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Toni, Morrison(モリスン)研究2000-2006年研究論文

 Toni, Morrison(トニ・モリスン)研究の研究論文と書評を紹介しています。
 ここで紹介する論文・書評は企画商品CD「黒人文学」のBAM後のToni Morrison 第1集に収録しています。

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 タイトルリストはリンクからご覧できます。

 1990-1999年論文リストへ補遺1990-2008論文リストへ[2010-2014年論文リストへ]

 リストの論文はすべてPDFファイルでご提供されます。

 [2000-2006年論文リスト]
  下記の著者別索引からどうぞ。 
  

     
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  1. Aguiar, Sarah Appleton.;
    "Passing On" Death: Stealing Life in Toni Morrison's Paradise.  In: African American Review. Saint Louis: Fall 2004. Vol. 38, no. 3; p. 513-519(7)

  2. Andrew Read.;
    As if word magic had anything to do with the courage it took to be a man: Black Masculinity in Toni Morrison's Paradise.  In: African American Review. Saint Louis: Winter 2005. Vol. 39, no. 4; p. 527-540(14)

  3. Anissa Janine Wardi.;
    Freak Shows, Spectacles, and Carnivals: Reading Jonathan Demme's Beloved.  In: African American Review. Saint Louis: Winter 2005. Vol. 39, no. 4; p. 513-526(14).

  4. Anissa Talahite.;
    Cape Gooseberries and Giant Cauliflowers: Transplantation, Hybridity, and Growth in Bessie Head's A Question of Power.  In: Mosaic : a Journal for the Interdisciplinary Study of Literature. Winnipeg: Dec 2005. Vol. 38, no. 4; p. 141-156(16) ISSN: 0027-1276

  5. Baron-Fritts, Amanda.;
    Alter(ing) Identities: On Becoming the Other.  In: The Black Scholar. Spring 2004. Vol. 34, no. 1; p. 34-39(6)

  6. Beckmann, Felicia.;
    The portrayal of Africana males in Achebe, Marshall, Morrison, and Wideman.  In: Journal of Black Studies. Thousand Oaks: Mar 2002. Vol. 32, no. 4; p. 405-421(17) ISSN: 0021-9347

  7. Bennett, Juda.;
    Toni Morrison and the burden of the passing narrative.   In: African American Review. Saint Louis: Summer 2001. Vol. 35, no. 2; p. 205-217(13)

  8. Beth A McCoy, Jacqueline M Jones.;
    Between Spaces: Meditations on Toni Morrison and Whiteness in the Classroom.  In: College English. Urbana: Sep 2005. Vol. 68, no. 1; p. 42-71 (30)

  9. Bryant, Cedric Gael.;
    The Soul has Bandaged Moments: Reading the African American Gothic in Wright's "Big Boy Leaves Home," Morrison's Beloved, and Gomez's Gilda.  In: African American Review. Saint Louis: Winter 2005. Vol. 39, no. 4; p. 541-553(13)

     
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  10. Carden, Mary Paniccia.;
    Models of memory and romance: The dual endings of Toni Morrison's Beloved.  In: Twentieth Century Literature. Hempstead: Winter 1999. Vol. 45, no. 4; p. 401-427(27)

  11. Capuano, Peter J.;
    Truth in timbre: Morrison's extension of slave narrative song in Beloved.  In: African American Review. Saint Louis: Spring 2003. Vol. 37, no. 1; p. 95-103(9)

  12. Carlyle V Thompson.;
    Circles and circles of sorrow: Decapitation in Toni Morrison's Sula.  In: CLA Journal. Baltimore: Dec 2003. Vol. 47, no. 2; p. 137-174(38)

  13. Caroline, Brown.;
    Golden Gray and the talking book: Identity as a site of artful construction in Toni Morrison's Jazz.  In: African American Review. Saint Louis: Winter 2002. Vol. 36, no. 4; p. 629-642(14)

  14. Charles Pastoor.;
    Moments of Grace in James Wilcox's Modern Baptists.  In: Renascence. Milwaukee: Spring 2006. Vol. 58, no. 3; p. 211-221(11)

  15. Clifton, Spargo, R.;
    Trauma and the specters of enslavement in Morrison's Beloved.  In: Mosaic : a Journal for the Interdisciplinary Study of Literature. Winnipeg: Mar 2002. Vol. 35, no. 1; p. 113-131(19) ISSN: 0027-1276

  16. Collins, Michael.;
    On the Phone with Composer Bill Banfield: An Interview.  In: Callaloo. Baltimore: Summer 2005. Vol. 28, no. 3; p. 635-642(8)

  17. Coonradt, Nicole M.;
    To Be Loved: Amy Denver and Human Need-Bridges to Understanding in Toni Morrison's Beloved.  In: College Literature. West Chester: Fall 2005. Vol. 32, no. 4; p. 168-187(20)

