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Zora, Neale Hurston（ハーストン）研究 1970-1999年研究論文

　Zora, Neale Hurston（ゾラ・ニール ハーストン）研究の研究論文と書評を紹介しています。
　ここで紹介する論文・書評は企画商品CD「黒人文学」の「Herlem Renaissance」の Hurston 第2集に収録しています。
　各々のタイトルリストは下記リンクからご覧できます。

　2000-2006年論文リストへ、

　リストの論文はすべてPDFファイルでご提供されます。

　[1977-1999年論文リスト]
　　下記の著者別索引をご利用下さい。　
　　

     
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  1. Ashe, Bertram D.;
    "Why don't he like my hair?": Constructing African-American standards of beauty in Toni Morrison's Song of Solomon and Zora Neale Hurston's Their Eyes Were Watching God.  In: African American Review. Saint Louis: Winter 1995.Vol. 29, no. 4; p. 579-592(14)

  2. Barbeito, Patricia Felisa.;
    Making Generations" in Jacobs, Larsen, and Hurston: A genealogy of black women's writing.  In: American Literature. Durham: Jun 1998. Vol. 70, no. 2; p. 365-395(31)

  3. Barksdale Richard K.;
    Black Autobiography and the Comic Vision.  In: Black American Literature Forum, vol. 15(Spring 1981): p. 22-27(6)

  4. Basu, Biman.;
    Oral tutelage" and the figure of literacy: Paule Marshall's Brown Girl, Brownstones and Zora Neale Hurston's Their Eyes Were Watching God.  In: MELUS. Los Angeles: Spring 1999. Vol. 24, no. 1; p. 161-176(17)

  5. Batker, Carol.;
    Love me like I like to be": The sexual politics of Hurston's Their Eyes Were Watching God, the classic blues, and the black women's club movement.  In: African American Review. Saint Louis: Summer 1998. Vol. 32, no. 2; p. 199-213(15)

  6. Bauer Margaret D.;
    The Sterile New South: An Intertextual Reading of Their Eyes Were Watching God and Absalom, Absalom!.  In: CLA Journal , vol. 36(June 1993): p. 384-405(22)

  7. Benesch Klaus.;
    Oral Narrative and Literary Text: Afro-American Folklore in Their Eyes Were Watching God.  In: Callaloo, vol. 11, 3(Summer 1988): p. 627-635(9)

  8. Bordelon, Pam.;
    New tracks on Dust Tracks: Toward a reassessment of the life of Zora Neale Hurston.  In: African American Review. Saint Louis: Spring 1997. Vol. 31, no. 1; p. 5-21(17)

  9. Borders Florence Edwards.;
    Zora Neale Hurston: Hidden Woman.  In: Callaloo, vol. 2, no. 2( May 1979): p. 89-92(4)

  10. Boxwell, D. A.;
    "Sis Cat" as Ethnographer: Self-Presentation and Self-Inscription in Zora Neale Hurston's "Mules and Men."  In: African American Review, v.26(1992), no. 4, p. 605-618(14)

  11. Boyd, Lisa.;
    The Folk, the Blues, and the Problems of Mule Bone.  In: Langston Hughes Review vol. 13, no. 1(Fall/Spring 1995): p. 33-44(12)

  12. Brantley, Will.;
    O'Connor, Porter, and Hurston on the state of the world.  In: Contemporary Literature. Madison: Spring 1996. Vol. 37, no. 1; p. 132-144(13)

  13. Brigham, Cathy.;
    The talking frame of Zora Neale Hurston's talking book: Storytelling as dialectic in Their Eyes Were Watching God.  In: CLA Journal. Baltimore: Jun 1994. Vol. 37, no. 4; p. 402-419(18)

  14. Brita, Lindberg-Seyersted.;
    The Color Black: Skin Color as Social, Ethical, and Esthetic Sign in Writing by Black American Women.  In: English Studies. Amsterdam: Feb 1992. Vol. 73, no. 1; p. 51-67(17)

  15. Burke Virginia M.;
    Zora Neale Hurston and Fannie Hurst as They Saw Each Other.  In: CLA Journal, vol. 20( June 1977): p.435-447(13)

  16. Bush, Gail.;
    When Franz Met Zora: A 'Fly on the Wall' Moment in History.  In: The Journal for the Liberal Art and Sciences, Volume 8, Number 2.

