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George, Eliot(ジョージ・エリオット/ 1819-1880/)研究論文II

 George, Eliot(ジョージ・エリオット)研究の2001-2010年までに刊行された論文を紹介しています。
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  1. Akça, Catherine & Güneş, Ali.;
    Culture and Gender in George Eliot's The Mill on the Floss. In: Edebiyat Fakultesi Dergisi / Journal of Faculty of Letters Cilt/Volume 26 Say?/Number 2 (Aral?k /December 2009), pp. 1-16(16)

  2. Akendengue, Daniel René
    George Eliot and the Techniques of the Novel in MiddlemarchIn: Rcvuc du CAMES. Nouvclle Séric n. Vol. 11011 N° 1-2007 (1" Semestre), pp. 265-271(7)

  3. Akendengue, Daniel René
    Why Do We Still Read George Eliot?  In: Rcvuc du CAMES. ser. B vol. 4(2002) pp. 174-181(8)

  4. Albrecht, Thomas.;
    Sympathy and Telepathy: The Problem of Ethics in George Eliot's "The Lifted Veil". In: ELH. Baltimore: Summer 2006. Vol. 73, no. 2; p. 437-463 (27)

  5. Allen, Kristie M.;
    Habit in George Eliot's "The Mill on the Floss". In: Studies in English Literature, 1500-1900, Vol. 50, No. 4, The Nineteenth Century (AUTUMN 2010), pp. 831-852(22)

  6. Anger, Suzy.;
    George Eliot and philosophy. In: Levine, George (ed.), The Cambridge Companion to George Eliot. Cambridge, England, Cambridge UP, 2001, pp. xviii, 248. ISBN: 9780521662673 (hbk.), 9780521664738 (pbk.); pp. 76-97(22)

  7. Ansari, Komal.;
    George Eliot and the Fetish of Realism. In: International Reserch Journal of Arts & Humanities (IRJAH), Vol: 34, No. 34, 2006, ISSN: 1016-9342. pp. 108-124(17)

  8. Appignanesi, Lisa.;
    Gwendolen's Flight. In: Infallible, In Search of the Real George Eliot. curator and editor Roxy Walsh. ARTicle Press, University of Central England, 2003. pp. 10-18(9)

  9. Arnold, Jean.;
    Cameo Appearances: The Discourse of Jewelry In MiddlemarchIn: Victorian Literature and Culture (2002), 30 : pp 265-288 (24)

     
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  10. Baltazar, L.;
    The Critique of Anglican Biblican Scholarship in George Eliot's MiddlemarchIn: Literature and Theology, vol. 15(2001), no. 1, pp. 40-60(21)

  11. Battles, Kelly E.;
    George Eliot's Romola: A Historical Novel 'Rather Different in Character'. In: Philological Quarterly, vol. 88, no. 3, Summer 2009, pp. 215-237(23)

  12. Blake, Kathleen.;
    Between Economies in "The Mill on the Floss": Loans versus Gifts, or, Auditing Mr. Tulliver's Accounts. In: Victorian Literature and Culture, Vol. 33, No. 1 (2005), pp. 219-237(19)

  13. Blake, Kathleen.;
    George Eliot: The Critical Heritage. In: Levine, George (ed.), The Cambridge Companion to George Eliot. Cambridge, England, Cambridge UP, 2001, pp. xviii, 248. ISBN: 9780521662673 (hbk.), 9780521664738 (pbk.); pp. 202-225(24)

  14. Blumberg, Ilana M.;
    "Love Yourself as Your Neighbor": The Limits of Altruism and the Ethics of Personal Benefit in Adam Bede. In: Victorian Literature and Culture, Vol. 37, No. 2 (2009), pp. 543-560(18)

  15. Bodenheimer, Rosemarie.;
    A woman of many names. In: Levine, George (ed.), The Cambridge Companion to George Eliot. Cambridge, England, Cambridge UP, 2001, pp. xviii, 248. ISBN: 9780521662673 (hbk.), 9780521664738 (pbk.); pp. 20-37(18)

  16. Brandabur, A, Clare.;
    George Eliot's Daniel Deronda. In: Peace Review A Journal of SocialJustice, Vol. 13, No. 2 (2001): pp. 221-228(8)

  17. Breathnach, C. S.;
    George Eliot and the Doctors. In: Irish Journal of Medical Science, vol. 174, no. 1, Jan/2005, pp. 71-80(10)

  18. Brooks, Peter.;
    George Eliot's Delicate Vessels. In: Realist vision. By Peter Brooks. Yale University, 2005. pp. 96-112(17)

  19. Burdett, Carolyn.;
    Sexual Selection, Automata and Ethics in George Eliot's The Mill on the Floss and Olive Schreiner's Undine and From Man to Man. In: Journal of Victorian Culture, vol. 14, no. 1(Spring 2009), pp. 26-52(27)

  20. Byerly, A.;
    Rivers, journeys, and the construction of place in nineteenth-century English literature. In: S. Rosendale (Ed.), The Greening of Literary Scholarship: Literature, Theory, and the Environment (pp. 77-94). Iowa City: University of Iowa Press. (2002), pp. 77-94(18)

  21. Byron, Mark.;
    The Question of Aesthetics in George Eliot's MiddlemarchIn: Literature and Aesthetics 12 (2002): pp. 65-74(10)

     
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  22. Calder, Simon.;
    The Art of Conduct, the Conduct of Art and the 'Mixed Science' of Eliot's Ethics: 'Sympathetic Impulse' and 'The Scientific Point of View' in The Mill on the Floss. In: George Eliot Review: Journal of the George Eliot Fellowship, no. 41(2010), pp. 60-74(15)

  23. Capuano, Peter J.;
    An Objective Aural-Relative in MiddlemarchIn: Studies in English Literature, 1500 - 1900. Baltimore: Autumn 2007. Vol. 47, no. 4; p. 921-941 (21)

  24. Carpenter, Mary Wilson.;
    Medical Cosmopolitanism: "Middlemrch", Cholera, and the Pathologies of English Masculinity. In: Victorian Literature and Culture, Vol. 38, No. 2 (2010), pp. 511-528(17)

  25. Carens, Timothy L.;
    Colonial Male Authority in George Eliot's Lord Ormont and His Aminta. In: SEL: Studies in English Literature, 1500-1900, vol. 41(2001), pp. 805-826(22)

  26. Carignan, Michael.;
    Analogical Reasoning in Victorian Historical Epistemology. In: Journal of the History of Ideas. Baltimore: vol. 64, no. 3; Jul 2003. pp. 445-464(20)

  27. Chen, Chih-Ping.;
    Educating Women and Women's Educability: Figuring the Host with Cole, Ruskin, and Eliot in the Museum. In: Prose Studies: History, Theory, Criticism, vol. 30, no. 3(2008 Dec), pp. 243-265(23)

  28. Chishty-Mujahid, Nadya.;
    Scarred and Healed Identities: fallenness, morality, and the issue of personal autonomy in Adam Bede and Ruth. In: Victorian Review, Vol. 30, No. 2 (2004), pp. 58-80(23)

  29. Christianson, Frank.;
    Christian Evaluation and Moral Action in George Eliot's MiddlemarchIn: Literature and Belief, Vol 24(2004)., Iss 1, 14 pp.

