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Paule, Marshall（ポール・マーシャル）研究論文（１）

　Paule, Marshall（ポール・マーシャル）研究の論文と書評を紹介しています。
　ここで紹介する論文・書評は企画商品CD「黒人文学」のBAM後のPaule, Walker に収録しています。
　タイトルリストは下記のリンクからご覧できます。

　リストの論文はすべてPDFファイルでご提供されます。

　　下記の著者別索引をご利用下さい。　
　　

     
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  1. Adam, Meyer.;
    Memory and identity for black, white, and Jew in Paule Marshall's The Chosen Place, The Timeless People.  In: MELUS, Fall 1995. Vol. 20, no. 3; p. 99-132(35)

  2. Adelman, Lizzie.;
    Strange at Home, Stranger Abroad: Women, Borderlands and The Uncanny.  (Haverford and Bryn Mawr Colleges). 2002. 63 pp.

  3. Alexander, Simone A. James.;
    Racial and Cultural Categorizations of Language: The Evolution of Kamau Braithwaite's Nation Language in the Fiction of Paule Marshall.  PROGRAMME 2nd CONFERENCE ON CARIBBEAN CULTURE IN HONOUR OF KAMAU BRATHWAITE University of the West Indies, Mona 9-12 January 2002. 13 pp.

  4. Barksdale, Richard K.;
    Castration Symbolism in Recent Black American Fiction.  In: College Language Association Journal, vol. 29, no..4(Jun 1986), p. 400-13(14)

  5. Basu,.Biman.;
    Oral tutelage and the figure of literacy: Paule Marshall's Brown Girl, Brownstones and Zora Neale Hurston's Their Eyes Were Watching God.  In: MELUS. Los Angeles: Spring 1999. Vol. 24, no. 1; p. 161-176(17)

  6. Beckmann, Felicia.;
    The portrayal of Africana males in Achebe, Marshall, Morrison, and Wideman.  In: Journal of Black Studies. Thousand Oaks: Mar 2002. Vol. 32, no. 4; p. 405-421(17)

  7. Benjamin, Shanna Greene.;
    Weaving the Web of Reintegration: Locating Aunt Nancy in Praisesong for the Widow.  In: MELUS. Los Angeles: Spring 2005. Vol. 30, no. 1; p. 49-68(20)

  8. Brathwaite, Edward.;
    West Indian History and Society in the Art of Paule Marshall's Novel.  In: Journal of Black Studies, vol. 1(1970): p. 225-238(14) ISSN: 0021-9347

  9. Brita, Lindberg-Seyersted,.;
    The Color Black: Skin Color as Social, Ethical, and Esthetic Sign in Writing by Black American Women.  In: English Studies, Feb 1992. Vol. 73, no. 1; p. 51-67(17)

  10. Brock, Sabine.;
    Transcending the 'Loophole of Retreat': Paule Marshall's Placing of Female Generations.  In: Callaloo, vol. 10, no. 1(Wint 1987): p. 79-90(12)

  11. Brown Hinds, Paulette.;
    In the Spirit: Dance as Healing Ritual in Paule Marshall's Praisesong for the Widow.  In: Religion and Literature, vol. 27, no. 1(Sprg 1995): p. 107-17(11) ISSN: 0888-3769

  12. Buma, Pascal P.;
    Paule Marshall's Brown Girl, Brownstones: A nexus between the Caribbean and the African-American Bildungsromane.  In: CLA Journal. Baltimore: Mar 2001. Vol. 44, no. 3; p. 303-316(14)

     

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  13. Cartwright, Keith.;
    Notes toward a voodoo hermeneutics: Soul rhythms, marvelous transitions, and passages to the creole saints in praisesong for the widow.  In: Southern Quarterly. Hattiesburg: Summer 2003. Vol. 41, no. 4; p. 127-143(17)

  14. Charras, F.;
    Neither Fish Nor Fowl. Paule Marshall's Early Short Stories from a Caribbean Perspective.  In: Cross Cultures, 47(2001), pp. 109-118(10)

  15. Chikwenye Okonjo Ogunyemi;
    `The Old Order Shall Pass': The Examples of `Flying Home' and `Barbados.  In: Studies in Short Fiction, 20 (Winter 1983), p. 23-32(10)

