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Dickens, Charles (チャールズ・ディケンズ) 1812-1870.研究論文

 ヴィクトリア朝を代表する小説家。
  
 Charles, Dickens(チャールズ・ディケンズ)研究の1991年から2000年に刊行された論文を紹介しています。
 ここで紹介する論文・書評は企画商品CD「イギリス文学論文撰」の「ヴィクトリア時代(前期)」の項 Dickens, Charles 第2集 1991-2000年刊行論文集に収録しています。
 リストの論文はすべてPDFファイルでご提供されます。

 他の時期の論文:第1集 2001-2008年の論文第3集 2009-2015年の論文

 [1991-2000年論文リスト]

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  1. Allingham, Philip V.;
    Dickens' Christmas Books: Names and Motifs.  In: English Language Notes 29:4 (1992): p. 59-69(11)

  2. Allingham, Philip V.;
    Patterns of deception in Huckleberry Finn and Great Expectations.  In: Nineteenth - Century Literature. Berkeley: Mar 1992. Vol. 46, no. 4; pp. 447-472(26)

  3. Alter, Robert.;
    Reading Style in Dickens.  In: Philosophy and Literature, Vol. 20, no. 1, April 1996, pp. 130-137(8)

  4. Anne, Shifrer.;
    Beleagured Privacies.  In: The Midwest Quarterly. Pittsburg: Spring 1992. Vol. 33, no. 3; pp. 322-339(18)

  5. Ard, Patricia M.;
    Charles Dickens and Frances Trollope: Victorian kindred spirits in the American wilderness.  In: ATQ: American Transcendental Quarterly. Kingston: Dec 1993. Vol. 7, no. 4; pp. 293-306(14)

  6. Armstrong, Nancy.;
    Fiction in the Age of Photography.  In: Narrative 7 (1999): 37-55(19). Rpt. as "Foundational Photographs: The Importance of Being Esther," in Fiction In The Age Of Photography : The Legacy Of British Realism. Cambridge, Mass.: Harvard UP, 1999.

  7. Armstrong, Mary.;
    Pursuing perfection: Dombey and Son, female homoerotic desire, and the sentimental heroine.  In: Studies in the Novel. Denton: Fall 1996. Vol. 28, Iss. 3; pp. 281-302(22)

     
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  8. Bailin, Miriam.;
    "Dismal Pleasure": Victorian Sentimentality and the Pathos of the Parvenu.  In: ELH, Vol. 66, no. 4, Winter 1999, pp. 1015-1032(18)

  9. Baston, Jane.;
    Word and image: The articulation and visualization of power in Great Expectations.  In: Literature/Film Quarterly. Salisbury: 1996. Vol. 24, no. 3; pp. 322-331 (10)

  10. Bauer, Matthias.;
    Orpheus and the Shades: The Myth of the Poet in David Copperfield.  In: University of Toronto Quarterly 63.2 (1993): pp. 308-327(20)

  11. Baumgarten, Murray.;
    Calligraphy and Code: Writing in Great Expectations.  In: Great Expectations / edited and with an introduction by Harold Bloom. (Modern critical interpretations). Chelsea House,2000. ISBN 0-7910-5661-9 (alk. paper). pp. 3-14(12) [Formerly: Dickens Studies Annual: Essays on Victorian Fiction 11(1983)]

  12. Baumgarten, Murray.;
    Seeing Double: Jews in the Fiction of F. Scott Fitzgerald, Charles Dickens, Anthony Trollope, and George Eliot.  In: Cheyette, Bryan (ed.) Between 'Race' and Culture: Representations of 'the Jew' in English and American Literature. Stanford, CA: Stanford UP; 1996. xiv, 222 pp. ISBN: 9780804726351; (hbk.); pp. 44-61(18)

  13. Baumgarten, Murray.;
    Staging the Ruins: David Roberts's Paintings of the Holy Land and Charles Dickens' London Theatre of Homelessness.  In: Homes and Homelessness in the Victorian Imagination. Ed. Murray Baumgarten and H. M. Daleski. New York: AMS, 1998. ISBN 0-404-64352-3; pp. 127-166(40)

  14. Bell, A Craig.;
    The rise and fall of the detective novel.  In: Contemporary Review. Cheam: Apr 1998. Vol. 272, no. 1587; pp. 196-200(5)

  15. Bennett, Rachel.;
    Hajji and mermaid in Little Dorrit.  In: The Review of English Studies. Oxford: May 1995. Vol. 46, no. 182; pp. 174-190(17)

