centenaire. Ed. by Paulo Eduardo Carvalho, Rui Carvalho Homem. 2008. p. 93-104(12)

  133. Lister, Samuel John.;
    "Disappointed Bridges": Language, Identity and Historiography in the Works of James Joyce and Samuel Beckett.Thesis. University of Canterbury, 2008. 188 pp.

  134. Locatelli, Carla.;
    Ways of Beckett's Poems: "il se passé devant / allant sans but".  In: Daniela Guardamagna & Rossana M. Sebellin (editors)., The Tragic Comedy of Samuel Beckett "Beckett in Rome" 17-19 April 2008. Università degli Studi di Roma. "Tor Vergata" o Editori Laterza. 2009. p. 177-189(13)

  135. Lu, Li.;
    The principal artistic features in Krapp's Last Tape.  In: Sino-US English Teaching, ISSN1539-8072, Feb. 2009, Volume 6, No.2 (Serial No.62), p. 42-44(3)

  136. Lucey, Michael.;
    Aesthetic Apprehension and the Novel.  In: PMLA. Publications of the Modern Language Association of America. New York: Mar 2010. Vol. 125, no. 2; p. 404-409(6)

  137. Lulka, David.;
    The intimate hybridity of roadkill: A Beckettian view of dismay and persistence.  In: Emotion, Space and Society, Vol. 1, no. 1, October 2008, p. 38-47(10)

  138. Lunberry, Clark.;
    "Staring Sightlessly": Prousts's Presence in Beckett's Absence.  In: Journal of Dramatic Theory and Criticism, Vol. XXII, No. 1: Fall 2007, p. 53-63 (11)
     
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  139. MacKenzie, Gina Masucci.;
    Reading Beckett's Chora. [Review].  In: Journal of Modern Literature, Vol. 32, no. 3, Spring 2009, pp. 167-175(9)

  140. Mackenzie, Gina Masucci.;
    What Is the Theater of the Real?  In: Mackenzie, Gina Masucci., The Theatre of the Real Yeats, Beckett, and Sondheim. The Ohio State University Press, Columbus. 2008. p. 1-39(39)

  141. Mainmaitiming, Aila.;
    Nothing But Dust: A Philosophical Approach to the Problem of Identity and Anonymity in Samuel Beckett's Trilogy.  In: The Philosophical Forum, Spring 2009, vol. 40, no. 1, p. 127-147(21)

  142. Mayhew, Jonathan.;
    Fragments of a Late Modernity: José Angel Valente and Samuel Beckett.  In: Comparative Literature, Jan 2007; 59: no. 3, p. 228-240(13)

  143. Mays, J.C.C.:
    Beckett as Poet:Verse, Poetry, Prose Poems.  In: Samuel Beckett : 100 Years : Centenary Essays. edited by Christopher Murray. New Island, 2006. pp. 48-58(11)

  144. McCarthy, Patrick A.;
    Molloy, or Life without a Chambermaid.  In: S. E. Gontarski, ed., A Companion to Samuel Beckett (Oxford: Blackwell, 2010), pp. 263-274(12)

  145. McDonald, Rónán.;
    Groves of Blarney: Beckett's Academic Reception in Ireland.  In: Plural Beckett Pluriel. Centenary Essays Essais d'un Centenaire.Ed. by Paulo Eduardo Carvalho, Rui Carvalho Homem. 2008. p. 33-51(19)

  146. McGovern, Barry.;
    Beckett and the Radio Voice.  In: Samuel Beckett : 100 Years : Centenary Essays. edited by Christopher Murray. New Island, 2006. ISBN: 1905494084, p. 132-144(13)

  147. McCarthy, Sean.;
    Giving Sam a Second Life: Beckett's Plays in the Age of Convergent Media.  In: Texas Studies in Literature and Language, Vol. 51, no. 1, Spring 2009, pp. 102-117(16)

  148. McKee, Alexander.;
    Breaking the Habit: Samuel Beckett's Critique of Irish-Ireland.  In: New Hibernia Review, Vol. 14, no. 1, Spring 2010, pp. 42-58(17)

