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Maya, Angelou(アンジェロウ)研究論文

 Maya, Angelou(マヤ・アンジェロウ)研究の論文と書評を紹介しています。
 ここで紹介する論文・書評は企画商品CD「黒人文学」のBAM後のMaya, Angelou に収録しています。

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  1. Angaza, Maitefa.;
    A precious prism Maya.  In: Black Issues Book Review. Fairfax: Mar/Apr 2001. vol. 3, no. 2; pp. 30-33(4)

  2. Angelou, Maya.;
    Getups.  In: Read. Stamford: Feb 24, 2006. vol. 55, no. 13; pp. 26-30(5)

  3. Angelou, Maya.;
    Grandma's Plans.  In: Essence. New York: Dec 2004. vol. 35, no. 8; p. 141 (1)

  4. Angelou, Maya.;
    If I knew then.  In: Essence. New York: May 2000. vol. 31, no. 1; pp. 172-174 (3)

  5. Angelou, Maya.;
    Maya's millennium song.  In: Ebony. Chicago: Dec 1999. vol. 55, no. 2; p. 143 (1)

  6. Angelou, Maya.;
    'Phenomenal Mothers I Have Known'.  In: Ebony. Chicago: May 2004. vol. 59, no. 7; pp. 22-23(2)

  7. Ann ,Gillespie, Marcia.;
    Maya Angelou: Lessons in Living.  In: Essence. New York: Dec 1992. vol. 23, no. 8; pp. 48-52 (5)

  8. Arensberg, Liliane K.;
    Death as Metaphor of Self in I Know Why the Caged Bird Sings.  In: College Language Association Journal 20.2 (1976): pp. 273-296(24)

     


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  9. Bell, E.;
    The bicultural life experiences of career-oriented Black women.  In: Journal of Organizational Behavior 11(1990), no. 6, pp. 459-477(19)

  10. Bell, Ella. L. J. & Nkomo, Stella. M.;
    Armoring: Learning to Withstand Racial Oppression.  In: Journal of Comparative Family Studies. 29(1998), no. 2, pp. 285-295(11)

  11. Bloom Lynn Z.;
    Maya Angelou.  In: Dictionary of Literary Biography. Vol. 38. Detroit: Gale, 1985. pp. 3-12(10)

  12. Bolster, Jen.;
    Maya Angelou enthralls UMD.  In: The Torch, Thursday, 51, no. 11(November 18, 2004) , pp. 1-7(7)

  13. Braendlin, Bonnie.;
    Who Speaks (for) Autobiography?  In: CEA Critic, 57(Fall 1994), p. 9-19(11)

  14. Breeze, Jean.;
    Planted by the Waters: A Tribute to Maya Angelou.  In: The Black Scholar. San Francisco: Summer 1999. vol. 29, no.2/3; pp. 9-11(3)

  15. Buss,-Helen-M.;
    Reading for the Doubled Discourse of American Women's Autobiography.  In: A/B:-Autobiography-Studies, Chapel Hill, NC (ABSt). 6(1991), no. 1, pp. 95-108(14)

  16. Chrisman Robert.;
    The Black Scholar Interviews Maya Angelou.  In: Black Scholar, 8(1988), no. 4,: pp. 44-53(11)

  17. Coulthard, A.R.;
    Poetry as Politics: Maya Angelou's Inaugural Poem, "On the Pulse of Morning".  In: Notes on Contemporary Literature, 28.1 (1998): pp. 2-5(4)

     


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  18. Danahay, Martin A.;
    Breaking the Silence: Symbolic Violence and the Teaching of Contemporary 'Ethnic' Autobiography.  In: College Literature 18.3 (October 1991): pp. 64-79(16)

  19. Danahy, Martin A.;
    Breaking the Silence: Symbolic Violence and the Teaching of Contemporary " Ethnic" Autobiography".  In: College Literature 18.3 (1991): 64-79(16) . ISSN:0093-3139

  20. Davis, Mary.;
    Becoming: A Course in Autobiography.  In: English Journal 74 (March 1985): 34-37(4). 0013-8274

  21. Doan, Carrie.;
    'Subversive stories and hegemonic tales' of child sexual abuse: from expert legal testimony to television talk shows.  In: International Journal of Law in Context. Cambridge: Sep 2005. vol. 1, no. 3; pp. 295-309(15)

