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Beckett_articles04

Samuel Beckett (べケット) 1906-1989 研究学術論文(IV)

　このページではサムエル・ベケット(Samuel, Beckett)およびその作品に関する研究論文の中、2001-2005年に刊行された英語の論文を紹介しています。
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　　[ フランス語論文1991-2010; フランス語論文1971-1990； 英語論文2006-2010；]

[論文の著者別昇順リスト]

     
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  1. Abbott, H. Porter.;
    How Beckett Fails, Once More with Music.  In: Contemporary Literature, Vol. 45, no. 4, Winter 2004, pp. 713-722(10)

  2. Abbott, H. Porter.;
    Narrative.  In: Palgrave advances in Samuel Beckett studies. Ed by Lois Oppenheim. Palgrave, 2004. 274 pp.

  3. Ackerley.Chris.;
    Inorganic Form: Samuel Becketts Nature.  In: AUMLA : Journal of the Australasian Universities Modern Language Association. Sydney: Nov 2005. p. 79-101(23)

  4. Ackerley, Chris.;
    Lassatased : Samuel Beckett's Portraits of his Fair to Middling Women.  In: Samuel Beckett Today/Aujourd'hui, XII(2002). Pastiches, Parodies & Other Imitations/Pastiches, Parodies & Autres Imitations. Edited by/edité par Marius Buning, Matthijs Engelberts & Sjef Houppermans. , pp. 55-70(16)

  5. Ackerley, Chris.;
    The Uncertainty of Self: Samuel Beckett and the Location of the Voice.  In: Samuel Beckett Today/Aujourd'hui, Vol. 14(2004): After Becket / D'apres Beckett. edited by Anthony Uhlmann, Sjef Houppermans, Bruno Clement , pp. 39-52(14)

  6. Ackerman, Alan.;
    Samuel Beckett's "Spectres du Noir": The Being of Painting and the Flatness of "Film".  In: Contemporary Literature, Vol. 44, No. 3 (Autumn, 2003), pp. 399-441(43)

  7. Adelman, Gary.;
    Beckett and Kafka.  In: Triquarterly. Evanston: Fall 2003. p. 77-106 (30)

  8. Adelman, Gary.;
    Beckett's Readers: A Commentary and Symposium.  In: Michigan Quarterly Review Winter 2004 (Vol XLIII, No. 1): pp. 54-70(17)

  9. Adelman, Gary.;
    Fearful Symmetry: Beckett's The Lost Ones.  In: Journal of Modern Literature 26.2 (2002-2003): 164-169(6)

  10. Adelman, Gary.;
    Naming Beckett's unamable.  In: Triquarterly. Evanston: Fall 2001. p. 303 -322(20)

  11. Adelman, Gary.;
    Old Age and Beckett: A Partial Autobiography.  In: New England Review. Middlebury: 2005. Vol. 26, no. 3; p. 138-148(11)

  12. Adelman, Gary.;
    Torturer and Servant: Samuel Beckett's How It Is.  In: Journal of Modern Literature, Vol. 25, no. 1, Fall 2001, pp. 81-90(10)

  13. Alber, Jan.;
    The "Moreness" or "lessness" of "natural" narratology: Samuel Beckett's "Lessness" reconsidered.  In: Style. DeKalb: Spring 2002. Vol. 36, no. 1; p. 54 -75(22)

  14. Anthony Uhlmann, Sjef Houppermans, Bruno Clément, eds.;
    Introcuction / Avant-Propos.  In: Samuel Beckett Today/Aujourd'hui, Vol. 14(2004): After Becket / D'apres Beckett. edited by Anthony Uhlmann, Sjef Houppermans, Bruno Clement , p. 11-16(6)

  15. Antoine-Dunne, J.M.B.;
    Beckett and Eisens on Light and Contrapuntal Montage.  In: Samuel Beckett Today/Aujourd'hui, vol. 11(2001): Samuel Beckett: Endlessness in the Year 2000/Fin Sans Fin Enl´An 2000 edited by/édité par Angela Moorjani and/et Carola Veit. pp. 315-323(9)

  16. Antoine-Dunne, J.M.B.;
    Beckett, Eisenstein and the Image: Making an Inside an Outside.  In: Jean Antoine-Dunne and Paula Quigley (editors), The Montage Principle. Eisenstein in New Cultural and Critical Contexts, XVIII, Rodopi, Amsterdam & New York, 2004, pp. 191-213(23)

  17. Astbury, Helen.;
    How to do Things with Syntax: Beckett's Binary-Turned Sentences in French and Their Translation into English.  In: Samuel Beckett Today/Aujourd'hui, vol. 11(2001): Samuel Beckett: Endlessness in the Year 2000/Fin Sans Fin Enl an 2000 edited by/édité par Angela Moorjani and/et Carola Veit., pp. 446-453(8)

