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Thomas, Hardy(トーマス・ハーディ)/1840-1928/ 研究論文(2)

 多くの批評家が「最初の現代作家」と評する通りまさに現代小説の先駆者Thomas, Hardy(トーマス・ハーディ)研究の1991年から2008年に刊行された論文を紹介しています。
 ここで紹介する論文・書評は企画商品CD「イギリス文学論文撰」の「ビクトリア時代(後期)」の項 Thomas, Hardy 第2集 1991-2008年刊行論文集に収録しています。
 その他の論文リストは次のリンクからご利用下さい。

  第1集2009-2015の論文
 リストの論文はすべてPDFファイルでご提供されます。

 [1991-2008年論文リスト]

 下記の著者別索引をご利用下さい。個別の論文の御用命はページトップの「お問い合わせ」フォームかもしくはcustomer@articles-club.comへご連絡をお願いします。 

     
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  1. Abravanel, Genevieve.;
    Hardy's Transatlantic Wessex: Constructing the Local in The Mayor of Casterbridge. In: Novel, Sep 2005; vol. 39: pp. 97-117(21)

  2. Armstrong, Tim.;
    'Hardy, History, and Recorded Music'. In: Thomas Hardy and Contemporary Literary Studies, ed. Tim Dolin (Basingstoke: Palgrave-Macmillan, 2003), 153-166(14)

  3. Armstrong, Tim.;
    Hardy, Thaxter, and History as Coincidence in "The Convergence of the Twain". In: Victorian Poetry. Morgantown: Spring 1992. Vol. 30, no. 1; p. 29-42(14)

  4. Armstrong, Tim.;
    PART IV Readings Thomas Hardy: Poems of 1912-13. In: A Companion to Twentieth-Century Poetry (Blackwell Companions to Literature and Culture)-US- ISBN:0631215298 (Hard cover book) Roberts, Neil /Publisher:Blackwell Pub Published 2001/08. p. 359-368(10)

  5. Armstrong, Tim.;
    Player Piano: Poetry and Sonic Modernity. In: Modernism/modernity, Vol. 14(2007), no. 1, pp. 1-19(19)

  6. Austin, Linda M.;
    Reading depression in Hardy's "Poems of 1912-13". In: Victorian Poetry. Morgantown: Spring 1998. Vol. 36, no.1; p. 1-15(15)

  7. Baeckman, Sven.;
    "He heard a different kind of music.": Excessive internal slant-rhyming in Thomas Hardy's early poetry. In: Lines and Traces: Papers presented to Lennart Bjork on the occasion of his 70th birthday. Edited by Gunilla Florby and Karin Aijmer. Acta Universitatis Gothoburgensis Goteborg Sweden, 2006. pp. 13-

  8. Baldridge, Cates.;
    Observation and Domination in Hardy's The Woodlanders. In: Victorian Literature and Culture 21 (l 993): pp. 191-209(19)

  9. Barnaby, Edward.;
    The Realist Novel as Meta-Spectacle. In: Journal of Narrative Theory, Vol. 38, no. 1, Winter 2008, pp. 37-59(23)

  10. Barrell, John.;
    'An Entire Change of Performances?' The Politicisation of Theatre and the Theatricalisation of Politics in the mid 1790s. In: Lumen: Selected Proceedings from the Canadian Society for Eighteenth-Century Studies / Lumen : travaux choisis de la Societe canadienne d'etude du dix-huitieme siecle, vol. 17, 1998, pp. 11-50(40)

  11. Bate, Jonathan.;
    Culture and environment: From Austen to HardyIn: New Literary History. Baltimore: Summer 1999. Vol. 30, no. 3; pp. 541-560(20)

  12. Beatty, C. J. P.;
    Thomas Hardy, Desperate Remedies: Three Additional Notes by an Editor. In: Notes and Queries, March 1993; vol. 40: pp. 60-61(2)

