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Forster, E.M(フォースター）1879-1970 研究論文

　　ヴィクトリア時代と現代を結ぶ小説家 Edward Morgan Forster（E.M. フォースター）研究論文を紹介しています。
　ここで紹介する論文・書評は企画商品CD「イギリス文学論文撰」の「20世紀前半の作家研究」の項 Forster Edward Morganに収録しています。リストは追加中です。

　リストの論文はすべてPDFファイルでご提供されます。

　下記の著者別索引をご利用下さい。個別の論文の御用命はページトップの「お問い合わせ」フォームかもしくはcustomer@articles-club.comへご連絡をお願いします。　

     
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  1. Acheraïou, Amar.;
    David, Adams., "Colonial-odysseys: Epic and Empire in the Modernist Novel." [Review]  In: Conradiana. Lubbock: Fall 2004. Vol. 36, no. 3; p. 262-270(9)

  2. Allen, Glen O.;
    Structure, Symbol, and Theme in Edward Morgan Forster's A Passage to India.   In: PMLA, vol. 70(1955), p. 934-954(21)

  3. Armstrong, Paul B.;
    E. M. Forster's Howards End: The Existential Crisis of the Liberal Imagination.   In: Mosaic vol. 8(1974): p. 183-199(17)

  4. Armstrong, Paul B.;
    The narrator in the closet: The ambiguous narrative voice in Howards End.   In: Modern Fiction Studies. West Lafayette: Summer 2001. Vol. 47, no. 2; p. 306-328(23)

  5. Armstrong, Paul B.;
    Reading India: E. M. Forster and the politics of interpreta.  In: Twentieth Century Literature.Hempstead: Winter 1992. Vol. 38, no. 4; p. 365-385(21)

  6. Austin, Don.;
    The Problem of Continuity in Three Novels of E. M. Forster.   In: Modern Fiction Studies, vol. 7(1961), no. 3, p. 217-228(12)
     
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  7. Benson, Alice R.;
    Edward Morgan Forster's Dialectic: Howards End.  In: Modern Fiction Studies, vol. 1(1955), p. 17-22(6)

  8. Blodgett, Harriet.;
    From Jacob's room to A Passage to India: A note.   In: ANQ. Lexington: Fall 1999. Vol. 12, no. 4; p. 23-24(2)

  9. Bolling, Douglass.;
    The Distanced Heart: Artistry in E. M. Forster's Maurice.   In: Modern Fiction Studies, Vol.20(1974), no. 2, p. 157-168(12)

  10. Boone, Joseph A.;
    Vacation Cruises; or the Homoerotics of Orientalism.  In: PMLA, vol. 110, no.1(Jan. 1995): p. 89-107(19)

  11. Bredbeck, Gregory W.;
    Missionary positions: Reading the Bible in Forster's "The Life to Come".   In: Journal of Homosexuality. New York: 1997. Vol. 32, no. 3-4; p. 139-161(23) ISSN: 0091-8369

  12. Brown, Tony.;
    Edward Carpenter, Forster and the Evolution of A Room with a View.   In: English Language in Transition(ELT), vol. 30: no. 33 (1987), p. 279-300(22) ISSN: 0013-8339

  13. Brown, Tony.
    E.M. Forster's Parsifal: A Reading of The Longest Journey.  In: Journal of European Studies, vol. 12(1982): p. 30-54(25)

  14. Buck, R A.;
    Forster's Howards End.  In: The Explicator. Washington: Summer 1995. Vol. 53, no 4; p. 221-224(4)

  15. Buck, R A.;
    Reading Forster's style: Face actions and social scripts in Maurice.  In: Style. DeKalb: Spring 1996. Vol. 30, no. 1; p. 69-94(26)
     
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  16. Cheng, Sinkwan.;
    Crossing desire and drive in A Passage to India: The subversion of the British Colonial Law in the "twilight zone of double vision".  In: Literature and Psychology. Providence: 2001. Vol. 47, no. 3; p. 1-24(24)

  17. Clark, Damion.;
    Marginally Male: Re-centering Effeminate Male Characters in E. M. Forster's a Room with a a View and Howards End. A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts Georgia State University. 2005. 51pp.