  30. Civello, Catherine A.;
    The Ironies of Widowhood: Displacement of Marriage in the Fiction of George EliotIn: Nineteenth-Century Gender Studies, Issue 3.3 (Winter 2007), 11 pp.

  31. Cohen, Paula Marantz.;
    Israel and Daniel Deronda. In: The Hudson Review. New York: Summer 2002. Vol. 55, no. 2; p. 195-206(12)

  32. Cohen, Paula Marantz.;
    Why Read George EliotIn: The American Scholar. Washington: vol. 75, no. 2; Spring 2006. pp. 129-132(4)

  33. Coit, Emily.;
    'This Immense Expense of Art': George Eliot and John Ruskin on Consumption and the Limits of Sympathy. In: Nineteenth-Century Literature, vol. 65, no. 2, 2010 Sept, pp. 214-245(32)

  34. Coleman, Dawn.;
    "Daniel Deronda" and the Limits of Sermonic Voice. In: Studies in the Novel, Vol. 40, No. 4 (winter 2008), pp. 407-425(19)

  35. Colon, Susan.;
    "One Function in Particular": Professionalism and Specialization in "Daniel Deronda." In: Studies in the Novel, Vol. 37, no. 3 (fall 2005), pp. 292-307(16)

  36. Coovadia, Imraan.;
    George Eliot's Realism and Adam Smith. In: Studies in English Literature, 1500 - 1900. Baltimore: vol. 42, no. 4; Autumn 2002. pp. 819-835(17)

  37. Culler, Jonathan.;
    The Hertzian Sublime. In: MLN. Baltimore: Dec 2005. vol. 120, no. 5; p. 969-985(17)

  38. Cunningham, Valentine.;
    Why Ekphrasis? In: Classical Philology, Vol. 102, No. 1, Special Issues on Ekphrasis. Edited by Shadi Bartsch and Jaś Elsner (January 2007), pp. 57-71(15)

     
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  39. Dalley, Lana L.;
    The Economics of "A Bit O' Victual," or Malthus and Mothers in "Adam Bede". In: Victorian Literature and Culture, Vol. 36, No. 2 (2008), pp. 549-567(19)

  40. Daniels, Cindy Lou.;
    Bruising the Heart: Mening in George Eliot's "The Lifte Veil". In: Working Paper Series, 2006-H-002. 7 pp.

  41. David, Deirdre.;
    George Eliot's "Trump": Recent Work on Harriet Martineau. In: Victorian Studies. Bloomington: Vol. 47, no. 1; Autumn 2004. pp. 87-94(8)

  42. Davies, D.W.;
    The politics of allusion: Caleb Williams, the Iron Chest, Middlemarch, and the Armoire de fer. In: Review of English Studies, vol..53, no..212, Nov. 2002, p. 526-543(18)

  43. Dekel, Mikhal.;
    "Who Taught This Foreign Woman About the Ways and Lives of the Jews?": George Eliot and the Hebrew Renaissance. In: ELH. Baltimore: Winter 2007. Vol. 74, no.4; p. 783-798 (16)

  44. Dillane, Fionnuala.;
    Re-Reading George Eliot's 'Natural History': Marian Evans, 'the People,' and the Periodical. In: Victorian Periodicals Review, vol. 42, no. 3, 2009 Fall, pp. 244-266(23)

  45. Downing, Ben.;
    The Waters of March. In: Southwest Review, vol. 87(2002), no. 2/3, pp. 201-220(20) ISSN: 0038-4712

     
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  46. Epstein, Josh.;
    "Neutral Physiognomy": The Unreadable Faces of "Middlemarch". In: Victorian Literature and Culture, Vol. 36, No. 1 (2008), pp. 131-148(18)

  47. Faubert, Michelle.:
    A Possible Source for George Eliot's Edward Casaubon. In: ANQ. Lexington: Spring 2005. Vol. 18, no. 2; p. 46-52(7)

  48. Flint, Kate.;
    George Eliot and gender. In: Levine, George (ed.), The Cambridge Companion to George Eliot. Cambridge, England, Cambridge UP, 2001, pp. xviii, 248. ISBN: 9780521662673 (hbk.), 9780521664738 (pbk.); pp. 159-180(22)

  49. Fontana, Ernest.;
    Middlemarch and Dante's "flakes of fire. In: English Language Notes, vol. 38, no. 4, June 2001, p.49-52(4)

  50. Franklin, Hilary.;
    Self-(Un)Conscious Narrativeof the Female Body Dorothea's and Rosamond's "FingerRhetoric" in Eliot's MiddlemarchIn: The Harveford Journal, vol. 2, no. 2, Feb, 2006, pp. 30-40(11)

  51. Franklin, J. Jeffrey.;
    Memory as the Nexus of Identity, Empire and Evolution in George Eliot's Middlemarch and H. Rider Haggard's She. In: Cahiers Victoriens et Edouardiens, vol. 53(2001), p. 141-170(3) ISSN: 0339-2171

  52. Freed, Mark M.;
    Problems of Community and Freedom in George Eliot's Daniel Deronda. In: Journal of the Midwest Modern Language Association, vol. 38, no. 2, 2005 Fall, pp. 59-77(19)

  53. Frome, Susan.;
    The Sage of Unbelief: George Eliot and Unorthodox Choices. In: The Humanist. Washington, DC: Jul/Aug 2006. Vol. 66, no. 4; p. 27-30(4)

     
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  54. Gallagher, Catherine.;
    George Eliot: Immanent Victorian. In: Representations. Berkeley: Spring 2005, no. 90; p. 61-74(15)

  55. Galvan, Jill.;
    The Narrator as Medium in George Eliot's "The Lifted Veil". In: Victorian Studies. Bloomington: Winter 2006. Vol. 48, no. 2; p. 240 -248(9)

  56. Ganz, Melissa J.;
    Binding the Will: George Eliot and the Practice of Promising. In: ELH. Baltimore: Fall 2008. Vol. 75, no. 3; pp. 565-602 (38)

  57. Garvelink, Lisa Bouma.;
    Eliot's DANIEL DERONDA. In: The Explicator. Washington: Fall 2004. Vol. 63, no. 1; p.23-24(2)

  58. Gatens, Moira.;
    The Art and Philosophy of George EliotIn: Philosophy and Literature. Dearborn: Apr 2009. Vol. 33, no. 1; p. 73-90 (18)