  22. Donaldson, Daniel P.;
    Teaching geography's four traditions with poetry.  In: Journal of Geography. Jan/Feb 2001. vol. 100, no. 1; pp. 24-31(8)

  23. Eleanor, Mayer, J.;
    Neighborhoods: Maya Angelou's "Harlem Hopscotch.  In: English Journal (High school edition). Urbana: Sep 1988. vol. 77, no. 5; pp. 86-88(3)

  24. Estes-Hicks, Onita.;
    The Way We Were: Precious Memories of the Black Segregated South.  In: African American Review , 27.1(Spring 1993): pp. 9-18(10)

  25. Farewell, Hillary.;
    Clinton on Ann Richards; Maya Angelou on Coretta Scott King; Jay Leno on Steve Irwin.  In: Time, 2006, vol. 168, no. 26, pp. 165-177(13)

  26. Farewell, Hillary.;
    Maya Angelou on Coretta Scott King, Carla del Ponte on Slobodan Milosevic and Jay Leno on Steve Irwin.  In: Time, 2006, vol. 168, no. 27/28, pp. 99-103(5)

  27. Fox-Genovese, Elizabeth.;
    Myth and history: Discourse of origins in Zora Neale Hurston and Maya Angelou.  In: Black American Literature Forum, 24.2 (Summer 1990): pp. 221-235(15)

  28. Froula, Christine.;
    The Daughter's Seduction: Sexual violence and Literary History.  In: Signs: Journal of Women in Culture and Society, 11(1986), no..4, pp. 621-644(24)

  29. Funderburg, Lise.;
    Power moves.  In: Essence. New York: Aug 1998. vol. 29, no. 4; pp. 70-76 (7)

     


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  30. Glazier, Jocelyn A..;
    Moving Closer To Speaking the Unspeakable: White Teachers Talking about Race.  In: Teacher Education Quarterly Winter 2003. Vol. 30, Iss. 1; p. 73-94(22)

  31. Grant, Adam.;
    A voice of power: The Maya Angelou story.  In: Scholastic Scope. New York: Nov 29/Dec 6, 2002. vol. 51, no. 7/8; pp. 4-12(9)

  32. Gruesser, John C.;
    Afro-American Travel Literature and Africanist Discourse.  In: Black American Literature Forum 24.1 (1990): pp. 5-20(16)

  33. Harkins, Gillian.;
    Surviving the Family Romance? Southern Realism and the Labor of Incest.  In: Southern Literary Journal. Chapel Hill: Fall 2007. Vol. 40, Iss. 1; p. 114-139(26)

  34. Haynes, Karima A.;
    Maya Angelou: Prime-time poet  In: Ebony. Chicago: Apr 1993. vol. 48, no. 6; pp. 68-70 (3)

  35. Hiers, John T.;
    Fatalism in Maya Angelou's I Know Why the Caged Bird Sings.  In: Notes on Contemporary Literature 6.1 (1976): pp. 5-7(3)

  36. Hill-Lubin, Mildred A.;
    The African-American grandmother in autobiographical works by Frederick Douglass, Langston Hughes, and Maya Angelou.  In: International Journal of Aging & Human Development 33.3 (1991): pp. 173-185(13)

  37. Hilton, Als.;
    Songbird: Maya Angelou Takes Another Look at Herself.  In: New Yorker 78.22 (Aug. 5, 2002): pp. 72-76(5)

  38. Johnson, Pamela / Kashef, Ziba.;
    Seventy-five candles.  In: Essence. New York: May 2003. vol. 34, no. 1; pp. 2120214(3)

  39. Johnson, Guy.;
    Tribute to Maya Angelou.  In: Black Issues Book Review. Fairfax: May/Jun 1999. vol. 1, no. 3; pp. 44-45(2)

  40. Jones, Jacqueline,.;
    Race and Gender in Modern America.  In: Reviews in American History, vol. 26, no. 1, March 1998, pp. 220-238(19)

  41. Joyce, Graham.;
    Making Language Sing: An Interview with Maya Angelou.  In: Journal of Reading. Feb 1991. vol. 34, no. 5; pp. 406-410(5)

     