  16. Chin, Timothy S.;
    'Bullers' and 'Battymen': Contesting Homophobia in Black Popular Culture and Contemporary Caribbean Literature.  In: Callaloo 20.1 (Wint 1997): p. 127-141(15)

  17. Christian Barbara.;
    Ritualistic Process and the Structure of Paule Marshall's Praisesong for the Widow.  In: Callaloo 6. 2 ( 1983), p 31- 45(15)

  18. Christian, Barbara.;
    Ritualistic Process and the Structure of Paule Marshall's Praisesong for the Widow.  In: Callaloo 6.2 (1984): p. 74-84(11)

  19. Cobb, M.L.;
    Irreverent Authority: Religious Apostrophe and the Fiction of Blackness in Paule Marshall's Brown Girl, Brownstones.  In: University of Toronto Quarterly, 2003, vol. 72, no. 2, pp. 631-648(18)

  20. Cook, John.;
    Whose Child? The Fiction of Paule Marshall.  In: CLA Journal, vol. 24(1980): p. 1-15(15)

  21. Colon, A.L.R.;
    In Search of the Self: Paule Marshall's Daughters and Zee Edgell's In Times Like These.  In: Atlantic literary review, 2003, vol. 4, no. 4, pp. 161-172(12)

  22. Cumber, Dance, Daryl.;
    An Interview with Paule Marshall.  In: The Southern Review. Baton Rouge: Winter 1992. Vol. 28, no. 1; p. 1-20(20)

     

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  23. Daryl Cumber Dance.;
    Constructing Black Selves: Caribbean American Narratives and the Second Generation.  In: African American Review. Saint Louis: Winter 2007. Vol. 41, no. 4; p. 812 -814(3)

  24. Daryl Dance.;
    An Interview with Paule Marshall.  In: Southern Review, 28 Jan. 1992, pp. 1-20(20)

  25. Denniston, Dorothy L.;
    Early Short Fiction by Paule Marshall.  In: Callaloo, vol. 6(1983), no. 2, p. 31-45(14)

  26. Demirturk, Lale.;
    Postcolonial reflections on the discourse of whiteness: Paule Marshall's The Chosen Place, The Timeless People.  In: CLA Journal. Baltimore: Sep 2004. Vol. 48, no. 1; p. 88-102(15)

  27. Dickerson, Vanessa D.;
    The Property of Being in Paule Marshall's Brown Girl, Brownstones.  In: Obsidian II, vol. 6, no. 3(Wint 1991): p. 1-13(13) ISSN: 0888-4412

  28. Dingledine, Donald.;
    Woman Can Walk on Water: Island, Myth, and Community in Kate Chopin's The Awakening and Paule Marshall's Praisesong for the Widow.  In: Women's Studies, vol. 22, no. .2(1993): p. 197-216(20)

  29. Earley, Vanessa.;
    Using the Past in the Present Struggle: Paule Marshall's The Chosen Place, The Timeless People.  December 12, 2003. 71pp.

  30. Eugenia, DeLamotte.;
    Women, silence, and history in The Chosen Place, the Timeless People.  In: Callaloo. Baltimore: Winter 1993. Vol. 16, no. 1; p. 227-242(16)

  31. Ferguson, Moira.;
    Of bears & bearings: Paule Marshall's diverse Daughters.  In: MELUS. Los Angeles: Spring 1999. Vol. 24, no. 1; p. 177-195(19)

  32. Francis, Donette A..;
    Paule Marshall: new accents on immigrant America.  In: The Black Scholar, Vol. 30(Summer 2000), no. 2; p. 21-25(5)

     

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  33. Gadsby, Meredith M.;
    I Suck Coarse Salt: Caribbean Women Writers in Canada and the Politics of Transcendence.  In: MFS Modern Fiction Studies, Vol. 44, no. 1, Spring 1998, p. 144-163(20)

  34. Gallego, Maria Del Mar.;
    The Borders of the Self Identity and Community in Louise Erdrich's Love Medicine and Paule Marshall's Praisesong for the Widow.  In: Rodopi Perspectives on Modern Literature, Literature and Ethnicity in the Cultural Borderlands. Edited by Jesus Benito and Anna Maria Manzanas , pp. 145-157(13)

