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Gloria, Naylor(グロリア・ネイラー)研究論文

 Gloria, Naylor(グロリア・ネイラー)研究の論文と書評を紹介しています。
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  1. Andrews, Larry.;
    Black Sisterhood in Gloria Naylor's Novels.  In: College Language Association Journal 33.1 (1989): pp.1-25(25)

  2. Annette Debo.;
    Power, destiny, and individual choice: Gloria Naylor's naturalism.  In: CLA Journal. Baltimore: 44(2001), .no. 4, pp. 492-521(30)

  3. Ashford, Tomeiko R;
    Gloria Naylor on Black Spirituality: An Interview.  In: MELUS. 30(2005). no. 4; p. 73-88(16)

  4. Bagwari, D.;
    Marginalized Women vs Dominating Men: A Story of Gloria Naylor's Bailey's Café.   In: Atlantic Review, 8(2007), no. 2, pp.31-43(13)

  5. Blyn, Robin.;
    The ethnographer's story: Mama Day and the Specte of relativism.  In: Twentieth Century Literature. Hempstead: Fall 2002. vol. 48, no. 3; p. 239-263(25)

  6. Brown-Guillory, Elizabeth.;
    Introduction: On Their Way to Becoming Whole.  In: Brown-Guillory, Elizabeth(Ed)., Middle Passages and the Healing Place of History: Migration and Identity in Black Women's Literature. The Ohio State University Press. 2006. pp. 1-14(14)

     


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  7. Chavanelle, Sylvie.;
    Gloria Naylor's Bailey's Cafe: The blues and beyond.  In: American Studies International. 36(1998), no. 2, pp. 58-73(16)

  8. Coleman, M.A.;
    The Work of Your Own Hands : Doing Black Women's Hair as Religious Language in Gloria Naylor's Mama Day.  In: Soundings, 85(2002), no. 1/2, pp. 121-140(20)

  9. Collins, Grace E.
    Narrative Structure in Linden Hills.  In: CLA Journal 34 (1991): pp. 290-300(11)

  10. Cowart, David.;
    Matriarchal mythopoesis: Naylor's Mama Day.  In: Philological Quarterly. Iowa City: Fall 1998. vol. 77, no. 4; p. 439 -459(21)

  11. Cox, Karen Castellucci.;
    Magic and memory in the contemporary story cycle: Gloria Naylor and Louise Erdrich.  In: College English. Urbana: Feb 1998. vol. 60, no. 2; p. 150-177(23)

     


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  12. Daly, Brenda O.;
    Whose Daughter is Johnnie? Revisionary Myth-making in Carolivia Herron's Thereafter Johnnie.  In: Callaloo, 18(1995), no. 2, pp. 472-491 (20)

  13. Denison, D.C.;
    Interview with Gloria Naylor.  In: The Writer. 107(1994), no. 2, p. p. 21 (1)

  14. Dingledine, Don.;
    It Could Have Been Any Street: Annepetry, Stephen Crane, and the Fate of Naturalism.  In: Studies in American Fiction. 34(2006), no. 1, pp. 87-106(20)

  15. Dothard, Simmons, Judy.;
    Sexual Ease .  In: Essence. 19(1988), no. 8, pp. 48-52(5)

  16. Donlon, Jocelyn Hazelwood.
    Hearing Is Believing: Southern Racial Communities and Strategies of Story-Listening in Gloria Naylor and Lee Smith.  In: Twentieth Century Literature, 41 (1995): pp. 16-35(20)

  17. Dubey, Madhu.;
    Folk and Urban Communities in African-American Women's Fiction: Octavia Butler's Parable of the Sower.  In: Studies in American Fiction. 27(1999). no. 1. pp. 103-128(26)

  18. DuCille, Ann.;
    Where in the World Is William Wells Brown? Thomas Jefferson, Sally Hemings, and the DNA of African-American Literary History.  In: American Literary History, Volume 12, Number 3, Fall 2000, pp. 443-462 (20)

  19. Duboin, Corinne.;
    Trauma Narrative, Memorialization, and Mourning in Phyllis Alesia Perry's Stigmata.  In: In: Southern Literary Journal. Chapel Hill: Spring 2008. Vol. 40, no. 2; p. 284-305(22)

     