  17. Bush, Trudy Blosher.;
    Transforming Vision: Alice Walker and Zora Neale Hurston.  In: The Christian Century. Chicago: Nov 16, 1988. Vol. 105, no. 34; p. 1035-1039(5)

  18. Byrd, Rudoloh P.;
    Shared orientation and narrative acts in Cane, Their Eyes Were Watching God, and Meridian.  In: MELUS. Los Angeles: Winter 1991. Vol. 17, no. 4; p. 41-56(16)

     

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  19. Caputi, Jane.;
    'Specifying' Fannie Hurst: Langston Hughes's 'Limitations of Life", Zora Neale Hurston's Their Eyes Were Watching God, and Toni Morrison's The Bluest Eye as "Answers" to Hunrst's Imitation of Life.  In: Black American Literature Forum. Winter 1990. Vol. 24, no. 4; p. 697-716(20)/font>

  20. Carr Glynis.;
    Storytelling as Bildung in Zora Neale Hurston's Their Eyes Were Watching God.  In: CLA Journal vol. 31 ( 1987): p. 189-100(12)

  21. Cassidy, Thomas.;
    Janie's rage: The dog and the storm in Their Eyes Were Watching God.  In: CLA Journal. Baltimore: Mar 1993. Vol. 36, no. 3; p. 260-269(10)

  22. Charnov, Elaine S.;
    The Performative Visual Anthropology Films of Zora Neale Hurston.  In: Film Criticism. 23(1998), no. 1. p. 38-47(10)

  23. Chinn, Nancy, Dunn, Elizabeth E.;
    The ring of singing metal on wood": Zora Neale Hurston's artistry in "The Gilded Six-Bits.  In: The Mississippi Quarterly. Mississippi State: Fall 1996. Vol. 49, no. 4; p. 775-790(16) ISSN: 0026-637X

  24. Clair, Janet St.;
    "The Courageous Undertow of Zora Neale Hurston's Seraph on the Suwanee".  In: Modern Language Quarterly 50(1987): p. 38-57(20)

  25. Cobb-Moore, Geneva.;
    Zora Neale Hurston as local colorist.  In: Southern Literary Journal. Chapel Hill: Spring 1994. Vol. 26, no. 2; p. 25-34(10)

  26. Collins, Derek.;
    The myth and ritual of Ezili Freda in Hurston's Their Eyes Were Watching God.  In: Western Folklore. Chico: Spring 1996. Vol. 55, no. 2; p. 137-154(18)

  27. Crabtree, Claire.;
    The Confluence of Folklore, Feminism and Black Self-Determination in Hurston's Their Eyes Were Watching God.  In: Southern Literary Journal, vol.17(Spring 1985): p. 54-66(13)

  28. Crosland Andrew.;
    The Text of Zora Neale Hurston: A Caution Essay.  In: CLA Journal, vol. 37( June 1994): p. 420-424(5)

  29. Curren, Erik D.;
    Should their eyes have been watching God?: Hurston's use of religious experience and gothic horror.  In: African American Review. Saint Louis: Spring 1995. Vol. 29, no. 1; p. 17-25(9)

     

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  30. Dalgarno, Emily.;
    "Words Walking Without Masters": Ethnography and the Creative Process in Their Eyes Were Watching God.  In: American Literature. Durham: Sep 1992. Vol. 64, no. 3; p. 519-541(23)

  31. Daniel, Janice.;
    "De Understandin' to Go 'long wid It": Realism and Romance in Their Eyes Were Watching God.  In: Southern Literary Journal. Chapel Hill: Fall 1991. Vol. 24, no. 1; p. 66-76(11)

  32. Davie Sharon.;
    Free Mules, Talking Buzzards, and Cracked Plates: The Politics of Dislocation in Their Eyes Were Watching God.  In: PMLA, 108( May 1993): p. 446-459(14)