  35. Garvin Jones.;
    The sea ain' got no back door: The problems of black consciousness in Paule Marshall's Brown Girl, Brownstones.  In: African American Review. Saint Louis: Winter 1998. Vol. 32, no. 4; p. 597-606(10)

  36. Glenn, Gwendolyn.;
    Sojourn: Home Time and Island Time.  In: Black Issues Book Review. Fairfax: Mar/Apr 2004. Vol. 6, no. 2; p. 30-32(3)

  37. Goyal, Yogita.;
    The Gender of Diaspora in Toni Morrison's Tar Baby.  In: Modern Fiction Studies. West Lafayette: Summer 2006. Vol. 52, no. 2; p. 393-415(23)

  38. Gunzenhauser, Michael G.;
    Solidarity and Risk in Welch's Feminist Ethics.  In: Philosophy of Education, Yearbook. 2002, pp. 101-109(9)

  39. Hawthorne, Evelyn.;
    The critical difference: Paule Marshall's personal and literary legacy.  In: The Black Scholar. San Francisco: Summer 2000. Vol. 30, no. 2; p. 2-6(5)

  40. Hawthorne, Evelyn.;
    Ethnicity and Cultural Perspectives in Paule Marshall's Short Fiction.  In: MELUS, vol 13, no. 3-4 Fall-Wint 1986): p. 37-48(12)

  41. Holcomb, Gary E.;
    Diaspora Cruises: Queer Black Proletarianism in Claude McKay's a Long Way from Home.  In: Modern Fiction Studies. West Lafayette: Winter 2003. Vol. 49, no. 4; p. 714-745(32)

     

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  42. James, Cynthia.;
    Reconnecting the Caribbean-American diaspora in Paule Marshall's Brown Girl, Brownstones, and Erna Brodber's Louisiana.  In: CLA Journal. Baltimore: Dec 2001. Vol. 45, no. 2; p. 151+

  43. Japtok, Martin.;
    Paule Marshall's Brown Girl, Brownstones: Reconciling ethnicity and individualism.  In: African American Review. Saint Louis: Summer 1998. Vol. 32, no. 2; p. 305-315(11)

  44. Japtok, Martin.;
    Sugarcane as history in Paule Marshall's "to Da-duh, in memoriam".  In: African American Review. Saint Louis: Fall 2000. Vol. 34, no. 3; p. 475-482(8)

  45. Johnson, Beverly A.;
    Revolutionary solutions: Challenging colonialist attitudes in the works of Paule Marshall.  In: CLA Journal. Baltimore: Jun 2002. Vol. 45, no. 4; p. 460-476(17)

  46. Joyce, Pettis.;
    Qualities of endurance: Paule Marshall's Brown girl, brownstones.  In: The Black Scholar. Summer 2000. Vol. 30, no. 2; p. 15-20(6)

  47. Kapai, Leela.;
    Dominant Themes and Technique in Paule Marshall's Fiction.  In: CollegeLanguage Association Journal, vol. 16(1972): p. 49-59(11)

  48. Kaplan, Sara Clark.;
    Souls at the Crossroads, Africans on the Water: The Politics of Diasporic Melancholia.  In: Callaloo. Baltimore: Spring 2007. Vol. 30, no. 2; p. 511-527(17)

  49. Kathlene, McDonald.;
    Paule Marshall's critique of capitalism and cold war ideology: Brown girl, brownstones as a resistant working-class text.  In: The Black Scholar, Summer 2000. Vol. 30, no. 2; p. 26-33(8)

  50. Keizs, Marcia.
    Themes and Style in the Works of Paule Marshall.  In: Negro American Literature Forum 9(1975): pp. 67-76(10) ISSN:0028-2480

  51. Kubitschek, Missy Dehn.;
    Paule Marshall's Women on Quest.  In: Black American Literature Form, vol 21, no. 1-2(Spring-Summer 1987): p. 43-60(18)

     