  16. Bigelow, Gordon.;
    Market Indicators: Banking and Domesticity in Dickens's Bleak House.  In: ELH 67 (2000): pp. 589-615(27)

  17. Blake, Kathleen.;
    Bleak House, Political Economy, Victorian Studies.  In: Victorian Literature and Culture 25 (1997): 1-21(21)

  18. Bottum, Joseph.;
    The Gentleman's True Name: David Copperfield and the Philosophy of Naming.  In: Nineteenth-Century Literature 49.4 (1995): p. 435-455(21)

  19. Bowen, John.;
    Performing Business, Training Ghosts: Transcoding Nickleby.  In: ELH - Vol. 63(1996), no. 1, p. 153-175(23)

  20. Britton, Wesley.;
    Carlyle, Clemens, and Dickens: Mark Twain's Francophobia, the French Revolution, and determinism.  In: Studies in American Fiction. Boston: Autumn 1992. Vol. 20, no. 2; p. 197-204(8)

  21. Brooks, Peter.;
    Repetition, Repression, and Return: The Plotting of Great Expectations.  In: Great Expectations / edited and with an introduction by Harold Bloom. (Modern critical interpretations). Chelsea House, 2000. ISBN 0-7910-5661-9 (alk. paper). pp. 15-38(24) [Formerly: Reading for the Plot: Design and Intention in Narrative. 1984]

  22. Brown, Carolyn.;
    Great Expectations: Masculinity and Modernity.  In: Great Expectations / edited and with an introduction by Harold Bloom. (Modern critical interpretations). Chelsea House, 2000. ISBN 0-7910-5661-9 (alk. paper). pp. 39-51(13) [Formerly: Essays and Studies 1987]

  23. Buckton, Oliver S.;
    The reader whom I love: Homoerotic secrets in David Copperfield.  In: ELH. Baltimore: Spring 1997. Vol. 64, no. 1; p. 189-222(34)

  24. Bucolo, Joe.;
    Stay tuned for our next episode: Teaching Great Expectations in installments.  In: English Journal (High school edition). Urbana: Nov 1999. Vol. 89, no. 2; p. 33-39 (7)

  25. Budd, Dona.;
    Language Couples in Bleak House.  In: Nineteenth-Century Literature 49 (1994): no. 2, p. 196-220(5)

  26. Burleson, Donald R.;
    Dickens's a Christmas Carol.  In: The Explicator. Washington: Summer 1992. Vol. 50, no. 4; pp. 211-212(2)

  27. Buzard, James.;
    'Anywhere's Nowhere': Bleak House as Autoethnography.  In: Yale Journal of Criticism 12 (Spring1999): pp. 7-39(33)

  28. Byerly, Alison.;
    Effortless art: The sketch in nineteenth-century painting and literature.  In: Criticism. Detroit: Summer 1999. Vol. 41, no. 3; pp. 349-364(16)

     
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  29. Carolyn, Dever.;
    Broken Mirror, Broken Words: Autobiography, Prosopopeia, and the Dead Mother in Bleak House.  In: Studies in the Novel 27 (1995): no. 1, p. 42-62(21) (. Rpt. in Death and the Mother from Dickens to Freud. Cambridge, U.K.: Cambridge UP, 1998.

  30. Cates, Baldridge.;
    The Instabilities of Inheritance in Oliver Twist.  In: Studies in the Novel. Denton: Summer 1993. Vol. 25, no. 2; p. 184-195(12)

  31. Charles, Hatten.;
    Disciplining the family in Barnaby Rudge: Dicken's professionalization of fiction.  In: Mosaic : a Journal for the Interdisciplinary Study of Literature. Winnipeg: Fall 1992. Vol. 25, no. 4; pp. 17-34(18)

  32. Clarkson, Carrol.;
    Dickens and the Cartylus.  In: British Journal of Aesthetics. London: Jan 1999. Vol. 39, no. 1; pp. 53-61(9)

  33. Clayton, Jay.;
    Dickens and the genealogy of postmodernism.  In: Nineteenth - Century Literature. Berkeley: Sep 1991. Vol. 46, no. 2; pp. 181-195(15)

  34. Clayton, Jay.;
    Londubl: Dickens's London in Joyce's Dublin.  In: Novel: A Forum on Fiction 28 (1995): pp. 327-342(16)