  33. Davies, Kathleen.;
    Zora Neale Hurston's Poetics of Embalmment: Articulating the Rage of Black Women and Narrative Self-Defense.  In: African American Review. Saint Louis: Spring 1992. Vol. 26, no. 1; p. 147-160(13)

  34. Deck, Alice A.;
    Autoethnography: Zora Neale Hurston, Noni Jabavu, and cross.  In: Black American Literature Forum. Summer 1990. Vol. 24, no. 2; p. 237-256(20)

  35. Dolby-Stahl, Sandra.;
    Literary objectives: Hurston's use of personal narrative in Mules and Men.  In: Western Folklore. Chico: Jan 1992. Vol. 51, no. 1; p. 51-63(13)

  36. Domina, Lynn.;
    "Protection in my mouf": Self, voice, and community in Zora Neale Hurston's Dust Tracks on a Road and Mules and Men.  In: African American Review. Saint Louis: Summer 1997. Vol. 31, no. 2; p. 197-209(13)

  37. Donlon, Jocelyn Hazelwood.;
    Porches: Stories: Power: Spatial and racial intersections in Faulkner and Hurston.  In: Journal of American Culture. Winter 1996. Vol. 19, no. 4; p. 95-110(16)

  38. Dubek, Laura.;
    The social geography of race in Hurston's Seraph on the Suwanee.  In: African American Review. Saint Louis: Fall 1996. Vol. 30, no. 3; p. 341-346(6)

  39. Dubey, Madhu.;
    Folk and Urban Communities in African-American Women's Fiction: Octavia Butler's Parable of the Sower.  In: Studies in American Fiction. 27(1999), no. 1. p. 103-28(26)

     

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  40. Echeruo, Michael J C.;
    Modernism, blackface, and the postcolonial condition.  In: Research in African Literatures. Bloomington: Spring 1996. Vol. 27, no. 1; p. 172-187(16)

  41. English, Daylanne K.;
    Somebody Else's Foremother: David Haynes and Zora Neale Hurston.  In: African American Review. Saint Louis: Summer 1999. Vol. 33, no. 2; p. 283-297(15)

  42. Faulkner, Howard J.;
    Mules and Men: Fiction as Folklore.  In: CLA Journal. Baltimore: Mar 1991. Vol. 34, no 3; p. 331-339(9)

  43. Ferguson Sally Ann.;
    Folkloric Men and Female Growth in Their Eyes Were Watching God.  In: Black American Literature Forum. Vol. 21(Spring/Summer 1987),: p. 185-197(13)

  44. Foreman P. Gabrielle.;
    Looking Back from Zora, or Talking Out Both Sides My Mouth for Those Who Have Two Ears.  In: Black American Literature Forum, vol. 24, no. 3 (Winter 1990): p. 649-666(18)/font>

  45. Fox-Genovese, Elizabeth.;
    Myth and history: Discourse of origins in Zora Neale Hurston and Maya Angelou.  In: Black American Literature Forum. Summer 1990. Vol. 24, no. 2; p. 221-235(15)

  46. Gambrell, Alice.;
    Serious fun: Recent work on Zora Neale Hurston.  In: Studies in the Novel. Denton: Summer 1997. Vol. 29, no. 2; p. 238-244(7)

  47. Gebhard, Ann O.;
    The emerging self: Young-adult and classic novels of the black experience.  In: English Journal (High school edition). Urbana: Sep 1993. Vol. 82, no. 5; p. 50-54(5)

     

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  48. Harrison, Beth,.;
    Zora Neale Hurston and Mary Austin: A case study in ethnography, literary modernism, and contemporary ethnic fiction.  In: MELUS. Los Angeles: Summer 1996. Vol. 21, no. 2; p. 89-106(18)

  49. Hattenhauer, Darryl..;
    The death of Janie Crawford: Tragedy and the American dream in Their Eyes Were Watching God.  In: MELUS. Los Angeles: Spring 1994. Vol. 19, no. 1; p. 45-56(12)

  50. Hattenhauer, Darryl.;
    Hurston's Their Eyes Were Watching God.  In: The Explicator. Washington: Winter 1992. Vol. 50, no. 2; p. 111-112(2)

