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Yeats, William Butler（イェイツ・ウィリアム バトラー）研究論文(1)

　　唯美主義運動の中心人物。ラファエロ前派のロマン詩から現代詩へ変身。アイルランド人。T.S. エリオットとともに20世紀を代表する詩人。1933年ノーベル文学賞を受賞した。

　Yeats, William Butler（イェイツ）研究の2001年から2012年に刊行された論文を紹介しています。
　ここで紹介する論文は企画商品CD「イギリス文学研究論文撰」の「20世紀前半」の項 Yeats 第1集 2001-2012年刊行論文集に収録しています。

　その他の論文は次のリンクからどうぞ！
　　1991-2000年刊行論文?；

　リストの論文はすべてPDFファイルでご提供されます。

　[2001-2012年刊行論文リスト]

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  1. Albright, Daniel.;
    Yeats and Modernism.  In: Howes, Marjorie (ed. and introd.); Kelly, John (ed.) The Cambridge Companion to W. B. Yeats. Cambridge, England: Cambridge UP; 2006. xvi, 242 pp. ISBN: 9780521658867; (pbk.); 9780521650892; (hbk.); pp. 59-76(18)

  2. Allison, Jonathan.;
    W. B. Yeats, Space, and Cultural Nationalism.  In: ANQ: A Quarterly Journal of Short Articles, Notes, and Reviews, 2001 Fall; 14 (4): pp. 55-67(13) ISSN: 0895-769X

  3. Allison, Jonathan.;
    War, Passive Suffering, and the Poet.   In: Sewanee Review. Sewanee: Spring 2006. Vol. 114, no. 2; pp. 207-219(13)

  4. Allison, Jonathon.;
    The Old Moon-Phaser: Yeats, Auden, and MacNeice.  In: South Carolina Review, Vol. 43.1. (2010), pp. 162-174(13)

  5. Allison, Jonathan.;
    Yeats and Politics.  In: Howes, Marjorie (ed. and introd.); Kelly, John (ed.) The Cambridge Companion to W. B. Yeats. Cambridge, England: Cambridge UP; 2006. xvi, 242 pp. ISBN: 9780521658867; (pbk.); 9780521650892; (hbk.); pp. 185-205(21)

  6. Andersen, Jacob Buris.;
    Synaesthesia as a Device of Style in the Postromantic Tradition: Paul Verlaine and W. B. Yeats.  In: Thomas Hebsgaard Nielsen (red.)., magister-seminaret Body and Literature. Essays on sensual experience, aesthetic form andbodily/textual identity. d. 28.-29. November 2001 (Institutfor litteraturhistorie, Arhus Universitet). pp. 4-16(13)

  7. Antonielli, Arianna.;
    William Butler Yeats's 'The Symbolic System' of William Blake.  In: Estudios Irlandeses, 2008; 3: pp. 10-28(19) ISSN: 1699-311X

  8. Antonielli, Arianna.:
    William Butler Yeats's Occult Hodos Chameliontos and Its Influence in His Early Poems.  In: Crossroad: An Interdisciplinary Journal for the Study of History, Philosophy, Religion , and Class. Special Issue - 2006 AEN Conference. Vol. V, no. 1, 2010, ISSN: 1833-878X, pp. 4-17(14)

  9. Armstrong, Charles.;
    Ancient Frames: Classical Philosophy in Yeats's A Vision.  In: W. B. Yeats's A Vision. Explications and Contexts. Edited by Neil Mann, Matthew Gibson, and Claire V. Nally. Clemson University, 2012. ISBN: 978-0-9835339-2-4; pp. 90-102(13)

  10. Armstrong, Charles I.;
    "Eater and eaten": W.B. Yeats, Ireland and England.  In: British Politics Review, Vol. 7, No. 1, Winter 2012, pp. 14-15(2)

  11. Arrington, Lauren.;
    'I Sing What Was Lost and Dread What Was Won': W. B. Yeats and the Legacy of Censorship.  In: Irish University Review: A Journal of Irish Studies, 2008 Autumn-Winter; 38 (2): pp. 222-242(21) ISSN: 0021-1427

  12. Atkins, Emily.;
    'Study That Tree': The Iconic Stage in Purgatory and Waiting for Godot.  In: South Carolina Review, 2008 Spring; 40 (2): pp. 66-77 (12)
     
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  13. Baby Pushpa Sinh.;
    W.B.Yeats's Contribution to the Irish Nationalism and Literary Revival.  In: Journal of Literature, Culture and Media Studies, Vol 2, No 4 (2010), pp. 115-121(7)

  14. Bauer, Mark.;
    Between Lives: James Merrill Reading Yeats's Prose.  In: Contemporary Literature, 2002 Spring; 43 (1): pp. 85-119(35) ISSN: 0010-7484

  15. Beck, Ervin.;
    Rudy Wiebe and W. B. Yeats: Sailing to Danzig and Byzantium.  In: ARIEL: A Review of International English Literature, 2001 Oct; 32 (4): pp. 7-19 (13) ISSN: 0004-1327

  16. Ben-Merre, David.;
    The Brawling of a Sparrow in the Eaves: Vision and Revision in W. B. Yeats.  In: Journal of Modern Literature, 2008 Summer; 31 (4): pp. 71-85(15)

  17. Bertha, Csilla.;
    Interart Representation in the Künstlerdrama. Word, Image, and Music in Contemporary Irish Plays.  In: Acta Universitatis Sapientiae, Philologica, 2, 1 (2010), pp. 26-42(17)

  18. Bicknell, Jeanette.;
    Love, Beauty, and Yeats's "Anne Gregory".  In: Philosophy and Literature, Vol. 34, no. 2, October 2010, pp. 348-358(11)

  19. Billigheimer, Rachel V.;
    The Rose of Ireland in the Early Poems of W. B. Yeats: Eternity Is in the Glitter on the Beetle's Wing.  In: Studies: An Irish Quarterly Review, 2002 Autumn; 91 (363): pp. 276-283(8) ISSN: 0039-3495

  20. Blyth, Caroline.;
    Language and subjectivity: The darkling thrush and the golden bird.  In: The Critical Quarterly. Oxford: Autumn 2003. Vol. 45, Iss. 3; pp. 76-83(8)

  21. Bornstein,.George.;
    W. B. Yeats's Poetry of Aging.  In: Sewanee Review, 120.1 (2012): pp. 46-61(16)

  22. Bornstein, George.;
    Yeats and Romanticism.  In: Howes, Marjorie (ed. and introd.); Kelly, John (ed.) The Cambridge Companion to W. B. Yeats. Cambridge, England: Cambridge UP; 2006. xvi, 242 pp. ISBN: 9780521658867; (pbk.); 9780521650892; (hbk.); pp. 19-35(17)

  23. Borthwick, Stephen M.;
    The Decline of Civilization: W.B. Yeats' and Oswald Spengler's New Historiography of Civilization.  In: Comparative Civilizations Review, Number 64, Spring 2011, pp. 22-37(16)

  24. Bradley, Anthony.;
    Nation, Pedagogy, and Performance: W. B. Yeats's The King's Threshold and the Irish Hunger Strikes.  In: Literature and History, 2009 Autumn; 18 (2): pp. 20-33(14) ISSN: 0306-1973

  25. Brandes, Rand.;
    Mercury in Taurus: W. B. Yeats and Ted Hughes.  In: South Carolina Review, vol. 43.1(2010), pp. 198-210(13)