  18. Costello, Brannon.;
    Poor White Trash, Great White Hope: Race, Class, and the (De)Construction of Whiteness in Lewis Nordan's Wolf Whistle.  In: Critique. Washington: Winter 2004. Vol. 45, no. 2; p. 207-223(17)

  19. Cottle, Thomas J.;
    The reflection of values: A response to Toni Morrison.  In: Michigan Quarterly Review. Ann Arbor: Spring 2001. Vol. 40, no. 2; p. 279-287(9)

  20. Cutter, Martha J.;
    The story must go on and on: The fantastic, narration, and intertextuality in Toni Morrison's Beloved and Jazz.  In: African American Review. Saint Louis: Spring 2000. Vol. 34, no. 1; p. 61-75(15)

     
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  21. Dalsgard, Katrine.;
    The one all-black town worth the pain: (African) American exceptionalism, historical narration, and the critique of nationhood in Toni Morrison's Paradise.  In: African American Review. Saint Louis: Summer 2001. Vol. 35, no. 2; p. 233-248(16)

  22. Daniel, Janice Barnes.;
    Function or frill: The quilt as storyteller in Toni Morrison's Beloved.  In: The Midwest Quarterly. Pittsburg: Spring 2000. Vol. 41, no. 3; p. 321-329(9)

  23. Daniels, Steven V.;
    Putting "His Story Next to Hers": Choice, Agency, and the Structure of Beloved.  In: Texas Studies in Literature and Language - Vol. 44, no. 4, Winter 2002, p. 349-367(19)

  24. Darryl Dickson-Carr.;
    The Projection of the Beast: Subverting Mythologies in Toni Morrison's Jazz.  In: CLA Journal. Baltimore: Dec 2005. Vol. 49, no. 2; p. 168-183 ISSN: 0007-8549

  25. Davidson, Rob.;
    Racial stock and 8-rocks: Communal historiography in Toni Morrison's Paradise.  In: Twentieth Century Literature.Hempstead: Fall 2001. Vol. 47, no. 3; p. 355-374(20)

  26. de Angelis, Rose.;
    Morrison's Sula.  In: The Explicator. Washington: Spring 2002. Vol. 60, no. 3; p. 172-174(3)

  27. Dingledine, Don.;
    It Could Have Been Any Street : Ann Petry, Stephen Crante, and the Fate of Naturalism.  In: Studies in American Fiction. Boston: Spring 2006. Vol. 34, no. 1; p. 87-105(19)

  28. Douglas, Christopher:;
    What The Bluest Eye Knows about Them: Culture, Race, Identity.  In: American Literature, vol. 78(2006), no. 1: p. 141-168(28)

  29. Dussere, Erik.;
    Accounting for Slavery: Economic Narratives in Morrison and Faulkner.  In: MFS Modern Fiction Studies. Vol. 47, no. 2, (Summer 2001), p. 329-355(27)

  30. Dutton, Denis.;
    Dare to think for yourself: A response to Toni Morrison.  In: Michigan Quarterly Review. Ann Arbor: Spring 2001. Vol. 40, no. 2; p. 288-295(8)

     


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  31. Eckstein, Lars.;
    A Love Supreme: Jazzthetic Strategies in Toni Morrison's Beloved.  In: African American Review. Saint Louis: Summer 2006. Vol. 40, no. 2; p. 271-283(13)

  32. Edward, Dauterich,.;
    Hybrid Expression: Orality and Literacy in Jazz and Beloved.  In: The Midwest Quarterly. Pittsburg: Autumn 2005. Vol. 47, no. 1; p. 26-39 (14)

  33. Elia, Nada.;
    Kum buba yali kum buba tambe, ameen, ameen, ameen: Did some flying Africans bow to Allah?   In: Callaloo. Baltimore: Winter 2003. Vol. 26, no. 1; p. 182-202(21)

  34. Emily Bernard.;
    Unlike Many Others: Exceptional White Characters in Harlem Renaissance Fiction.  In: Modernism/Modernity. Baltimore: Sep 2005. Vol. 12, no. 3; p. 407-423(17)

  35. Fallon, Robert.;
    Music and the Allegory of Memory in Margaret Garner.  In: Modern Fiction Studies. West Lafayette: Summer 2006. Vol. 52, no. 2; p. 524-542(19)

  36. Fletcher, Judith.;
    Signifying Circe in Toni Morrison's Song of Solomon.  In: Classical World, Vol. 99, no. 4, Summer 2006, p. 405-418(14) ISSN: 0009-8418

  37. Fraile-Marcos, Ana Maria.;
    Hybridizing the "City upon a Hill" in Toni Morrison's Paradise.  In: MELUS. Los Angeles: Winter 2003. Vol. 28, no. 4; p. 3-33(31)