  35. Cohen, William A.;
    Manual Conduct in Great Expectations.  In: Great Expectations / edited and with an introduction by Harold Bloom. (Modern critical interpretations). Chelsea House, 2000. ISBN 0-7910-5661-9 (alk. paper). pp. 53-88(36) [Formerly: ELH 60, no. 1 (Spring 1993), pp. 217-259]

  36. Cordery, Gareth.;
    Foucault, Dickens, and David Copperfield.  In: Victorian Literature and Culture 26.1(1998): pp. 71-85(15)

  37. Crago, Hugh.;
    Prior expectations of Great Expectations: How one child learned to read a classic.  In: College English. Urbana: Oct 1996. Vol. 58, no. 6; pp. 676-692 (17)

  38. Cribb, Tim.;
    Travelling through Time: Transformations of Narrative from Early to Late Dickens.  In: The Yearbook of English Studies, Vol. 26, Strategies of Reading: Dickens and after Special Number (1996), pp. 73-88(16)

  39. Currie, Richard A..;
    As if She Had Done Him a Wrong: Hidden Rage and Object Protection in Dickens's Amy. Dorrit.  In: English Studies: A Journal of English Language and Literature 72. 4 (1991): pp. 368-376(9)

     
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  40. Daly, Nicholas.;
    Railway Novels: Sensation Fiction and the Modernization of the Senses.  In: ELH, Vol. 66, no. 2, Summer 1999, pp. 461-487(27)

  41. Danahay, Martin A.;
    Housekeeping and Hegemony in Bleak House.  In: Studies in the Novel 23 (1991): no. 4, p. 416-431(16)

  42. Davis, Todd F; Womack, Kenneth.;
    Saints, sinners, and the Dickensian Novel: The ethics of storytelling in John Irving's The Cider House Rules.  In: Style. DeKalb: Summer 1998. Vol. 32, no. 2; pp. 298-317 (20)

  43. Donow, Herbert S.;
    The two faces of age and the resolution of generational conflict.  In: The Gerontologist. Washington: Feb 1994. Vol. 34, no. 1; pp. 73-78(6)

  44. Dvorak, Wilfred P.;
    The Misunderstood Pancks: Money and the Rhetoric of Disguise in Little Dorrit.  In: Studies in the Novel. Denton: Fall 1991. Vol. 23, no. 3; p. 339-347(9)

     
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  45. Edgecombe, Rodney Stenning.;
    Anti-clerical gothic: The tale of the sisters in Nicholas Nickleby.  In: Modern Language Review. Belfast: Jan 1999. Vol. 94; p. 1-10(10)

  46. Edgecombe, Rodney Stenning.;
    The displacements of Little Dorrit.  In: JEGP. Journal of English and Germanic Philology. Urbana: Jul 1997. Vol. 96, no.. 3; pp. 369-384(16)

  47. Edgecombe, Rodney. Stenning.;
    "Little Dorrit" and Canning's "New Morality".  In: Modern Philology. Chicago: May 1998. Vol. 95, no. 4; pp. 484-489(6) ISSN: 0026-8232

  48. Edgecombe, Rodney Stenning.;
    Locution and Authority in [Charles Dickens'] Martin Chuzzlewit.  In: English Studies, 74, no. 2 (1993), p. 143-153(11)

  49. Edgecombe, Rodney Stenning .;
    Middle-Class Erasures: The Decreations of Mrs. General and Mr. Podsnap.  In: Studies in the Novel 31. 3 (1999): pp. 279-295(17)

  50. Edgecombe, Rodney Stenning.;
    Topographic Disaffection in Dickens's American Notes and Martin Chuzzlewit.  In: Journal of English and Germanic Philology, 93:1 (1994): 35-54(20)

  51. Edgecombe, Rodney Stenning.;
    The Urban Idyll in Martin Chuzzlewit.  In: The Review of English Studies. Oxford: Aug 1994. Vol. 45, no. 179; pp. 370-383(14)

  52. Edward, Amelia.;
    From a past contemporary: Three Victorian novelists.  In: Contemporary Review. Cheam: Aug 1994. Vol. 265, no. 1543; pp. 102-105(4)

  53. Eigner, Edwin M.;
    The Absent Clown in Great Expectations.  In: Great Expectations / edited and with an introduction by Harold Bloom. (Modern critical interpretations). Chelsea House, 2000. ISBN 0-7910-5661-9 (alk. paper). pp. 89-103(15) [Formerly: Dickens Studies Annual: Essays on Victorian Fiction 11(1983)]