  26. Brearton, Fran.;
    A New Sword on an Old Anvil: W. B. Yeats, Robert Graves, and the Anglo-Irish Tradition.  In: Irish University Review: A Journal of Irish Studies, 2011 Autumn-Winter; 41 (2): pp. 1-24 (24) ISSN: 0021-1427

  27. Bromwich, David.;
    Destruction and the Theory of Happiness in the Poetry of Yeats and Stevens.  In: Essays in Criticism: A Quarterly Journal of Literary Criticism, 2010 Apr; 60 (2): pp. 105-128 (14) ISSN: 0014-0856

  28. Brown, Richard Danson.;
    Neutrality and Commitment: MacNeice, Yeats, Ireland and the Second World War.  In: Journal of Modern Literature, 2005 Spring; 28 (3): pp. 109-129(11)
     
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  29. Campbell, Matthew.;
    Yeats in the Coming Times.  In: Essays in Criticism: A Quarterly Journal of Literary Criticism, 2003 Jan; 53 (1): pp. 10-32(13)

  30. Cardin, Bertrand.;
    'Absence Does Not Cast a Shadow': Yeats's Shadowy Presence in McGahern's 'The Wine Breath'.  In: Journal of the Short Story in English, 2009 Autumn; 53: pp. 111-126 (16)

  31. Cardin, Bertrand.;
    Intertextual Re-creation in Jamie O'Neill's At Swim, Two Boys.  In: Estudios Irlandeses, Number 1, 2006, pp. 23-31(9)

  32. Carolyn Burdett.;
    Modernism and Eugenics: Woolf, Eliot, Yeats, and the Culture of Degeneration.  In: Modern Fiction Studies. West Lafayette: Winter 2003. Vol. 49, no. 4; p. 867-868(2)

  33. Cavano, A. Thomas.;
    Elesin, Cuchulain, and the Kingdom: The Culture Hero's Sacrifice.  In: Modern Drama, 2002 Fall; 45 (3): pp. 409-429(21)

  34. Cervo, Nathan A.;
    Yeats's 'The Second Coming'.  In: Explicator, 2001 Winter; 59 (2): pp. 93-95(3)

  35. Chang, T. C. H.;
    "Can Women Speak?: Gender Construction/ Deconstruction in Twentieth Century Irish Literature." Paper presented at the 13th Annual English and American Literature Association Conference, Tung Hai University, 2005. pp. 196-215(20)

  36. Chapman, Wayne K.:
    Introduction.  In: South Carolina Review, Volume 42, Number 3, Summer 2010, pp. xii-xviii(7)

  37. Chapman, Wayne K.;
    "Metaphors for Poetry": Concerning the Poems of A Vision and Certain Plays for Dancers.  In: W. B. Yeats's A Vision. Explications and Contexts. Edited by Neil Mann, Matthew Gibson, and Claire V. Nally. Clemson University, 2012. ISBN: 978-0-9835339-2-4; pp. 217-251(35)

  38. Clark, T.J.;
    Modernism, Postmodernism, and Steam.  In: October 100, Spring 2002, pp. 154-174(21)

  39. Constantinescu, Ligia Doina.;
    The 'Power' of Dialogism and of 'Troping'. Case Studies: W. B. Yeats' Easter 1916 and J. Joyce's The Dead.  In: Acta Iassy en Sia Coparationis, 5/2007. Centru Şi Periferie - Center and Periphery - Centre et Peripherie. pp. 75-83(9)

  40. Corcoran, Neil.;
    The Same Again?: Repetition and Refrain in Louis MacNeice.  In: Cambridge Quarterly, 2009; 38 (3): pp. 214-224(11)

  41. Coughlan, David.;
    The Sewers, the City, The Tower: Pynchon's V., Fausto's Confessions, and Yeats's A Vision.  In: Critique: Studies in Contemporary Fiction, 2008 Fall; 50 (1): pp. 35-50 (16) ISSN: 0011-1619

  42. Cullingford, Elizabeth Butler.;
    Yeats and Gender.  In: Howes, Marjorie (ed. and introd.); Kelly, John (ed.) The Cambridge Companion to W. B. Yeats. Cambridge, England: Cambridge UP; 2006. xvi, 242 pp. ISBN: 9780521658867; (pbk.); 9780521650892; (hbk.); pp. 167-184(18)
     
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  43. Dampier, Graham A.;
    "The Spiritual Intellect's Great Work": A Discussion of the Principles and A Vision's Account of Death.  In: W. B. Yeats's A Vision. Explications and Contexts. Edited by Neil Mann, Matthew Gibson, and Claire V. Nally. Clemson University, 2012. ISBN: 978-0-9835339-2-4; pp. 55-89(35)

  44. Daruwala, Maneck H.;
    Yeats and the Mask of Deirdre: 'That Love Is All We Need'.  In: Colby Quarterly, 2001 Sept; 37 (3): pp. 247-266(20) ISSN: 1050-5873

  45. DeForrest, Matthew.;
    W. B. Yeats's A Vision: "Dove or Swan".  In: W. B. Yeats's A Vision. Explications and Contexts. Edited by Neil Mann, Matthew Gibson, and Claire V. Nally. Clemson University, 2012. ISBN: 978-0-9835339-2-4; pp. 136-158(23)

  46. Denisoff, Dennis.;
    The Dissipating Nature of Decadent Paganism from Pater to Yeats.  In: Modernism/Modernity, 2008 Sept; 15 (3): pp. 431-446(16) ISSN: 1071-6068

  47. Dillon, Brian.;
    Yeats's 'Helen Poems' and the Conundrums of Biographically-Based Criticism.  In: Genre: Forms of Discourse and Culture, 2001 Spring-Summer; 34 (1-2): pp. 63-80 (18)

  48. Dirst, Shelley Sharp.;
    From the Hour-Glass to At the Hawk's Well: Revisions Toward An Idealized Theater.  In: South Carolina Review; Spring 2004, Vol. 36 Issue 2, pp. 120-134(15)

  49. Doggett, Rob.;
    Aristocratic Patronage and the Commercial Logic of Yeats's Responsibilities.  In: Journal of Modern Literature, 2010 Fall; 34 (1): pp. 1-18 (18)

  50. Doggett, Rob.;
    Introduction.  In: Deep-Rooted Things: Empire and Nation in the Poetry and Drama of William Butler Yeats. By Rob Doggett. University of Notre Dame Pr, 2006. ISBN-10: 0-268-02583-5; pp. 1-11(11)

  51. Doggett, Rob.;
    Mixing Everything at the Beginning: Telling Stories about Empire in Yeats's On Baile's Strand.  In: Modern Drama, 2002 Winter; 45 (4): pp. 545-566(22)

  52. Doggett, Rob.;
    Mixing Everything Up at the Beginning Telling Stories about Colonization in On Baile's Strand.  In: Deep-Rooted Things: Empire and Nation in the Poetry and Drama of William Butler Yeats. By Rob Doggett. University of Notre Dame Pr, 2006. ISBN-10: 0-268-02583-5; pp. 13-35(23)

  53. Doggett, Rob.;
    Writing Out (of) Chaos: Constructions of History in Yeats's 'Nineteen Hundred and Nineteen' and 'Meditations in Time of Civil War'.  In: Twentieth Century Literature: A Scholarly and Critical Journal, 2001 Summer; 47 (2): pp. 137-168 (32)

  54. Donoghue, Denis.;
    Three Presences: Yeats, Eliot, Pound.  In: The Hudson Review. New York: Winter 2010. Vol. 62, Iss. 4; pp. 563-582 (20)

  55. Donoghue, Denis.;
    Yeats, Trying to be Modern.  In: New England Review. Middlebury: 2010/2011. Vol. 31, no. 4; p. 131-144 (14)