  59. Gatens, Moira.;
    Freedom and Determinism in 'Middlemarch', or Dorothea, the Lunatic. In: Sydney Studies in English, Vol 29 (2003), pp. 35-45(11)

  60. Gatens, Moira.;
    Gender and Genre: marian evans, george henry lewes and "George Eliot". In: Angelaki: Journal of the Theoretical Humanities, 13(2008) : no. 2, pp. 33-44(12)

  61. Gates, Sarah.;
    A difference of native language: gender, genre and realism in Daniel Deronda. In: ELH, vol. .68, no.3, Fall 2001, p. 699-725(27)

  62. Gettelman, Debra.;
    Reading Ahead in George EliotIn: Novel. Providence: Fall 2005. Vol. 39, no. 1; p. 25-47(23)

  63. Givner, Jessie.;
    Industrial history, preindustrial literature: George Eliot's MiddlemarchIn: ELH, vol..69, no.1, Spring 2002, pp. 223-243(21)

  64. Golden, Catherine.;
    Prophetic Reading: Maggie Tulliver of George Eliot's The Mill on the Floss (1860). In: Golden, Catherine., Images of the woman reader in Victorian British and American fiction / University Press of Florida, 2003. ISBN 0-8130-2679-2; pp. 79-95(17)

  65. Golden, Catherine.;
    The Case for Compatibility: Jane Austen's Mansfield Park (1814), George Eliot's Middlemarch (1872), and Mona Caird's The Daughters of Danaus (1894). In: Golden, Catherine., Images of the woman reader in Victorian British and American fiction / University Press of Florida, 2003. ISBN 0-8130-2679-2; pp. 117-135(19)

  66. Goslee, David.;
    Ethical Discord and Resolution in George Eliot's Essays. In: Prose Studies, Volume 25, Number 3, December 2002, pp. 58-81(24)

  67. Gouws, Dennis S.;
    George Eliot's enthusiastic bachelors: topical fictional accounts of nineteenth century homoerotic Christian masculinities and the manhood question. In: Forum on Public Policy: A Journal of the Oxford Round Table 2008, Summer, 16 pp.

  68. Gray, Beryl.;
    Nobody's Daughters: Dickens's Tattycoram and George Eliot's Caterina Sarti. In: George Eliot Review: Journal of the George Eliot Fellowship 32 (2001): p. 51-62(12)

  69. Gray, Donald,;
    George Eliot and Her Publishers. In: Levine, George (ed.), The Cambridge Companion to George Eliot. Cambridge, England, Cambridge UP, 2001, pp. xviii, 248. ISBN: 9780521662673 (hbk.), 9780521664738 (pbk.); pp. 181-201(21)

  70. Green, Laura.;
    "I Recognized Myself in Her": Identifying with the Reader in George Eliot's The Mill on the Floss and Simone de Beauvoir's Memoirs of a Dutiful Daughter. In: Tulsa Studies in Women's Literature. Tulsa: Spring 2005. Vol. 24, no. 1; pp. 57-79(23)

  71. Gregory, Melissa Valiska.;
    The Unexpected Forms of Nemesis: George Eliot's 'Brother Jacob,' Victorian Narrative, and the Morality of Imperialism. In: Dickens Studies Annual: Essays on Victorian Fiction, 31(2002), pp. 281-303(23)

  72. Greiner, Rae.;
    Sympathy Time: Adam Smith, George Eliot, and the Realist Novel. In: Narrative, Vol. 17, No. 3 (Oct., 2009), pp. 291-311(21)

  73. Griem, Julika.;
    Visuality and Its Discontents. On Some Uses of Invisibility in Edgar Allen Poe, George Eliot, and Henry James. In: Anglistik und Englischunterricht, 2008; 71: pp. 245-265(21)

  74. Griffith, George V.;
    An Epistolary Friendship: The Letters of Elizabeth Stuart Phelps to George EliotIn: Legacy: A Journal of American Women Writers, vol. 18(2001), no. 1, pp. 94-100(7)

     
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  75. Haack, Susan.;
    Trials and Tribulations: Science in the Courts. In: Daedelus, Vol. 132, No. 4 (fall 2003): pp. 54-63(10)

  76. Hadjiafxendi, Kyriaki.;
    Profession, Vocation, Trade: Marian Evans and the Making of the Woman Professional Writer. In: Nineteenth-Century Gender Studies, Issue 5.2 (Summer 2009), 15 pp.

  77. Hadjiafxendi, Kyriaki.;
    Voicing the Past: Aural Sensibility, the Weaver-Poet, and George Eliot's 'Erinna'. In: Studies in the Literary Imagination, vol. 43, no. 1, Spring 2010, pp. 95-118(24)

  78. Handley, Graham.;
    Elizabeth Gaskell, George Eliot and Scenes of Clerical Life. In: Gaskell Journal. 23(2009), pp. 32-39(8)

  79. Handley, Graham.;
    Scenes and After. In: George Eliot Review: Journal of the George Eliot Fellowship, no. 39(2008), pp. 7-17(11)

  80. Harris, H.S.;
    George EliotIn: Not Said But Shown (Philosophical Studies of Literature) by H.S. Harris 2007, Part VI: pp. 465-496(32)

  81. Harris, Margaret.;
    The George Eliot Centenary of 1919. In: George Eliot Review: Journal of the George Eliot Fellowship, no. 38(2007), pp. 32-48(17)

  82. Harris, Margaret.;
    George Eliot on Stage and Screen. In: Arts: The Journal of the Sydney University Arts Association, vol. 24(2002), pp. 27-49(23)

  83. Harris, Margaret.;
    The Travels of George EliotIn: Studies in Travel Writing, vol. 12, no. 3(2008 Nov.), pp. 291-299(9)

  84. Heller, Tamar.;
    "That Muddy, Polluted Flood of Earthly Love" Ambivalence about the Body in Rhoda Broughton's Not Wisely but Too Well. In: Victorian sensations : essays on a scandalous genre / edited by Kimberly Harrison and Richard Fantina. The Ohio State University Press, 2006. ISBN-13: 978-0-8142-1031-4; pp. 87-101(15)

  85. Helminen, Pia.;
    The Use of Humour in George Eliot's Middlemarch.
     Thesis. University of Tampere. Spring, 2009. 65 pp.

  86. Hennelly, Mark M, Jr.;
    'The Secrets of Good Brewing, the Folly of Stinginess': Adam Bede's Carnival.
     Victorian Literature and Culture, vol. 34(2006), no. 1, pp. 47-69(23)

  87. Henry, Nancy.;
    The Cambridge Introduction to George Eliot.
     Cambridge University Press, 2008. ISBN-13 978-0-511-39362-4; 143 pp.