  54. Elfenbein, Andrew.,
    Managing the House in Dombey and Son: Dickens and the Uses o. Analogy.  In: Studies in Philology 92(1995): p. 361-382(22)

     
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  55. Farrell, John Philip.;
    The Partners' Tale: Dickens and Our Mutual Friend,  In: ELH, 66:3 (1999), 759-799(41)

  56. Fein, Mara H.;
    The Politics of Family in The Pickwick Papers.  In: ELH - Vol. 61(1994), no. 2, pp. 363-379(17)

  57. Fenstermaker, John J.;
    Using Dickens to market morality: popular reading materials in the Nickleby "advertiser".  In: Journal of Popular Culture, Winter 1994. Vol. 28; p. 9-17(9)

  58. Fischer, Alan.;
    Love in the garden: Maud, Great Expectations, and W. S. Gilbert's Sweethearts.  In: Studies in English Literature, 1500 - 1900. Baltimore: Autumn 1997. Vol. 37, no. 4; pp. 763-781(19)

  59. Fisher, Judith L.;
    Essay Review: Ethical narrative in Dickens and Thackeray.  In: Studies in the Novel. Denton: Spring 1997. Vol. 29, no. 1; pp. 108-117(10)

  60. Forsyte, Charles.;
    Charles Dickens Junior, Harold Macmillan, and Edwin Drood.  In: Notes and Queries, 1994; 41: p. 353 - 354(2)

  61. Fulweiler, Howard W.;
    'A Dismal Swamp': Darwin, Design, and Evolution in Our Mutual Friend.  In: Nineteenth-Century Literature 49.1 (1994): p. 50-74(25)

     
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  62. Gawell, Angela.;
    Subordinating the Other: Illustrations in Dickens's Old Curiosity Shop.  In: Metaphor and Symbolic Activity 8.3 (1993): pp. 169-79(11) ISSN: 0885-7253

  63. Gervais, David.;
    Dickens's Comic Speech: Inventing the Self.  In: The Yearbook of English Studies, Vol. 25, Non-Standard Englishes and the New Media Special Number (1995), pp. 128-140(13)

  64. Gervais, David.;
    The Prose and Poetry of Great Expectations.  In: Great Expectations / edited and with an introduction by Harold Bloom. (Modern critical interpretations). Chelsea House, 2000. ISBN 0-7910-5661-9 (alk. paper). pp. 105-130(26) [Formerly: Dickens Studies Annual: Essays on Victorian Fiction 13(1984)]

  65. Gilbert, Elliot L.;
    "In Primal Sympathy": Great Expectations and the Secret Life.  In: Great Expectations / edited and with an introduction by Harold Bloom. (Modern critical interpretations). Chelsea House, 2000. ISBN 0-7910-5661-9 (alk. paper). pp. 131-153(23) [Formerly: Dickens Studies Annual: Essays on Victorian Fiction 11(1983)]

  66. Ginsburg,,Michal Peled.;
    The Case against Plot in Bleak House and OMF.  In: ELH, vol. 59: no.1 (Spring 1992), p.175-195(21)

  67. Gitter, Elisabeth G.;
    The Blind Daughter in Charles Dickens's Cricket on the Hearth.  In: Studies in English Literature, 1500 - 1900. Baltimore: Autumn 1999. Vol. 39, no. 4; pp. 675-689(15)

  68. Golden, Catherine J.;
    Late-Twentieth-Century Readers in Search of a Dickensian Heroine: Angels, Fallen Sisters, and Eccentric Women.  In: Modern Language Studies, Vol. 30, No. 2 (Autumn, 2000), pp. 5-19(15)

  69. Gomel, Elana.;
    The Body of Parts: Dickens and the Poetics of Synecdoche.  In: The Journal of Narrative Technique 26.1 (Winter 1996): pp. 48-74(27)

  70. Good, James.;
    Dickens's Bleak House and Norris's McTeague.  In: The Explicator. Washington: Spring 1997. Vol. 55, no. 3; pp. 135-136(2)

  71. Goodlad, Lauren M. E.;
    'A Middle Class Cut into Two': Historiography and Victorian National Character.  In: ELH, Vol. 67, no. 1, Spring 2000, p. 143-178(36)

  72. Gottfried, Barbara.;
    Household Arrangements and the Patriarchal Order in Bleak House.  In: Journal of Narrative Technique 24 (1994): pp. 1-17(17)