  149. McMullan, Anna.;
    History in Tatters : Bodies and Things in Samuel Beckett's Theatre.  In: Etudes britanniques contemporaines (Montpellier) A. 2008, n°35, p. 27-37(11)

  150. Mehta, Xerxes.;
    "Down, all going down …": The Spiral Structure of Beckett's Theater.  In: S. E. Gontarski, ed., A Companion to Samuel Beckett (Oxford: Blackwell, 2010), pp. 372-388(17)

  151. Mellamphy, Dan.;
    A Look Anew at Beckett's Other Peg.  In: Modern Drama. Vol. 49, No. 4(Winter 2006), p. 491-500(10)

  152. Meyer, Franz Michael.;
    The Idea of Melodic Connection in Samuel Beckett.  In: Journal of the American Musicological Society, 61(2008), 2, p. 373-410(38)

  153. Meyers, Jeffrey.;
    Samuel Demands the Muse: Johnson's Stamp on Imaginative Literature.  In: Antioch Review 65, no. 1 (Winter 2007): p. 39-49(11)

  154. Milaneschi, Francesca.;
    From Watt to Watt: Samuel Beckett auto-traduttore.  In: Quaderno del Dipartimento: Francesistica. Anno 2008. pp. 187-207(21)

  155. Milutinovic, Zoran.;
    The death of representation and the representation of death: Ionesco, Beckett, and Stoppard (Eugene Ionesco, Samuel Beckett, Tom Stoppard).  In: Comparative drama 2006, 40, p. 337-364(28)

  156. Minghella, Anthony.;
    Play it again, Sam.  In: New Statesman. London: Mar 20, 2006. Vol. 19, no. 903; p. 40-42 (3)

  157. Monty, Julie Anne.;
    Textualizing the Future: Godard, Rochefort, Beckett and Dystopian Discourse. Dissertation. The University of Texas at Austin. December 2006. 235 pp.

  158. Mooney, Sinéad.;
    Beckett in French and English.  In: S. E. Gontarski, ed., A Companion to Samuel Beckett (Oxford: Blackwell, 2010), pp. 196-208(13)

  159. Mooney, Sinéad.;
    Unstable Compounds: Bowen's Beckettian Affinities.  In: MFS Modern Fiction Studies, Vol. 53, no. 2, Summer 2007, pp. 238-256(19)

  160. Mooney, Susan.;
    Malone Dies: Postmodernist Masculinity.  In: S. E. Gontarski, ed., A Companion to Samuel Beckett (Oxford: Blackwell, 2010), pp. 275-288(14)

  161. Moorjani, Angela.;
    Beckett's Second Skins. etc.,  In: The Beckett Circle Spring 2006. 28 pp.

  162. Moran, Dermot.;
    Beckett and Philosophy.  In: Samuel Beckett : 100 Years : Centenary Essays. edited by Christopher Murray. New Island, 2006. pp. 93-110(18)

  163. Mount, Nick.;
    Waiting for Godot without Existentialism.  In: Raritan. New Brunswick: Fall 2008. Vol. 28, no. 2; p. 24-34(11)

  164. Murphe, Julian.;
    Beckett's televisual modernism.  In: The Critical Quarterly. Hull: Jul 2009. Vol. 51, no. 2; p. 60-78(19)

  165. Murray, Christopher.:
    Introduction: Panting on to a Hundred.  In: Samuel Beckett : 100 Years : Centenary Essays. edited by Christopher Murray. New Island, 2006. pp. 1-11(11)
     
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  166. Nelson, Cassandra.;
    Two Allusions in the Provisional Title for Samuel Beckett's More Pricks than Kicks.  In: Notes and Queries, June 2010; 57: no. 2, p. 239-240(2)

  167. Nixon, Mark.;
    Beckett and Germany in the 1930s: The Development of a Poetics.  In: S. E. Gontarski, ed., A Companion to Samuel Beckett (Oxford: Blackwell, 2010), pp. 130-142(13)

  168. Nixon, Mark.;
    Solitude(s) and creative fidgets : Beckett reading Rainer Maria Rilke.  In: Litteraria Pragensia, vol. 17 (2007), no. 33, p. 6-18(13)