  56. Dwan, David.;
    Abstract Hatred: Yeats and the Counter-Revolutionary Paradigm.  In: Literature and History, 2006 Spring; 15 (1): pp. 18-36(19) ISSN: 0306-1973
     
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  57. Fang, Po.;
    Style as the Man: The Aesthetics of Self-(Re)Construction in Pater, Wilde, and Yeats.  In: Concentric: Literary and Cultural Studies, 2004 Jan; 30 (1): pp. 169-202 (34)

  58. Ferber, Michael.;
    Yeats's 'The Second Coming'.  In: Explicator, 2008 Summer; 66 (4): pp. 233-235 (3)

  59. Fogarty, Anne.;
    Yeats, Ireland and Modernism.  In: Davis, Alex (ed. and introd.); Jenkins, Lee M. (ed. and introd.) The Cambridge Companion to Modernist Poetry. Cambridge, England: Cambridge UP; 2007. xviii, 259 pp. ISBN: 9780521618151; (pbk.); 9780521853057; (hbk.); pp. 126-146(21)

  60. Foley, Jack.;
    Paul de Man and the Cornell Demaniacs: To deManiacs near and far. E-ratio Editions, 2011. [no pagination] 24 pp.

  61. Fordonski, Krzysztof.;
    William Butler Yeats and the Irish Coinage.  In: Numismatics International Bulletin Dallas, Texas, Vol. 39 Nr 4, April 2004, pp. 77-83(7)

  62. Foster, R. F.;
    Yeats at War: Poetic Strategies and Political Reconstruction from the Easter Rising to the Free State: The Prothero Lecture.  In: Transactions of the Royal Historical Society. Sixth Series, Vol. 11, (2001), pp. 125-145(21)

  63. Frazier, Adrian.;
    'I No Longer Underrate Him': The Question of Moore's Value.  In: Pierse, Mary (ed. and introd.) George Moore: Artistic Visions and Literary Worlds. Newcastle upon Tyne, England: Cambridge Scholars; 2006. xvii, 246 pp. ISBN: 9781847180292; pp. 1-11(11)

  64. Frazier, Adrian.;
    Moore's Hail and Yeats's Farewell.  In: New Hibernia Review/Iris Eireannach Nua: A Quarterly Record of Irish Studies, 2002 Winter; 6 (4): pp. 108-119(12) ISSN: 1092-3977
     
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  65. Gekoski, Rick.;
    Young and Old with W.B. Yeats - W.B. Yeats, The Collected Poems.  In: - Ditto- ., Outside of a Dog. A Bibliomemoir. Constable & Robinson Ltd, 2009. ISBN 978-1-84529-883-8; pp. 79-90(12)

  66. Genung, Michael.;
    Yeats's 'Sailing to Byzantium': The 'Esoteric' Four-Stanza Structure.   In: Orbis Litterarum: International Review of Literary Studies, 2010; 65 (1): pp. 22-56(35) ISSN: 0105-7510

  67. Georganta, Konstantina.;
    A Terrible Fish is Born: Inescapable. Femininity in Sylvia Plath and W.B. Yeats.  In: Mathesis, 19(2010), pp. 113-130(18)

  68. Gibson, M.;
    Magical Romanticism: Yeats's absorption of Romantic writers into fin-de-siecle Movements.  In: I Encontro de Estudos Romanticos. Eduardo & Nogueira, ISBN 978-972-8932-29-9, 2003. pp. 13-24(12)

  69. Gibson, Matthew.;
    "Timeless and Spaceless"?-Yeats's Search for Models of Interpretation in Post-Enlightenment Philosophy, Contemporary Anthropology and ArtHistory, and the Effects of Thease Theoties on "The Completed Symbol," "The Soul in Judgment" and "The Great Year of the Ancients".  In: W. B. Yeats's A Vision. Explications and Contexts. Edited by Neil Mann, Matthew Gibson, and Claire V. Nally. Clemson University, 2012. ISBN: 978-0-9835339-2-4; pp. 103-135(33)

  70. Gonzalez, M Palacios.;
    How Green was My Valley: The Critique of The Picturesque by Irish and Galician Women Poets.  In: Feminismos, 5, junio 2005, pp. 157-175(19)

  71. Gould, Warwick.;
    Writing the Life of the Text: The Case of W. B. Yeats.  In: Miscelánea: A Journal of English and American Studies, 2004; 30: pp. 9-34 (26) ISSN: 1137-6368

  72. Graf, Susan Johnston.;
    An Infant Avatar: The Mature Occultism of W. B. Yeats.  In: New Hibernia Review/Iris Eireannach Nua: A Quarterly Record of Irish Studies, 2005 Winter; 9 (4): pp. 99-112(14) ISSN: 1092-3977

  73. Graham, Colin.;
    Hireling Strangers and the Wandering Throne:Ireland, Scotland and Samuel Ferguson.  In: Estudios Irlandeses, Number 4, 2009, pp. 21-31(11)

  74. Grene, Nicholas.;
    The Abbey: National Theatre or Little Theatre?  In: Journal of Irish Scottish Studies. Vol. 1. No. 1,September 2007, pp. 211-220(10)

  75. Grogan, Jane.;
    Introduction: Misreading Spenser.  In: Exemplary Spenser. Visual and Poetic Pedagogy in The Faerie Queene. By Jane Grogan. Ashgate, July 2009 ISBN: 978-0-7546-6698-1; pp. 1-25(25)

  76. Guralnick, Elissa S.;
    Sound and Song in Poetry: Music as a Form of Explication,  In: English Language Notes, 2009 Spring-Summer; 47 (1): pp. 173-180 (8)
     
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  77. Haller, Evelyn.;
    Ways to Access thr Landscape, Soundscape, and Lifescape of Ireland in the Poetry of W.B. Yeats.  In: South Carolina Review; vol. 33, no. 2(Spring 2001), pp. 153-163(11)

  78. Hanafin, Patrick.;
    Building in the Imagin(ed)(n)ation: An Essay Inspired by W.B. Yeats' - "Meditations in Time of Civil War''.  In: Liverpoo Law Review, Vol. 23, no. 2 (2001), pp. 223-230(8)

  79. Hansson, Heidi.;
    Literature as Charity: The Case of Yeats Is Dead.  In: Nordic Irish Studies, 2005; 4: pp. 109-118(10) ISSN: 1602-124X

  80. Harmon, William.;
    A Game of Feet.  In: Sewanee Review, 2008 Summer; 116 (3): pp. 467-472 (6)

  81. Harper, Margaret Mills.;
    Nemo: George Yeats and Her Automatic Script.  In: New Literary History: A Journal of Theory and Interpretation, 2002 Spring; 33 (2): pp. 291-314 (24)

  82. Harper, Margaret Mills.;
    Reflected Voices, Double Visions.  In: W. B. Yeats's A Vision. Explications and Contexts. Edited by Neil Mann, Matthew Gibson, and Claire V. Nally. Clemson University, 2012. ISBN: 978-0-9835339-2-4; pp. 269-290(22)

  83. Harper, Margaret Mills.;
    Yeats and the Occult.  In: Howes, Marjorie (ed. and introd.); Kelly, John (ed.) The Cambridge Companion to W. B. Yeats. Cambridge, England: Cambridge UP; 2006. xvi, 242 pp. ISBN: 9780521658867; (pbk.); 9780521650892; (hbk.); pp. 144-166(23)