  13. Bennett, Brandon B.;
    Hardy's noble melancholics. In: Novel. Providence: Fall 1993. Vol. 27, no. 1; p. 24-39(16)

  14. Bezrucka, Yvonne.;
    The Well-Beloved: Thomas Hardy's Manifesto of "Regional Aethetics". In: Victorian Literature and Culture (36:1) Mar 2008, pp. 227-245(19)

  15. Bidney, Martin.;
    War of the Winds: Shelley, Hardy, and Harold Bloom. In: Victorian Poetry, Vol. 41, no. 2, Summer 2003, pp. 229-244(16)

  16. Blyth, Caroline.;
    Language and subjectivity: The darkling thrush and the golden bird. In: The Critical Quarterly. Hull: Autumn 2003. Vol. 45, no. 3; p. 76-83(8)

  17. Bonaparte, Felicia.;
    The deadly misreading of mythic texts: Thomas Hardy's Tess of the d'Urbervilles. In: International Journal of the Classical Tradition, Vol. 5 Issue 3, Winter 99, pp. 415-431(17)

  18. Bonnell, William.;
    Broken communion in Tess of the d'Urbervilles. In: English Language Notes. Boulder: Jun 1994. Vol. 31, no. 4; p. 63-71(9)

  19. Boynton, Owen.;
    Modernism Aside. In: Essays in Criticism. Oxford: Apr 2007. Vol. 57, no. 2; p. 179-186(8)

  20. Brady, Kristin.;
    Thomas Hardy and Matters of Gender. In: Dale Kramer (ed. ) (1999) The Cambridge Companion to Thomas Hardy. (Cambridge: Cambridge University Press), pp. 93-111(19)

  21. Burns, Christy L.;
    Re-Thinking Modernism After the 1990s. In: MFS Modern Fiction Studies - Volume 48, Number 2, Summer 2002, pp. 470-479(10)

  22. Burwick, Frederick.;
    The language of high treason: Thomas Hardy, John Horne Tooke, and the Edinburgh seven. In: The Huntington Library quarterly., 2000 , vol. 63 , no 3 , pp. 263 - 275(13)

  23. Bushloper, Lida.;
    Hardy's Tess of the D'Urbervilles. In: The Explicator. Washington: Summer 1994. Vol. 52, no. 4; pp. 222-225(4)

     
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  24. Cairney, Kathleen F.;
    Recognizing Acquaintance Rape in Potentially Consensual Situations: A Re-Examination of Thomas Hardy's Tess of The D' Urberilles. In: Journal of Gender & the Law, vol. 3(Spring 1995), pp. 301-331(31)

  25. Calderwood, Brent.;
    Vice and Consent: The Question of Rape in Hardy's Tess of the d'Urbervilles. In: Tiresias, Issue 1 (December, 2007), pp. 14-24(11)

  26. Caminero Santangelo, Byron.;
    A Moral Dilemma: Ethics in Tess of the D'Urbervilles. In: English Studies 75:1 (1994): 46-61(16)

  27. Campbell, Matthew.;
    Tennyson and Hardy's ghostly metres. In: Essays in Criticism. Oxford: Oct 1992. Vol. 42, no. 4; p. 279-298(20)

  28. Cardwell, Sarah.;
    Working the Land: Representations of rural England in adaptations of Thomas Hardy's novels. In: Catherine Fowler and Gillian Helfield (eds.) Representing the Rural in the Cinema, Wayne State University Press, 2006, pp. 19-34(16)

  29. Carroll, Joseph.;
    Human Universals and Literary Meaning: A Sociobiological Critique of "Pride and Prejudice", "Villette", "O Pioneers!", "Anna of the Five Towns", and "Tess of the d'Urbervilles". In: Interdisciplinary Literary Studies, Vol. 2, No. 2, Literary Biopoetics (Spring 2001), pp. 9-27(19)