  88. Henry, Nancy.;
    George Eliot and Politics. In: Levine, George (ed.), The Cambridge Companion to George Eliot. Cambridge, England, Cambridge UP, 2001, pp. xviii, 248. ISBN: 9780521662673 (hbk.), 9780521664738 (pbk.); pp. 138-158(21)

  89. Henry, Nancy.;
    George Eliot and the British Empire.
     Cambridge University Press, 2002. 182 pp.

  90. Henry, Nancy.;
    George Eliot and the colonies. In: Victorian Literature and Culture, vol. 29, no.2, 2001, p. 413-433(21)

  91. Hollis, Hilda.;
    Felix Holt: independent spoksman or Eliot's mouthpieces. In: ELH, v.68, no.1, Spring 2001, p. 155-177(23)

  92. Hollis, Hilda.;
    The other side of carnival: Romola and Bakhtin. In: Papers on Language and Literature. Edwardsville: Summer 2001, vol. 37, no. 3; p. 227-254(28)

  93. Horowitz, Evan.;
    George Eliot: The Conservative. In: Victorian Studies. Bloomington: Autumn 2006. Vol. 49, no. 1; p. 7-32 (26)

  94. Hughes, Linda K.;
    Constructing Fictions of Authorship in George Eliot's "Middlemarch", 1871-1872. In: Victorian Periodicals Review, Vol. 38, No. 2, Interdisciplinary Work and Periodical Connections: An Issue in Honor of Sally H. Mitchell (Summer, 2005), pp. 158-179(22)

  95. Ioannou, Maria.;
    Chapter 4. Rosamond Vincy in George Eliot's MiddlemarchIn: Maria, Ioannou., Beautiful Stranger: the Function of the Coquette in Victorian literature. The University of Exeter as a thesis for the degree of Doctor of Philosophy in English, March 2009, pp. 135-158(24)

     
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  96. Johnson, Joy.;
    Print, Image, and the Cycle of Materiality in George Eliot's The Lifted Veil. In: Nineteenth-Century Gender Studies, vol. 3, no. 2, Summer 2007, pp. 24 paragraphs in 8.

  97. Jones, Jason B.;
    George Eliot's Crises of Consequence. In: Lost causes : historical consciousness in Victorian literature. By Jason B. Jones. The Ohio State University, 2006. ISBN-13: 978-0-8142-1039-0; pp. 78-99(22)

  98. Jones, Miriam.;
    "The Usual Sad Catastrophe": From the Street to the Parlor in "Adam Bede". In: Victorian Literature and Culture, Vol. 32, No. 2 (2004), pp. 305-326(22)

  99. Jones, W Gareth.;
    George Eliot's 'Adam Bede' and Tolstoy's Conception of 'Anna Karenina'. In: Modern Language Review. Belfast: 2005. Vol. 100, p. 191-199(9)

  100. Jumeau, Alain.;
    Scenes of Clerical Life: George Eliot's Own Version of Conversion. In: George Eliot Review: Journal of the George Eliot Fellowship, 2009, pp. 15-24(10)

  101. Katsarova, Vesela.;
    The Woman Artist as Viewed by the Woman Novelist: George Eliot, Virginia Woolf, Doris Lessing. In: Gender Studies, Vol. 1 No. 3/2004, pp. 189-202(14)

  102. Keen, Suzanne.;
    Quaker dress, sexuality, and the domestication of reform in the Victorian novel. In: Victorian Literature and Culture, v.ol. 30, no.1, 2002, p. 211-236(26)

  103. Kennedy, Meegan.;
    George Eliot's Realist Vision: Mechanical Observation and the Production of Sympathy. In: Meegan Kennedy., Revising the clinic : vision and representation in Victorian medical narrative and the novel. The Ohio State University, 2010. ISBN-13: 978-0-8142-1116-8; pp. 119-147(29)

  104. Kennedy, Meegan.;
    Speculation and Insight; Experimental Medicine and the Expansion of Realism. In: Meegan Kennedy., Revising the clinic : vision and representation in Victorian medical narrative and the novel. The Ohio State University, 2010. ISBN-13: 978-0-8142-1116-8; pp. 148-167(20)

  105. Knight, Mark and Mason, Emma.;
    Secularization: Dickens to Hardy. In: Nineteenth-Century Religion and Literature: An Introduction. By Mark Knight and Emma Mason. Oxford University Press, 2006. ISBN-13: 9780199277117; pp. 152-188(37)

  106. Kornbluh, Anna.;
    The Economic Problem of Sympathy: Parabasis, Interest, and Realist Form in MiddlemarchIn: ELH, vol. 77, no. 4, 2010 Winter, pp. 941-967(27)

  107. Kreisel, Deanna K.;
    Incognito, intervention, and dismemberment in Adam Bede. In: ELH. Baltimore: Summer 2003. Vol. 70, no. 2; pp. 541-574(34)

  108. Kreisel, Deanna.;
    Superfluity and suction: The problem with saving in The Mill on the Floss. In: Novel. Providence: Vol. 35, no. 1; Fall 2001. pp. 69-103(36)

  109. Kurnick. David.;
    Abstraction and the Subject of Novel Reading: Drifting through Romola. In: NOVEL: A Forum on Fiction, Vol. 42, No. 3, Theories of the Novel Now, Part II (FALL 2009), pp. 490-496(7)

  110. Kurnick, David.;
    An Erotics of Detachment: "Middlemarch" and Novel-Reading as Critical Practice. In: ELH, Vol. 74, No. 3 (Fall, 2007), pp. 583-608(26)

  111. Kurnick. David.;
    Unspeakable Georege Eliot. In: Victorian Literature and Culture, Vol. 38, No. 2 (2010), pp. 489-509(21)

     
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  112. Lamb, John B.;
    To obey and to trust: Adam Bede and the poltics of deference. In: Studies in the Novel. Denton: Fall 2002. vol. 34, no. 3; pp. 264-281(18)

  113. Lancaster, Brian.;
    George Eliot's Other River. In: Notes and Queries, vol. 54, no. 2, June 2007, pp. 150-151(2)

  114. LaPorte, Charles.;
    George Eliot, the Poetess as Prophet. In: Victorian Literature and Culture, Vol. 31(2003), no. 1, p. 159-179(21)

  115. Law, Jules.;
    Transparency and Epistemology in George Eliot's Daniel Deronda. In: Nineteenth - Century Literature. Berkeley: Sep 2007. Vol. 62, no. 2; p. 250-277 (28)

  116. Lee, Sung-Ae.;
    Separateness with communication : George Eliot, nation states, and global consciousness. In: International journal of the humanities, Vol. 1(2003), p.1019-1029

  117. Leech, Geoffrey & Short, Mick.;
    Discourse and the discourse situation. In: Leech, Geoffrey & Short, Mick., Style in Fiction: A Linguistic Introduction to English Fictional Prose. Second edition. Pearson Education Limited 2007. ISBN: 978-0-582-78409-3; pp. 206-230(25)