  38. Franco, Dean J.;
    What We Talk about When We Talk about Beloved.  In: MFS Modern Fiction Studies - Vol. 52, no. 2, Summer 2006, p. 415-439(25)

     
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  39. Gauthier, Marni.;
    The Other Side of Paradise: Toni Morrison's (Un)Making of Mythic History.  In: African American Review. Saint Louis: Fall 2005. Vol. 39, no. 3; p. 395-414(20)

  40. Gillan, Jennifer.;
    Focusing on the wrong front: Historical displacement, the Maginot Line, and The Bluest Eye.  In: African American Review. Saint Louis: Summer 2002. Vol. 36, no. 2; p. 283-298(16)

  41. Goldstein, Philip.;
    Black Feminism and the Canon: Faulkner's Absalom, Aasalom! And Morrison's Beloved as Gothic Romances.   In: The Faulkner Journal. Orlando: Fall 2004. Vol. 20, no. 1/2; p. 133-147(15)

  42. Goyal, Yogita.;
    The Gender of Diaspora in Toni Morrison's Tar Baby.  In: Modern Fiction Studies. West Lafayette: Summer 2006. Vol. 52, no. 2; p. 393-414(23)

  43. Grandt, Jurgen E..;
    Kinds of Blue: Toni Morrison, Hans Janowitz, and the Jazz Aesthetic.  In: African American Review. Saint Louis: Summer 2004. Vol. 38, no. 2; p. 303-321(20)

  44. Helen Chavis Othow.;
    Comedy in Morrison's terrestrial paradise.  In: CLA Journal. Baltimore: Mar 2004. Vol. 47, no. 3; p. 366-373(7)

  45. Hilfrich, Carola.;
    Anti-Exodus: Countermemory, Gender, Race, and Everyday Life in Toni Morrison's Paradise.  In: Modern Fiction Studies. West Lafayette: Summer 2006. Vol. 52, no. 2; p. 321-349(29)

  46. Hilary Hurd.;
    At home with Toni Morrison.  In: Black Issues in Higher Education. Oct 26, 2000. Vol. 17, no. 18; p. 26-27(2)

  47. Hinson, D Scot.;
    Narrative and community crisis in Beloved.  In: MELUS. Los Angeles: Winter 2001. Vol. 26, no. 4; p. 147-168(22)

  48. Hoem, Sheri I.;
    Disabling postmodernism: Wideman, Morrison and prosthetic critique.  In: Novel. Providence: Spring 2002. Vol. 35, no. 2/3; p. 193 -210(18)

  49. Hogue, Bev.;
    Naming the Bones: Bodies of Knowledge in Contemporary Fiction.  In: Modern Fiction Studies. West Lafayette: Spring 2006. Vol. 52, no. 1; p. 121-143(23)

     
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  50. Jackson, Chuck.;
    A "Headless Display": Sula, Soldiers, and Lynching.  In: MFS Modern Fiction Studies - Vol. 52, no. 2, Summer 2006, p. 374-392(19)

  51. Jeanna, Fuston-White.;
    From the seen to the told: The construction of subjectivity in Toni Morrison's Beloved.  In: African American Review. Saint Louis: Fall 2002. Vol. 36, no. 3; p. 461-473(13)

  52. Jenkins, Candice M.;
    Pure Black: Class, Color, and Iintraracial Politics in Toni Morrison's Paradise.  In: Modern Fiction Studies. West Lafayette: Summer 2006. Vol. 52, no. 2; p. 270-296(27)

  53. Jerry A Varsava.;
    The dialectics of self and community in Toni Morrison and Thomas Pynchon.  In: Contemporary Literature. Madison: Winter 2002. Vol. 43, no. 4; p. 794-803(10)

  54. Jessee, Sharon.;
    GIT Way Inside US, Keep Us Strong: Toni Morrison and the Art of Critical Production.  In: Modern Fiction Studies. West Lafayette: Spring 2006. Vol. 52, no. 1; p. 179-186 (8)

  55. Jesser, Nancy.;
    Violence, home, and community in Toni Morrison's Beloved.  In: African American Review. Saint Louis: Summer 1999. Vol. 33, no. 2; p. 325-345(21)

  56. Jessica Forbes Roberts.;
    A Prayer for Mounrning : Seduction and Trauma in Carolivia Herron's Thereafter Johnnie.  In: Callaloo. Baltimore: Fall 2005. Vol. 28, no. 4; p. 1060-1073(14)

  57. Joanna, Wolfe.;
    Ten minutes for Seven Letters: Song as Key to Narrative Revision in Toni Morrison's Beloved.   In: Narrative, Vol. 12, no. 3, October 2004, p. 263-280 (18) ISSN: 1063-3685

  58. Jones, Jill C.;
    The eye of a needle: Morrison's Paradise, Faulkner's Absalom, Absalom!, and the American Jeremiad.  In: The Faulkner Journal. Orlando: Spring 2002. Vol. 17, no. 2; p. 3-23(21)