  18. Cowart, David.;
    Where sense verges into spirit: E. M. Forster: 's Alexandria after 75 years.  In: Michigan Quarterly Review. Ann Arbor: Summer 1997. Vol. 36, no. 3; p. 484-493(10) ISSN: 0026-2420

  19. Crisp, Peter.;
    Allegory, Maps, and Modernity: Cognitive Change from Bunyan to Forster.  In: Mosaic : a Journal for the Interdisciplinary Study of Literature. Winnipeg: Dec 2003. Vol. 36, no. 4; p. 49-64(16)

  20. Cucullu, Lois.;
    Shepherds in the parlor: Forster's apostles, pagans, and native sons.  In: Novel. Providence: Fall 1998. Vol. 32, no.. 1; p. 19-50(32)

  21. Curr, Matthew.;
    Recuperating E.M. Forster's Maurice.   In: Modern Language Quarterly. Seattle: Mar 2001. Vol. 62, no. 1; p. 53-69(17)
     
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  22. Da Silva, Stephen.;
    Transvaluing immaturity: Reverse discourses of male homosexuality in E. M. Forster's posthumously published fiction.  In: Criticism. Detroit: Spring 1998. Vol. 40, no.. 2; p. 237-272(36)

  23. Daniel, Born, ;
    Private Gardens, Public Swamps: Howards End and the Revaluation of Liberal Guilt.  In: Novel, vol. 25 (1992): p. 141-159(19)

  24. Dauner, Louise.;
    What Happened in the Gave? Reflections on A Passage to India.  In: Modern Fiction Studies, vol. 7(1961), no. 3, p. 258-270(13)

  25. Davidis, Maria M.;
    Forster's imperial romance: Chivalry, motherhood, and questing in A Passage to India.  In: Journal of Modern Literature. Bloomington: Winter 1999/2000. Vol. 23, no. 2; p. 259-278(19)

  26. Delany, Paul.;
    Islands of Money': Rentier Culture in E. M. Forster's Howards End,  In: ELT, vol. 31, no. :3 (1988), p. 285-96(12)

  27. Doloff, Steven.;
    Forster's Use of Names in A Passage to India.  In: English Language Notes, vol. 28(1991), p. 61-62(2)

  28. Douglas, Doyle, T.;
    Forster's Howards End.  In: The Explicator. Washington: Summer 1994. Vol. 52, no. 4; p. 226-228(3)

  29. Elliott, David W.;
    A Psychological Literary Critique from a Jungian Perspective of E. M. Forster: 's A Passage to India. A thesis presented to the faculty of the Department of English East Tennessee State University. 2005. 116 pp.
     
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  30. Fillion, Michelle.;
    Edwardian perspectives on nineteenth-century music in E. M. Forster's A Room with a View.   In: Nineteenth Century Music. Berkeley: Fall 2001/2002. Vol. 25, no. 2/3; p. 266-295(30)

  31. Firchow, P. E.;
    Another Centenary: E. M. Forster.  In: Modern Fiction Studies Vol. 25(1979), no. 4, p. 559-562(4)

  32. Fordonski, Krzysztof.;
    The Homoerotic Function of Foreign Settings in the Early Fiction of E. M. Forster.  In: Working Paper Series. HUMBOLDT-UNIVERSITÄT ZU BERLIN Centre for British Studies Grosbritannien-Zentrum. 18 pp.