  30. Chen Hong-qin.;
    Appreciation of Hardy's poem "Neutral Tones" from the point of view of functional analysis. In: US-China Education Review, Volume 5, No.5 (Serial No.42),May 2008, pp. 54-59(6)

  31. Clarke, John Stock, and Graham Law.;
    More Light on the Serial Publication of Tess of the D'Urbervilles. In: Review of English Studies, 2003, Vol: 54, no. 213, pp. 94-101(8)

  32. Cohen, William A.;
    Faciality and Sensation in Hardy's The Return of the Native. In: PMLA: Publications of the Modern Language Association of America, 2006, Vol: 121, no. 2, pp. 437-452(16)

  33. Cooper, Andrew.;
    Voicing the Language of Literature: Jude's Obscured Labor. In: Victorian Literature and Culture, Vol: 28(2000), pp. 391-410(10)

  34. Costa, Dominique.;
    Language through poetry: A stylistic analysis of Thomas Hardy's The Ruined Maid. In: B. Maia (ed.)., Actas do 4o Encontro Nacional do Ensino das Linguas Vivas no Ensino Superior em Portugal Universidade do Porto, Faculdade de Letras. (1999). pp. 215-222(8)

  35. Craik, Roger..;
    Hardy's Tess of the d'Urbervilles. In: The Explicator. Washington: Fall 1994. Vol. 53, no. 1; pp. 41-43(3)

  36. Crangle, Sara.;
    Hardy's Jude the Obscure. In: The Explicator. Washington: Fall 2001. Vol. 60, no. 1; p. 24-27(4)

     
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  37. Dalziel, Pamela.;
    Hardy's Sexual Evasions: The Evidence of the 'Studies, Specimens &c.' Notebook. In: Victorian Poetry 31, no. 2 (1993): pp. 143-155(13)

  38. Dalziel, Pamela.;
    Hardy's Unforgotten 'Indiscretion': The Centrality of an Uncollected Work. In: Review of English Studies, 1992; XLIII: pp. 347-366(20)

  39. Daniel, Clay.;
    Hardy, Milton, and 'The Storm--The Two Together.' In: English Language Notes, 1999, Vol: 37, 2, pp. 32-41(10)

  40. Daniel, Clay.;
    Hardy's Two on a Tower and Book Four of The Aeneid. In: Explicator (66:4) 2008, pp. 221-224(4)

  41. Dantanus, Ulf.;
    Anaphoric places: Heaney visits HardyIn: Lines and Traces: Papers presented to Lennart Bjork on the occasion of his 70th birthday. Edited by Gunilla Florby and Karin Aijmer. Acta Universitatis Gothoburgensis Goteborg Sweden, 2006. pp. 23-

  42. Dauner, Louis.;
    Thomas Hardy, yet and again. In: Modern Age. Wilmington: Fall 2000. Vol. 42, no. 4; p. 358-371(14)

  43. Davies, William A., Jr.;
    Clough's Amours De Voyage and Hardy's The Return of the Native: a Probable Source. In: English Language Notes, 1993, vol. 31, no. 1, pp. 47-55(9)

  44. Davis, William A., Jr.;
    The Rape of Tess: Hardy, English Law, and the Case for Sexual Assault. In: Nineteenth Century Literature 52:2 (1997): pp. 221-231(11)

  45. DeAngelis, Rose.;
    Triangulated passions: Love, self-love and the other in Thomas Hardy's the Well-Beloved. In: Studies in the Novel. Denton: Winter 2002. Vol. 34, no. 4; p. 403-421(19)

  46. DeWitt, Anne.;
    'The Actual Sky Is a Horror': Thomas Hardy and the Arnoldian Conception of Science. In: Nineteenth-Century Literature, 2007, Vol: 61, no. 4, pp. 479-506(28)

  47. Deresiewicz, Thomas.:
    Thomas Hardy and the history of friendship between the sexes. In: Wordsworth Circle (38:1/2), In Honor of Karl Kroeber (Winter/Spring, 2007), pp. 56-63(8)