  73. Grass, Sean C.;
    Narrating the Cell: Dickens on the American Prisons.  In: The Journal of English and Germanic Philology, Vol. 99, No. 1 (Jan., 2000), pp. 50-70(21)

  74. Grossman, Jonathan H.;
    Representing Pickwick: The novel and the law courts.  In: Nineteenth - Century Literature. Berkeley: Sep 1997. Vol. 52, no. 2; pp. 171-197(27)

     
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  75. Hack, Daniel.;
    Literary Paupers and Professional Authors: The Guild of Literature and Art.  In: SEL Studies in English Literature 1500-1900, Vol. 39, no. 4, Autumn 1999, pp. 691-713(23)

  76. Hack, Daniel.;
    Sublimation strange": Allegory and authority in Bleak House.  In: ELH. Baltimore: Spring 1999. Vol. 66, no. 1; pp. 129-156(28)

  77. Hamilton, J F.;
    Dickens's A Tale of Two Cities.  In: The Explicator. Washington: Summer 1995. Vol. 53, no. 4; pp. 204-208(5)

  78. Hamilton, James F.;
    Terrorizing the "feminine" in Hugo, Dickens, and France.  In: Symposium. Washington: Fall 1994. Vol. 48, no. 3; pp. 204-215(12)

  79. Hardinge, Emma.;
    Identity, Self and Shadow in 'Little Dorrit'.  In: Sydney Studies in English, vol. 18(1992), pp. 111-128(18)

  80. Hager,Kelly.;
    Estranging David Copperfield: Reading the novel of divorce.  In: ELH. Baltimore: Winter 1996. Vol. 63, no. 4; pp. 989-1019(31)

  81. Harrington, Gary.;
    Woolf's Mrs. Dalloway.  In: The Explicator. Washington: Spring 1998. Vol. 56, no. 3; p. 144-146(3)

  82. Harrison, John R.;
    Dickens's literary architecture: Patterns of ideas and imagery in Hard Times.  In: Papers on Language and Literature. Edwardsville: Spring 2000. Vol. 36, no. 2; pp. 115-138(24)

  83. Harrison, S.J.;
    Prunes and Prism: Wilde and Dickens.  In: Notes and Queries, 1997; vol. 44: no. 3, pp. 351 - 352(2)

  84. Hecimovich, Gregg A.;
    The Cup and the Lip and the Riddle of Our Mutual Friend.  In: ELH. 1995. (62/4) pp. 955-977(23)

  85. Helene, Moglen.;
    Theorizing Fiction/Fictionalizing Theory: The Case of Dombey and Son.  In: Victorian Studies. Bloomington: Winter 1992. Vol. 35, Iss. 2; pp. 159-184(26)

  86. Hochman, Baruch.;
    Bulrush and Harvest Home.  In: Homes and Homelessness in the Victorian Imagination. Ed. Murray Baumgarten and H. M. Daleski. New York: AMS, 1998. ISBN 0-404-64352-3; pp. 51-64(14)

  87. Hoopes, Roy.;
    The Ghost of Dickens Past.  In: Modern Maturity. Dec 1991. Vol. 34, no. 6; pp. 36-39 & 70 (5)

  88. Houston, Gail Turley.;
    Broadsides at the Board: Collations of Pickwick Papers and Oliver Twist.  In: Studies in English Literature, 1500 - 1900. Baltimore: Autumn 1991. Vol. 31, no. 4; pp. 735-755(21)

  89. Houston, Gail Turley.;
    Gender Construction and the Kunstlerroman: David Copperfield and Aurora Leigh.  In: Philological Quarterly 72 (1993): p. 213-236(24)

  90. Houston, Gail Turley.;
    "Pip" and "Property": the (Re)Production of the Self in Great Expectations.  In: Great Expectations / edited and with an introduction by Harold Bloom. (Modern critical interpretations). Chelsea House, 2000. ISBN 0-7910-5661-9 (alk. paper). pp. 155-166(12) [Formerly: Studies in the Novel 24, no 1 (Spring 1992).pp. 13-25]

  91. Howard, Markel.;
    Charles Dickens' work to help establish Great Ormond Street Hosptial, London.  In: Lancet (North American edition). Aug 21, 1999. Vol. 354, no. 9179; pp. 673-675(3)