  33. Frank, Cathrine O.;
    Fictions of Justice: Testamentary Intention and the (Il)legitimate Heir in Trollope's Ralph the Heir and Forster's Howards End.  In: ELT, vol. 47(2003), no. 3, p. 311-330(20)

  34. Gibson, Mary Ellis.;
    Illegitimate Order: Cosmopolitanism and Liberalism in Forster's Howards End.   In: ELT, vol. 28, no. :2 (1985), p. 106-123(18)

  35. Gish, Robert.;
    Mr. Forster and Mrs. Woolf: Aspects of the Novelist as Critic.  In: Virginia Woolf Quarterly, vol. 2(Summer-Fall 1975): p.255-269(15) ISSN: 0090-4546

  36. Goodlad, Lauren M E.;
    Toward a Victorianist's Theory of Androgynous Experiment.  In: Victorian Studies. Bloomington: Winter 2005. Vol. 47, no. 2; p. 215-229(15)

  37. Gordon, Jan B.;
    The Third Cheer: `Voice' in Forster.  In: Twentieth Century Literature 32.2.3 (1985): p. 315-328(14)

  38. Gordon, Mary.;
    Things That Can't Be Phrased: Forster and Howards End.  In: Salmagundi. Saratoga Springs: Summer 2004. p. 89-103(15)
     
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  39. Hall, James.;
    Forster's Family Reunions.  In: ELH, vol. 25(1958), p. 60-78(19)

  40. Hall, Mary Katherine.;
    The reification of high culture in Merchant-Ivory's Howards End.  In: Literature/Film Quarterly. Salisbury: 2003. Vol. 31, no. 3; p. 221-226(6)

  41. Harned, Jon.;
    Becoming gay in E. M. Forster's Maurice.  In: Papers on Language and Literature. Edwardsville: Winter 1993. Vol. 29, no. 1; p. 49-66(18) ISSN: 0031-1294

  42. Harrison, Bernard.;
    Forster and Moore.  In: Philosophy and Literature, vol. 12(1988): p. 1-26(26)　　ISSN: 0190-0013

  43. Heath, Jeffrey.;
    Kissing and telling: Turning round in A Room with a View.  In: Twentieth Century Literature. Hempstead: Winter 1994. Vol. 40, no. 4; p. 393-433(41)

  44. Hegglund, Jon.;
    Defending the Realm: Domestic Space and Mass Cultural Contamination in Howards End and An Englishman's Home.  In: ELT, v. 40: no. 4 (1997), p. 398-423(26)

  45. Higdon, David Lean;
    Opus 3 or Opus 111 in Forster's A Room with a View?   In: English Language Notes, vol. 28(1991): p. 57-60(4)

  46. Hoffman, Frederick H.;
    Howards End and the Bogey of Progress.  In: Modern Fiction Studies, vol. 7(1961), no. 3, p. 245-257(13)

  47. Hoffman, Michael J; Ann ter Haar.;
    Whose books once influenced mine: The relationship between E. M. Forster's Howards End and Virginia Woolf's The Waves.  In: Twentieth Century Literature. Hempstead: Spring 1999. Vol. 45, no.1; p. 46-64(19)

  48. Hoy II, Pat C.;
    The Narrow, Rich Staircase in Forster's Howards End.  In: Twentieth Century Literature, vol. 31(1985), p. 221-234(15)

  49. Hullbert, Ann.;
    The soul and discretion - Keepers of the Flame: Literary Es.  In: The New Republic. Washington: Aug 22, 1994. Vol. 211, no. 8-9; p. 40-45(6)
     
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  50. Kathleen, Watson,;
    E. M. Forster.  In: Notes and Queries. London: Dec 1996. Vol. 43, no. 4; p. 490-491(2)

  51. Keeling, Bret L.;
    No trace of presence": Tchaikovsky and the sixth in Forster's Maurice.  In: Mosaic : a Journal for the Interdisciplinary Study of Literature. Winnipeg: Mar 2003. Vol. 36, no. 1; p. 85-101(17)

  52. Kieran, Dolin.;
    Freedom, Uncertainty, and Diversity: A Passage to India as a Critique of Imperialist Law.  In: Texas Studies in Language and Literature, vol. 36.no. 3(1994): p. 328-352(25)

  53. Kischuck, John.;
    Forster's A Passage to India.  In: The Explicator. Washington: Spring 1998. Vol. 56, no. 3; p. 142-144(3)

  54. Kress, Nancy.;
    Hark! I see a conversation!   In: Writer's Digest. Cincinnati: Mar 2000. Vol. 80, no. 3; p. 13-16(4)