  18. Atik, Anne.;
    Remembering Samuel Beckett.  In: New England Review, Vol. 23, No. 3 (Summer, 2002), pp. 46-49(4)

  19. Atkinson, William.;
    Samuel Beckett and Censorship in the Saorstat.  In: The South Carolina Review, vol. 33, no. 2(Fall 2001), p. 128-134(7)
     
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  20. Banfield, Ann.;
    Beckett's Tattered Syntax.  In: Representations, No. 84, In Memory of Michael Rogin (Autumn, 2003), pp. 6-29(24)

  21. Banham, Gary.;
    Cinders: Derrida with Beckett.  In: Beckett and Philosophy. Ed. Richard Lane. Great Britain: Palgrave publishers Ltd, 2002. p. 55-67(13)

  22. Barfield, Steve.;
    Beckett and Heidegger: A Critical Survey.  In: Beckett and Philosophy. Ed. Richard Lane. New York : Palgrave, 2002. p. 154-165(12)

  23. Barfield, Steve.;
    The Resources of Unrepresentability: A Lacanian Glimpse of Beckett's Three Dialogues.  In: Samuel Beckett Today/Aujourd'hui, Vol. 13(2003): Three Dialogues Revisited/Les Trois dialogues revisités. Edited by Marius Buning , p. 15-27(13)

  24. Barfield, Steve & Tew, Philip.;
    Philosophy, Psychoanalysis and Parody: Exceedingly Beckett.  In: Samuel Beckett Today/Aujourd'hui, vol. 12(2002): Pastiches, Parodies & Other Imitations/Pastiches, Parodies & Autres Imitations. Edited by/edité par Marius Buning, Matthijs Engelberts & Sjef Houppermans. , pp. 93-104(12)

  25. Begam, Richard.;
    Beckett and Postfoundationalism, or How Fundamental are those Fundamental sounds.  In: Beckett and Philosophy. Ed. Richard Lane. Great Britain: Palgrave publishers Ltd, 2002. p. 11-39(9)

  26. Ben-zvi, Linda.;
    Biographical, Textual, and Historical Origins.  In: Palgrave advances in Samuel Beckett studies. Ed by Lois Oppenheim. Palgrave, 2004. 274 pp. ISBN 1-4039-0352-2, p. 133-153(21)

  27. Bennett, Robert.;
    Delaware Celebrates Beckett. etc.,  In: The Beckett Circle Spring 2004. 26 pp.

  28. Beplate, Justin.;
    Who speaks? Grammar, Memory, and Identity in Beckett's Company.  In: Journal of Modern Literature, Vol. 29, no. 1, Fall 2005, pp. 153-165(13)

  29. Berensmeyer, Ingo.;
    "Twofold Vibration": Samuel Beckett's Laws of Form.  In: Poetics Today, Sep 2004; 25: p. 465 - 495(31)

  30. Bishop, Tom.;
    Staging Beckett in France at the End of the Twentieth Century.  In: Samuel Beckett Today/Aujourd'hui, vol. 11(2001): Samuel Becket: Endlessness in the Year 2000/Fin Sans Fin Enl´An 2000 edited by/édité par Angela Moorjani and/et Carola Veit. pp., pp. 42-47(6)

  31. Blau, Herbert.;
    The Commodius Vicus of Beckett: Vicissitudes of the Arts in the Science of Affliction.  In: Journal of Dramatic Theory and Criticism, Vol. XVIII, No. 2: Spring 2004, p. 5-19(15)

  32. Borriello, Antonio.;
    Numerical References in Krapp's Last Tape.  In: Samuel Beckett Today/Aujourd'hui, vol. 11(2001): Samuel Beckett: Endlessness in the Year 2000/Fin Sans Fin Enl´an 2000 edited by/édité par Angela Moorjani and/et Carola Veit. , pp. 391-398(8)

  33. Boulter, Jonathan.;
    Does Mourning Require a Subject? Samuel Beckett's Texts for Nothing.   In: MFS Modern Fiction Studies, Vol. 50, no. 2, Summer 2004, pp. 332-350(19)

  34. Boxall, Peter.;
    Beckett and Homoeroticism.  In: Palgrave advances in Samuel Beckett studies. Ed by Lois Oppenheim. Palgrave, 2004. 274 pp. ISBN 1-4039-0352-2, p. 110-132(23)

  35. Branigan, K.;
    All That Fall: How Samuel Beckett Enhanced Radio Drama Through Musical Structure.  In: National University of Ireland, Maynouth, Postgraduate Research Record, 2003, p 18-27(10)

  36. Brater, Enoch.;
    The Globalization of Beckett's Godot.  In: Comparative Drama. Kalamazoo: Summer 2003. Vol. 37, Iss. 2; p. 145-158(14)

  37. Brater Enoch.;
    Intertextuality.  In: Palgrave advances in Samuel Beckett studies. Ed by Lois Oppenheim. Palgrave, 2004. 274 pp. ISBN 1-4039-0352-2, p. 30-44(15)

  38. Brown, MacDonald,;
    Yesterday's Defformities: A Discussion of the Role of Memory and Discourse in the PLays of Samuel Beckett. Dissertation. University of South Africa, Nov. 2005. 252 pp.