  59. Joyce, Dyer.;
    Reading The Awakening with Toni Morrison.  In: Southern Literary Journal. Chapel Hill: Fall 2002. Vol. 35, no.1; p. 138-154(17)

     
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  60. Kang, Nancy.;
    To love and be loved.  In: Callaloo. Baltimore: Summer 2003. Vol. 26, no. 3; p. 836 -854(19)

  61. Katy Ryan.;
    Revolutionary suicide in Toni Morrison's fiction.  In: African American Review. Saint Louis: Fall 2000. Vol. 34, no. 3; p. 389-412(24)

  62. Kim, Yeonman.;
    Involuntary vulnerability and the felix culpa in Toni Morrison's Jazz.  In: Southern Literary Journal. Chapel Hill: Spring 2001. Vol. 33, no. 2; p. 124-133(10)

  63. Kitts, Lenore.;
    Toni Morrison and "Sis Joe": The Musica Heritage of Pauld.  In: Modern Fiction Studies. West Lafayette: Summer 2006. Vol. 52, no. 2; p. 495-523(29)

  64. Knadler. Stephen.;
    Domestic Violence in the Harlem Renaissance: Remaking the Record in Nella Larsen's Passing and Toni Morrison's Jazz.  In: African American Review. Saint Louis: Spring 2004. Vol. 38, no.1; p. 99-118(20)

  65. Krumholz, Linda J.;
    Reading and insight in Toni Morrison's Paradise.  In: African American Review. Saint Louis: Spring 2002. Vol. 36, no. 1; p. 21-34(14)

     
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  66. Laureate, Lady.;
    Susan McHenry.  In: Black Issues Book Review. Fairfax: Nov/Dec 2003. Vol. 5, no. 6; p. 28-31(4)

  67. Lawrence, Hogue, W.;
    Postmodernism, traditional cultural forms, and the African American narrative: Major's Reflex, Morrison's Jazz, and Reed's Mumbo Jumbo.  In: Novel. Providence: Spring 2002. Vol. 35, no. 2/3; p. 169-192(24)

  68. LeSeur, Geta.;
    Moving beyond the boundaries of self, community, and the other in Toni Morrison's Sula and Paradise.  In: CLA Journal. Baltimore: Sep 2002. Vol. 46, no. 1; p. 1-20(20)

  69. Lilienfeld, Jane.;
    To Have the Reader Work with the Author: The Circulation of Knowledge in Virginia Woolf to the Lighthouse and Toni Morrison's Jazz.  In: Modern Fiction Studies. West Lafayette: Spring 2006. Vol. 52, no. 1; p. 42-67(26)

  70. Lizabeth A Rand.;
    We all that's left: Identity formation and the relationship between Eva and Sula Peace.  In: CLA Journal. Baltimore: Mar 2001. Vol. 44, no. 3; p. 341-349(9)

  71. Lynda Koolish.;
    To be loved and cry shame: A psychological reading of Toni Morrison's Beloved.  In: MELUS. Los Angeles: Winter 2001. Vol. 26, no. 4; p. 169-195(27)

     
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  72. McKee, Patricia.;
    Geographies of Paradise.  In: CR: The New Centennial Review, Vol. 3, no. 1, Spring 2003, p. 197-223(27) ISSN: 1532-687X

  73. McKittrick, Katherine.;
    'Black and 'cause I'm black I'm blue': Transverse racial geographies in Toni Morrison's The Bluest Eye.  In: Gender, Place and Culture. Abingdon: Jun 2000. Vol. 7, no. 2; p. 125-142(18)

  74. McWilliams, Mark B.;
    The Human Face of the Age: The Physical Cruelty of Slavery and the Modern American Novel.  In: The Mississippi Quarterly. Mississippi State: Summer 2003. Vol. 56, no. 3; p. 353-372(20)

  75. Malmgren, Carl D.;
    Texts, primers, and voices in Toni Morrison's The Bluest Eye.  In: Critique. Washington: Spring 2000. Vol. 41, no. 3; p. 251-262(12)

  76. Mandel, Naomi.;
    I made the ink: Identity, Complicity, 60 Million, and More.  In: MFS Modern Fiction Studies, Vol. 48, no. 3, Fall 2002, p. 581-613(33)

  77. Maria, Fraile-Marcos, Ana.;
    Hybridizing the "City upon a Hill" in Toni Morrison's Paradise.  In: MELUS. Los Angeles: Winter 2003. Vol. 28, no. 4; p. 3-33(31)

  78. Martin Bidney.;
    Creating a feminist-communitarian romanticism in Beloved: Toni Morrison's new uses for Blake, Keats, and Wordsworth.  In: Papers on Language and Literature. Edwardsville: Summer 2000. Vol. 36, no. 3; p. 271-301(31)