  55. Kuchta,.Todd.;
    Suburbia, Ressentiment, and the End of Empire in A Passage to India.  In: Novel. Providence: Summer 2003. Vol. 36, no, 3; p. 307-329(23)

  56. Langland,.Elizabeth.;
    Queer Forster.  In: Modern Philology, vol. 98(2000), no. 1, p. 126-129(4)

  57. Levine, June Perry.;
    Two Rooms with a View: An Inquiry into Film Adaptation.  In: Mosaic: A Journal for the Interdisciplinary Study of Literature vol. 22(1989), no. 3. p: 67-84(18) ISSN: 0027-1276

  58. Lewis, Simon.;
    Lahiri's Interpreter of Maladies.  In: The Explicator. Washington: Summer 2001. Vol. 59, no. 4; p. 219-021(3)

  59. Lin, Lidan.;
    The irony of colonial humanism: "A Passage to India" and the politics of posthumanism.  In: Ariel. Calgary: Oct 1997. Vol. 28, no. 4; p. 133-152(21)
     
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  60. McClintock, Michael W.;
    The problem of stopping at slowyear.  In: Extrapolation. Kent: Winter 1997. Vol. 38, no. 4; p. 304-317(14) ISSN: 0014-5483

  61. McDowell, Frederick P.W.;
    Forster's "Natural Supernaturalism": The Tales.  In: Modern Fiction Studies , vol. 7(1961), no. 3, p. 271-283(13)

  62. Machann, Clinton.;
    Secret Selves: Confession and Same-Sex Desire in Victorian Autobiography.  In: Biography. Honolulu: Winter 1999. Vol. 22, no. 1; p. 129 -131(3)

  63. Magnus, John.;
    Ritual Aspects of E. M. Forster's The Longest Journey.  In: Modern Fiction Studies Vol.13(1967), no. 2, p. 195-210(16)

  64. Majeed, Javed.;
    Bathos, Architecture and Knowing India: E.M. Forster's A Passage to India and Nineteenth-Century British Ethnology and the Romance Quest.  In: The Journal of Commonwealth Literature, 2005, vol. 40: p. 21-36(16)

  65. Marangoly, George, Rosemary.;
    Book reviews -- Allegories of Empire: The Figure of Woman in the Colonial Text by Jenny Sharpe.  In: Victorian Studies. Bloomington: Spring 1995. Vol. 38, no. 3; p. 468-470(3)

  66. Markley, A A.;
    E.M. Forster's reconfigured gaze and the creation of a homoerotic subjectivity.  In: Twentieth Century Literature. Hempstead: Summer 2001. Vol. 47, no. 2; p. 268-293(26)

  67. Marx, John.;
    Modernism and the female imperial gaze.  In: Novel. Providence: Fall 1998. Vol. 32, no. 1; p. 51-75(25 )

  68. Matz, Jesse.;
    Maurice in time.  In: Style. DeKalb: Summer 2000. Vol. 34, no. 2; p. 188-211(24)

  69. May, Brian.;
    Modernism and Other Modes in Forster's 'The Longest Journey.  In: Twentieth Century Literature. Vol. 42(1996). no.2. p. 234-257(24)

  70. May, Brian.;
    Neoliberalism in Rorty and Forster.  In: Twentieth Century Literature. Hempstead: Summer 1993. Vol. 39, no. 2; p. 185-207(23)

  71. Miracky, James J.;
    Pursuing (a) Fantasy: E.M. Forster's Queering of Realism in The Longest Journey1.  In: Journal of Modern Literature. Bloomington: Winter 2003. Vol. 26, no. 2; p. 129-144(16) ISSN: 0022-281X

  72. Missey, James L.;
    Forster's Redemptive Siren.  In: Modern Fiction Studies vol. 10(1964),no. 4, p. 383-385(3)

  73. Monk, Leland.;
    Apropos of Nothing: Chance and Narrative in Forster's 'A Passage to India.   In: Studies in the Novel. Vol. 26(1994). no. 4. p. 392-403(12)