  51. Haurykiewicz, Julie A.;
    From mules to muliebrity: Speech and silence in Their Eyes Were Watching God.  In: Southern Literary Journal. Chapel Hill: Spring 1997. Vol. 29, no. 2; p. 45-61(16)

  52. Hite, Molly.;
    Romance, marginality, matrilineage: Alice Walker's The Color Purple and Zora Neale Hurston's Their Eyes Were Watching God.  In: Novel. Providence: Spring 1989. Vol. 22, no. 3; p. 257-273(17)

  53. Howard Lillie P.;
    Marriage: Zora Neale Hurston's System of Values.  In: CLA Journal 21 ( December 1977): p. 256-268(13)

  54. Howard, Lillie P.;
    Nanny and Janie: Will the Twain Ever Meet? (A Look at Zora Neale Hurston's "Their Eyes Were Watching God.").  In: Journal of Black Studies, 12(1982), no. 4, p. 403-414(12)

  55. Hubbard Dolan.;
    "'. . .Ah said Ah'd save de text for you': Recontextualizing the Sermon to Tell (Her)story in Zora Neale Hurston's Their Eyes Were Watching God".  In: African American Review 27( March 1993): p. 167-178(12)

  56. Hudson-Weems, Clenora.;
    The Tripartite Plight of African-American Women as Reflected in the Novels of Hurston and Walker.  In: Journal of Black Studies, vol. 20, no. 2 p. 192-207 Dec 1989

  57. Hurd Myles, Raymond,.;
    What Goes Around Comes Around: Characterization, Climax, and Closure in Hurston's 'Sweat.  In: Langston Hughes Review vol. 12, no. 2 (Fall 1993): p. 7-15(9)

     

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  58. Jacobs, Karen.;
    From "spy-glass" to "horizon": Tracking the anthropological gaze in Zora Neale Hurston.  In: Novel. Providence: Spring 1997. Vol. 30, no. 3; p. 329-360(32)

  59. Johnson, Maria V.;
    The world in a jug and the stopper in [her] hand: Their Eyes as blues performance.  In: African American Review. Saint Louis: Fall 1998. Vol. 32, no. 3; p. 401-414(14)

  60. Jones, Evora W.;
    Ascent and Immersion: Narrative Expression in Their Eyes Were Watching God.  In: CLA Journal 39 ( March 1996): p. 369-379(11)

  61. Jones, Evora W.;
    The Pastoral and the Picaresque in Zora Neale Hurston's "The Gilded Six-Bits".  In: CLA Journal. Baltimore: Mar 1992. Vol. 35, no. 3; p. 316-324(9)

  62. Jones, Sharon L;
    Reclaiming a legacy: The dialectic of race, class, and gender in Jessie Fauset, Zora Neale Hurston, and Dorothy West.  In: Hecate. St. Lucia: 1998. Vol. 24, no. 1; p. 155-164(10)

  63. Jordan, Jennifer.;
    Feminist Fantasies - Hurston's Their Eyes Were Watching God.  In: Tulsa Studies in Women's Literature, 7(Spring 1988): p. 105-117(13)

  64. Jordan, Rosan Augusta.;
    Not into Cold Space: Zora Neale Hurston and J. Frank Dobie as Holistic Folklorists.  In: Southern Folklore, vol. 49(1992): p. 109-131(23) ISSN: 0899-594X

  65. Kaplan, Carla.;
    The erotics of talk: "That oldest human longing" in Their Eyes Were Watching God.  In: American Literature. Durham: Mar 1995. Vol. 67, no. 1; p. 115-142(28)

  66. King Sigrid.;
    Naming and Power in Zora Neale Hurston's Their Eyes Were Watching God.  In: Black American Literature Forum, vol. 24 (1990): p. 683-696(14)

  67. Knudsen, Janice L.;
    The tapestry of living: A journey of self-discovery in Hurston's Their Eyes Were Watching God.  In: CLA Journal. Baltimore: Dec 1996. Vol. 40, no. 2; p. 214-229(16)