  79. Mary Jane Suero Elliott.;
    Postcolonial experience in a domestic context: Commodified subjectivity in Toni Morrison's Bloved.  In: MELUS. Los Angeles: Fall 2000. Vol. 25, no. 3/4; p. 181-203(23)

  80. Mayo, James.;
    Morrison's The Bluest Eye.  In: The Explicator. Washington: Summer 2002. Vol. 60, no. 4; p. 231-234(4)

  81. Michael, Magali Cornier.;
    Re-imagining agency: Toni Morrison's Paradise.  In: African American Review. Saint Louis: Winter 2002. Vol. 36, no. 4; p. 643-662(19)

  82. Moffitt, Letitia L.;
    Finding the Door: Vision/Revision and Stereotype in Toni Morrison's Tar Baby.  In: Critique. Washington: Fall 2004. Vol. 46, no. 1; p. 12-26(15)

  83. Morgenstern, Naomi.;
    Literature Reads Theory: Remarks on Teaching with Toni Morrison.  In: University of Toronto Quarterly, Vol. 74, no. 3, Summer 2005, p. 816-828(13) ISSN: 0042-0247

  84. Morrison, Toni, & Cornel West.;
    Blues, Love and Politics.  In: The Nation. New York: May 24, 2004. Vol. 278, no. 20; p. 18-25(8)

  85. Morrison, Toni.;
    Guest Column: Roundtable on the Future of the Humanities in a Fragmented World.  In: PMLA. Publications of the Modern Language Association of America. New York: May 2005. Vol. 120, no. 3; p. 715-723(9)

  86. Neal, Mayberry, Susan;
    Something Other Than A Family Quarrel: The Beautiful Boys in Morrison's Sula.  In: African American Review. Saint Louis: Winter 2003. Vol. 37, no. 4; p. 517-533(17)

  87. Nixon, Timothy K.;
    Same Path, Different Purpose: Chopin's La Folle and Welty's Phoenix Jackson.  In: Women's Studies, vol. 32(2003), p. 936-956(21)

     
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  88. Ogunyemi, Chikwenye Okonjo.;
    An Abiku-Ogbanje atlas: A pre-text for rereading Soyinka's Ake and Morrison's Beloved.  In: African American Review. Saint Louis: Winter 2002. Vol. 36, no. 4; p. 663-678(16)

  89. Okonkwo, Christopher N.;
    A Critical Divination: Reading Sula as Ogbanje-Abiku.  In: African American Review. Saint Louis: Winter 2004. Vol. 38, no. 4; p. 651-668(18)

  90. Parker, Emma.;
    A new hystery: History and hysteria in Toni Morrison's Beloved.  In: Twentieth Century Literature. Hempstead: Spring 2001. Vol. 47, no. 1; p. 1-20(20)

  91. Paquet-Deyris, Anne-Marie.;
    Toni Morrison's Jazz and the city.  In: African American Review. Saint Louis: Summer 2001. Vol. 35, no. 2; p. 219-231(13)

  92. Redding, Arthur.;
    Haints: American ghosts, ethnic memory, and contemporary fiction.  In: Mosaic : a Journal for the Interdisciplinary Study of Literature. Winnipeg: Dec 2001. Vol. 34, no. 4; p. 163-182(20)

  93. Peter R. Kearly.;
    Toni Morrison's Paradise and the politics of community.  In: Journal of American & Comparative Cultures. Summer 2000. Vol. 23, no. 2; p. 9-16(8)

  94. Peterson, Christopher.;
    Beloved's Claim.  In: Modern Fiction Studies. West Lafayette: Fall 2006. Vol. 52, no. 3; p. 548-570(23)

  95. Peterson, Nancy J.;
    Introduction: On Incendiary Art, The Moral Imagination, and Toni Morrison.  In: Modern Fiction Studies. West Lafayette: Summer 2006. Vol. 52, no. 2; p. 261-269(9)

  96. Philip Page.;
    Furrowing all the brows: Interpretation and the transcendent in Toni Morrison's Paradise.  In: African American Review. Saint Louis: Winter 2001. Vol. 35, no. 4; p. 637-649(13)

  97. Pocock, Judy.;
    Through a Glass Darkly: Typology in Toni Morrison's Song of Solomon.  In: Canadian Review of American Studies, Vol. 35, no. 3, 2005, pp. 281-298(18) ISSN: 0007-7720

     
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  98. Quentin Miller.;
    Making a Place for Fear: Toni Morrison's first redefinition of Dante's Hell in Sula.  In: English Language Notes. Boulder: Mar 2000. Vol. 37, no.. 3; p. 68-75(9)

  99. Reid, E Shelly.;
    Beyond Morrison and Walker: Looking good and looking forward in contemporary black women's stories.  In: African American Review. Saint Louis: Summer 2000. Vol. 34, no. 2; p. 313-328(16)