  169. Nkengasong, John Nkemngong.;
    Samuel Beckett, Wole Soyinka, and the Theatre of Desolate Reality.  In: Journal of African Literature and Culture, 3(2006), p. 153-175(23)

  170. Nygaard, John.;
    Ibsen before Beckett / Beckett'ten Önce Íbsen.  In: Tiyatro Araştιrmalarι Dergisi, 23:2007, p. 99-116(18)

  171. O'Hara, Dan.;
    What Goes 'Ping' in Beckett's Ping?  In: Notes and Queries, June 2007; 54: no. 2, p. 184-186(3)

  172. Ogden, Benjamin H.;
    What Philosophy Can't Say About Literature: Stanley Cavell and Endgame.  In: Philosophy and Literature, 33-1 (April 2009) : p. 126-138(13)

  173. Orlandini, Lorenzo.;
    "A Limbo purged of desire": Body and Sexuality in Beckett's Dream of Fair to Middling Women.  In: Daniela Guardamagna & Rossana M. Sebellin (editors)., The Tragic Comedy of Samuel Beckett "Beckett in Rome" 17-19 April 2008. Università degli Studi di Roma. "Tor Vergata" o Editori Laterza. 2009. pp. 238-253(16)
     
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  174. Pattie, David.;
    Beckett and Obsessional Ireland.  In: S. E. Gontarski, ed., A Companion to Samuel Beckett (Oxford: Blackwell, 2010), pp. 182-195(14)

  175. Pearson, Nels C.;
    Outside of Here It's Death': Co-Dependency and the Ghosts of Decolonization in Beckett's 'Endgame.'  In: ELH. Vol. 68, No. 1 (Spring 2001), p. 215-239(25)

  176. Penet-Astbury, Helen;
    Rough for Theatre I and II and why they stayed that way, or when Beckett's french theatre became irish again.  In: Etudes irlandaises 2008, 33, p. 125-133(9)

  177. Perloff, Marjorie.;
    Beckett the Poet.  In: S. E. Gontarski, ed., A Companion to Samuel Beckett (Oxford: Blackwell, 2010), pp. 211-226(16)

  178. Perloff, Marjorie.;
    Presidential Address 2006: It Must Change.  In: PMLA. Publications of the Modern Language Association of America. New York: May 2007. Vol. 122, no. 3; p. 652-662(11)

  179. Pierce, David.;
    Reflections on Irish Writing in 2009.  In: Estudios Irlandeses, Number 5, 2010, pp. 157-165(9)

  180. Pilling, John.;
    Beckett and Italian Literature (after Dante).  In: Daniela Guardamagna & Rossana M. Sebellin (editors)., The Tragic Comedy of Samuel Beckett "Beckett in Rome" 17-19 April 2008. Università degli Studi di Roma. "Tor Vergata" o Editori Laterza. 2009. pp. 5-19(15)

  181. Pilling, John.;
    Beckett and Mauthner Revisited.  In: Beckett after Beckett, S. Gontarski and A. Uhlmannn ed., University Press of Florida, 2006. pp. 158-166(9)

  182. Pilling, John.;
    A Critique of Aesthetic Judgment: Beckett's "Dissonance of Ends and Means".  In: S. E. Gontarski, ed., A Companion to Samuel Beckett (Oxford: Blackwell, 2010), pp. 63-72(10)

  183. Poiana, Peter.;
    The On-tology of Beckett's 'Nohow On'.  In: SubStance, Vol. 38, no. 2, 2009, p. 136-153(18)

  184. Portillo, Michael.;
    His master's voice. Two Shots of Pure Misery give Beckett addicts an uplifting fix.  In: New Statesman. London: Apr 10, 2006. Vol. 19, no. 906; p. 47 (1 page)

  185. Pountney, Rosemary.;
    Stringent Demands: Aspects of Beckett in Performance.  In: Daniela Guardamagna & Rossana M. Sebellin (editors)., The Tragic Comedy of Samuel Beckett "Beckett in Rome" 17-19 April 2008. Università degli Studi di Roma. "Tor Vergata" o Editori Laterza. 2009. pp. 355-363(9)