  48. Derry, Stephen.;
    Vandyke and Hardy's 'Squire Petrick's Lady'. In: Notes and Queries. London: Jun 1998. Vol. 45, no.2; p. 226-227(2)

  49. Dessner, Lawrence Jay.;
    Space, Time, and Coincidence in HardyIn: Studies in the Novel. Denton: Summer 1992. Vol. 24, no. 2; p. 154-172(19)

  50. Doheny, John R.;
    Characterization Part II: Jude and Sue : The Myth and the Reality. In: Thomas Hardy Yearbook (37) [2008], pp. 20-40(21)

  51. Dolin, Tim.;
    The Early Life and Later Years of Thomas Hardy: An Argument for a New Edition. In: Review of English Studies, vol. 58(2007): pp. 698 -714(17)

  52. Donovan, Stephen.;
    In The Papers: Hardy, Joyce, and the Modernist Moment. In: DQR Studies in Literature (43) 2008, pp. 163-192(30)

  53. Dusseau, John L.;
    Three Hardy flowers. In: The Midwest Quarterly; vol. 35, no. 3; Spring 1994; pp. 290-304(15)

     
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  54. Ebbatson, Roger.;
    The Authorial Double: Hardy and Florence Henniker. In: English, 1999, Vol: 47, pp. 75-90(16)

  55. Edward,.Neill,;
    Back to the future: Hardy, poetry, theory, "Aporia". In: Victorian Poetry. Morgantown: Spring 1998. Vol. 36, no. 1; p. 75-97(23)

  56. Faubert, Michelle.;
    Hardy's Jude the Obscure. In: The Explicator. Washington: Winter 2002. Vol. 60, no. 2; p. 76-78(3)

  57. Federico, Annette.;
    Thomas Hardy's The Well-Beloved : Love's Descent. In: English Literature in Transition, 1880-1920(ELT), Vol. 50, no. 3, 2007, pp. 269-290(22)

  58. Ferencz Gyözö.;
    Conquered Non-Knowledge: Thomas Hardy's The Darkling Thrush. In: Neohelicon, Vol. 28(2001), no. 2, pp. 207-217(11)

  59. Ferguson, Susan L.;
    Drawing Fictional Lines: Dialect and Narrative in the Victorian Novel. In: Style, vol. 32(1998), no. 1, pp. 1-17(17)

  60. Fierz, Charles L.;
    PolanskiMisses: A critical essay concerning Polanski's reading of Hardy's Tess. In: Literature/Film Quarterly. Salisbury: 1999. Vol. 27, no. 2; p. 103-109(7)

  61. Fischer, Jeffrey.;
    Killing at Close Range: A Study in Intertextuality. In: English Journal (High school edition). Urbana: Jan 2006. Vol. 95, no. 3; p. 27-31 (5)

  62. Fischler, Alan.;
    From Weydon-Priors to Tower Green: The sources of The Yeoman of the Guard. In: ELH. Baltimore: Spring 1996. Vol. 63, no. 1; p. 203-225(23)

  63. Forest, Pyle,;
    1958- "Demands of History: Narrative Crisis in Jude the Obscure". In: New Literary History - Vol. 26, no. 2, Spring 1995, pp. 359-378(20)

  64. Foss, Hubert.;
    Thomas Hardy and Music. In: Journal of the RVW Society, No. 15 June 1999. pp. 4-5, 21(3)

  65. François, Anne-Lise.;
    Not thinking of you as Left Behind": Virgil and the Missing of Love in Hardy's Poems of 1912-13 . In: ELH, Vol. 75, no. 1, Spring 2008, pp. 63-88(26)

  66. Franke, Damon.;
    Hardy's Ur-Priestess and the Phases of a Novel. In: Studies in the Novel, 2007, Vol: 39, no. 2, pp. 161-176(16)

  67. Franke, Damon.;
    Modernist heresies : British literary history, 1883 -1924.
     The Ohio State University. 2008. ISBN-13: 978-0-8142-1074-1; 258 pp.