  68. Krasner, James .;
    The life of women: Zora Neale Hurston and female autobiography.  In: Black American Literature Forum. Spring 1989. Vol. 23, no. 1; p. 113-127(15)

  69. Kubitschek Missy Dehn.;
    'Tuh de Horizon and Back': The Female Quest in Their Eyes Were Watching God.  In: Black American Literature Forum vol. 17(Fall 1983): p. 109-115(7)

     

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  70. Lamothe, Daphne.;
    Vodou imagery, African-American tradition and cultural transformation in Zora Neale Hurston's Their Eyes Were Watching God.  In: Callaloo. Baltimore: Winter 1999. Vol. 22, no. 1; p. 157-175(19)

  71. Lemke, Sieglinde.;
    Blurring Generic Boundaries: Zora Neale Hurston: A Writer of Fiction and Anthropologist.  In: REAL: The Yearbook of Research in English and American Literature. 12(1996), p. 163-177(15)

  72. Levecq Christine.;
    'Mighty Strange Threads in Her Loom': Laughter and Subversive Heteroglossia in Zora Neale Hurston's Moses, Man of the Mountain.  In: Texas Studies in Literature and Language vol. 36(Winter 1994): p. 436-461(26)

  73. Levecq, Christine.;
    You heard her, you ain't blind": Subversive shifts in Zora Neale Hurston's Their Eyes Were Watching God.  In: Tulsa Studies in Women's Literature. Tulsa: Spring 1994. Vol. 13, no. 1; p. 87-111(25)

  74. Lowe, John.;
    From Mule Bones to Funny Bones: The Plays of Zora Neale Hurston.  In: Southern Quarterly vol. 33.no. 2-3(1995): p. 65-78(14)

  75. Lupton, Mary J.;
    Zora Neale Hurston and the Survival of the Female.  In: Southern Literary Journal, vol. 15(Fall 1982): p.45-54(10)

  76. McCredie Wendy J.;
    Authority and Authorization in Their Eyes Were Watching God.  In: Black American Literature Forum, vol 16(Spring 1982): p. 25-28(4)

  77. McGowan, Todd.;
    Liberation and domination: Their Eyes Were Watching God and the evolution of capitalism.  In: MELUS. Los Angeles: Spring 1999. Vol. 24, no. 1; p. 109-128(20)

  78. Marks Donald R.;
    Sex, Violence, and Organic Consciousness in Zora Neale Hurston's Their Eyes Were Watching God.  In: Black American Literature Forum, vol. 19 (Winter 1985): p. 152-157(6)

  79. Matza Diane.;
    Zora Neale Hurston's Their Eyes Were Watching God and Toni Morrison's Sula: A Comparison.  In: MELUS 12(Fall 1985): p. 43-54(12)

  80. Meisenhelder, Susan.;
    Conflict and resistance in Zora Neale Hurston's Mules and Men.  In: Journal of American Folklore. Washington: Summer 1996. Vol. 109, no. 433; p. 267-288(22)

  81. Morris, Robert J.;
    Zora Neale Hurston's ambitious enigma: Moses, Man of the Mountain.  In: CLA Journal. Baltimore: Mar 1997. Vol. 40, no. 3; p. 305 -35(31)

  82. Musser, Judith.;
    Significant stereotypes in Hurston's "Conscience of the Court"  In: The Midwest Quarterly. Pittsburg: Autumn 1999. Vol. 41, no. 1; p. 79-87(9)

  83. Nicholls, David G.;
    Migrant labor, folklore, and resistance in Hurston's Polk county: Reframing Mules and Men.  In: African American Review. Saint Louis: Fall 1999. Vol. 33, no. 3; p. 467-479(13)

     

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  84. O'Connor Mary.;
    Zora Neale Hurston and Talking Between Cultures.  In: Canadian Review of American Studies (Special issue, part 1, 1992): p.141-162(22)

  85. Olaniyan, Tejumola.;
    God's Weeping Eyes: Hurston and the AntiPatriarchal Form.  In: Obsidian II: Black Literature in Review 5 (Summer 1990): p. 30-45(16)