  84. Hart, Stephen.;
    Paradigms of Peripheral Modernity in Lorca and Yeats.  In: Modern Language Review, 2007 Apr; 102 (2): pp. 410-426(17)

  85. Haskell, Dennis.;
    W. B. Yeats.  In: Kenyon Review, 2001 Spring; 23 (2): pp. 168-175(8)

  86. Haslam, Richard.;
    W. B. Yeats: Snobbery as Mood and Mode.  In: Etudes Irlandaises, 2004 Spring; 29 (1): pp. 55-72(18) ISSN: 0183-973X

  87. Hassett, Joseph M.;
    The Living Beauty: Iseult Gonne.  In: W.B. Yeats and the Muses. By Joseph M. Hassett. Oxford Univ. Pr. 2010. ISBN-13: 9780199582907; Chapter 4; pp. 103-129(27)

  88. Haswell, Janis.;
    Yeats's Vision and the Feminine.  In: W. B. Yeats's A Vision. Explications and Contexts. Edited by Neil Mann, Matthew Gibson, and Claire V. Nally. Clemson University, 2012. ISBN: 978-0-9835339-2-4; pp. 291-306(16)

  89. Heininge, Kathleen A.;
    'Untiring Joys and Sorrows': Yeats and the Sidhe.  In: New Hibernia Review/Iris Eireannach Nua: A Quarterly Record of Irish Studies, 2004 Winter; 8 (4): pp. 101-116 (16) ISSN: 1092-3977

  90. Heller, Michael.;
    Beckmann Variations.  In: New England Review: Middlebury Series, 2007; 28 (3): pp. 143-160(18)

  91. Hennessey, Oliver.;
    Talking with the Dead: Leo Africanus, Esoteric Yeats, and Early Modern Imperialism.  In: ELH, 2004 Winter; 71 (4): pp. 1019-1038(20)

  92. Heuston, Sean.;
    Off with the Fairies: Yeats, Ethnography, and Identifiction.  In: International Journal of Humanities and Social Science, Vol. 1, No. 11 [Special Issue - August 2011]. pp. 172-181(10)

  93. Holdeman, David ed.;
    The Cambridge Introduction to W.B. Yeats (NY Cambridge UP 2006), xii, 148 pp.

  94. Holdridge, Jeff erson.;
    The One Loved Form: Art, Nature, Myth, and Instinct in Irish Literature.  In: South Carolina Review, vol. 43.1(2010), pp. 238-252(15)

  95. Howes, Marjorie.;
    Introduction.  In: Howes, Marjorie (ed. and introd.); Kelly, John (ed.) The Cambridge Companion to W. B. Yeats. Cambridge, England: Cambridge UP; 2006. xvi, 242 pp. ISBN: 9780521658867; (pbk.); 9780521650892; (hbk.); pp. 1-18(18)

  96. Howes, Marjorie.;
    Yeats and the Postcolonial.  In: Howes, Marjorie (ed. and introd.); Kelly, John (ed.) The Cambridge Companion to W. B. Yeats. Cambridge, England: Cambridge UP; 2006. xvi, 242 pp. ISBN: 9780521658867; (pbk.); 9780521650892; (hbk.); pp. 206-225(20)

  97. Hughes, Eamonn.;
    ' … what's far worse, it'll have two mothers': Rhetoric and Reproduction in Sean O'Casey's Dublin Quartet.  In: Estudios Irlandeses, 2005; Issue 0: pp. 148-155(8)

  98. Hurley, Michael D.;
    How Philosophers Trivialize Art: Bleak House, Oedipus Rex, 'Leda and the Swan'.  In: Philosophy and Literature, 2009 Apr; 33 (1): pp. 107-125 (19)

  99. Hyde, Virginia.;
    D. H. Lawrence, W. B. Yeats, and the Rosa Mundi.  In: South Carolina Review; Vol 35. no. 1(2002), pp. 68-82(14)

  100. Ingelbien, Raphael.;
    From Hardy to Yeats? Larkin's Poetry of Ageing.  In: Essays in Criticism, Jul 2003; 53: pp. 262 - 277(16)

  101. Ingersol, Earl G.;
    Steven Millhauser, a Very Late Modernist.  In: Journal of the Short Story in English, 54, spring 2010, pp. 113-132(20)
     
    [A] [B] [C] [D] [F] [G] [H/I] [J/K] [L] [M] [N] [O] [P] [R] [S/T] [V/W]

  102. Jelnikar, Ana.;
    W. B. Yeats's (Mis)Reading of Tagore: Interpreting an Alien Culture.  In: University of Toronto Quarterly: A Canadian Journal of the Humanities, 2008 Fall; 77 (4): pp. 1005-1024(20)

  103. Kallaus, Agnieszka.;
    Dance as Reconciliation of Opposites: A Poetic Illustration of Yeats' System of Beliefs.  In: Zeszyty Naukowe Wyzszej Szkoly y Pedagogocznej w Rzeszowie. Seria Filologiczna. Zeszyt 38/2000. Studia Anglica Resoviensia, 1. pp. 71-80(10)

  104. Kallaus, Agnieszka.;
    From Text to Theatre: Diegetic Strategies in the Resurrecrion by William Butler Yeats.  In: Zeszyty Naukowe Uniwersytetu Rzeszowskiego. Seria Filologiczna. Zeszyt 60/2009. Studia Anglica Resoviensia, 6, pp. 9-20(12)

  105. Kallaus, Agnieszka.;
    A vision out of the gutter: The Death of Cuchulain by William Butler Yeats as an anti-heroic play.  In: Zeszyty Naukowe Uniwersytetu Rzeszowskiego. Studia Anglica Resoviensia. - 2011, vol. 8, pp. 43-57(15)

  106. Khan, Jalal Uddin.;
    Yeats and Maud Gonne: (Auto)Biographical and Artistic Intersection.  In: Alif: Journal of Comparative Poetics, 2002; 22: pp. 127-147(21) (English section). ISSN: 1110-8673

  107. Kiberd, Declan.;
    On Baile's Strand: W. B. Yeats's National Epic.  In: Princeton University Library Chronicle, 2006 Autumn-2007 Winter; 68 (1-2): pp. 261-270 (10) ISSN: 0032-8456

  108. Kiberd, Declan.;
    Yeats and Criticism.  In: Howes, Marjorie (ed. and introd.); Kelly, John (ed.) The Cambridge Companion to W. B. Yeats. Cambridge, England: Cambridge UP; 2006. xvi, 242 pp. ISBN: 9780521658867; (pbk.); 9780521650892; (hbk.); pp. 115-128(14)

  109. Kimball, Elizabeth.;
    Yeats's 'Sailing to Byzantium'.  In: Explicator, 2003 Summer; 61 (4): pp. 216-218(3)

  110. Kirsch, Adam.;
    To Hold in a Single Thought Reality and Justice: Yeats, Pound, Auden, and the Modernist Ideal.  In: Virginia Quarterly Review, 83.3 (2007): pp. 165-177(13)

  111. Kosecki, Krzysztof.;
    "In Our House" - the Interiors and the Exteriors in William Butler Yeats's Poetry.  In: Przedsiębiorczość i Zarządzanie.Tom X, Zeszyt 4, Łódź 2009, pp. 17-28(12)

  112. Kuhn, Elizabeth.;
    Toward an Anti-Humanism of Life: The Modernism of Nietzsche, Hulme and Yeats.  In: Journal of Modern Literature, 2011 Summer; 34 (4): 1-20(20)

  113. Kumar, Ajay.;
    Indian Mythic Vision in W.B. Yeats and T.S. Eliot.  In: Journal of Literature, Culture and Media Studies, Vol 2, No 4 (2010), pp. 108-114(7)