  68. Franklin, Michael J.;
    Market-Faces and Market Forces: [Corn-]Factors in the Moral Economy of Casterbridge. In: Review of English Studies, 7 June 2008, vol. 59, no. 240, pp. 426-448(23)

  69. Frogley, Alain.;
    Hardy in the music of Vaughan Williams. In: Journal of the RVW Society, No. 15 June 1999. pp. 8-9(2)

     
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  70. Gedraitis, Ashley.;
    Tess of the d'Urbervilles: The Modern Date Rape Case. In: Explorations, Volume IV, 2009, pp. 1-20(20)

  71. Gewanter, David.;
    Undervoicings of Loss. in Hardy's Elegies to His Wife. In: Victorian Poetry. Morgantown: Autumn 1991. Vol. 29, no. 3; p. 193-207(15)

  72. Gibson, Joanna.;
    Thomas Hardy: a Borrowing from Schopenhauer. In: Notes and Queries, 1993; 40: pp. 492-493(2)

  73. Ginsburg, Michal Peled.;
    Imagination, Poetic Creation, and Gender: Hardy's 'Imaginative Woman'. In: Modern Philology: Critical and Historical Studies in Literature, Medieval Through Contemporary, (110:2), 2012, pp. 273-288(16)

  74. Gleeson, J. M. P.;
    The Cambridge Quarterly Prize Essay Cunning Irregularity: The Reticent Selves of Hardy's Poetry. In: Cambridge Quarterly, 1994; XXIII: pp. 32-49(18)

  75. Gossin, Pamela.;
    All Danaë to the Stars.: Nineteenth-century representations of women in the cosmos. In: Victorian Studies. Bloomington: Autumn 1996. Vol. 40, no.1; p. 65-96(32)

  76. Graves, Roy Neil.;
    Hardy's The Convergence of the Twain. In: The Explicator. Washington: Winter 1995. Vol. 53, no. 2; p. 96-99(4)

  77. Greco, Norma.;
    I Think I'm Falling in Love with This Novel. In: English Journal, Jul 2006. Vol. 95, no. 6; p. 48-51(4)

  78. Greenslade, William.;
    Rosemarie Morgan, 'Thomas Hardy': A Rejoinder. In: Victorian Poetry, 2005, Vol: 43, no. 3, pp. 399-402(4)

  79. Gribble, Jennifer.;
    Postmodern Tess: Recent Readings of Tess of the d'Urbervilles. In: Sydney Studies in English, Vol. 25, 1999: 20 pp.

  80. Grossman, Julie.;
    Hardy's 'Tess' and "The Photograph": Images to Die For. In: Criticism. Vol. 35(1993), no. 4, pp. P. 609-630(22)

  81. Gussow, Adam.;
    Dreaming Holmberry-Lipped Tess: Aboriginal reverie and spectatorial desire in Tess of the D'Urbervilles. In: Studies in the Novel. Denton: Winter 2000. Vol. 32, no. 4; p. 442-463 (22)

     
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  82. Hand, Richard James.;
    Thomas HardyIn: Self-Adaptation: the stage dramatisation of fiction by novelists. By Richard James Hand. University of Glasgow, 1996. pp. 48-88(41)

  83. Harbinson, Christopher.;
    Echoes of Keat's 'Lamia' in Hardy's Tess of the D'Urbervilles. In: Notes and Queries, 2002, Vol: 49, pp. 74-76(3)

  84. Harding, J.;
    Modernist poetry and the canon. In: The Cambridge companion to modernist poetry. Cambridge: Cambridge University Press, (2007), pp. 225-243(19)

  85. Hargan, Jim.;
    Hardy's Wessex. In: British Heritage. Harrisburg: Apr/May 2001. Vol. 22, no. 3; p. 30-37 (8)

  86. Harrington, Ralph.;
    The Shadow of Stonehenge: Paganism, Fate and Redemption in Thomas Hardy's Tess of the D'Urbervilles.
     artificialhorizon.org, (2006), 11 pp.