     
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  92. Jacoby, N M..;
    Krook's Dyslexia.  In: The Lancet. London: Dec 19, 1992. Vol. 340, no. 8834-8835; pp. 1521-1522(2)

  93. Jaffe, Audrey.;
    David Copperfield and Bleak House: On Dividing the Responsibility of Knowing.  In: Vanishing Points: Dickens, Narrative, and the Subject of Omniscience. Berkeley: University of California Press, 1991.pp. 112-149(38)

  94. Jaffe, Audrey.;
    Omniscience and Curiosity in The Old Curiosity Shop.  In: Vanishing Points: Dickens, Narrative, and the Subject of Omniscience. Berkeley: University of California Press, 1991. pp. 45-70(26)

  95. Jaffe, Audrey.;
    Spectacular sympathy: Visuality and ideology in Dickens's A Christmas Carol.  In: PMLA. Publications of the Modern Language Association of America. New York: Mar 1994. Vol. 109, Iss. 2; pp. 254-266(13)

  96. Johnston, Judith.;
    Women and Violence in Dickens' 'Great Expectations'.  In: Sydney Studies in English, Vol 18 (1992), pp. 93-110(18)

  97. Joseph, Gerhard.;
    Prejudice in Jane Austen, Emma Tennant, Charles Dickens-and us.  In: Studies in English Literature, 1500 - 1900. Baltimore: Autumn 2000. Vol. 40, no. 4; pp. 679-693(15)

  98. Julius, Anthony.;
    Dickens the lawbreaker.  In: The Critical Quarterly. Hull: Autumn 1998. Vol. 40, no. 3; pp. 42-65(24)

  99. Kearns, Katherine.;
    A tropology of realism in Hard Times.  In: ELH. Baltimore: Winter 1992. Vol. 59, no. 4; pp. 857-881(25)

  100. Keymer, Tom.;
    Reading Time in Serial Fiction before Dickens.  In: The Yearbook of English Studies, Vol. 30, Time and Narrative (2000), pp. 34-45(12)

  101. Kiernan, Henry.;
    Lessons from the New Americans and Charles Dickens.  In: English Journal (High school edition). Urbana: Sep 1991. Vol. 80, no. 5; pp. 67-68 (2)

  102. Kincaid, James R.;
    Fattening up on Pickwick.  In: Novel 25(1991), no. 3: pp. 235-244(10)

     
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  103. Langland, Elizabeth.;
    Nobody's Angels: Domestic Ideology and Middle-Class Women in the Victorian Novel.  In: PMLA 107.2, (March 1992): pp. 290-304(15)

  104. Lapham, Lewis H.;
    Christmas Carol.  In: Harper's Magazine. New York: Dec 1995. Vol. 291, no. 1747; pp. 4-6 (3)

  105. Leavis, L.R.;
    The Dramatic Narrator in Great Expectations.  In: English Studies: A Journal of English Language and Literature (ES) 68 (June 1993): p. 236-248(13)

  106. Leavis, LR.;
    Dickens and Hawthorne: Little Dorrit and The House of the Seven Gables.  In: English Studies: A. Journal of English Language and Literature 72. 5 (1991): 414-420(7)

  107. Lee, Erickson.;
    The primitive Keynesianism of Dickens's A Christmas Carol.  In: Studies in the Literary Imagination. Atlanta: Spring 1997. Vol. 30, Iss. 1; pp. 51-66(16)

  108. Levy, Eric P.;
    Dickens' pathology of time in Hard Times.  In: Philological Quarterly. Iowa City: Spring 1995. Vol. 74, no. 2; p. 189-207(19)

  109. Lewis, Mack.;
    Charles Dickens's a Christman carol.  In: Storyworks. New York: Nov/Dec 1998. Vol. 6, no. 3; pp. 26-31 (6)

  110. Loesberg, Jonathan.;
    Dickensian deformed children and the Hegelian sublime.  In: Victorian Studies. Bloomington: Summer 1997. Vol. 40, no. 4; pp. 625-654(30)

  111. Lougy, Robert E.;
    Desire and the ideology of violence: America in Charles Dickens's Martin Chuzzlewit.  In: Criticism. Detroit: Fall 1994. Vol. 36, no. 4; p. 569-594(26)

  112. Lutz, Marsh Joss.;
    Good Mrs. Brown's Connections: Sexuality and Story-Telling in Dealings with the Firm of Dombey and Son.  In: ELH. Baltimore: Summer 1991. Vol. 58, no. 2; pp. 405-426(22)

     
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