  86. Paquet, Sandra Pouchet.;
    The Ancestor as Foundation in Their Eyes Were Watching God and Tar Baby.  In: Callaloo. Baltimore: Summer 1990. Vol. 13, no. 3; p. 499-515(17)

  87. Pettis, Joyce.;
    "She Sung Back in Return": Literary (Re)vision and Transformation in Gayl Jones's Corregidora.  In: College English. Urbana: Nov 1990. Vol. 52, no. 7; p. 787-799(13)

  88. Peters, Pearlie M.;
    Ah got the law in my mouth: Black women and assertive voice in Hurston's fiction and folklore.  In: CLA Journal. Baltimore: Mar 1994. Vol. 37, no. 3; p. 293-302(10)

  89. Pierpont, Claudia Roth.:
    A society of one : Zora Neale Hurston.  In: The New Yorker. New York: Feb 17, 1997. Vol. 73, no. 1; p. 80-91(12)

  90. Plant, Deborah G.;
    Narrative Strategies in Zora Neale Hurston's "Dust Tracks on a Road."  In: Sage: A Scholarly Journal on Black Women, vol. 6(Sum 1989), no. 1, p. 18-23(6)

  91. Pondrom, Cyrena N.;
    The Role of Myth in Hurston's Their Eyes Were Watching God.  In: American Literature. Durham: May 1986. Vol. 58, no. 2; p. 181-202(22)

  92. Portelli, Alessandro.;
    Everybody's healing novel: Native Son and its contemporary critical context.  In: The Mississippi Quarterly. Mississippi State: Spring 1997. Vol. 50, no. 2; p. 255-265(11)

  93. Racine, Maria J.;
    Voice and interiority in Zora Neale Hurston's Their Eyes Wer.  In: African American Review. Saint Louis: Summer 1994. Vol. 28, no. 2; p. 283-292(10)

  94. Ramsey, William M.;
    The compelling ambivalence of Zora Neale Hurston's Their Eyes Were Watching God.  In: Southern Literary Journal. Chapel Hill: Fall 1994. Vol. 27, no. 1; p. 36-50(15)

  95. Roark, Chris.;
    Hurston's Shakespeare: "Something Like a King, Only Bigger and Better".  In: CLA Journal. Baltimore: Dec 1996. Vol. 40, no. 2; p. 197-213(17)

  96. Robey Judith.;
    Generic Strategies in Zora Neale Hurston's Dust Tracks on a Road.  In: Black American Literature Forum, vol. 24, no. 3(Winter 1990): p. 667-682(16)

  97. Roemer, Julie.;
    Celebrating the Black Female Self: Zora Neale Hurston's American Classic.  In: English Journal (High school edition). Urbana: Nov 1989. Vol. 78, no. 7; p. 70-72(3)

     

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  98. Sadoff Dianne F.;
    Black Matrilineage: The Case of Alice Walker and Zora Neale Hurston.  In: Signs, vol. 11, no. 1(Autumn 1985): p. 4- 26(23)

  99. Sheppard, David M.;
    Living by Comparisons: Janie and Her Discontents.  In: English Language Notes. Boulder: Dec 1992. Vol. 30, no. 2; p. 63-75(13)

  100. Story, Ralph D.;
    Gender and Ambition: Zora Neale Hurston in the Harlem Renaissance.  In: The Black Scholar. San Francisco: Summer 1989. Vol. 20, no. 3-4; p. 25-31(7)

  101. Tangum, Marion M. & Smelstor, Marjorie.;
    Hurston's and Angelou's visual art: The distancing vision and the beckoning gaze.  In: Southern Literary Journal. Chapel Hill: Fall 1998. Vol. 31, no. 1; p. 80-97(18)

  102. Thaggert, Miriam.;
    Divided images: Black female spectatorship and John Stahl's Imitation of Life.  In: African American Review. Saint Louis: Fall 1998. Vol. 32, no. 3; p. 481-490(11)

  103. Thomas, Marion A.;
    Reflections on the Sanctified Church as Portrayed by Zora Neale Hurston.  In: Black American Literature Forum. Spring 1991. Vol. 25, no. 1; p. 35-41(7)