  118. Lerer, Seth.;
    Middlemarch and Julius Charles Hare. In: Neophilologus. Dordrecht: Oct 2003. Vol. 87, no. 4; p. 653-664(12)

  119. Lesnik-Oberstein, Karin.;
    'Holiday House': Grist to 'The Mill on the Floss', or Childhood as Text. In: The Yearbook of English Studies, Vol. 32, Children in Literature (2002), pp. 77-94(18)

  120. Levenson, Alan T.;
    Writing the Philosemitic Novel: Daniel Deronda Revisited. In: Prooftexts, Vol. 28, No. 2 (Spring 2008), pp. 129-156(28)

  121. Levine, George.;
    Dying to Know. In: Raritan, vol. 21(2002), no. 4, p. 100-121(22) ISSN: 0275-1607

  122. Levine, George.;
    Introduction: George Eliot and the Art of Realism. In: Levine, George (ed.), The Cambridge Companion to George Eliot. Cambridge, England, Cambridge UP, 2001, pp. xviii, 248. ISBN: 9780521662673 (hbk.), 9780521664738 (pbk.); pp. 1-19(19)

  123. Logan, Peter Melville.;
    George Eliot and the fetish of realism. In: Studies in the Literary Imagination. Atlanta: Fall 2002. vol. 35, no. 2; pp. 27-51(25)

  124. Long, Leonard J.;
    Law's Character in Eliot's Felix Holt, the Radical. In: Law and Literature, Vol. 16, No. 2 (Summer 2004), pp. 237-282(46)

  125. Ludwigs, Marina.;
    Group Destiny in George Eliot's Daniel Deronda. In: Anthropoetics 15, no. 1 (Fall 2009), 16 pp.

     
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  126. Machann, Clinton.;
    The Male Villain as Domestic Tyrant in Daniel Deronda: Victorian Masculinities and the Cultural Context of George Eliot's Novel. In: Journal of Men's Studies. Harriman: Spring 2005. Vol. 13, no. 3; p. 327-346(20)

  127. Mack, Michael.;
    The Significance of the Insignificant: Daniel Deronda and the Literature of Weimar Classicism. In: Modern Philology. Chicago: May 2008. Vol. 105, no. 4; p. 666-697(32)

  128. Mackie, Hilary.;
    The Key to Epic Life?: Classical Study in George Eliot's MiddlemarchIn: Classical World, Volume 103, Number 1, Fall 2009, pp. 53-67 (15)

  129. Mahawatte, Royce.;
    'Life That Is Not Clad in the Same Coat-Tails and Flounces': The Silver-Fork Novel, George Eliot and the Fear of the Material. In: Women's Writing, vol. 16. no. 2, Aug 2009, pp. 323-344(22)

  130. Maier, Sarah E.;
    Portraits of the Girl-Child: Female Bildungsroman in Victorian Fiction. In: Literature Compass, 4.1 (Jan. 2004): pp. 317-335(19)

  131. Maitzen, Rohan.;
    Martha Nussbaum and the Moral Life of MiddlemarchIn: Philosophy and Literature. Dearborn: Apr 2006. Vol. 30, no. 1; pp. 190-207(18)

  132. Mallen, Richard D.;
    George Eliot and the Precious Mettle of Trust. In: Victorian Studies. Bloomington: Autumn 2001. Vol. 44, no. 1; pp. 41-75(35)

  133. Marck, Nancy Anne.;
    Narrative Transference and Female Narcissism: The Social Message of Adam Bede. In: Studies in the Novel. Denton: Winter 2003. vol. 35, no. 4; p. 447-470(24)

  134. Markovits, Stefanie.;
    George Eliot's problem with action. In: Studies in English Literature, 1500 - 1900. Baltimore: Autumn 2001. vol. 41, no. 4; pp. 785-803(19)

  135. Markovits, Stefanie.;
    "That Girl Has Some Drama in Her": George Eliot's Problem with Action. In: The crisis of action in nineteenth-century English literature. By Stefanie Markovits. The Ohio State University. 2006. ISBN-13: 978-0-8142-1040-6; pp. 87-128(46)

  136. Marks, Clifford J.;
    Daniel Deronda: Community, spirituality, and minor literature. In: Partisan Review. Boston: Summer 2001. vol. 68, no. 3; pp. 446-463(18)

  137. Marshall, Gail.;
    George Eliot and Shakespeare: Defamiliarising 'second nature.' In: Nineteenth-Century Gender Studies: Issue 1 (Winter 2005), 14 pp.

  138. Marshall, Gail.;
    Harriet Hosmer and the Classical Inheritance. In: Forum for Modern Language Studies; Apr 2003; 39, 2; p. 202-213(12)

  139. Matus, Jill L.;
    George EliotIn: Poole, Adrian (ed. and introd.), The Cambridge Companion to English Novelists. Cambridge UP, 2010, pp. xi, 464. ISBN: 9780521871198; pp. 225-241(17)

  140. Matus, Jill L.;
    Historicizing Trauma: The Genealogy of Psychic Shock in "Daniel Deronda". In: Victorian Literature and Culture, Vol. 36, No. 1 (2008), pp. 59-78(20)

  141. Mazaher, John H.;
    On Superstition and Prejudice in the Beginning of Silas Marner. In: Connotations, Vol. 19.1-3 (2009/2010), pp. 238-258(21)

  142. McConnell, James E.;
    The Character of Methodism in Georeg Eliot's Adam Bede. In: Methodist History, 45:4 (July 2007), pp. 244-253(10)

  143. McCormack, Kathleen.;
    George Eliot: Poetry, Fiction and European Spas. In: Journal of European Studies, vol. 40, no. 1, Mar. 2010, pp. 9-22(14)

  144. McCormack, Kathleen.;
    Bessie Parkes's Summer Sketches: George Eliot as poetic persona. In: Victorian Poetry. Morgantown: Fall 2004. Vol. 42, no. 3; pp. 295-311(17)

  145. McDonagh, Josephine.;
    Child-Murder Narratives in George Eliot'sAdam Bede: Embedded Histories and Fictional Representation. In: Nineteenth-Century Literature, Vol. 56(2001), p. 228-259(32)

  146. Mcdonagh, Josephine.;
    The early novels. In: Levine, George (ed.), The Cambridge Companion to George Eliot. Cambridge, England, Cambridge UP, 2001, pp. xviii, 248. ISBN: 9780521662673 (hbk.), 9780521664738 (pbk.); pp. 38-56(19)

  147. McGeer, Victoria.;
    The Art of Good Hope. In: ANNALS, AAPSS, 592, March 2004, pp. 100-127(28)

  148. McGee, Victoria.;
    Trust, hope and empowerment. In: Australasian Journal of Philosophy, vol. 86(2008), no. 2, pp. 237-254(18)