  100. Reneau, Ingrid.;
    Dancing the "Clearing" in Academia.  In: Western Journal of Black Studies. Pullman: Spring 2004. Vol. 28, no. 1; p. 322-326(5)

  101. Richard, Aubry, Timothy.;
    Beware the Furrow of the Middlebrow: Searching for Paradise on The Oprah Winfrey Show.  In: MFS Modern Fiction Studies, Vol. 52, no. 2(Summer 2006), p. 350-373(24)

  102. Robolin, Stephane.;
    Loose Memory in Toni Morrison's Paradise and Zoe Wicomb's Davis's Story.  In: Modern Fiction Studies. West Lafayette: Summer 2006. Vol. 52, no. 2; p. 297-320(24)

  103. Rody, Caroline.;
    Impossible Voices: Ethnic Postmodern Narration in Toni Morrison's Jazz and Karen Tei Yamashita's Through the Arc of the Rain Forest.  In: Contemporary Literature, vol. 41, no. .4(2000): p. 618-641(24)

  104. Romero, Channette.;
    Creating the Beloved Community: Religion, Race, and Nation in Toni Morrison's Paradise.  In: African American Review. Saint Louis: Fall 2005. Vol. 39, no. 3; p. 415-430(16)

  105. Rothberg, Michael.;
    Dead Letter Office: Conspiracy, Trauma, and Song of Solomon's Posthumous Communication.  In: African American Review. Saint Louis: Winter 2003. Vol. 37, no. 4; p. 501-516(16)

     
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  106. Samira, Kawash.;
    Haunted Houses, Sinking Ships: Race, Architecture, and Identity in Beloved and Middle Passage.  In: CR: The New Centennial Review, Vol. 1, no. 3(Winter 2001), p. 67-86(20)

  107. Scheiber, Andrew.;
    Jazz and the Future Blues: Toni Morrison's Urban Folk Zone.  In: Modern Fiction Studies. West Lafayette: Summer 2006. Vol. 52, no. 2; p. 470-494(25)

  108. Schur, Richard L.
    Locating Paradise in the Post-Civil Rights Era: Toni Morrison and Critical Race Theory.  In: Contemporary Literature, Vol. 45, no. 2(Summer 2004), p. 276-299(24)

  109. Scott, A O.;
    In Search of the Best.  In: New York Times Book Review. New York: May vol. 21(2006), p. 17-19(3)

  110. Smiles, Robin V.;
    Moving Morrison beyond the literary classroom.  In: Black Issues in Higher Education. Jul 31, 2003. Vol. 20, no. 12; p. 8-9(2)

  111. Spies, Christine.;
    Vernacular Traditions: The Use of Music in the Novels of Toni Morrison. Schriftliche Prufungsarbeit zur Erlangung der Doktorwurde vorgelegt von Christine Spies. Betreuer: Prof. Dr. Wolfgang Kloos. Prof. Dr. Gerd Hurm. 274 pp. 2004

  112. Stephanie Stokes Oliver.;
    The Search for My Beloved Margaret Garner.  In: Essence. New York: Feb 2006. Vol. 36, no. 10; p. 172-178(7)

  113. Story, Ralph D.;
    Sacrifice and surrender: Sethe in Toni Morrison's Beloved.  In: CLA Journal. Baltimore: Sep 2002. Vol. 46, no. 1; p. 21-29(9)

  114. Sutherland, LeeAnn M..;
    Black Adolescent Girls' Use of Literacy Practices to Negotiate Boundaries of Ascribed Identity.  In: Journal of Literacy Research, Fall 2005. Vol. 37, no. 3; p. 365-406(43)

  115. Sweeney, Megan.;
    Something Rogue: Commensurability, Commodification, Crime, and Justice in Toni Morrison's Later Fiction.  In: Modern Fiction Studies. West Lafayette: Summer 2006. Vol. 52, no. 2; p. 440-469(30)

  116. Thomas, Valorie D.;
    "1 + 1 = 3" and other dilemmas: Reading vertigo in Invisible Man, My Life in the Bush of Ghosts, and Song of Solomon.  In: African American Review. Saint Louis: Spring 2003. Vol. 37, no. 1; p. 81-94(14)

  117. Tidey, Ashley.;
    Limping or flying? Psychoanalysis, Afrocentrism, and Song of Solomon.  In: College English. Urbana: Sep 2000. Vol. 63, no. 1; p. 48-69(23)

  118. Treherne, Matthew.;
    Figuring In, Figuring Out: Narration and Negotiation in Toni Morrison's Jazz.  In: Narrative - Vol. 11, no. 2(May 2003), p. 199-212 (14)

     
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  119. Vicky, Greenbaum,.;
    Teaching Beloved: Images of transcendence.  In: English Journal (High school edition). Urbana: Jul 2002. Vol. 91, no. 6; p. 83-87(5)