  74. Moran, Jo An Hoeppner.;
    E. M. Forster's A Passage to India: What Really Happened in the Caves.   In: Modern Fiction Studies Vol. 34(1988), no. 4, p. 596-604(9)
     
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  75. Nelson, Scott R.;
    Narrative Inversion: The Textual Construction of Homosexuality in E. M. Forster's Novels.   In: Style 26 (1992): p. 310-326(17)

  76. Newman, Beth.;
    'The Situation of the Looker-On': Gender, Narration, and Gaze in Wuthering Heights.  In: PMLA, vol. 105(1990): p. 1029-1041(13)

  77. Nigel, Messenger.;
    Imperial journeys, bodily landscapes and sexual anxiety: Adela's visit to the Marabar in A Passage to India.  In: Journal of Commonwealth Literature. St. Giles: 1998. Vol. 33, no. 1; p. 99-110(12) ISSN: 0021-9894

  78. Noble, R. W.;
    A Passage to India: the Genesis of E. M. Forster's Novel.  In: Encounter, vol. 54( 1980 ): p. 51-61(11)

  79. Olson, Jeane N.;
    E. M. Forster's Prophetic Vision of the Modern Family in Howards End.  In: Texas Studies in Language and Literature, vol. 35(1993): p. 347-362(16)

  80. Olson, Jeane N.;
    The 'Noble Peasant' in E. M. Forster's Fiction.  In: Studies in the Novel, vol. 20( Winter 1988 ): p. 389-403(15). ISSN: 0039-3827

  81. Outka, Elizabeth.;
    Buying Time: Howards End and Commodified Nostalgia.   In: Novel. Providence: Summer 2003. Vol. 36, no. 3; p. 330-350(21)
     
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  82. Parry,.Benita.;
    Materiality and mystification in A Passage to India.  In: Novel. Providence: Spring 1998. Vol. 31, no. 2; p. 174-194 (21)

  83. Peat, Alexandra.;
    Modern Pilgrimage and the Authority of Space in Forster's A Room with a View and Woolf's The Voyage Out.  In: Mosaic : a Journal for the Interdisciplinary Study of Literature. Winnipeg: Dec 2003. Vol. 36, no. 4; p. 139-153(15)

  84. Pecora, Vincent P.;
    One of Us: The Mastery of Joseph Conrad / The Modernist as Pragmatist: E. M. Forster and the Fate of Liberalism.  In: Modern Fiction Studies. West Lafayette: Winter 1997. Vol. 43, no. 4; p. 1017-1024(8)

  85. Perkowitz, Sidney.;
    Connecting with E. M. Forster.  In: The American Prospect. Princeton: May 1996. V. 7, no. 26 p. 86-91(6) ISSN: 1049-7285

  86. Perry, Levine, June.;
    The functions of the narrator's voice in literature and film: Forster and Ivory's Maurice.  In: Literature/Film Quarterly. Salisbury: 1996. Vol. 24, no. 3; p. 309-321(13)

  87. Peter Crisp;
    Allegory, Maps, and Modernity: Cognitive Change from Bunyan to Forster.  In: Mosaic. Vol. 36(2003), no. 4. p. 49-64(16)

  88. Phillips, K J.;
    Hindu Avatars, Moslem Martyrs, and Primitive Dying Gods in E. M. Forster's A Passage to India.   In: Journal of Modern Literature. Philadelphia: Summer 1988. Vol. 15, no. 1; p. 120-140(21) ISSN: 0022-281X

  89. Pinkertot, Mary.;
    Ambigous Connections: Leonard Bast's Role in Howards End.  In: Twentieth-Century Literature, vol. 31(1985), p. 236-246(11)

  90. Poburko, Nicholas.;
    Transitional passages: The metaphysical art of E.M. Forster.  In: Renascence. Milwaukee: Fall 2001. Vol. 54, no. 1; p. 23-47(25)

  91. Procter, Margaret.;
    Possibilities of Completion: The Endings of A Passage to India and Women in Love.   In: ELT, vol. 34(1991), no. :3(1991), p. 261-81(21)