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  52. Lederer, Mary.;
    The Passage Back: Cultural Appropriation and Incorporation in Paule Marshall's Praisesong for the Widow.  In: Ufahamu, vol. 21, no. 3(Fall 1993): p. 66-79(14) ISSN: 0041-5715

  53. LeSeur, Geta.;
    The Monster-Machine and the White Mausoleum: Paule Marshall's Metaphors for Western Materialism.  In: CLA Journal, Vol. 39, no. 1(Sep 1995): p. 49-61(13)

  54. LeSeur, Geta.;
    'Read Your History, Man': Bridging Racism, Paternalism, and Privilege in Paule Marshall's The Chosen Place, the Timeless People.  In: CLA Journal, vol .44, no. 1(Sep 2000): p. 88-110(23)

  55. McGill, Lisa D.;
    Thinking back through the mother: The poetics of place and the mother/daughter dyad in Brown Girl, Brownstones.  In: The Black Scholar. San Francisco: Summer 2000. Vol. 30, no. 2; p. 34-40(8)

  56. MacLeod, Lewis.;
    You Ain No Real-Real Bajan Man: Patriarchal Performance and Feminist Discourse in Paule Marshall's Brown Girl, Brownstones.  In: Ariel. Calgary: Apr/Jul 2006. Vol. 37, no. 2/3; p. 169-188(20)

  57. McKoy, Sheila S.;
    The Limbo Contest: Diaspora Temporality and Its Reflection in Praisesong for the Widow and Daughters of the Dust.  In: Callaloo, vol. 22, no. 1(Wint 1999): p. 208-222(15)

  58. Marvin, Thomas.;
    Children of Legba: Musicians at the Crossroads in Ralph Ellison's Invisible Man.  In: American Literature 68.3(1996): pp. 587-608(22)

  59. Maiwald, Michael.;
    Race, capitalism, and the third-sex ideal: Claude McKay's Home to Harlem and the legacy of Edward Carpenter.  In: Modern Fiction Studies. West Lafayette: Winter 2002. Vol. 48, no. 4; p. 825-857(33)

  60. Mullen, Bill.;
    Breaking the Signifying Chain: A New Blueprint for African-American Literary Studies.  In: MFS: Modern Fiction Studies - Vol. 47, no. 1, Spring 2001, p. 145-163(19)

     

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  61. Olmsted, Jane.;
    The pull to memory and the language of place in Paule Marshall's The Chosen Place, The Timeless People and Praisesong for the Widow.  In: African American Review. Saint Louis: Summer 1997. Vol. 31, no. 2; p. 249-267(19)

  62. Pannill, Linda.;
    From the 'Wordshop': The Fiction of Paule Marshall.  In: MELUS, vol. 12, no.2(Sumr 1985): p. 63-73(11)

  63. Parry, Shirley C.;
    Female sexuality, and community in Brown girl, brownstones.  In: The Black Scholar, Vol. 30(2000.), no. 2; p. 41-46(6)

  64. Pettis Joyce.;
    Legacies of Community and History in Paule Marshall's Daughters.  In: Studies in the Literary Imagination 26. 2 (fall 1993): p. 89 - 99(11)

  65. Pettis, Joyce.;
    "Talk" as Defensive Artifice: Merle Kinbona in the Chosen Place, the timeless People.  In: African American Review. Saint Louis: Spring 1992. Vol. 26, no. 1; p. 109-117(9)

  66. Pollard, Velma.;
    Cultural Connections in Paule Marshall's Praisesong for the Widow.  In: World Literature Written in English. vol.25, no. 2(1985), p. 285-298(14) ISSN: 0093-1705

  67. Rahming, Melvin.;
    Towards a Caribbean Mythology: The Function of Africa in Paule Marshall's The Chosen Place, The Timeless People.  In: Studies in the Literary Imagination, vol. 26, no. 2(Fall 1993): p. 77-87(11) ISSN: 0039-3819

  68. Reiss, Timothy J.;
    Denying the Body? Memory and the Dilemmas of History in Descartes.  In: Journal of the History of Ideas, 57, no. 4(October 1996, pp. 587-607(21)

  69. Rhonda Cobham.;
    Revisioning Our Kumblas: Transforming Feminist and Nationalist Agendas in Three Caribbean Women's Texts.  In: Callaloo, Vol. 16, no. 1(Winter, 1993), p. 44-64(21)