  120. Wardi, Anissa J.;
    Inscriptions in the dust: A Gathering of Old Men and Beloved as ancestral requiems.  In: African American Review. Saint Louis: Spring 2002. Vol. 36, no. 1; p. 35-53(19)

  121. Wardi, Anissa Janine.;
    A Laying on of Hands: Toni Morrison and the Materiality of Love.  In: MELUS. Los Angeles: Fall 2005. Vol. 30, no. 3; p. 201-218(18)

  122. Watkins, Fulton, Lorie.;
    Hiding Fire and Brimstone in Lacy Groves: The Twinned Trees of Beloved.  In: African American Review. Saint Louis: Spring 2005. Vol. 39, no. 1/2; p. 189-199(11)

  123. Washington, Teresa N.;
    The Mother-Daughter Aje Relationship in Toni Morrison's Beloved.  In: African American Review. Saint Louis: Spring 2005. Vol. 39, no. 1/2; p. 171-188(18)

  124. Weathers, Glenda B.;
    Biblical Trees, Biblical Deliverance: Literary Landscapes of Zora Neale Hurston and Toni Morrison.  In: African American Review. Saint Louis: Spring 2005. Vol. 39, no. 1/2; p. 201-212 (12)

  125. Werrlein, Debra T.;
    Not So Fast, Dick and Jane: Reimagining Childhood and Nation in The Bluest Eye.  In: MELUS. Los Angeles: Winter 2005. Vol. 30, no. 4; p. 53-73(21)

  126. Widdowson, Peter.;
    The American dream refashioned: History, politics, and gender in Toni Morrison's Paradise.  In: Journal of American Studies. Cambridge: Aug 2001. Vol. 35; p. 313-335(23)

  127. Wu, Yung-Hsing.;
    Doing Things With Ethics: Beloved, Sula, and the Reading of Judgment.  In: Modern Fiction Studies. West Lafayette: Winter 2003. Vol. 49, no. 4; p. 780-805(26)


     
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  128. Yancy, George.;
    The black self within a semiotic space of whiteness: Reflections on the racial deformation of Pecola Breedlove in Toni Morrison's The Bluest Eye.  In: CLA Journal. Baltimore: Mar 2000. Vol. 43, no. 3; p. 299-319(21)

  129. Yogita Goyal.;
    The Gender of Diasporain in Toni Morrison's Tar Baby.  In: Modern Fiction Studies. West Lafayette: Summer 2006. Vol. 52, no. 2; p. 393-414(22)

  130. Young, John.;
    Toni Morrison, Oprah Winfrey, and postmodern popular audiences.  In: African American Review. Saint Louis: Summer 2001. Vol. 35, no. 2; p. 181-204(24)

  131. Yukins, Elizabeth.;
    Bastard daughters and possession of history in Corregidora and Paradise.  In: Signs. Chicago: Autumn 2002. Vol. 28, no. 1; p. 221-247(27)


     


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    [BOOK REVIEW]  

  132. Chinn, Sarah E.;
    In Defiance of the Law: From Ann Hutchinson to Toni Morrison / Race, Citizenship, and Law in American Literature.  In: American Literature. Durham: Dec 2003. Vol. 75, no. 4; p. 895-897(3)

  133. Curtis, Tracy.;
    Toni Morrison.  In: African American Review. Saint Louis: Summer 2000. Vol. 34, no. 2; p. 359-360(2)

  134. Cutter, Martha J.;
    Quiet As It's Kept: Shame, Trauma, and Race in the Novels of Toni Morrison.  In: African American Review. Saint Louis: Winter 2001. Vol. 35, no. 4; p. 671-672(2)

  135. Cynthia Dobbs.;
    Circles of Sorrow, Lines of Struggle: The Novels of Toni Morrison.  In: African American Review. Saint Louis: Summer 2000. Vol. 34, no. 2; p. 362-363(2)

  136. Douglas Field.;
    From Richard Wright to Toni Morrison: Ethics in Modern and Postmodern American Narrative.  In: Modernism/Modernity. Baltimore: Apr 2003. Vol. 10, no. 2; p. 407-408(2)

  137. Eckstein, Barbara.;
    Postcolonial Narrative and the Work of Mourning: J. M. Coetzee, Wilson Harris, and Toni Morrison.  In: Modern Fiction Studies. West Lafayette: Fall 2005. Vol. 51, no. 3; p. 714-717(4)

  138. Erik Dussere.;
    Postmodern Morrison.  In: Novel. Providence: Spring 2002. Vol. 35, no. 2/3; p. 313 -315(3)

  139. Fabre, Genevieve.;
    Toni Morrison: L'esthetique de la survie.  In: African American Review. Saint Louis: Fall 2000. Vol. 34, no. 3; p. 543-545(2)