  92. Quentin Bailey.;
    Heroes and homosexuals: Education and empire in E. M. Forster.  In: Twentieth Century Literature. Hempstead: Fall 2002. Vol. 48, no. 3; p. 324-347(24)
     
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  93. Richard Dellamora,;
    Textual Politics/Sexual Politics.  In:Modern Language Quarterly, vol. 54. no. 1(1993): p. 155-164(10)

  94. Richard Rankin Russell.;
    E.M. Forster's Leonard Bast: A Source for Virginia Woolf's Septimus Smith.  In: English Language Notes. Boulder: Mar 2005. Vol. 42, no. 3; p. 52-67(16)

  95. Robert, Rubens.;
    The English novel in the twentieth century: 12--A hundred years of fiction: 1896 to 1996.  In: Contemporary Review. Cheam: Dec 1996. Vol. 269, no. 1571; p. 291-295(5) ISSN: 0010-7565

  96. Roessel, David..;
    Live Orientals and Dead Greeks: Forster's Response to the Chanak Crisis.  In: Twentieth-Century Literature, vol. 36(1990): no. 1 p. 43-60(18)

  97. Roy, Anindyo.;
    Savage pursuits: The shaping of colonial civility in E. M. Forster's "The Life to Come".  In: Boundary 2. Binghampton: Summer 2001. Vol. 28, no. 2; p. 229-258(30)

  98. Roy, Ashish.;
    Framing the Other: History and Literary Verisimilitude in E.M. Forster's 'The Hill of Devi.'.  In: Criticism. Vol. 36(1994). no. 2. p. 265-290(26)
     
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  99. Schwarz, Daniel R.;
    The Originality of E. M. Forster.  In: Modern Fiction Studies, vol. 29(1983), no. 4, p. 623-642(20)

  100. Seabury, Marcia Bundy.;
    Images of a networked society: E. M. Forster's "The Machine Stops".  In: Studies in Short Fiction. Newberry: Winter 1997. Vol. 34, no. 1; p. 61-71(11) ISSN: 0039-3789

  101. Shaheen, Mohammad.;
    Forster's Meredith: Meditation and Change.  In: Modern Fiction Studies vol. 29(1983), no. 2, p. 240-245(6)

  102. Shaheen, Mohammad.;
    Forster's salute to Egypt.  In: Twentieth Century Literature. Hempstead: Spring 1993. Vol. 39, no. 1; p. 32-46(15)

  103. Simon, Richard Keller.;
    E. M. Forster's Critique of Laughter and the Comic: The First Three Novels as Dialectic.  In: Twentieth-Century Literature Vol. 31 (1985): p. 199-220(22)

  104. Silvana Caporaletti.;
    The thematization of time in E.M. Forster's "The Eternal Moment" and Joyce's "The Dead"   In: Twentieth Century Literature. Hempstead: Winter 1997. Vol. 43, no. 4; p. 406-419(14)

  105. Sloan, John.;
    E M Forster: Critical Assessments.   In: The Review of English Studies. Oxford: Feb 2000. Vol. 51, no.201; p. 162-163(2)

  106. Stape, J. H.;
    Comparing Mythologies: Forster: 's Maurice and Pater's Marius.   In: ELT, vol. 33(1990), no. 2:2, p. 141-153(13)

  107. Steven, Doloff,;
    Forster's The Road from Colonus.  In: The Explicator. Washington: Summer 1996. Vol. 54, no. 4; p. 229-230(2)

  108. Steven Doloff.;
    More classical roots for Forster's 'The Road from Colonus'.  In: Notes and Queries. London: Jun 1998. Vol. 45, no. 2; p. 233-234(2)

  109. Steven Doloff.;
    Passionate statuary: A look into 'The Classical Annex' of E. M. Forster.  In: Notes and Queries. London: Sep 2000. Vol. 47, no. 3; p. 342-343(2)

  110. Stone, Wilfred.;
    Some Bloomsbury interviews and memories.  In: Twentieth Century Literature. Hempstead: Summer 1997. Vol. 43, no. 2; p. 177-193(19)