  70. Rogers, Susan.;
    Embodying cultural memory in Paule Marshall's Praisesong for the Widow.  In: African American Review. Saint Louis: Spring 2000. Vol. 34, no. 1; p. 77-93(17)

     

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  71. Sandiford, Keith.;
    Paule Marshall's Praisesong for the Widow. The Reluctant Heiress, or Whose Life is it Anyway.  In: Black American Literature Forum 20 (1986): p. 371-392(22)

  72. Scarboro, Ann Armstrong.;
    The Healing Process: A Paradigm for Self-Renewal in Paule Marshall's Praisesong for the Widow and Camara Laye's Regard du Roi.  In: Modern Language Studies, vol. 19, no. 1(1989): p. 28-36(9)

  73. Schenck, Mary J.;
    Ceremonies of Reconciliation: Paule Marshall's The Chosen Place, The Timeless People.  In: MELUS, vol. 19, no. 4(Wint 1994), p. 48-60(13)

  74. Stelamaris, Coser.;
    Stepping-Stones Between the Americas: The Narratives of Paule Marshall and Gayl Jones.  In: PALARA 1 (1997): pp. 80-88(9)

  75. Stewart, Robert J.;
    New York City and Caribbean Writers..  Paper for the 22nd World Congress of the International Reading Association San Jose, Costa Rica, July 28-31, 2008. 18 pp.

  76. Stoelting, Winifred L.;
    Time Past and Time Present: The Search for Viable Links in The Chosen Place, The Timeless People by Paule Marshall.  In: CLA Journal, vol. 1(1972): p. 60-71(12)

  77. Storhoff, Gary.;
    Yesterday comes like today: Communitas in Paule Marshall's The Chosen Place, the Timeless People.  In: MELUS. Los Angeles: Summer 1998. Vol. 23, no. 2; p. 49-64(16)

  78. Thorsson, Courtney.;
    Dancing up a Nation:: Paule Marshall's Praisesong For the Widow.  In: Callaloo. Baltimore: Spring 2007. Vol. 30, Iss. 2; pp. 644-652(10)

  79. Traylor, Eleanor W.;
    Paule Marshall: Brown girl, brownstones: pioneering change in literary study: keynoting the 1999 Heart's Day Conference.  In: The Black Scholar. Summer 2000. Vol. 30, no. 2; p. 7-14(9)

  80. Trudier Harris.;
    No Outlet for the Blues: Silla Boyce's Plight in Brown Girl, Brownstones.  In: Callaloo, vol. 18(1983), p. 57-67(11)

     

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  81. Waniek, Marilyn Nelson.;
    Paltry Things: Immigrants and Marginal Men in Paule Marshall's Short Fiction.  In: Callaloo, vol. 6, no. 2(Spring-Summer 1983): p. 46-56(11)

  82. Waxman, Barbara Frey.;
    Dancing Out of Form, Dancing into Self: Genre and Metaphor in Marshall, Shange and Walker.  In: MELUS, vol. 19, no.3 (1994): p. 91-106(16)

  83. Wendy W Walters.;
    One of Dese Mornings, Bright and Fair,/Take My Wings and Cleave De Air. The Legend of the Flying Africans and Diasporic Consciousness.  In: MELUS. Los Angeles: Fall 1997. Vol. 22, no. 3; p. 3-29(27)

  84. Wilentz, Gay.;
    Towards a Spiritual Middle Passage Back: Paule Marshall's Diasporic Vision in Praisesong for the Widow.  In: Obsidian II, Vol. 5.no. 3(Wint 1990): p. 1-21(21)

  85. Wilson, Lucy.;
    Aging and Ageism in Paule Marshall's Praisesong for the Widow and Beryl Gilroy's Frangipani House.  In: Journal of Caribbean Studies 7.2-3 (Wint-Sprg 1989-90): p. 189-199(11) ISSN: 0190-2008

  86. Paule Marshall 1929: American novelist and short fiction writer.  In: Contemporary Literary Criticism, 2008, vol. 253, pp. 234-316(83) ISSN:0091-3421