  149. McLaren, Duncan.;
    From Doctor Watson's Casebook: Infallible: In Search of the Real George EliotIn: Infallible, In Search of the Real George Eliot. curator and editor Roxy Walsh. ARTicle Press, University of Central England, 2003. pp. 77-103(27)

  150. McWeeny, Gage.;
    The Sociology of the Novel: George Eliot's Strangers, In: Novel Fall 2009 42(3): pp. 538-545(8)

  151. Miller. Andrew H.;
    Bruising, laceration, and lifelong maiming; or, how we encourage research. In: ELH. Baltimore: Spring 2003. Vol. 70, no. 1; pp. 301-318(18)

  152. Milton, Heather.;
    "Bland, Adoring, and Gently Tearful Women": Debunking the Maternal Ideal in George Eliot's Felix Holt. In: Other mothers : beyond the maternal ideal / edited by Ellen Bayuk Rosenman and Claudia C. Klaver. The Ohio State University, 2008. ISBN-13: 978-0-8142-0286-9; pp. 55-74(20)

  153. Moody, Ellen.;
    Taking Sides; The Anthology and the Rise of the Novel: From Richardson to George Eliot/George Eliot and Victorian Historiography: Imagining the National Past/Nineteenth-Century Women at the Movies: Adapting Classic Women's Fiction to Film. In: Studies in the Novel. Denton: Summer 2004. Vol. 36, no. 2; p. 251-269(19)

  154. Morra, Irene.;
    Wilkie Collins, George Eliot, and Italian Opera. In: Essays in Criticism. Oxford: Jul 2007. Vol. 57, no. 3; p. 217-236(20)

  155. Morrell, Sascha.;
    Sotto Voce: Language and Resistance in George Eliot's Felix Holt, the Radical and Elizabeth Gaskell's Sylvia's Lovers. In: Sydney Studies in English, 33(2007), pp. 56-77(22)

  156. Morrison, Kevin A.;
    "The Mother Tongue of Our Imagination": George Eliot, Landscape-Shaped Subjectivity, and the Possibility of Social Inclusion: Winner of the 2007 Hamilton Prize. In: Victorian Review, Vol. 34, No. 1 (Spring 2008), pp. 83-100(18)

  157. Morrison, Kevin A.;
    'Whose Injury Is Like Mine?': Emily Bronte, George Eliot, and the Sincere Postures of Suffering Men. In: Novel: A Forum on Fiction, vol. 43, no. 2, 2010 Summer, pp. 271-293(23)

  158. Murphy, Margueritte.;
    The Ethic of the Gift in George Eliot's Daniel Deronda. In: Victorian Literature and Culture (2006), 34, pp. 189-207(19)

     
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  159. Nazar, Hina.;
    Philosophy in the Bedroom: Middlemarch and the Scandal of Sympathy. In: The Yale Journal of Criticism. New Haven: Fall 2002. vol. 15, no. 2; p. 293-314(22)

  160. Neill, Anna.;
    The Primitive Mind of Silas Marner. In: ELH (English Literary History), 75 (2008): pp. 939-962(24)

  161. Nemesvari, Richard.;
    "Judged by a Purely Literary Standard" Sensation Fiction, Horizons of Expectation, and the Generic Construction of Victorian Realism. In: Victorian sensations : essays on a scandalous genre / edited by Kimberly Harrison and Richard Fantina. The Ohio State University Press, 2006. ISBN-13: 978-0-8142-1031-4; pp. 15-28(14)

  162. Nemoianu, Virgil Martin.;
    The Spinozist Freedom of George Eliot's Daniel Deronda. In: Philosophy and Literature, vol. 34, no. 1. Apr. 2010, pp. 65-81(17)

  163. Nestor, Pauline.;
    George Eliot and the drama of otherness. In: Postcolonial Studies, 4 (2001) :no. 1, pp. 55-63(9)

  164. Nestor, Pauline.;
    Leaving Home: George Eliot and Romola. In: Women's Writing, vol. 10(2003), no. 2, pp. 329-342(14)

  165. Newton, K M.;
    George Eliot and Jacques Derrida: An Elective Affinity. In: Textual Practice, vol. 23, no. 1, Feb 2009, pp. 1-26(26)

  166. Newton, K M.;
    George Eliot and Racism: How Should One Read "The Modern Hep! Hep! Hep!"?' In: Modern Language Review. Belfast: Jul 2008. Vol. 103 Part 3. p. 654-665(12)

  167. Newton, K M.;
    George Eliot and the Bushmen. In: Notes and Queries. London: Mar 2008. Vol. 55, no. 1; p. 45-46(2)

  168. Nixon, Jude V.;
    "Goldengrove unleaving": Hopkins' "Spring and Fall," Christina Rossetti's "Mirrors of Life and Death," and the Politics of Inclusion. In: Victorian Poetry. Morgantown: Winter 2005. Vol. 43, no. 4; p. 473-484(13)

  169. Novak, Daniel.;
    A Model Jew: "Literary Photographs" and the Jewish Body in Daniel Deronda. In: Representations. Berkeley: Winter 2004, no. 85; pp. 58-97(40)

  170. Novy, Marianne.;
    Choices of Parentage, Identity, and Nation in George Eliot's Adoption. Novels. In: Marianne Novy., Reading Adoption: Family and Difference in Fiction and Drama. University of Michigan Press, 2005. ISBN 0472115073, 9780472115075; pp. 121-158(38)

  171. Nunokawa, Jeff .;
    Eros and isolation: The antisocial George EliotIn: ELH. Baltimore: Winter 2002. vol. 69, no. 4; p. 835-860(26)

  172. Nurbhai, Saleel and Newton, K.M.;
    George Eliot, Judaism and the novels : Jewish myth and mysticism.
      / Saleel Nurbhai and K.M. Newton. Palgrave, 2002. ISBN 0-333-96381-4; 220 pp.