  87. Harris, Nicola.;
    An Eighteenth Century Letter from Bath to Dorset. In: Thomas Hardy Yearbook (37) 2008, pp. 66-76(11)

  88. Harris, Wilson.;
    A note on Alan Burn's fiction. In: Review of Contemporary Fiction. Normal: Summer 1997. Vol. 17, Iss. 2; pp. 186-192 (7)

  89. Hawley, John C.;
    The poetry of hesitant assertion. In: The Catholic World. Mahwah: Jul 1995. Vol. 238, no. 1426; p. 172-177(6)

  90. Heber, Janice Stewart.;
    Critical Reception of Thomas Hardy's Short Stories: Finding "The Key to the Art.", In: Paper presented at the Annual Meeting of the College English Association (23rd, Pittsburgh, PA, March 27-29, 1992), 17p.

  91. Henchman, Anna.;
    Hardy's Cliffhanger and Narrative Time. In: English Language Notes. Boulder: Spring/Summer 2008. Vol. 46, no. 1; pp. 127-134(8)

  92. Henchman, Anna.;
    Hardy's Stargazers and the Astronomy of Other Minds. In: Victorian Studies, Vol. 51, no. 1, Autumn 2008, pp. 37-64(28)

  93. Hervoche-Bertho, Brigitte.;
    Seminal Gothic Dissemination in Hardy's Writings. In: Victorian Literature and Culture, Vol. 29, No. 2 (2001), pp. 451-467(17)

  94. Holste, Gayle.;
    Hardy's Christmas In The Elgin Room. In: The Explicator. Washington: Summer 2001. Vol. 59, no.4; p.187-189(3)

  95. Hughes, John.;
    Hardy and music. In: English, vol.46, no.185, Summer 1997, pp.113-129(7)

  96. Hynes, Samuel.;
    How to Be an Old Poet: The Examples of Hardy and Yeats. In: Sewanee Review. Sewanee: Spring 1997. Vol. 105, no.2; p. 189-205 (17)

  97. Ingelbien, R.;
    From Hardy to Yeats? Larkin's Poetry of Ageing. In: Essays in Criticism, 2003, Vol: 53, no. 3, pp. 262-277(16)

     
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  98. Jacobson, Dan.;
    Thomas Hardy: The poet as philosopher. In: The American Scholar. Washington: Winter 1996. Vol. 65, no.. 1; pp. 114-118(5)

  99. Jadwin, Lisa.;
    A Little Learning is a Dangerous Thing. In: College Literature. West Chester: Jun 1997. Vol. 24, no.2; pp. 164-171(8)

  100. James, Louis.;
    Thomas Hardy / Thomas Hardy, Tess of the D'Urbervilles: A Pure Woman Faithfully Presented by Thomas Hardy (1891). In: The Victorian novel. By Louis James. Blackwell, 2006. ISBN-13: 978-0-631-22627-7; pp. 120-122, 183-184 (5)

  101. Jann, Rosemary.;
    Hardy's Rustics and the Construction of Class. In: Victorian Literature and Culture, 2000, Vol: 28, pp. 411-425(15)

  102. Jewell, John.;
    Hardy's The Return of the Native. In: The Explicator. Washington: Spring 1991. Vol. 49, no. 3; pp. 159-162(4)

  103. Johnson, Suzanne R.;
    Metamorphosis, Desire, and the Fantastic in Thomas Hardy's 'The Withered Arm'. In: Modern Language Studies, Vol. 23, No. 4 (Autumn, 1993), pp. 131-141(11)

  104. Jones, Bernard.;
    1798-1898: Wordsworth, Hardy, and 'The Real Language of Men': A centenary note. In: English Studies. Amsterdam: Dec 1999. Vol. 80, Iss. 6; p. 509-517(9)