  104. Thompson, Gordon E.;
    Projecting gender: Personification in the works of Zora Neale Hurston.  In: American Literature. Durham: Dec 1994. Vol. 66, no. 4; p. 737-763(27)

  105. Thornton Jerome E.;
    'Goin on de Muck': The Paradoxical Journal of the Black American Hero.  In: CLA Journal, 31( March 1988): p. 261-280(20)

  106. Trefzer, Annette.;
    "Let us all be kissing-friends?": Zora Neale Hurston and race politics in Dixie.  In: Journal of American Studies. Cambridge: Apr 1997. Vol. 31; p. 69-78(10)

  107. Trombold, John.;
    The minstrel show goes to the Great War: Zora Neale Hurston's mass cultural other.  In: MELUS. Los Angeles: Spring 1999. Vol. 24, no. 1; p. 85 -107(23)

  108. Urgo, Joseph R.;
    "The Tune Is the Unity of the Thing": Power and Vulnerability in Zora Neale Hurston's Their Eyes Were Watching God.  In: Southern Literary Journal. Chapel Hill: Spring 1991. Vol. 23, no. 2; p. 40-54(5)

     

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  109. Vickers, Anita M.;
    The reaffirmation of African-American dignity through the oral tradition in Zora Neale Hurston's Their Eyes Were Watching God.  In: CLA Journal. Baltimore: Mar 1994. Vol. 37, no. 3; p. 303-315(13)

  110. Walker, Pierre A.;
    Zora Neale Hurston and the post-modern self in Dust Tracks on a Road.  In: African American Review. Saint Louis: Fall 1998. Vol. 32, no. 3; p. 387-399(13)

  111. Walker S. Jay.;
    Zora Neale Hurston's Their Eyes Were Watching God: Black Novel of Sexism".  In: Modern Fiction Studies 20 (winter 1974-75): 519-527(9)

  112. Wall, Cheryl A.;
    Mules and Men and women: Zora Neale Hurston's strategies of narration and visions of female empowerment.  In: Black American Literature Forum. Winter 1989. Vol. 23, no. 4; p. 661-680(20)

  113. Walters, Keith.;
    "He can read my writing but he sho' can't read my mind": Zora Neale Hurston's revenge in Mules and Men.  In: Journal of American Folklore. Washington: Summer 1999. Vol. 112, no. 445; p. 343-347(5)

  114. Williams, Donna M.;
    Our love/hate relationship with Zora Neale Hurston.  In: Black Collegian. New Orleans: Jan 1994. Vol. 24, no. 3; p. 86-88(3)

  115. Willis Miriam DeCosta.;
    Folklore and the Creative Artist: Lydia Cabrera and Zora Neale Hurston.  In: CLA Journal 27 ( September 1983): p. 81-90(10)

  116. Wolff, Tai Maria.;
    Listening and Living: Reading and Experience in Their Eyes Were Watching God.  In: Black American Literature Forum, vol. 16(Spring 1982): p. 29-33(5)

  117. Woodson, Jon.;
    Zora Neale Hurston's "Their Eyes Were Watching God" and the Influence of Jens Peter Jacobsen's "Marie Grubbe."  In: African American Review, vol.26(1992), no. 4, p. 619-635(17)

  118. Woodward Helena.;
    Expressions of 'Black Humor': Laughter as Resistance in Alice Walker's The Color Purple and Zora Neale Hurston's Moses, Man of the Mountain.  In: Texas Studies in Literature and Language, vol. 36 (Winter 1994): 431-435(5)

     

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  119. Byerman, Keith E.;
    The Harlem Renaissance in Black and White / Women of the Harlem Renaissance. [review].  In: The Journal of American History. Bloomington: Mar 1997. Vol. 83, no. 4; p. 1449-1450(2)

  120. Chinn, Nancy.;
    Every Tub Must Sit On Its Own Bottom: The Philosophy and Politics of Zora Neale Hurston. [review].  In: The Mississippi Quarterly. Mississippi State: Winter 1997/1998. Vol. 51, no. 1; p. 199-201(3)

  121. Churchill, Mary Faggan.;
    Alice Walker and Zora Neale Hurston: The Common Bond. [review].  In: MELUS. Los Angeles: Fall 1997. Vol. 22, no. 3; p. 199-202(4)