  173. O'Gorman, Francis.;
    Eliot's MiddlemarchIn: The Explicator. Washington: Spring 2002. Vol. 60, no. 3; p. 137-138(2)

  174. Orr, Marilyn.;
    Incarnation, Inwardness, and Imagination: George Eliot's Early Fiction. In: Christianity and Literature, vol. 58, no. 3. Spring 2009, pp. 451-481(31)

  175. Osborne, Katherine Dunagan.;
    Inherited Emotions: George Eliot and the Politics of Heirlooms. In: Nineteenth-Century Literature, Vol. 64, No. 4 (March 2010), pp. 465-493(29)

     
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  176. Palmer, Alan.;
    Intermental Thought in the Novel: The Middlemarch Mind. In: Style. DeKalb: Winter 2005. Vol. 39, no. 4; pp. 427-439(13)

  177. Paris, Bernard J.;
    No Longer The Same Interpreter: Rereading George EliotIn: Bernard J. Paris., Rereading George Eliot: Changing Perspectives on Her Experiments in Life, State University of New York Press, 2003, Chapter 1, p. 1-18(18)

  178. Paterson, David.;
    George Eliot as Historian: The Case of Mr. Crewe and Hugh Hughes. In: George Eliot Review: Journal of the George Eliot Fellowship, 41(2010), pp. 75-83(9)

  179. Paxman, David.;
    Metaphor and Knowledge in George Eliot's MiddlemarchIn: Metaphor and Symbol, vol. 18(2003), no. 2, pp. 107-123(17)

  180. Peng, Jintang.;
    George Eliot's Middlemarch:Victorian and Modern CriticalReceptions. In: 《東華漢學》創刊號 2003, 2 月 頁 207-228 (22)

  181. Penner, Louise.;
    "Unmapped Country": Uncovering Hidden Wounds in "Daniel Deronda". In: Victorian Literature and Culture, Vol. 30, No. 1 (2002), pp. 77-97(21)

  182. Pettitt, Clare.;
    Women, Risk, and Intellectual Property: Elizabeth Gaskell and George Eliot in the 1860s. In: Patent Inventions-Intellectual Property and the Victorian Novel. By Clare Pettitt. Oxford University Press, 2004. ISBN 0-19-925320-X; pp. 204-270(67)

  183. Phillips, Emily.;
    Eliot's Adam Bede. In: The Explicator. Washington: Summer 2004. Vol. 62, no. 4; p. 199-201(3)

  184. Picker, John M.;
    George Eliot and the Sequel Question. In: New Literary History. Baltimore: Spring 2006. Vol. 37, no. 2; p. 361-388 (28)

  185. Plasa, Carl.;
    George Eliot's 'Confectionery Business': Sugar and Slavery in 'Brother Jacob'. In: Lit: Literature Interpretation Theory, vol. 16 : no. 3(2005 July-Sept), pp. 285-309(25)

  186. Postlethwaite Diana.;
    George Eliot and science. In: Levine, George (ed.), The Cambridge Companion to George Eliot. Cambridge, England, Cambridge UP, 2001, pp. xviii, 248. ISBN: 9780521662673 (hbk.), 9780521664738 (pbk.); pp. 98-118(21)

  187. Purdy, Dwight.;
    The Ethic of Sympathy in Conrad's Lord Jim and Eliot's The Mill on the Floss. In: Conradiana. Lubbock: Spring 2005. vol. 37, no. 1/2; p. 119-132(14)

  188. Purdy, Dwight H.;
    The One Poor Word" in MiddlemarchIn: Studies in English Literature, 1500 - 1900. Baltimore: Autumn 2004. Vol. 44, no.. 4; pp. 805-821(17)

  189. Purdy, Dwight H.;
    The Wit of Biblical Allusion in The Mill on the Floss. In: Studies in Philology. Chapel Hill: Spring 2005. vol. 102, no. 2; pp. 233-246(14)

     
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  190. Qualls, Barry.;
    George Eliot and religion. In: Levine, George (ed.), The Cambridge Companion to George Eliot. Cambridge, England, Cambridge UP, 2001, pp. xviii, 248. ISBN: 9780521662673 (hbk.), 9780521664738 (pbk.); pp. 119-137(19)

  191. Raines, Melissa.;
    Awakening the 'Mere Pulsation of Desire' in Silas Marner. In: George Eliot Review: Journal of the George Eliot Fellowship, no. 38(2007), pp. 24-30(7)

  192. Raines, Melissa.;
    George Eliot's Grammar of Being. In: Essays in Criticism. Oxford: Jan 2008. Vol. 58, no. 1; p. 43-63(21)

  193. Reed, John R.;
    Soldier boy: Forming masculinity in Adam Bede. In: Studies in the Novel. Denton: Fall 2001. vol. 33, no. 3; pp. 268-284(17)

  194. Reimer, Margaret Loewen.;
    The Spoiled Child: What Happened to Gwendolen Harleth? In: Cambridge Quarterly (2007) 36 (1): pp. 33-50(18)

  195. Reynolds, Susan.;
    'The Most Splendid City in Germany?': George Eliot and Prague. In: Contemporary Review, vol. 282, no. 1647, Apr 2003, pp. 228-231(4)

  196. Richardson, Angelique.;
    Darwin and Reductionisms: Victorian, Neo-Darwinian and Postgenomic Biologies. In: 19: Interdisciplinary Studies in the Long Nineteenth Century. 11(2010), .28 pp.

  197. Rifkin, Adrian.;
    A Short Story by Davida Pendleton. In: Infallible, In Search of the Real George Eliot. curator and editor Roxy Walsh. ARTicle Press, University of Central England, 2003. pp. 113-117(5)

  198. Rignall, John.;
    George Eliot and the Idea of Travel. In: Yearbook of English Studies, Vol. 36(2006), no. 2, pp. 139-152(14)

  199. Rosenman, Ellens Bayuk.;
    Mother Love. Edith Simcox. Maternity, and Lesbian Frotics. In: Other mothers : beyond the maternal ideal / edited by Ellen Bayuk Rosenman and Claudia C. Klaver. The Ohio State University, 2008. ISBN-13: 978-0-8142-0286-9; pp. 313-334(22)

  200. Rosenberg, Tracey S.;
    The Awkward Blot: George Eliot's Reception and The Ideal Woman Writer. In: Nineteenth-Century Gender Studies, vol. 3, no. 1, 2007 Spring, 23 paragraphs 15 pp.

  201. Rosenthal, Jesse.;
    The Large Novel and the Law of Large Numbers; or, Why George Eliot Hates Gambling. In: ELH, vol. 77. No. 3, 2010 Fall, pp. 777-811(35)

  202. Rosin, A.;
    George Eliot's Middlemarch: A Contribution to Medical Professionalism. In: Medical Humanities 2009 June; 35(1): pp. 43-46(4)

  203. Ruback, Timothy J.;
    'Let Me Tell the Story Straight On': Middlemarch, Process-Tracing Methods and the Politics of Narrative. In: British Journal of Politics and International Relations, vol. 12(2010), no. 4, pp. 477-497(21)

  204. Ryan, Vanessa L.;
    Reading the Mind: From George Eliot's Fiction to James Sully's Psychology. In: Journal of the History of Ideas, Vol. 70, No. 4 (Oct., 2009), pp. 615-635(21)

     
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  205. Saraçoğli, Semra.;
    George Eliot's Attitude to 'Woman Question' in The Mill on the Floss. In: GÜ, Gazi Eğitim Fakültesi Dergisi, Cilt 26, Sayi, 1 (2006), pp. 227-235(9)

  206. Sawyer, Paul.;
    Views from Above and Below: George Eliot and Fakir Mohan Senapati. In: Diacritics. Baltimore: Winter 2007. Vol. 37, no. 4; p. 56-77 (21)

  207. Scheinberg, Cynthi.;
    "The Beloved Ideas Made Flesh ": "Daniel Deronda " and Jewish Poetics. In: ELH, Vol. 77, No. 3 (FALL 2010), pp. 813-839(27)

  208. Sharon, Avi.;
    Touching Words: Finding Tradition through Translation among Seferis, Eliot, and Keats. In: Arion: A Journal of Humanities and the Classics, vol. 11, no. 3, 2004 Winter, pp. 47-82(36)

  209. Shattock, Joanne.;
    The 'Orbit' of the Feminine Critic: Gaskell and Eliot. In: Nineteenth-Century Gender Studies, vol. 6(2010), no. 2, 10 pp.