  105. Kearney, Anthony.;
    Edmund Gosse, Hardy's Jude The Obscure, and the repercussions of 1886. In: Notes and Queries. London: Sep 2000. Vol. 47, Iss. 3; p. 332-334(3)

  106. Kearney, Anthony.;
    Hardy's Jude The Obscure. In: The Explicator. Washington: Spring 1999. Vol. 57, no. 3; p. 154-156(3)

  107. Kerrigan, William.;
    'An Ancient to Ancients': Thomas Hardy Disciplines Nostalgia. In: Sewanne Review, 2003, Vol: 111, no. 3, pp. 383-391(9)

  108. Kerrigan,William.;
    Eight Great Hardys. In: Raritan. New Brunswick: Winter 2002. Vol. 21, no. 3; p. 76-99(24)

  109. Kim, Donguk.;
    Thomas Hardy and M.M. Bakhtin: A Basis for Comparison. In: Thomas Hardy Yearbook (37) 2008, pp. 42-52(11)

  110. Kim, Donguk.;
    Thomas Hardy's A Laodicean: Paula Power as An "Angel of History". In: Thomas Hardy Yearbook (37) 2008, pp. 3-14(12)

  111. Knight, John.;
    In Hardy Country. In: Contemporary Review, 2001, Vol: 278, pp. 27-32(6)

  112. Knight, Mark and Mason, Emma.;
    Secularization: Dickens to HardyIn: Mark Knight and Emma Mason., Nineteenth-Century Religion and Literature An Introduction. Oxford University Press, 2007, ISBN-13: 978-0199277117, pp. 152-188(37)

  113. Krahe, P.;
    Experience of loss as a source of inspiration::Thomas Hardys Poems of 1912-13. In: Germanisch-Romanische Monatsschrift 54(1): January 2004, pp. 41-62(22)

  114. Kraszewski, Charles. S.;
    Hardy's The Burghers. In: The Explicator. Washington: Winter 1994. Vol. 52, no. 2; p. 86-90(5)

  115. Kundu, Rama.;
    To Name the Unnamable: Thomas Hardy's Use of Classical Myths in Tess. In: Brno studies in English. 2008, vol. 34 = Sborník prací Filozofické fakulty brněnské univerzity. Řada S, anglistická. 2008, vol. 57, iss. S14, pp. [89]-103(15)

     
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  116. Larson, Jil.;
    When Hope Unblooms: Chance and Moral Luck in the Fiction of Thomas HardyIn: The Center for the Study of Ethics in Society, Vol. XIV No. 1(2002), pp. 1-14(14)

  117. Laura,.Green.;
    Strange (in)difference of sex: Thomas Hardy, the Victorian man of letters and the temptations of androgyny. In: Victorian Studies. Bloomington: Summer 1995. Vol. 38, no. 4; p. 523-549(29)

  118. Law, Jules.;
    A "passing corporeal blight": Political bodies in Tess of the D'Urbervilles. In: Victorian Studies. Bloomington: Winter 1997. Vol. 40, no. 2; p. 245-270(26)

  119. Law, Jules David.;
    Sleeping figures: Hardy, history, and the gendered body. In: ELH. Baltimore: Spring 1998. Vol. 65, no.1; p. 223-257(35)

  120. LeVay, John.;
    Hardy's Jude the Obscure. In: The Explicator. Washington: Summer 1991. Vol. 49, no. 4; p. 219-222(4)

  121. Leavis, L. R.;
    Marriage, Murder, and Morality: The Secret Agent and Tess. In: Neophilologus, vol. 80(1996), no. 1, pp. 161-169(9)

  122. Lennartz, Norbert. ;
    Paradise Lost and Hell Regained : On the Figure of the Intruder in Thomas Hardy's Far from the Madding Crowd. In: Etudes anglaises, 2008, vol. 61, no1, pp. 3-18(16)

  123. Leonard, John.;
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