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  20. Eckard, Paula Gallant.
    The Prismatic Past in Oral History and Mama Day.  In: MELUS 20(1995).no. 3, pp. 121-135(15)

  21. Edwards, Audrey.;
    How I made a million.  In: Essence. New York: Oct 1998. Vol. 29, no. 6; pp. 102-107(6)

  22. Edwards, Tamala.;
    A Conversation With Gloria Naylor.  In: Essence. New York: Jun 1998. vol. 29, no. 2; pp. 70 (1)

  23. Eko, Ebele.;
    Beyond the Myth of Confrontation: A Comparative Study of African and African-American Female Protagonistes.  In: Ariel, 17(1986), p. 139-152(14)

  24. Farr, Marie T.;
    Freedom and Control : Automobiles in American Women's Fiction of the 70s and 80s.  In: Journal of Popular Culture, 29(1995), pp. 157-169(13)

  25. Folwell, Stanford, Ann.;
    Mechanisms of disease: African-American women writers, social pathologies, and the limits of medicine.  In: NWSA Journal, 6(Spring 1994). pp. 28-47(20)

  26. Fowler, Virginia C.;
    Introduction to Gloria Naylor: A Special Section.  In: Callaloo, 23(2000). no. 4, pp. 1392-1394(3)

  27. Gates, Henry Louis, Jr.;
    Significant Others.  In: Contemporary Literature, 29(1988), pp. 606-623(18)

     


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  28. Hawkins, Alfonso W.;
    The nurture of African American youth in the fiction of Ann Petry, Alice Childress, and Gloria Naylor  In: CLA Journal. Baltimore: Jun 2003. vol. 46, no. 4; p. 457-477(21)

  29. Hayes, Elizabeth T.;
    The Named and the Nameless: Morrison's 124 and Naylor's "the Other Place" as Semiotic Chorae.  In: African American Review. Saint Louis: Winter 2004. vol. 38, no. 4; p. 669-683 (13)

  30. Hazelwood, Donlon, Jocelyn.;
    Hearing is believing: Southern racial communities and strategies of story-listening in Gloria Naylor and Lee Smith.  In: Twentieth Century Literature. Hempstead: Spring 1995. vol. 41, no. 1; pp. 16-35(20)

  31. Homans, Margaret.;
    The Woman in the Cave: Recent Feminist Fictions and the Classical Underworld.  In: Contemporary Literature, 29(1988), pp. 369-402(34)

  32. Hopkins, Lattin, Patricia.;
    Naylor's Engaged and Empowered Narratee.  In: CLA Journal, 41.4 (1998): pp. 452-469(18)

  33. Ivery, Adriane L.;
    Beyond Sacrifice: Gloria Naylor Rewrites the Passion.  In: MELUS, 30(2005), no. 1, pp. 85-108(25)

     


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  34. Jarrett, Gene Andrew.;
    'Couldn't Find Them Anywhere': Thomas Glave's Whose Song?, (Post)Modernist Literary Queerings, and the Trauma of Witnessing, Memory, and Testimony.  In: Callaloo, Volume 23, Number 4, Fall 2000, pp. 1241-1258(18)

  35. King, Debra Walker.;
    The Critical Response to Gloria Naylor.  In: African American Review, 33(1999), no. 3; pp. 543- 545(3)

  36. Kubitschek, Missy Dehn.;
    Toward a New Order: Shakespeare, Morrison, and Gloria Naylor's Mama Day.  In: Melus 19 (1994): 75-90(16)

  37. Lamothe, Daphne.;
    Gloria Naylor's Mama Day: Bridging Roots and Routes.  In: African American Review. Saint Louis: Spring 2005. vol. 39, no. 1/2; p. 155-170 (15)

  38. Matus, Jill.L.;
    Dream, deferral, and closure in The Women of Brewster Place.  In: Black American Literature Forum. Spring 1990. Vol. 24, no. 1; p. 49-64(16)

  39. Meisenhelder, Susan Edwards.;
    The whole picture' in Gloria Naylor's Mama Day.  In: African American Review. 27(1993), no. 3, pp. 405-419(15)

  40. Meisenhelder, Susan Edwards.;
    False Gods and Black Goddesses in Naylor's Mama Day and Hurston's Their Eyes Were Watching God.  In: Callaloo, 23(2000), no. 4, pp. 1440-1448(9)