  114. Kusi, David Toh.;
    Inspiring Nightmares and Romantic dreams: Yeats's Perception of Natural Beauty.  In: BARNOLIPI - An Interdisciplinary Journal - Volume - I. Issue - II. August 2011. Pp. 35-61(27)
     
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  115. Leacock, Bernadette.;
    Yeats's Response to Irish Ireland: The Barnacle Goose and the Norse-Irish.  In: Notes and Queries, 2002 Mar; 49 (247) (1): pp. 76-79 (4)

  116. Levitas, Ben.;
    Mirror up to Nurture: J. M. Synge and His Critics.  In: Modern Drama, 2004 Winter; 47 (4): pp. 572-584(13)

  117. Lewis, David.;
    Matisse and Byzantium, or, Mechanization Takes Command.  In: Modernism/Modernity, 2009 Jan; 16 (1): pp. 51-59(9)

  118. Lin, Yu-chen.;
    Field Day Revisited (I): An Interview with Seamus Deane.  In: Concentric: Literary and Cultural Studies, 33.1, March 2007: pp. 201-221(21)

  119. Lockett, Christopher;;
    Terror and Rebirth: Cathleen ni Houlihan from Yeats to the Crying Game.  In: Literature Film Quarterly, 2005; 33 (4): pp. 290-305 (16)

  120. Longley, Edna.;
    'Altering the past': Northern Irish Poetry and Modern Canons.  In: The Yearbook of English Studies, Vol. 35, Irish Writing since 1950 (2005), pp. 1-17(17)

  121. Love, Damian.;
    Sailing to Ithaca: Remaking Yeats in Ulysses.  In: Cambridge Quarterly, 2007; 36 (1): pp. 1-10(10)

  122. Luftig, Jonathan.;
    Rent: Crazy Jane and the Image of Love.  In: MLN, 2009 Dec; 124 (5): pp. 1116-1145(30)
     
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  123. Macintosh, F.;
    An Oedipus for Our Times? Yeats's Version of Sophocles' Oedipus Tyrannos.  In: M. Revermann and P. Wilson (edd.), Performance, Iconography, Reception (Oxford 2008), pp. 524-547(24)

  124. MacKenzie, Gina Masucci.;
    What Is the Theater of the Real?  In: The theatre of the real : Yeats, Beckett, and Sondheim / Gina Masucci MacKenzie. Ohio State University, 2008. ISBN 978-0-8142-1096-3 (cloth : alk. paper); Chapter 1, pp. 1-39(39)

  125. Maley, Willy.;
    Away with the Faeries (or, It's Grimm up North): Yeats and Scotland.  In: Journal of Irish Scottish Studies, vol. 1, Issue 1, September 2007, pp. 161-178(18)

  126. Mann, Neil.;
    "Everywhere that antinomy of the One and the Many: The Foundations of A Vision.  In: W. B. Yeats's A Vision. Explications and Contexts. Edited by Neil Mann, Matthew Gibson, and Claire V. Nally. Clemson University, 2012. ISBN: 978-0-9835339-2-4; pp. 1-21(21)

  127. Mann, Neil.;
    The Thirteenth Cone.  In: W. B. Yeats's A Vision. Explications and Contexts. Edited by Neil Mann, Matthew Gibson, and Claire V. Nally. Clemson University, 2012. ISBN: 978-0-9835339-2-4; pp. 159-193(35)

  128. Maria Rita Drumond Viana.;
    Sin and crime as metaphors for the representation of Evil in Yeats's The Countess Cathleen and Purgatory.  In: Em Tese, v. 15 . n. 1. set/dez 2009, 13 pp.

  129. Mathews, P.J.;
    'Doing Something Irish': From Thomas Moore to Riverdance.  In: UCDscholarcast Series 1: (Spring 2008) The Art of Popular Culture: From 'The Meeting of the Waters' To RiverdanceSeries Editor: P.J. Mathews. Pp. 1-11(11)

  130. Mays, J. C. C.;
    Coleridge and Yeats: The Romantic Voice.  In: Variants: The Journal of the European Society for Textual Scholarship, 2007; 6: pp. 65-84 (20) ISSN: 1573-3084

  131. McCarthy, Bernadette.;
    William Butler Yeats: The Poet in the School of Art.  In: Notes and Queries, 2008 Dec; 55 (253) (4): pp. 518-521(3)

  132. McCormack, W. J.;
    Yeats's Politics since 1943: Approaches and Reproaches.  In: Yearbook of English Studies, 2005; 35: pp. 131-145(15)

  133. McCorristine, Shane.;
    William Fletcher Barrett, Spiritualism, and Psychical Research in Edwardian Dublin.  In: Estudios Irlandeses, 2011; 6: pp. 39-53(15)

  134. McDiarmid, Lucy.;
    A Box for Wilfrid Blunt.  In: PMLA: Publications of the Modern Language Association of America, 2005 Jan; 120 (1): pp. 163-180(18)

  135. McDonald, Peter.;
    Yeats's Canons.  In: Essays in Criticism: A Quarterly Journal of Literary Criticism, 2010 July; 60 (3): pp. 242-264(23)

  136. McDonald, Russell.;
    Who Speaks for Fergus? Silence, Homophobia, and the Anxiety of Yeatsian Influence in Joyce.  In: Twentieth Century Literature: A Scholarly and Critical Journal, 2005 Winter; 51 (4): pp. 391-413 (23)

  137. McDowell, Colin.;
    Shifting Sands: Dancing the Horoscope in The Vision Papers.  In: W. B. Yeats's A Vision. Explications and Contexts. Edited by Neil Mann, Matthew Gibson, and Claire V. Nally. Clemson University, 2012. ISBN: 978-0-9835339-2-4; pp. 194-216(23)

  138. McKenna, Bernard.;
    "Soul of the Devil's Pig": Comedy and Affirmation in James Joyce's Finnegans Wake.  In: Etudes irlandaises, 34.1(2009), pp. 85-98(14)

  139. McKenna, Bernard.;
    Yeats, 'Leda,' and the Aesthetics of To-Morrow: 'The Immortality of the Soul'.  In: New Hibernia Review/Iris Eireannach Nua: A Quarterly Record of Irish Studies, 2009 Summer; 13 (2): pp. 16-35(20)

  140. McKinsey, Martin.;
    Classicism and Colonial Retrenchment in W. B. Yeats's 'No Second Troy'.  In: Twentieth Century Literature: A Scholarly and Critical Journal, 2002 Summer; 48 (2): pp. 174-190(17)

  141. McNamee, Brendan.;
    'What Then': Poststructuralism, Authorial Intention and W. B. Yeats.  In: Revista Alicantina de Estudios Ingleses, 2005 Nov; 18: pp. 215-226(12)

  142. McWilliams, Ellen.;
    Homesickness in John McGahern's short stories "Wheels" and "A slip-up".  In: Journal of the short story in English, 53, autumn 2009, pp. 69-77(9)

  143. Meaney, Gerardine.;
    The Sons of Cuchulainn:Violence, the Family, and the Irish Canon.  In: Éire-Ireland , Vol. 41: no. 1 & 2, Spr/Sum 06, pp. 242-261(20)

  144. Merritt, Henry.;
    'Dead Many Times': Cathleen Ni Houlihan, Yeats, Two Old Women, and a Vampire.  In: Modern Language Review, 2001 July; 96 (3): pp. 644-653 (10)