  39. Bryden, Mary.;
    Beckett and Coward: Dreadfully Un-Like?   In: Notes and Queries, Vol 247, No 1 (March 2002), pp.93-9(2)

  40. Bryden, Mary.;
    Beckett and Religion.  In: Palgrave advances in Samuel Beckett studies. Ed by Lois Oppenheim. Palgrave, 2004. 274 pp. ISBN 1-4039-0352-2, p. 154-171(18)

  41. Bryden, Mary.;
    Beckett and The Dynamic Still.  In: Samuel Beckett Today/Aujourd'hui, Vol. 14(2004): After Becket / D'apres Beckett. edited by Anthony Uhlmann, Sjef Houppermans, Bruno Clement , pp. 179-192(14)

  42. Bryden, Mary.;
    Deleuze Reading Beckett.  In: Beckett and Philosophy. Ed. Richard Lane. Great Britain: Palgrave publishers Ltd, 2002. p. pp.80-92(13)

  43. Bryden, Mary.;
    Nomads and Statues: Beckett's Staged Movement.  In: Assaph: Studies in the Theatre, Nos 17/18 (2003), pp.35-46(12)

  44. Bugliani, Ann.;
    The Biblical Subtext in Beckett's Waiting for Godot.  In: Journal of Dramatic Theory and Criticism, Vol. XVI, No. 1: Fall 2001, p. 15-38(24)

  45. Buning, Marius; Engelberts, Matthijs; Houppermans, Sjef; Ruyter-Tognotti, Danièle de. eds.;
    Introduction / Avant-Propos.  In: Samuel Beckett Today/Aujourd'hui, Vol. 13(2003): Three Dialogues Revisited/Les Trois dialogues revisités. Edited by Marius Buning , p. 7-11(5)

  46. Busse, Kristina.;
    Language After The Holocaust In Raymond Federman and Samuel Beckett.  In: Imagining Auschwitz: Postmodern Reprentations of the Holocast. Dissertation. Tulane University, 245pp. APRIL 2002, p. 134-171(38)

  47. Büttner, Gottfried.;
    Schopenhauer's Recommenations to Beckett.  In: Samuel Beckett Today/Aujourd'hui, vol. 11(2001): Samuel Becket: Endlessness in the Year 2000/Fin Sans Fin Enl´An 2000 edited by/édité par Angela Moorjani and/et Carola Veit. pp. 114-122(9)

  48. Byrne, Deirdre C.;
    The Top, the Bottom and the Middle: Space, Class, and Gender in Metropolis.  In: Literator, 24.3 (2003): p. 1-14(14) ISSN: 0258-2279

  49. Byron, Mark.;
    Beckett's "Tenth Rate Xenium": The Conundra of Writing and Editing Watt.  In: Rodopi Perspectives on Modern Literature, Literature and the Writer. Edited by Michael J. Meyer. , Vol. 31, no. 1, 1 October 2004, pp. 1-18(18)

  50. Byron, Mark.;
    The Ecstasy of Watt.  In: Samuel Beckett Today/Aujourd'hui, Vol. 14(2004): After Becket / D'apres Beckett. edited by Anthony Uhlmann, Sjef Houppermans, Bruno Clement , pp. 495-506(12)
     
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  51. Campbell, Charles.;
    Representation and the Unpresentable.   In: Journal of Dramatic Theory and Criticism, Vol. XV, No. 2: Spring 2001, p. 49-67(19)

  52. Campbell, Julie.;
    "Echo's Bones" and Beckett's Disembodied Voices.  In: Samuel Beckett Today/Aujourd'hui, vol. 11(2001): Samuel Beckett: Endlessness in the Year 2000/Fin Sans Fin Enl´an 2000 edited by/édité par Angela Moorjani and/et Carola Veit., pp. 454-460(7)

  53. Campbell, Julie.;
    Moran as Secret Agent.  In: Samuel Beckett Today/Aujourd'hui, vol. 12(2002): Pastiches, Parodies & Other Imitations/Pastiches, Parodies & Autres Imitations. Edited by/edit? par Marius Buning, Matthijs Engelberts & Sjef Houppermans. pp. 81-92(12)

  54. Carrera, Maria José.;
    The Rupture of the Lines of Communication BetweenSubject and Object in Beckett in Beckett's Four Novellas.  In: Samuel Beckett Today/Aujourd'hui, vol. 13(2003):Three Dialogues Revisited/Les Trois dialogues revisités. Edited by Marius Buning , pp. 249-260(12)

  55. Carrière, Julien F.;
    Samuel Beckett and Billingualism: How the Return to English Influences The Later Writing Style and Gender Roles of All That Fall and Happy Days. Dissertation. Louisiana State University, 2005. 197 pp.