  41. Metting, Fred.;
    The Possibilities of Flight: The Celebration of Our Wings in Song of Solomon, Praisesong for the Widow, and Mama Day.  In: Southern Folklore 55.2 (1998): pp. 145-168(24)  ISSN:0899-594X

  42. Mohanty, Satya P.;
    Colonial Legacies, Multicultural Futures: Relativism, Objectivity, and the Challenge of Others.  In: PMLA, 110(1995), pp. 108-118(11)

  43. Montgomery, Maxine Lavon.;
    Authority, multivocality, and the New World Order in Gloria Naylor's Bailey's Café.  In: African American Review. Saint Louis: Spring 1995. vol. 29, no. 1; pp. 27-33(7)

  44. Montgomery, Maxine L.;
    The Fathomless Dream: Gloria Naylor's Use of the Descent Motif in The Women of Brewster Place.  In: CLA Journal 36.1 (1992): pp. 1-11(11)

  45. Moore, John Noell.;
    Myth, fairy tale, epic, and romance: Narrative as re-vision in Linden Hills.  In: Callaloo. 23(2000), no. 4, pp. 1410-1429(20)

     


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  46. Naylor, Gloria.;
    Closu Encounter.  In: Black Issues Review. Fairfax: Sep/Oct 2005. vol. 7, no. 5; p. 56-58(3)

  47. Naylor, Gloria.;
    The Men of Brewster Place.  In: Ebony. Chicago: May 1998. vol. 53, no. 7; p. 18B (1)

  48. Naylor, Gloria.;
    Mood: Indigo, from Bailey's Café.  In: Southern Review, 26(1992), pp. 502-536(35)

  49. Nelson, Novella.;
    Bailey's Cafe : From Novel to Play: A Conversation with Nikki Giovanni and Virginia Fowler.  In: Callaloo. Baltimore: Fall 2000. vol. 23, no. 4; pp. 1475-1496(22)

  50. Nicosia, Laura.;
    Authorial Manipulation and Privileged Narative: Mama Day and its Paratextual Documents.  In: Southern Studies, 14(2007), pp. 1-11(11)

     


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  51. Okonkwo, Christopher N.;
    Suicide or Messianic self-sacrifice?: Exhuming Willa's body in Gloria Naylor's Linden Hills.  In: African American Review. Saint Louis: Spring 2001. vol. 35, no. 1; p. 117-132(15)

  52. Page, Philip.;
    Living with the abyss in Gloria Naylor's Bailey's Café.  In: CLA Journal. Baltimore: Sep 1996. vol. 40, no. 1; pp. 21-45(25)

  53. Peterson, Dale E.;
    Response and Call: The African American Dialogue with Bakhtin.  In: American Literature, 65(1993), pp. 761-775(15)

  54. Puhr, Kathleen M.;
    Healers in Gloria Naylor's fiction.  In: Twentieth Century Literature. Hempstead: Winter 1994. vol. 40, no. 4; pp. 518-527(10)

  55. Rowell, Charles H.;
    An interview with Gloria Naylor.  In: Callaloo. Baltimore: Winter 1997. vol. 20, no. 1; pp. 179-192(14)

     


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  56. Sandiford, K.A.;
    Gothic and intertexual Constructions in Linden Hills.  In: Arizona Quarterly, 47(1991), no. 3, pp. 117-137(21)

  57. Smith, Ethel Morgan.;
    An Interview with Gloria Naylor Naylor, Gloria.  In: Callaloo, Volume 23, Number 4, Fall 2000, pp. 1430-1439(10)

  58. Spelle, Chrishawn A.;
    Seeing is Believing: Exploring the Intertextuality of Aural and Written Blues in Gloria Naylor's Bailey's Café, Gayl Jones' Corregidora and Toni Morrison's Jazz.   Thesis. Florida State University, 2003. 54pp.