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  42. Kent, George E.;
    Maya Angelou's I Know Why the Caged Bird Sings and Black Autobiographical Tradition.  In: Kansas Quarterly 7(1975), no..3 pp. 72-78(7)

  43. King, Vincent.
    Hopeful Grief: The Prospect of a Postmodernist Feminism in Allison's Bastard Out of Carolina.  In: The Southern Literary Journal, Vol. 33, no. 1, Fall 2000, pp. 122-140(29)

  44. Koyana, Siphokazi.;
    The Heart of the Matter: Motherhood and Marriage in the Autobiographies of Maya Angelou.  In: The Black Scholar, vol. 32, no. 2 (Summer 2002.); pp. 35-44(10)

  45. Koyana, Siphokazi and Rosemary Gray.;
    Growing Up with Maya Angelou and Sindiwe Magona: A Comparison.  In: English in Africa 29.1 (2002): pp. 85-98(14)

  46. Ladd, Barbara.
    New Directions in Southern Women's Literary Historiography.  In: The Southern Literary Journal, vol. 36,,no. 1, Fall 2003. pp. 140-145(6)

  47. Lupton Mary Jane.;
    Singing the Black Mother: Maya Angelou and Autobiographical Continuity.  In: Black American Literature Forum 24 (1990): 257-276(20)

  48. Lynn, Norment.;
    'How my mother changed my life'.  In: Ebony. Chicago: May 1993. vol. 48, no. 7; pp. 30-32 (3)

     


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  49. McCurrie, Kilian.;
    A Literacy of Involvement: Bringing Together Service and Learning in Parochial Schools.  In: English Journal (High school edition). Urbana: Jul 2006. vol. 95, no. 6; pp. 80-84(4)

  50. MacKethan,-Lucinda-H.;
    Mother Wit: Humor in Afro-American Women's Autobiography.  In: Studies in American Humor, San Marcos, TX (StAH). 1985 Spring, Summer, vol. 4, no. 1/2, pp. 51-61(11)

  51. McWhorter, J.;
    SAINT MAYA A Song Flung Up to Heaven by Maya Angelou.  In: New Republic, 2002, no. 4557, pp. 35-40(6)

  52. Manora, Yolanda.;
    What you looking at me for? I didn't come to stay: Displacement, Disruption and Black Female Subjrctivity in Maya Angelou's I Know Why the Caged Bird Sings.  In: Women's Studies, 34(2005), no. 5, pp. 359-375(17)

  53. Maya,-D.;
    Self Revealed and Self Mythified: The Autobiographies of Maya Angelou and Kamala Das.  In: Literary Criterion, 1996, vol. 32, no. 3, pp. 61-68(8)

  54. McMurry, Myra K.;
    Role-Playing as Art in Maya Angelou's Caged Bird.  In: South Atlantic Bulletin: A Quarterly Journal Devoted to Research and Teaching in Modern Languages and Literatures 41.2 (1976): pp. 106-111(6)

  55. Neubauer, Carol E;
    Displacement and Autobiographical Style in Maya Angelou's The Heart of a Woman.  In: Black American Literature Forum Fall 1983: pp. 123-129(7)

  56. Neubauer, Carol E.;
    Interview with Maya Angelou.  In: The Massachusetts Review 28.2 (1987): 286-292(7)

     


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  57. Plimpton, George.;
    The art of fiction CXIX: Maya Angelou. Interview.  In: The Paris Review 32 (Fall '90): pp. 145-167(23)

  58. Ramsey R. Priscilla.;
    Trancendence: The Poetry of Maya Angelou.  In: A Current Bibliography on African Affairs 17 (1984-85): pp. 139-153(15)

  59. Randolph, Laura B.;
    President Clinton's 'American reunion': Black America's biggest inaugural bash.  In: Ebony. Chicago: Mar 1993. vol. 48, no. 5; pp. 116-124 (9)

  60. Redmond, Eugene B.;
    Boldness of Language and Breadth: An Interview with Maya Angelou.  In: Black American Literature Forum, 22:2 (Summer 1988): pp. 156-157(2)

  61. Rigney, Melanie.;
    Maya Angelou's San Francisco.  In: Writer's Digest. Cincinnati: Apr 2000. vol. 80, no. 4; p. 45 (1)