  210. Shires, Linda M.;
    Points of View in "Pippa Passes," The Woman in White, and Silas Marner. In: Perspectives : modes of viewing and knowing in nineteenth-century England / Linda M. Shires. The Ohio State University, 2009. ISBN-13: 978-0-8142-1097-0; pp. 87-114(28)

  211. Siegel, Daniel.;
    Preacher's Vigil, Landlord's Watch: Charity by the Clock in Adam Bede. In: Novel. Providence: Fall 2005. Vol. 39, no. 1; pp. 48-74(27)

  212. Slaugh-Sanford, Kathleen.;
    The Other Woman: Lydia Glasher and the Disruption of English Racial Identity in George Eliot's Daniel Deronda. In: Studies in the Novel, vol. 41, no. 4, 2009 Winter, pp. 401-417(17)

  213. Smith, Allen Permar.;
    George Eliot and the Authority of Preaching. In: Theology & Sexuality, Vol. 13(2007), no. 2, pp. 175-180(6)

  214. Smith, Suzanne.;
    Review of Gertrude Himmelfarb's The Jewish Odyssey of George Eliot - Judaism and the Human Future: A Victorian Vision. In: The Harvard Theological Review, Vol. 103, No. 2 (APRIL 2010), pp. 249-258(10)

  215. Sperlinger, Tom.;
    'The Sensitive Author': George EliotIn: Cambridge Quarterly. Oxford: 2007. Vol. 36, no. 3; p. 250-272 (23)

  216. Starr, Elizabeth.;
    Influencing the moral taste": literary work, aesthetics, and social change in Felix Holt, the Radical. In: Nineteenth-Century Literature, vol.56, no.1, June 2001, p. 52-75(24)

  217. Steedman, Carolyn.;
    Going to Middlemarch: History and the Novel. In: Michigan Quarterly Review. Ann Arbor: Summer 2001. Vol. 40, no. 3; pp. 531-552(22)

  218. Stern, Sheila.;
    Truth so difficult: George Eliot and Georg Buchner. In: Modern Language Review, vol. .96, no.1, Jn. 2001, p. 1-14(14)

  219. Stewart, Susan.;
    Genres of work: the folktale and Silas Marner. In: New Literary History, vol. 34, no.3, Summer 2003, p. 513-533(21)

  220. Stone,Elizabeth.;
    The Last Will and Testament in Literature: Rupture, Rivalry, and Sometimes Rapprochement from Middlemarch to Lemony Snicket. In: Family Process. Oxford: Dec 2008. Vol. 47, no. 4; p. 425-439 (15)

  221. Sturrock, June.;
    Emma in the 1860s: Austen, Yonge, Oliphant, Eliot. In: Women's Writing, vol. 17, no. 2(2010 Aug), pp. 324-342(19)

  222. Sulmicki, Maciej.;
    Could Middlemarch have been written by Julian Barnes? A Look at the Narrative Techniques of George Eliot's Novel from the Point of View of the 21st Century. In: Acta Philologica 37. B. Kowalik & M. Pary (Eds). University of Warsaw Faculty of Modern Languages and Literature, 2010. pp. 73-79(7)

  223. Surridge, Lisa A. (Lisa Anne).;
    The Abused Woman and the Community: "Janet's Repentance". In: Bleak houses : marital violence in Victorian fiction / Lisa Surridge. Ohio University Press, 2005. pp. 103-131(29)

  224. Szirotny, June Skye.;
    A Classical Reference in George Eliot's Spanish Gypsy. In: Notes and Queries, vol. 54, no. 2, June 2007, pp. 149-150(2)

  225. Szirotny, June Skye.;
    George Eliot, Lucretius, and Bacon. In: Notes and Queries, vol. 57, no. 2, June 2010, pp, 216-218(3)

  226. Szirotny, June Skye.;
    George Eliot's Spanish Gypsy: The Spanish-Moorish Motif. In: ANQ. Lexington: Spring 2003. Vol. 16, no. 2; pp. 36-46(11)

  227. Szirotny, June Skye.;
    Seeing the Stars by Daylight in George Eliot's MiddlemarchIn: Notes and Queries, vol. 56, no. 3, Sept. 2009, pp. 385-386(2)

     
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  228. Tate, Gregory.;
    George Eliot's Poetry of the Soul. In: George Eliot Review: Journal of the George Eliot Fellowship, no. 39(2008), pp. 18-25(8)

  229. Taylor, Jonathan.;
    'Servants' Logic' and Analytical Chemistry: George Eliot, Charles Dickens, and Servants. In: Dickens Studies Annual: Essays on Victorian Fiction, 30(2001), pp. 263-283(21)

  230. Toise, David W.;
    Sexuality's uncertain history: Or, "narrative disjunction" in Daniel Deronda. In: Victorian Literature and Culture, Vol. 38, No. 1 (2010), pp. 127-150(24)

  231. Toker, Leona.;
    Chapter Six Across the Boundaries of Self: George Eliot's Daniel Deronda. In: Toker, Leona., Towards the ethics of form in fiction : narratives of cultural remission. The Ohio State University, 2010. ISBN 978-0-8142-1122-9; pp. 116-130(15)

  232. Toker, Leona.;
    Vocation and Sympathy in "Daniel Deronda": The Self and the Larger Whole. In: Victorian Literature and Culture, Vol. 32, No. 2 (2004), pp. 565-574(10)

  233. Traub, Lindsey.;
    Beyond the Americana: Henry James reads George EliotIn: Special relationships Anglo-American affinities and antagonisms 1854-1936. edited by Janet Beer and Bridget Bennett. Manchester University Press 2002. ISBN 0 7190 5818 X: pp. 160-177(18)

  234. Underwood, Doug.;
    Journalism and the rise of the novel, 1700-1875: Daniel Defoe to George EliotIn: Underwood, Doug., Journalism and the Novel: Truth and Fiction, 1700-2000. Cambridge University Press, 2008. pp. 32-83(52)

     
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