  122. Daniel M Scott III.;
    Jump at the Sun: Zora Neale Hurston's Cosmic Comedy. [review]  In: MELUS. Los Angeles: Winter 1998. Vol. 23, no. 4; p. 223-226(4)

  123. Delbanco, Andrew.;
    The mark of Zora -- Novels & Stories by Zora Neale Hurston and edited by Cheryl A. Wall / Folklore, Memoirs, & Other Writings by Zora Neale Hurston and edited by Cheryl A. Wall. [review].  In: The New Republic. Washington: Jul 3, 1995. Vol. 213, no. 1; p. 30-34(5)

  124. Ernest, John.;
    Every Tub Must Sit on Its Own Bottom: The Philosophy and Politics of Zora Neale Hurston. [review]   In: American Literature. Durham: Sep 1997. Vol. 69, no. 3; p. 637-638(2)

  125. Heaman, Patricia B.;
    Every Tub Must Sit on Its Own Bottom: The Philosophy and Politics of Zora Neale Hurston. [review].  In: MELUS. Los Angeles: Summer 1998. Vol. 23, no. 2; p. 219-221(3)

  126. King, Debra Walker.;
    Jump at the Sun: Zora Neale Hurston's Cosmic Comedy. [review].  In: African American Review. Saint Louis: Fall 1996. Vol. 30, no.. 3; p. 481-482(2)

  127. Kubitschek, Missy Dehn.;
    Re-viewing Their Eyes - New Essays on Their Eyes Were Watchi. [review].  In: African American Review. Saint Louis: Summer 1994. Vol. 28, no. 2; p. 305-309(5)

  128. McCoy, Beth.;
    Women of the Harlem Renaissance / Every Tub Must Sit on Its Own Bottom: The Philosophy and Politics of Zora Neale Hurston / 'Who set you flowin'?': The African-American Migration Narrative.  In: Modern Fiction Studies. West Lafayette: Winter 1997. Vol. 43, no. 4; p. 993-1001(9)

  129. Pondrom, Cyrena N.;
    The Americas -- Jump at the Sun: Zora Neale Hurston's Cosmic Comedy by John Lowe. [review].  In: Modern Fiction Studies. West Lafayette: Spring 1996. Vol. 42, no. 1; p. 149-152(4)

  130. Roberts John.;
    Mules and Men and Their Eyes Were Watching God.  In: Journal of American Folklore, vol. 93 (1980): p. 463-466(4)

  131. Robert, Saunders, James.;
    Psychoanalysis and Black Novels: Desire and the Protocols of Race. [review].  In: Modern Fiction Studies. West Lafayette: Summer 1999. Vol. 45, no. 2; p. 498-502(5)

  132. Rohrbach, Augusta.;
    Jump at the Sun: Zora Neale Hurston's Cosmic Comedy. [review].  In: American Literature. Durham: Jun 1997. Vol. 69, no. 2; p. 425-426(2)

  133. Sailer, Steve.;
    The secret Zora Neale Hurston -- Zora Neale Hurston: Novels and Stories by Zora Neale Hurston / Zora Neale Hurston: Folklore, Memoirs and Other Writings by Zora Neale Hurston. [review].  In: National Review. New York: Apr 3, 1995. Vol. 47, no. 6; p. 58-60(3)

  134. Tarver, Australia.;
    Social Rituals and the Verbal Art of Zora Neale Hurston. [review].  In: Australia Tarver. African American Review. Saint Louis: Summer 1999. Vol. 33, no. 2; p. 362-365(4)

  135. Wald, Priscilla.;
    The Power of the Porch: The Storyteller's Craft in Zora Neale Hurston, Gloria Naylor, and Randall Kenan. [review].  In: American Literature. Durham: Mar 1998. Vol. 70, no. 1; p. 202-203(2)

  136. Walker, Elinor Ann.;
    Tradition and innovation: Southern women writers.  In: Southern Literary Journal. Chapel Hill: Fall 1995. Vol. 28, no. 1; p. 149-156(6)

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