  62. Sahar (Annette-D.) & Brenninkmeyer (Sebastian-M.) & O'Connell (Daniel-C.) :
    Maya Angelou's Inaugural Poem.  In: Journal of Psycholinguistic Research Volume 26(1997), no. 4, pp. 449-463(14) ISSN 0090-6905

  63. Saunders, James Robert.;
    Breaking Out of the Cage: The Autobiographical Writings of Maya Angelou.  In: The Hollins Critic 28.4 (October 1991),:pp. 1-11(11)

  64. Schmidt, Jan.;
    The Other: A Study of the Persona in Several Contemporary Women's Autobiographies.  In: CEA Critic, 43 (1980): pp. 24-31(8)

  65. Schulz, Elizabeth.;
    To Be Black and Blue: The Blues Genre in Black American Autobiography.  In: Kansas Quarterly 7.3 (1975): pp. 81-96(16)

  66. Septo, R. B.;
    The Phenomenal Woman and the Severed Daughter.  In: Parnassus: Poetry in Review. 8(1980), no. 1, pp. 312-320(9)

  67. Smith, Sidonie Ann.;
    The Song of a Caged Bird: Maya Angelou's Quest after Self-Acceptance.  In: Southern Humanities Review 7 (Fall 1973): pp.365-375(!!)

  68. Stansell, Christine.;
    All Fired Up.  In: Dissent. New York: Fall 2008. vol. 55, no. 4; pp. 34-39(6)

  69. Strayhorn, Lloyd.;
    Michael, Lauryn, Will and Jada - We've got their number!.  In: Essence. New York: Sep 1999. vol. 30, no. 5; pp. 107-114(6)

     


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  70. Tangum, Marion M., and Marjorie Smelstor.;
    Hurston's and Angelou's Visual Art: The Distancing Vision and the Beckoning Gaze.  In: Southern Literary Journal 31.1 (Fall 1998): 80-96(17)

  71. Troutner, Joanne.;
    author web sites for high school students.  In: Teacher Librarian. Seattle: Apr 2004. vol. 31, no. 4; p. 44-45(2)

  72. Vermillion, Mary.;
    Reembodying the Self: Representations of Rape in Incidents in the Life of a Slave Girl and I Know Why the Caged Bird Sings.  In: Biography: An Interdisciplinary Quarterly 15.3 (Summer 1992): pp. 243-260(18)

  73. Walker, Pierre A.;
    Racial protest, identity, words, and form in Maya Angelou's I Know Why the Caged Bird Sings.  In: College Literature. West Chester: Oct 1995. vol. 22, no. 3; pp. 91-108(18)   ISSN:0093-3139

  74. Waldron, Clarence.;
    Maya Angelou: On Christmas, Dave Chappelle And What Inspires Her.  In: Jet. Chicago: Dec 25, 2006-Jan 1, 2007. vol. 110, no. 25; pp. 29-30(2)

  75. Waldron, Clarence.;
    Thousands Bid Farewell To Coretta Scott King.  In: Jet. Chicago: Feb 27, 2006. vol. 109, no. 8; pp. 6-20(15)

  76. Washington, Carla.;
    Maya Angelou's Angelic Aura.  In: The Christian Century. Chicago: Nov 16, 1988. vol. 105, no. 34; p. 1031-1032 (2)

  77. Washington, Elsie B.;
    A Song Flung Up to Heaven.  In: Black Issues Book Review. Fairfax: Mar/Apr 2002. vol. 4, no. 2; pp. 56-57 (2)

  78. Williams, Armstrong.
    Career planning.  In: Black Collegian. New Orleans: Sep 1993. vol. 24, no. 1; pp. 78-82 (5)

  79. Wilson, Nancy Effinger.;
    The Literacies of Hip-Hop.  In: College Composition and Communication. Urbana: Feb 2008. vol. 59, no. 3; pp. 538 -547(10)

  80. Winter, David G.; Stewart, Abigail J.;
    Commentary: Tending the Garden of Personality.  In: Journal of Personality, 63 (1995): pp. 711-728(18)

  81. Wolff, Sally.
    The civil war--with a small "c": The Battlefield of Southern Scholarship.  In: The Southern Literary Journal, 33(2001), no. 2, pp. 153-157(5)

     