  145. Mierlo, Wim Van.;
    I have met you too late: James Joyce, W. B. Yeats, and the Making of Chamber Music.  In: South Carolina Review, Vol. 43.1. (2010), pp. 50-73(14)

  146. Mierlo, Wim van.;
    Reading W. B. Yeats: The Marginalia of T. Sturge Moore.  In: Variants: The Journal of the European Society for Textual Scholarship, 2004; 2-3: pp. 135-172 (38) ISSN: 1573-3084

  147. Miller, J Hillis.;
    Globalization and World Literature.  In: Neohelicon. Budapest: Dec 2011. Vol. 38, Iss. 2; p. 251-265(15)

  148. Miller, Nicholas Andrew.;
    Lethal histories: memory-work and the text of the past.  In: - ditto- ., Modernism, Ireland and the erotics of memory. Cambridge University Press, 2002. ISBN: 0-521-81583-5: pp. 21-38(18)

  149. Moir, Michael A., Jr.;
    As Above, So Below: Doubled Plots and Notions of Aristocracy in Two Plays by W. B. Yeats.  In: New Hibernia Review/Iris Eireannach Nua: A Quarterly Record of Irish Studies, 2010 Winter; 14 (4): pp. 110-124 (15)

  150. Molad, Gershon J.;
    In Search of "The White Area": Some Notes on Art in Clinical Space.  In: The American Journal of Psychoanalysis, Vol. 64, No. 1, March 2004, pp. 93-108(16)

  151. Monteith, Ken.;
    Enabling Emer, Disabling the Sidhe: W.B. Yeats "The Only Jealousy of Emer.  In: South Carolina Review, Vol. 43.1. (2010), pp. 99-110(12)

  152. Moore, Matthew.;
    The Abbey Playwrights and the Celtic Rrvival: William Butler Yeats, Lay Augusts Gregory, and Edward Martyn.  In: - Ditto -., "Terrible Beauty": Postcolonialism, Modernism, and The Fate of Tragedy in the Abbey Theatre 1897-1907. Muhlenberg College, 2004 . pp. 24-33(10)

  153. Moore, Matthew.;
    A Tragic Refiguring of Ireland : On Baile's Strand.  In: - Ditto -., "Terrible Beauty": Postcolonialism, Modernism, and The Fate of Tragedy in the Abbey Theatre 1897-1907. Muhlenberg College, 2004 . pp. 34-58(25)

  154. Moses, Michael Valdez.;
    The Rebirth of Tragedy: Yeats, Nietzsche, the Irish National Theatre, and the Anti-Modern Cult of Cuchulain.  In: Modernism/Modernity, 2004 Sept; 11 (3): pp. 561-579 (19)

  155. Moss, Rhiannon Sarah.;
    W.B. Yeats and Jack B. Yeats: Modernism and cultural nationalism.  In: Irish Modernism in an International Frame: Thomas MacGreevv, Sean Q'Faolain and Samuel Beckett in the 1930s by Rhiannon Sarah Moss. Submitted for PhD Examination. Queen Mary, University of London, September 2009. pp. 95-107(13)

  156. Muhiadeen, Galawezh Ibrahim.;
    The Impact of Maud Gonne onYeats'Love Poetry.  In: Journal of Zankoy Sulaimani. Part B. No. 31. March 2011, pp. 271-292(22)

  157. Murphy, Andrew.;
    An Irish Catalysis: W. B. Yeats and the Use of Shakespeare.  In: Shakespeare Survey. Cambridge: 2011. Vol. 64 pp. 208-219(12)

  158. Myers, Kimberly R.;
    W. B. Yeats's Steinach Operation, Hinduism, and the Severed-Head Plays of 1934-1935.  In: Literature and Medicine, 2009 Spring; 28 (1): pp. 102-137(36)
     
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  159. Nally, Claire V.;
    The Political Occult: Revisiting Fascism, Yeats and A Vision.  In: W. B. Yeats's A Vision. Explications and Contexts. Edited by Neil Mann, Matthew Gibson, and Claire V. Nally. Clemson University, 2012. ISBN: 978-0-9835339-2-4; pp. 329-343(15)

  160. Neal, Alexander.;
    Dialogues of Self and Soul: The Autobiographies of W. B. Yeats and R. S. Thomas.  In: Almanac: A Yearbook of Welsh Writing in English, 2007-2008; 12: pp. 1-31(31)

  161. Neigh, Janet.;
    Reading from the Drop: Poetics of Identification and Yeats's 'Leda and the Swan'.  In: Journal of Modern Literature, 2006 Summer; 29 (4): pp. 144-160(17) ISSN: 0022-281X

  162. Nelson, Robert.;
    "Starlit Dome": The Byzantine Poems of W. B. Yeats. (Chapter Excerpted from Robert Nelson, Hagia Sofia, 1850-1950: Holy Wisdom Modern Monument [Chicago: The University of Chicago Press, 2004]). 40 pp.

  163. Newman, Neville F.;
    Yeats's 'Easter 1916'.  In: Explicator, 2002 Spring; 60 (3): pp. 145-147(3)

  164. Noirard, Stephanie.;
    "The Wild Swans at Coole": Poem analysis.  In: Cercles. Occasional Papers Series (2009). pp. 233-241(9)
     
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  165. O'Brien, Eugene.;
    W.B. Yeats: Revival of Tradition.  In: The Question of Irish Identity in the Writing of W.B. Yeats and James Joyce. Academia c 2012, Chap. 3, pp. 86-125(40)

  166. O'Donoghue, Bernard.;
    Yeats and the Drama.  In: Howes, Marjorie (ed. and introd.); Kelly, John (ed.) The Cambridge Companion to W. B. Yeats. Cambridge, England: Cambridge UP; 2006. xvi, 242 pp. ISBN: 9780521658867; (pbk.); 9780521650892; (hbk.); pp. 101-114(14)

  167. O'Hara, Daniel T.;
    Modernism's Global Identity: On the Dogmatic Imagination in Yeats, Freud, and Beyond.  In: Journal of Modern Literature, 2002 Summer; 25 (3-4): pp. 1-13 (13)

  168. O'Hara, Daniel T.;
    The Divisions of Yeats Studies.  In: Journal of Modern Literature, 2001 Summer; 24 (3-4): pp. 511-518(8)

  169. O'Hara, Daniel T.;
    The Spirit Medium: Yeats, Quantum Visions, and Recent Lacanian Studies.  In: Boundary 2: An International Journal of Literature and Culture, 2002 Summer; 29 (2): pp. 87-108(22)

  170. O'Hara, Daniel T.;
    Yeats with Lacan: Towards the Real Modernism.  In: Journal of Modern Literature, 26.3 (2003): pp. 128-135(8)

  171. O'Malley, Seamus.;
    Belief and Unbelief: Nationalist Doubt in W. B. Yeats's The Celtic Twilight.  In: Irish University Review: A Journal of Irish Studies, 2009 Spring-Summer; 39 (1): pp. 15-31(17) ISSN: 0021-1427

  172. O'Malley, Sheila.;
    Two Birds.  In: Sewanee Review. Sewanee: Summer 2006. Vol. 114, Iss. 3; pp. 425-430(6)

  173. OhOgain, Daithi.;
    Dreaming and Dancing: W. B. Yeats's Use of Traditional Motifs in The Dreaming of the Bones (1919).  In: Hungarian Journal of English and American Studies, 2002 Spring; 8 (1): pp. 57-75(19) ISSN: 1218-7364