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  87. Barnett, Pamela.;
    Places of Silence, Journeys of Freedom: The Fiction of Paule Marshall.  In: Critique. Washington: Fall 1999. Vol. 41, no. 1; p. 89-91(3)

  88. Booth, H.J.;
    Heather Hathaway, Caribbean Waves: Relocating Claude McKay and Paule Marshall.  In: Review of English Studies, 2001, vol. 52, no. 208, pp. 607-609(3)

  89. Cucinella, Catherine.;
    Elizabeth Bishop's World War II-Cold War View / Home Matters: Longing and Belonging, Nostalgia and Mourning in Women's Fiction / Revising Flannery O'Connor.  In: American Literature. Durham: Mar 2003. Vol. 75, no. 1; p. 193-196(3)

  90. Denniston, Dorothy Hamer.;
    Places of Silence Journeys of Freedom: The Fiction of Paule Marshall.  In: African American Review. Saint Louis: Summer 2000. Vol. 34, no. 2; p. 357-359(3)

  91. Doyle, R Erica.;
    From all over creation.  In: Black Issues Book Review. Fairfax: Sep/Oct 2000. Vol. 2, no. 5; p. 72-74(3)

  92. Giles, James Richard.;
    Caribbean Waves: Relocating Claude McKay and Paule Marshall (review).  In: American Literature, 72(2000), no. 4, December 2000, pp. 880-881(2)

  93. Henderson, Carol E.;
    Places of Silence, Journeys of Freedom: The Fiction of Paule Marshall.  In: Modern Fiction Studies. West Lafayette: Winter 1999. Vol. 45, no. 4; p. 1040-1042(3)

  94. King, Rosamond S.;
    The flesh and blood triangle in Paule Marshall's The fisher king.  In: Callaloo. Baltimore: Spring 2003. Vol. 26, Iss. 2; p. 543-547(4)

  95. Jarrod, Hayes,
    Defining Caribbean Identity.  In: MFS Modern Fiction Studies, 48(2002), no. 3, pp. 737-745(9)

  96. Lanier, Skinner, Beverly.;
    The Fiction of Paule Marshall: Reconstruction of History, Culture, and Gender.  In: American Literature. Durham: Mar 1997. Vol. 69, no. 1; p. 237-238(2)

  97. Lowney, John.;
    Caribbean Waves: Relocating Claude McKay and Paule Marshall.  In: Modern Fiction Studies. West Lafayette: Winter 2000. Vol. 46, no. 4; p. 1028-1030(3)

  98. Parry, Shirley C.;
    Toward Wholeness in Paule Marshall's Fiction.  In: American Literature. Durham: Dec 1996. Vol. 68, no. 4; p. 872-873(2)

  99. Pettis, Joyce.;
    Places of Silence, Journeys of Freedom: The Fiction of Paule Marshall.  In: Research in African Literatures. Bloomington: Spring 2002. Vol. 33, no. 1; p. 225-226(2)

  100. Samantrai, Ranu.;
    Places of Silence, Journeys of Freedom: The fiction of Paule Marshall.  In: Journal of Gender Studies. Hull: Jul 1999. Vol. 8, no. 2; p. 249-250(2)

  101. Sherrard, Cherene M.;
    Conjuring the folk aesthetic.  In: Novel. Providence: Fall 1999. Vol. 33, no. 1; p. 150-152(3)

  102. Stanforth, Sherry Cook.;
    The Fiction of Paule Marshall: Reconstructions of History, Culture, and Gender.  In: MELUS. Los Angeles: Spring 1997. Vol. 22, no. 1; p. 156-158(3)

  103. Zephir, Flore.;
    Caribbean Waves Relocating Claude McKay and Paule Marshall.  In: Journal of American Ethnic History. New Brunswick: Fall 2001. Vol. 21, no. 1; p. 138-140(3)

  104. Anonymous.;
    Bookshelf.  In: Ebony. Chicago: Sep 2000. Vol. 55, no. 11; p. 20-22(3)

  105. Anonymous.,;
    Paule Marshall's people: Meeting the relatives.  In: The New Crisis. Mar/Apr 2001. Vol. 108, no. 2; p. 42-43(2)

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