  111. Stone, Wilfred.:
    Some interviews with E. M. Forster, 1957-58, 1965.  In: Twentieth Century Literature. Hempstead: Spring 1997. Vol. 43, no. 1; p. 57-74(18)

  112. Storey, Michael L.;
    Forster's The Road from Colonus.  In: The Explicator. Washington: Spring 1991. Vol. 49, no. 3; p. 170-173(4)

  113. Summers, Claude J.;
    The Meaningful Ambiguity of Giotto in A Room with a View.  In: ELT, vol. 30(1987), no. :2, p. 165-176(12)
     
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  114. Tamera, Dorland.,
    "Contrary to the prevailing current"? Homoeroticism and the voice of maternal law in Forster's "The Other Boat".  In: Style. DeKalb: Fall 1995. Vol. 29, no. 3; p. 474-497(24)

  115. Thomson, George H.;
    Theme and Symbol in Howards End.  In: Modern Fiction Studies, vol. 7(1961), no. 3, p. 229-242(14)

  116. Turner, Henry S.;
    Empires of objects: Accumulation and entropy in E. M. Forster's Howards End.   In: Twentieth Century Literature. Hempstead: Fall 2000. Vol. 46, no. 3; p. 328-345(18)
     
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  117. Walls, Elizabeth MacLeod.;
    An Aristotelian reading of the feminine voice-as-revolution in E.M. Forster's A Passage to India.  In: Papers on Language and Literature. Edwardsville: Winter 1999.Vol.35, no. 1; p. 56-71(16)

  118. Watson, George.;
    Forever Forster: Edward Morgan Forster (1879-1970).  In: The Hudson Review. New York: Winter 2003. Vol. 55, no. 4; p. 626-633(8)

  119. Watt, Donald.;
    Mohammed el Adl and A Passage to India.  In: Journal of Modern Literature 10.2 ( 1983 ): p. 311-326(16)

  120. Weatherhead, Andrea.;
    Howards End: Beethoven's Fifth.   In: Twentieth Century Literature, vol. 31(1985): p. 247-264(18)

  121. Weller, Carol.;
    How to Connect: Applying Martha Nussbaurn's Literary Ethical Theory to E.M. Forster's Hotvar & End. A Thesis in The Department of English Presented in Partial Fullfillment of the Requirements for the Degree of Master of Arts at Concordia University Montreal, Quebec, Canada August 1998. 118 pp.

  122. Westburg, Barry R.;
    Forster's Fifth Symphony: Another Aspect of Howards End.   In: Modern Fiction Studies vol. 10(1964),no. 4, p. 359-365(7)

  123. White, Leslie.;
    Vital Disconnection in Howards End.  In: Twentieth Century Literature. Hempstead: Spring 2005. Vol. 51, no. 1; p. 43-64 (22)

  124. Wilcox, Stewart C.;
    The Allegory of Forster's "The Celestial Omnibus"   In: Modern Fiction Studies Vol. 2(1956) n. 4, 191-196(6)

  125. Wilde, Alan.;
    The Aesthetic View of Life: Where Angels Fear to Tread.  In: Modern Fiction Studies, vol. 7(1961), no. 3, p. 207-216(10)

  126. Womack, Kenneth.;
    A passage to Italy: Narrating the family in crisis in E.M. Forster's Where Angels Fear to Tread.  In: Mosaic : a Journal for the Interdisciplinary Study of Literature. Winnipeg: Sep 2000. Vol. 33, no. 3; p. 129-144(16)

  127. Womack, Kenneth.;
    "Only connecting" with the family: Class, culture, and narrative therapy in E.M. Forster's Howards End.  In: Style. DeKalb: Summer 1997. Vol. 31, no. 2; p. 255-269(15)

  128. E. M. Forster - Interview.  In: The Art of Fiction, no. 1, p. 1-16. The Pris Review Foundations, 2004

  129. Old Rationalism For New.  In: MANAS Reprint, Vol. 27(1974), no. 10, p. 1-13(13)

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