  174. Olney, James.;
    The Mirror on the Wall.  In: Southern Review, 2002 Summer; 38 (3): pp. 636-653(18)

  175. Ormsby, Eric.;
    Passionate Syntax.  In: Parnassus: Poetry in Review, 2005; 28 (1-2): pp. 106-122 (17)

  176. Oser, Lee.;
    Introduction: literature and human nature.  In: The Ethics of Modernism. Moral Ideas in Yeats, Eliot, Joyce, Woolf, and Beckett By Lee Oser. Cambrifge University, 2007, pp. 1-24(24)
     
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  177. Paul, Catherine E.;
    A Vision of Ezra Pound.  In: W. B. Yeats's A Vision. Explications and Contexts. Edited by Neil Mann, Matthew Gibson, and Claire V. Nally. Clemson University, 2012. ISBN: 978-0-9835339-2-4; pp. 252-268(17)

  178. Perloff, Marjorie.;
    "An Image from a Past Life": Beckett's Yeatsian Turn.  In: Fulcrum, No. 6, 2007, pp. 165-176(12)

  179. Perloff, Marjorie.;
    "Easter 1916": Yeats's World War I Poem.  In: Tim Kendall (ed.), The Oxford Handbook of British and Irish War Poetry, Oxford Univ Pr , 2007. ISBN-10: 0199282668; pp. 227-241(15)

  180. Perloff, Marjorie.;
    The Aura of Modernism.  In: Modernist Cultures. 2004, Vol. 1 (1), pp. 1-14(14)

  181. Pethica, James.;
    Yeats, Folklore, and Irish Legend.  In: Howes, Marjorie (ed. and introd.); Kelly, John (ed.) The Cambridge Companion to W. B. Yeats. Cambridge, England: Cambridge UP; 2006. xvi, 242 pp. ISBN: 9780521658867; (pbk.); 9780521650892; (hbk.); pp. 129-143(15)

  182. Phelan, Mark.;
    The Critical 'Gap of the North': Nationalism, National Theatre, and the North.  In: Modern Drama, 2004 Winter; 47 (4): pp. 594-606 (13)

  183. Phillips, Brian.;
    Everything and Nothing in Yeats.  In: The Hudson Review. New York: Spring 2004. Vol. 57, Iss. 1; pp. 141-149(9)

  184. Pickering, Edward D.;
    The Artist's Tragic Flight: Yeats's Portrayal of Major Robert Gregory.  In: Journal of Modern Literature, 2009 Winter; 32 (2): pp. 80-99 (20)

  185. Pierce, David.;
    A Daintical Pair of Accomplasses.  In: Journal of Modern Literature, 2005 Spring; 28 (3): pp. 162-169(8)

  186. Pierce, David.;
    Cultural Nationalism and the Irish Literary Revival.  In: IJES: International Journal of English Studies. Vol. 2(2002), no. 2, pp. 1-22(22)

  187. Pilný, Ondřej.;
    A 'Home of the Ancient Idealism?': W. B. Yeats and the Irish Dramatic Movement.  In: Litteraria Pragensia: Studies in Literature and Culture, 2006; 16 (31): pp. 3-20 (18) ISSN: 0862-8424

  188. Pinsky, Robert.;
    Peace, Poetry and Negation.  In: Raritan: A Quarterly Review, 2006 Summer; 26 (1): pp. 171-180(10)

  189. Pocock, Stephanie J.;
    Artistic Liminality: Yeats's Cathleen ni Houlihan and Purgatory.  In: New Hibernia Review/Iris Eireannach Nua: A Quarterly Record of Irish Studies, 2008 Autumn; 12 (3): pp. 99-117(19)

  190. Poulain, Alexandra.;
    Westward Ho!: The Only Jealousy of Emer, From Noh to Tragedy.  In: South Carolina Review, Vol. 43.1. (2010), pp. 90-98(9)

  191. Pruitt, Virginia.;
    Yeats's 'Sailing to Byzantium'.  In: Explicator, 2005 Summer; 63 (4): pp. 225-227(3)

  192. Purdie, Bob.;
    'Crossing Swords with W. B. Yeats': Twentieth Century Scottish Nationalist Encounters With Ireland.  In: Journal of Irish Scottish Studies, Vol. 1, Issue 1, September 2007, pp. 191-210(20)
     
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  193. Ramazani, Jahan.;
    Modernist Bricolage, Postcolonial Hybridity.  In: Modernism/Modernity, 2006 Sept; 13 (3): pp. 445-463(19)

  194. Ravinthiran, Vidyan.;
    Auden and Bishop: Another Look at 'At the Fishhouses'.  In: Notes and Queries, 2011 Dec; 58 (256) (4): pp. 597-603(7)

  195. Redshaw, Thomas Dillon.;
    Remains and Removals: The Cuala Press Revival, 1969-1989.  In: South Carolina Review, Vol. 43.1. (2010), pp. 139-161(23)

  196. Redshaw, Thomas Dillon.;
    The Noble Labor of Liam Miller: Making The Dolmen Yeats Papers, 1959-1979.  In: South Carolina Review, 2007 Fall; 40 (1): pp. 69-82 (14)

  197. Regan, Stephen.;
    W. B. Yeats: Irish Nationalism and Post-Colonial Theory.  In: Nordic Irish Studies, 2006; 5 (1): pp. 87-99(13) ISSN: 1602-124X

  198. Riquelme, John Paul.;
    The Negativity of Modernist Authenticity/The Authenticity of Modernist Negativity: 'No Direction Home' in Yeats, Dylan, and Wilde.  In: Modernism/Modernity, 2007 Sept; 14 (3): pp. 535-541(7)

  199. Robinson, Peter.;
    Making Things Happen.  In: Cambridge Quarterly, 2000; 29 (3): pp. 237-266 (30)

  200. Ross, Daniel W.;
    Building a House of His Own: Yeats, Domesticity, and 'Meditations in Time of Civil War'.  In: ANQ: A Quarterly Journal of Short Articles, Notes, and Reviews, 2009 Winter; 22 (1): pp. 35-42 (8)

  201. Rui, Dong.;
    Unique Yeats, Unique Ireland/Yeats Unique, Irlande Unique.  In: Canadian Social Science. Montreal: 2007. Vol. 3, no. 2; pp 77-79(3)

  202. Russell, Richard Rankin.;
    Owen and Yeats in Heaney's The Cure at Troy.  In: Essays in Criticism. Oxford: Apr 2011. Vol. 61, Iss. 2; pp. 173-189(17)

  203. Russell, Richard.;
    Talking with Ghosts of Irish Playwrights Past: Marina Carr's By the Bog of Cats . . .  In: Comparative Drama, Vol. 40, No. 2, Summer 2006, pp. 149-168(22)

  204. Russell, Richard Rankin.;
    The Yeatsian Refrain in Paul Muldoon's Moy Sand and Gravel.  In: ANQ: A Quarterly Journal of Short Articles, Notes, and Reviews, 2006 Summer; 19 (3): pp. 50-56 (7)

  205. Ryan, Rory.;
    The Is and the Ought, the Knower and the Known: An Analysis of the Four Faculties in Yeats's System.  In: W. B. Yeats's A Vision. Explications and Contexts. Edited by Neil Mann, Matthew Gibson, and Claire V. Nally. Clemson University, 2012. ISBN: 978-0-9835339-2-4; pp. 22-54(33)
     
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  206. Sarbu, Aladar.;
    'That Extravagant Style': Walter Pater, W. B. Yeats, and Myth.  In: Hungarian Journal of English and American Studies, 2002 Spring; 8 (1): pp. 77-98 (22)

  207. Saunders, Paul.;
    Yeats, Stoker, and "English" Modernity: Reading Dracula as a Response to the Irish Revival and the Threat of "Irrational" Violence.  In: Modern Horizons 3.1 (2011), [no pagination] 12 pp.