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  82. About the Author: Maya Angelou.  In: Read. Stamford: Feb 24, 2006. Vol. 55, no. 13; p. 31 (1)

  83. The Black Scholar Interviews: Maya Angelou.  In: The Black Scholar, 8(1977), no. 4, pp. 44-63(20)

  84. Blacks play biggest role in Clinton inauguration.  In: Jet. Chicago: Feb 8, 1993. vol. 83, no. 15; pp. 5-27 (23)

  85. 'Down in the Delta'  In: Ebony. Chicago: Feb 1999. vol. 54, no. 4; pp. 96-98(3)

  86. Ebony Poll reveals: Sizzling stars and issues of '95.  In: Ebony. Chicago: Oct 1995. vol. 50, no. 12; pp. 70-73 (4)

  87. Hillary Rodham Clinton, Oprah Winfrey and Maya Angelou head salute to Dorothy Height.  In: Jet. Chicago: Oct 19, 1998. vol. 94, no. 21; pp. 56-59 (4)

  88. Maya Angelou 1928- American novelist, memoirist, poet, short story writer, playwright, screenwriter, and nonfiction writer; single-work entry devoted to I Know Why the Caged Bird Sings (1970).  In: Contemporary Literary Criticism, 2002, vol. 155, pp. 1-58(58)

  89. Maya Angelou: Poetry's Power.  In: Literary Cavalcade. New York: May 2005. Vol. 57, Iss. 8; p. 40 (1)

  90. Oprah throws a party.  In: Ebony. Chicago: Jun 1993. vol. 48, no. 8; pp. 118-121 (4)

  91. Oprah Winfrey, Bill Cosby and Maya Angelou Motivate Youth in Video 'Guide to Black Excellence'.  In: Jet. Chicago: Dec 30, 1991. vol. 81, no. 11; pp. 14-18 (5)

  92. Robert Frost, Maya Angelou...and you?  In: Writer's Digest. Cincinnati: May 1993. vol. 73, no. 5; pp. 18-19 (2)

  93. Wesley Snipes, Alfre Woodard star in Maya Angelou's family movie, 'Down In The Delta'.  In: Jet. Chicago: Dec 21, 1998. vol. 95, no. 4; pp. 58-62 (5)

     


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    [REVIEW]

  94. Bloom, Lynn Z.;
    Stories of Resilience in Childhood: The Narratives of Maya Angelou, Maxine Hong Kingston, Richard Rodriguez, John Edgar Wideman, and Tobias Wolff.  In: MELUS. Los Angeles: Fall 2000. vol. 25, no. 3/4; pp. 311-313(3 )

  95. Goldstein-Shirley, David Steven.;
    A Stellar Synthesis of Black Western History.  In: Reviews in American History, vol. 27, no. 3, September 1999, pp. 430-436(7)

  96. Kelly, Ernece B.;
    Review of I Know Why the Caged Bird Sings.  In: Harvard Educational Review 40:4 ( November 1970): pp. 681-682(2)

  97. Lobel, Cindy R.
    The Joy of Cookbooks.  In: Reviews in American History, vol. 33, no. 2, June 2005, pp. 263-271(9)

  98. Miller, David Adam;
    Review of The Heart of a Woman.  In: Black Scholar, 13(1982).no. 4-5: pp. 48-49(2)

  99. Petigny,.Alan.;
    Black-Jewish Relations and the Decline of Modern Liberalism.  In: Reviews in American History. Baltimore: Dec 2007.vol. 35, no. 4; p. 556 -564(9)

  100. Watson, Laura.;
    Maya Angelou: More Than a Poet.  In: Journal of Adolescent & Adult Literacy. Newark: Nov 1998. vol. 42, no. 3; p. 233(1)

  101. An Evening with MAYA.  In: Jet. Chicago: Apr 24, 2006. Vol. 109, no. 16; p. 37 (1)

  102. Phenomenal Woman.  In: The Virginia Quarterly Review. Charlottesville: Summer 2000.vol. 76, no. 3; pp. 108-109(2)

  103. Southern Selves: From Mark Twain and Eudora Welty to Maya Angelou and Kaye Gibbons.  In: The Virginia Quarterly Review. Charlottesville: Spring 1999. vol. 75, no. 2; p. 50-51(2)


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