  140. Flora, Joseph M.;
    Maternal Body and Voice in Toni Morrison, Bobbie Ann Mason, and Lee Smith.  In: The Mississippi Quarterly. Mississippi State: Spring 2004. Vol. 57, no. 2; p. 342-344(3)

  141. Gardner, Eric.;
    What's a Black Critic to Do?: Interviews, Profiles and Reviews of Black Writers.  In: African American Review. Saint Louis: Winter 2004. Vol. 38, no. 4; p. 736-737(2)

  142. Garrett, Daniel.;
    Love.  In: World Literature Today. Norman: Jan-Apr 2005. Vol. 79, no. 1; p. 90-91(2)

  143. Genevieve West.;
    The Aesthetics of Toni Morrison: Speaking the Unspeakable.  In: Studies in the Novel. Denton: Summer 2003. Vol. 35, no. 2; p. 272-375(4)

  144. Glave, Dianne D.;
    african diaspora studies.  In: Environmental History. Durham: Oct 2005. Vol. 10, no. 4; p. 692-694(3)

  145. Hubbard, Mary.;
    Toni Morrison: Contemporary Critical Essays.  In: African American Review. Saint Louis: Spring 2000. Vol. 34, no. 1; p. 169-170(2)

  146. James Grove.;
    The Identifying Fictions of Toni Morrison: Modernist Authenticity and Postmodern Blackness.  In: College Literature. West Chester: Spring 2002. Vol. 29, no. 2; p. 162-164(3)

  147. Jani, Pranav.;
    Postcolonial Narrative and the Work of Mourning: J. M. Coetzee, Wilson Harris, and Toni Morrison.  In: Callaloo. Baltimore: Spring 2006. Vol. 29, no. 2; p. 682-689(8)

  148. Jim Neighbors.;
    Negative Liberties: Morrison, Pynchon, and the Problem of Liberal Ideology.  In: Modern Fiction Studies. West Lafayette: Summer 2002. Vol. 48, no. 2; p. 503-505(3)

  149. Jimoh, A Yemisi.;
    Black Orpheus: Music in African American Fiction from the Harlem Renaissance to Toni Morrison.  In: African American Review. Saint Louis: Spring 2003. Vol. 37, no. 1; p. 168-170(3)

  150. Katy Ryan.;
    The Aesthetics of Toni Morrison: Speaking the Unspeakable.  In: African American Review. Saint Louis: Spring 2002. Vol. 36, no. 1; p. 166-167(2)

  151. Kimberly S Drake.;
    Toni Morrison: A Critical Companion.  In: African American Review. Saint Louis: Summer 2001. Vol. 35, no. 2; p. 333-335(3)

  152. Kodat, Catherine Gunther.;
    Quiet As It's Kept: Shame, Trauma, and Race in the Novels of Toni Morrison.  In: Modern Fiction Studies. West Lafayette: Winter 2001. Vol. 47, no. 4; p. 1033-1035(3)

  153. Kreyling, Michael.;
    Prophets of Recognition: Ideology and the Individual in Novels by Ralph Ellison, Toni Morrison, Saul Bellow, and Eudora Welty.  In: African American Review. Saint Louis: Winter 2000. Vol. 34, no. 4; p. 725-726(2)

  154. Messer, H Collin.;
    Democracy and individualism in a post-colonial world.  In: Southern Literary Journal. Chapel Hill: Fall 2001. Vol. 34, no. 1; p. 144-147(4)

  155. Nancy E Batty.;
    Subversive Voices: Eroticizing the Other in William Faulkner and Toni Morrison.  In: Modern Fiction Studies. West Lafayette: Summer 2003. Vol. 49, no. 2; p. 363-364(2)

  156. Pereira, Malin.;
    Toni Morrison's Beloved: A Casebook.  In: African American Review. Saint Louis: Winter 2000. Vol. 34, no. 4; p. 732-733(2)

  157. Rice, Alan.;
    The Identifying Fiction of Toni Morrison: Modernist Authenticity and Postmodern Blackness/Toni Morrison  In: Callaloo. Baltimore: Spring 2004. Vol. 27, no. 2; p. 572-575(4)

  158. Richard Pearce.;
    Fictions of the Balance Sheet: Faulkner, Morrison, and the Economics of Slavery.  In: Novel. Providence: Spring 2003. Vol. 36, no. 2; p. 279-282 (4)

  159. Storhoff, Gary.;
    The Identifying Fictions of Toni Morrison: Modernist Authenticity and Postmodern Blackness.  In: Style. DeKalb: Spring 2002. Vol. 36, no. 1; p. 188-192(5)

  160. Weinstein, Philip M.;
    The Identifying Fictions of Toni Morrison: Modernist Authenticity and Postmodern Blackness.  In: African American Review. Saint Louis: Spring 2002. Vol. 36, no. 1; p. 164-166(3)


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