  59. Steele, Shelby.;
    Being Black and Feeling Blue: Black Hesitation on the Brink.  In: American Scholar, 58(1989), pp. 497-508(12)

  60. Storhoff, Gary.;
    The only voice is your own: Gloria Naylor's revision of The Tempest.  In: African American Review. Saint Louis: Spring 1995. vol. 29, no. 1; pp. 35-45(11)

     


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  61. Tanner, Laura E,;
    Reading Rape: Sanctuaru and The Women of Brester Place.  In: American Literature, 62(1990), p. 559-582(24)

  62. Thompson, Betty Taylor.;
    Common bonds from Africa to the U.S.: Africana womanist literary analysis.  In: Western Journal of Black Studies.Pullman: Fall 2001. vol. 25, no. 3; pp. 177-184(8)

  63. Toombs, Charles P.
    The Confluence of Food and Identity in Gloria Naylor's Linden Hills: 'What We Eat Is Who We Is.'  In: CLA Journal 37, no. 1 (September 1993): pp. 1-18(1(18)

  64. Trigley, Stephanie,A.;
    A 'Ring of Pale Women': Willa as Feminist Archivist and Gistorian in Gloria Naylor's Linden Hills.  In: CEA critic, 57(Winter 1995), pp. 59-67(9) ISSN 0007-8069

  65. Trudier, Harris,
    This Disease Called Strength: Some Observations on the Compensating Construction of Black Female Character.  In: Literature and Medicine, 14(1995), no. 1, pp. 109-126(18) ISSN:0278-9671

  66. Tucker, Lindsey.;
    Recovering the conjure woman: texts and contexts in Gloria Naylor's 'Mama Day.' (Black Women's Culture Issue)  In: African American Review, Jun 22, 1994. vol. 28, no. 2; pp. 173-188(16)

     


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  67. Wall, Cheryl. A.;
    Extending the Line: Mama Day and Sula.  In: Callaloo, Volume 23, Number 4, Fall 2000, pp. 1449-1463 (15)

  68. Walter, Roland.;
    The Dialectics between the Act of Writing and the Act of Reading in Alice Walker's The Temple of My Familiar, Gloria Naylor's Mama Day, and Toni Morrison's Jazz.  In: Southern Quarterly: A Journal of the Arts in the South 35 (1997): pp. 55-66(12) ISSN:0038-4496

  69. Ward, Catherine C.;
    Gloria Naylor's Linden Hills: A Modern Inferno.  In: Contemporary Literature 28 (1987): 67-81(15)

  70. Wardi, Anissa J.;
    The scent of sugarcane: Recalling Cane in The Women of Brewster Place.  In: CLA Journal. Baltimore: Jun 1999. vol. 42, no. 4; p. 483-507(25)

  71. Whitt, Margaret Earley,;
    Bailey's Cafe as sports bar, or, why baseball needs a way station.  In: Callaloo. Baltimore: Fall 2000. vol. 23, no. 4; pp. 1464-1474(11)

  72. Wilson, Charles E, Jr.,
    The Life of Gloria Naylor.  In: Gloria Naylor: a critical companion by . Charles E, Wilson. Jr.. Greenwood Press, 2001. pp. 1-13(13)

  73. Wilson, Charles E, Jr.,
    Bailey's Cafe (1992).  In: Gloria Naylor: a critical companion by . Charles E, Wilson. Jr.. Greenwood Press, 2001. pp. 111-136(26)

  74. Wilson, Charles E, Jr.,
    Linden Hills (1985).  In: Gloria Naylor: a critical companion by . Charles E, Wilson. Jr.. Greenwood Press, 2001. pp. 63-86(24)

  75. Wilson, Charles E, Jr.;
    Literary Heritage.  In: Gloria Naylor: a critical companion by . Charles E, Wilson. Jr.. Greenwood Press, 2001. pp. 15-36(22)

  76. Wilson, Charles E, Jr.,
    Mama Day (1988).  In: Gloria Naylor: a critical companion by . Charles E, Wilson. Jr.. Greenwood Press, 2001. pp. 87-110(24)

  77. Wilson, Charles E, Jr.,
    The Men of Brewster Place (1998).  In: Gloria Naylor: a critical companion by . Charles E, Wilson. Jr.. Greenwood Press, 2001. pp. 137-160(24)

  78. Wilson, Charles E, Jr.,
    The Women of Brewster Place (1982)  In: Gloria Naylor: a critical companion by . Charles E, Wilson. Jr.. Greenwood Press, 2001. pp. 37-62(26)