  186. Rabaté, Jean-Mechel.;
    Philosophizing with Beckett: Adorno and Badiou.  In: S. E. Gontarski, ed., A Companion to Samuel Beckett (Oxford: Blackwell, 2010), pp. 97-116(20)

  187. Roche, Anthony.;
    Samuel Beckett: The Great Plays after Godot.  In: Samuel Beckett : 100 Years : Centenary Essays. edited by Christopher Murray. New Island, 2006. pp. 59-69(11)

  188. Rodriguez-Gago, Antonia.;
    Staging Beckett in Spain: Theater and Politics.  In: S. E. Gontarski, ed., A Companion to Samuel Beckett (Oxford: Blackwell, 2010), pp. 403-414(12)

  189. Ross, Ciaran.;
    'Where Do We Come In ?': Responding to Otherness in Waiting for Godot.  In: Études Anglaises, janvier-mars 2006, 59(1), p. 75-90(16)

  190. Rosset, Barney.;
    Beginning to End: Publishing and Producing Beckett.  In: S. E. Gontarski, ed., A Companion to Samuel Beckett (Oxford: Blackwell, 2010), pp. 48-60(13)

  191. Rudman, Mark.;
    The Book of Samuel.  In: New England Review. Middlebury: 2007. Vol. 28, no. 2; p. 38-57 (20)
     
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  192. Salmon-Bitton, Nirit.;
    Himself He Devises Too for Company: Self-Making in Samuel Beckett's Company.  In: Literature and Medicine, Vol. 25, no. 1, Spring 2006, pp. 142-155(14)

  193. Santoro, Roberta Cauchi.;
    Marinetti and Beckett: A Theatrical Continuum.  In: Daniela Guardamagna & Rossana M. Sebellin (editors)., The Tragic Comedy of Samuel Beckett "Beckett in Rome" 17-19 April 2008. Università degli Studi di Roma. "Tor Vergata" o Editori Laterza. 2009. pp. 103-112(10)

  194. Sebellin, Rossana M.;
    Bilingualism and Bi-textuality: Samuel Beckett's Double Texts.  In: Daniela Guardamagna & Rossana M. Sebellin (editors)., The Tragic Comedy of Samuel Beckett "Beckett in Rome" 17-19 April 2008. Università degli Studi di Roma. "Tor Vergata" o Editori Laterza. 2009. pp. 39-56(18)

  195. Seixas, Paula.;
    A bush is not a shrub : on the translation of Beckett's word games in "Waiting for Godot".  In: Plural Beckett Pluriel. Centenary Essays Essais d'un Centenaire. Ed. by Paulo Eduardo Carvalho, Rui Carvalho Homem. 2008. p. 199-209(11)

  196. Serôdio, Maria Helena.;
    Staging Voices.  In: Plural Beckett Pluriel. Centenary Essays Essais d'un Centenaire. Ed. by Paulo Eduardo Carvalho, Rui Carvalho Homem. 2008. p. 73-91(19)

  197. Shane Weller.;
    Some Experience of the Schizoid Voice: Samuel Beckett and the Language of Derangement.  In: Forum for Modern Language Studies, January 2009, vol. 45, no. 1, p. 32-50(19)

  198. Sharkey, Rodney.;
    From Hardware to Software, or "Rocks, Cocks, Creation, Defecation, and Death": Reading Joyce and Beckett in the Fourth Dimension.  In: Texas Studies in Literature and Language, Vol. 51, no. 1, Spring 2009, pp. 28-40(13)

  199. Sheehan, Paul.;
    Births for Nothing: Beckett's Ontology of Parturition,  In: Beckett after Beckett, S. Gontarski and A. Uhlmannn ed., University Press of Florida, 2006. pp. 177-186(10)

  200. Sherman, David.;
    Is Narrative Fundamental?: Beckett's Levinasian Question in Malone Dies.  In: Journal of Modern Literature, Vol. 32, no. 4, Summer 2009, pp. 65-81(17)