  208. Scarpa, Sebastien.;
    'Now that my ladder's gone': From Romanticism to Verism in Yeats's Poetry.  In: Representations, volume 4 - janvier 2010, pp. 1-10(10)

  209. Schmidt, A V C.;
    Texture and Meaning in Shelley, Keats, and Yeats.  In: Essays in Criticism. Oxford: Oct 2010. Vol. 60, Iss. 4; pp. 318-335(18)

  210. Schmitt, Natalie Crohn.;
    W. B. Yeats's 'Extended Moment'.  In: Colby Quarterly, 2002 Dec; 38 (4): pp. 367-373(7)

  211. Schuchard, Ronald.;
    The Legacy of Yeats in Contemporary Irish Poetry.  In: Irish University Review, vol. 34, No. 2 (Autumn - Winter, 2004), pp. 291-314(24)

  212. Schuchard, Ronald.;
    Yeats in Extremis.  In: South Carolina Review, Vol. 43.1. (2010), pp. 5-19(15)

  213. Schwall, Hedwig.;
    Allegories of Writing: Figurations of Narcissus and Echo in W. B. Yeats's Work.  In: South Carolina Review, vol. 43.1(2010), pp. 221-237(17)

  214. Serra, C. Nicholas.;
    Esotericism and Escape.  In: W. B. Yeats's A Vision. Explications and Contexts. Edited by Neil Mann, Matthew Gibson, and Claire V. Nally. Clemson University, 2012. ISBN: 978-0-9835339-2-4; pp. 307-328(22)

  215. Sheehan, Rebecca.;
    Competing with 'the Barbarous Clangour of a Gong': Why 'Theme of the Traitor and the Hero' Begins in 'Nineteen Hundred and Nineteen'.  In: Journal of Modern Literature, 2009 Spring; 32 (3): pp. 22-38 (17)

  216. Sheeran, Pat.;
    'The Narrative Creation of Place: The Example of Yeats'.  In: Timothy Collins (ed.), Decoding the Landscape. Third Edition, (Galway: Centre for Landscape Studies, 2003), [no pagination] ( p. 149-164)

  217. Simmers, Erich.;
    The Burning Towers A Twenty-First-Century Re-Imagining ofLeda's Terror.  In: Anamesa 4.1 (Spring 2006, Violence Issue): pp. 78-92(15)

  218. Sisson, Elaine.;
    "A Note on What Happened": Experimental Influences on the Irish Stage, 1919-1929.  In: Kritika Kultura, Issue No 15(2010), pp. 132 -148(17)

  219. Smith, Stan.;
    Epic Logos: On First Looking into Several Homers.  In: E-rea [En ligne], 2.2(2004), pp. 2-13(12)

  220. Sobelle, Stefanie.;
    What Religion Do the Ants Have? An Introduction.  In: Review of Contemporary Fiction. Normal: Summer 2011. Vol. 31, Iss. 2; pp. 169-171(3)

  221. Spangler, Matthew.;
    'Haunted to the Edge of Trance': Performance and Orality in the Early Poems of W. B. Yeats.  In: New Hibernia Review/Iris Eireannach Nua: A Quarterly Record of Irish Studies, 2006 Summer; 10 (2): pp. 140-156 (17)

  222. Stevenson, Anne.;
    The Unified Dance.  In: Poetry. Chicago: Mar 2007. Vol. 189, Iss. 6; pp. 483-489(7)

  223. Stewart, Michael Cade.;
    A Satyric Paradise: The Form of W. B. Yeats's "News for the Delphic Oracale".  In: South Carolina Review, vol. 43.1(2010), pp. 178-184(6)

  224. Sundmark, Bjorn.;
    Yeats and the Fairy Tale.  In: Nordic Irish Studies, 2006; 5 (1): pp. 101-108 (8)

  225. Supheert, Roselinde.;
    Enter: Yeats. The Early Reception of W. B. Yeats in the Netherlands.  In: English Studies: A Journal of English Language and Literature, 2004 Aug; 85 (4): pp. 344-357 (14)

  226. Tagong, Kanchit.;
    The Use of Myths in Yeats's Purgatory.  In: JHNU: Journal of Humanities, Naresuan University, vol. 8, no. 2, 2010, pp. 21-30(10)

  227. Tewfik, Lamia.:
    'I arise and go with William Butler Yeats…': Cultural Dovetailing in Lorna Goodison's Country Sligoville.  In: Irish Migration Studies in Latin America, Vol. 5, n°3 (November 2007), pp. 225-229(5)

  228. Tetssandier, Hubert.;
    Voices of the Unseen: Benjamin Britten's Reading of The Turn of the Screw.  In: E-rea [En ligne], 3.2( 2005), pp. 43-49(7)

  229. Thelot, Jerome.;
    John Millington Synge. L'ile absolue.  In: Transtext(e)s Transcultures 跨文本跨文化 [En ligne], Hors serie, 2008, pp. 149-163(15)
     
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  230. Van der Laan, J. M.;
    Goethe, Hesiod, and Yeats on Progress.  In: Neophilologus, 2004 July; 88 (3): pp. 405-416(12)

  231. Vance, Norman.;
    Decadence from Belfast to Byzantium.  In: New Literary History: A Journal of Theory and Interpretation, 2004 Autumn; 35 (4): pp. 563-572(10)

  232. Vendler, Helen.; The Later Poetry.   In: Howes, Marjorie (ed. and introd.); Kelly, John (ed.) The Cambridge Companion to W. B. Yeats. Cambridge, England: Cambridge UP; 2006. xvi, 242 pp. ISBN: 9780521658867; (pbk.); 9780521650892; (hbk.); pp. 77-100(24)

  233. Viana, Maria Rita Drumond (UFMG).;
    Violence and violation: the rape in Yeats's "Leda and the Swan".  In: Estacao Literaria Londrina, Vagao-volume 6, , dez. 2010, pp. 52-61(10)

  234. Walker, Tom.;
    MacNeice's Byzantium: The Ghosts of Yeats and Eliot in The Burning Perch.  In: Review of English Studies: The Leading Journal of English Literature and the English Language, 2011 Nov; 62 (257): pp. 785-804 (20)

  235. Watson, George.;
    Yeats, Victorianism, and the 1890s.  In: Howes, Marjorie (ed. and introd.); Kelly, John (ed.) The Cambridge Companion to W. B. Yeats. Cambridge, England: Cambridge UP; 2006. xvi, 242 pp. ISBN: 9780521658867; (pbk.); 9780521650892; (hbk.); pp. 36-58(23)

  236. Williams, Louise Blakeney.;
    Overcoming the "Contagion of Mimicry": The Cosmopolitan Nationalism and Modernist History of Rabindranath Tagore and W. B. Yeats.  In: The American Historical Review. Washington: Feb 2007. Vol. 112, no. 1; pp. 69-100(32)

  237. Wilson, Christina.;
    Representations of Women in the Abbey Theatre.  In: Chrestomathy: Annual Review of Undergraduate Research, School of Humanities andSocial Sciences, School of Languages, Cultures, and World Affairs, College of CharlestonVolume 5, 2006: pp. 291-332(42)

  238. Wyndham, Diana.;
    Versemaking and lovemaking-W. B. Yeats' "strange second puberty": Norman Haire and the Steinach rejuvenation operation.  In: Journal of the History of the Behavioral Sciences, Vol. 39, Issue 1, Winter 2003, pp. 25-50(26)

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