  79. Wood, Rebecca S.;
    Two warring ideals in one dark body": Universalism and nationalism in Gloria Naylor's Bailey's Café.  In: African American Review. Saint Louis: Fall 1996. vol. 30, no. 3; pp. 381-395(15)

     


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  80. Conversation: Gloria Naylor and Nikki Giovanni.  In: Callaloo. Baltimore: Fall 2000. Vol. 23, Iss. 4; p. 1395-1409(15)

  81. Finding our voice. Naylor, Gloria, Conde, Maryse, Reynolds, Barbara, Ansa, Tina McElroy, et al.  In: Essence. 26(1995), no. 1, p. 193-198(6)

  82. Gloria Naylor 1950-. American Novelist, editor, and Short Story writer.  In: Contemporary Literary Criticism. 156(2002), pp. 96-206(111)

  83. the hidden world of Gloria Naylor.  In: Literary Cavalcade. New York: May 1998. vol. 50, no. 8; pp. 16-17(2)

  84. Johnson, Charies. Interview.  In: Comtemporary Literature, 34(1993), pp. 159-181(22)

  85. Naylor, Gloria, and Toni Morrison. "A Conversation."  In: Southern Review 21.3 (1985): 567-593(27)

  86. The Women of Brewster Place.  In: Ebony. Chicago: Mar 1989. vol. 44, no. 5; p. 122-125(4)

  87. 'Women of Brewster Place' a Powerful Tale of Love and Conflict.  In: Jet. Chicago: Mar 20, 1989. vol. 75, no. 24; pp. 58-60(3)

     


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    [Review]

  88. Brown, Rosellen.;
    Mama Day.  In: Ms. Arlington: Feb 1988. vol. 16, no. 8; p. 74 (1)

  89. Remembering the Past in Contemporary African American Fiction.  In: Rachel Farebrother. Studies in the Novel. Denton: Winter 2007. vol. 39, no. 4; pp. 501-502(2)

  90. Jackson, Thomas.;
    Reviews -- Bailey's Cafe by Gloria Naylor.  In: America. New York: Feb 13, 1993. vol. 168, no. 5; p. 17-19(3)

  91. Montgomery,.Maxine Lavon.;
    Understanding Gloria Naylor.  In: African American Review. Saint Louis: Spring 2001. vol. 35, no.1; pp. 159-161(3)

  92. Montgomery,.Maxine Lavon.;
    The Men of Brewster Place.  In: African American Review. Saint Louis: Spring 2000. vol. 34, no.1; pp. 176-178 (3)

  93. Owomoyela, Oyekan.;
    Our Mothers, Our Powers, Our Texts: Manifestations of Àjé in Africana Literature.  In: Research in African Literatures. Bloomington: Fall 2007. vol. 38, no. 3; pp. 215-216 (2 )

  94. Patricia, Olson.;
    Gloria Nylor's Unrealized Myth.  In:The Christian Century. Chicago: Nov 16, 1988. vol. 105, no. 34; p. 1047-1048(2)

  95. Sathyaraj Venkatesan.;
    Signs and Cities: Black Literary Postmodernism.  In: ANQ. Lexington: Spring 2007. vol. 20, no. 2; p. 56 -59(4)

  96. Suzanne Keen.;
    Summer reading: Suzanne Keen.  In: Commonweal. New York: Jun 20, 1997. vol. 124, no. 12; p. 23-24(2)

  97. Thomas, Greg ;
    Gloria Naylor's Early Novels.  In: Research in African Literatures. Bloomington: Fall 2002. vol. 33, no. 3; p. 223-227 (5)

  98. Wald, Priscilla;;
    The Power of the Porch: The Storyteller's Craft in Zora Neale Hurston, Gloria Naylor, and Randall Kenan.  In: American Literature. Durham: Mar 1998. vol. 70, no. 1; pp. 202-203(2)

  99. Whitt, Margaret.;
    Gloria Naylor: A Critical Companion.  In: African American Review. Saint Louis: Summer 2002. vol. 36, no. 2; p. 337-338(2)

    --------------------------

  100. Butts ,Tracy.;
    Gloria Naylor: A selected bibliography.  In: Callaloo. Baltimore: Fall 2000. Vol. 23, Iss. 4; p. 1497-1512(16)


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