  201. Shields, Paul.;
    What We Are Given to Mean: Endgame.  In: S. E. Gontarski, ed., A Companion to Samuel Beckett (Oxford: Blackwell, 2010), pp. 296-307(12)

  202. Sidnell, Michael J.;
    Beckett's Sacrifice of Archaic Theatre on the Altar of Modernism.  In: @nalyses. Fall 2007. p. 92-114(23)

  203. Steiner, Peter.;
    'But Isn't He a Parody?' Gustav Shpet's Aesthetic Fragments, III.  In: Slavonica, Vol. 15, Number 1, April 2009, pp. 3-10(8)

  204. Stevens, Brett.;
    A Purgatorial Calculus: Beckett's Mathematics in "Quad".  In: S. E. Gontarski, ed., A Companion to Samuel Beckett (Oxford: Blackwell, 2010), pp. 164-181(18)
     
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  205. Taunton, Matthew.;
    Realism, Modernism and the General: Beckett, Lukács, Adorno.  In: Static. Issue 08, General . The London Consortium. December 2008, 13 pp.

  206. Taylor-Batty, Juliette.;
    Imperfect Mastery: The Failure of Grammar in Beckett's L'Innommable.  In: Journal of Modern Literature, Vol. 30, no. 2, Winter 2007, pp. 163-179(17)

  207. Thurston, Luke.;
    Outselves: Beckett, Bion and Beyond.  In: Journal of Modern Literature, Vol. 32, no. 3, Spring 2009, pp. 121-143(23)

  208. Tremel, Justin.;
    "Thought of everything? . . . Forgotten nothing?": (Re-)Editing Beckett's 'Eh Joe'  In: Texas Studies in Literature and Language, Vol. 51, no. 1, Spring 2009, pp. 66-75(10)

  209. Tucker, David.;
    Murphy, Geulincx and an Occasional(ist) Game of Chess.  In: Daniela Guardamagna & Rossana M. Sebellin (editors)., The Tragic Comedy of Samuel Beckett "Beckett in Rome" 17-19 April 2008. Università degli Studi di Roma. "Tor Vergata" o Editori Laterza. 2009. pp. 190-209(20)

  210. Uhlmann, Anthony.;
    Beckett and Philosophy.  In: S. E. Gontarski, ed., A Companion to Samuel Beckett (Oxford: Blackwell, 2010), pp. 84-95(12)

  211. Ullyot, Jonathan.;
    Adorno's Comment c'est.  In: Comparative Literature. Eugene: Fall 2009. Vol. 61, no. 4; p. 416-431(16)
     
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  212. Valentine, John.;
    Nihilism and the Eschaton in Samuel Beckett's Waiting for Godot.  In: Florida Philosophical Review, Vol. IX, no. 2, Winter 2009. p. 136-147(12)

  213. Van Hulle, Dirk.;
    Hesitancy in Joyce's and Beckett's Manuscripts.  In: Texas Studies in Literature and Language, Vol. 51, no. 1, Spring 2009, pp. 17-27(11)

  214. Van Hulle Dirk and Nixon, Mark.;
    Beckett's Library -From Marginalia to Notebooks.  In: Daniela Guardamagna & Rossana M. Sebellin (editors)., The Tragic Comedy of Samuel Beckett "Beckett in Rome" 17-19 April 2008. Università degli Studi di Roma. "Tor Vergata" o Editori Laterza. 2009. pp. 57-71(14)

  215. Vasconcelos, Filomena.;
    Beckett and surrealism in Dalí : the language and ideology of absurd.  In: Plural Beckett Pluriel. Centenary Essays Essais d'un Centenaire. Ed. by Paulo Eduardo Carvalho, Rui Carvalho Homem. 2008. p. 153-167(15)

  216. Verhulst, Pim.;
    Spatio-geographical abstraction in Samuel Beckett's Not I/Pas moi.  In: English Text Construction, August 2008, vol. 1, no. 2, p. 267-280(14)

  217. Warner, Marina.;
    "Who can shave an egg?": Beckett, Mallarmé, and Foreign Tongues.  In: Raritan. New Brunswick: Spring 2008. Vol. 27, no. 4; p. 62-90(29)

  218. Weller, Shane.;
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