  56. Case, Sue-Ellen.;
    Time and Time Again : PLaying Brecht and Beckett's Real Time in the Digital Age.  In: Brecht Yearbook/Das Brecht-Jahrbuch 27 (2002) : p. 162-77(16)

  57. Caselli, Daniela.;
    Belacqua's Shadows in Dream of Fair to Middling Women and How It Is.  In: Samuel Beckett Today/Aujourd'hui, vol. 11(2001): Samuel Beckett: Endlessness in the Year 2000/Fin Sans Fin Enl´an 2000 edited by/édité par Angela Moorjani and/et Carola Veit. , pp. 461-468(8)

  58. Cascetta, Annamaria.;
    Beckett Performed in Italy.  In: Samuel Beckett Today/Aujourd'hui, vol. 11(2001): Samuel Beckett: Endlessness in the Year 2000/Fin Sans Fin Enl´An 2000 edited by/édité par Angela Moorjani and/et Carola Veit. pp. 151-158(8)

  59. Catanzaro, Mary.;
    Samuel Becketts Ping and Serialist Music Technique.  In: Rodopi Perspectives on Modern Literature, vol. 25, no. 1, 1 April 2002, p. 65-76(12)

  60. Catanzaro, Mary.;
    Whose Story is it?: Samuel Beckett's Malone Dies and the Voice of Self-invention.  In: Rodopi Perspectives on Modern Literature. vol. 31, no. 1, 1 October 2004, p. 119-134(16)

  61. Cloonan, William J.;
    Placing the Unplaceable: The Dilemmas of Samuel Beckett's Fiction.  In: MFS Modern Fiction Studies, Vol. 47, no. 4, Winter 2001, pp. 1009-1018(10)

  62. Conley, T.;
    Beckett for Beginners.  In: Studies in the Humanities. (Indiana), 2004, Vol. 31; no. 2, 2004, p. 107-120(14)

  63. Connor, Steven.;
    Postmodernism and literature.  In: The Cambridge Companion to Postmodernism. Ed. by Steven Connor. Cambridge University Press, 2004. p. 62-81(20)

  64. Conti, Chris.;
    Critique and Form: Adorno on Godot and Endgame.  In: Samuel Beckett Today/Aujourd'hui, Vol. 14(2004): After Becket / D'apres Beckett. edited by Anthony Uhlmann, Sjef Houppermans, Bruno Clement , pp. 277-292(16)

  65. Coover, Robert.;
    Dying Fathers: 'Stirrings Still'.  In: The Kenyon Review, New Series, Vol. 23, No. 2, Cultures of Creativity: The Centennial Celebration of the Nobel Prizes (Spring, 2001), pp. 250-255(6)

  66. Cordingley, Anthony.;
    Keeping Their Distance: Beckett and Borges Writing after Joyce.  In: Samuel Beckett Today/Aujourd'hui, Vol. 14(2004): After Becket / D'apres Beckett. edited by Anthony Uhlmann, Sjef Houppermans, Bruno Clement , pp. 131-145(15)

  67. Cottom, Daniel.;
    To Love to Hate.  In: Representations. Berkeley: Fall 2002. , no. 80; p. 119-138(20)

  68. Crane, Ralph J.;
    After Beckett: The Influence of Samuel Beckett on the Fiction of J. G. Farrell.  In: New Hibernia Review, Vol. 9, no. 1, Spring 2005, pp. 109-116(8)

  69. Cunningham, David.;
    Ascetism Against Colour, or Modernism, Abstraction and the Lateness of Beckett.  In: New Formations, 55(Spring 2005), pp. 104-119(16) ISSN: 0950-2378

  70. Cunningham, David.;
    Ex Minimis: Greenberg, Modernism and Beckett's Three Dialogues.  In: Samuel Beckett Today/Aujourd'hui, Vol. 13(2003): Three Dialogues Revisited/Les Trois dialogues revisités. Edited by Marius Buning , p. 29-41(13)

  71. Cunningham, David.;
    Trying (Not) to Understand: Adorno and the Work of Beckett.  In: Beckett and Philosophy. Ed. Richard Lane. New York : Palgrave, 2002. p. 125-139(15)
     
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  72. D'Arcy, Michae1.;
    The Task of the Listener: Beckett, Proust, and Perpetual Translation.  In: Samuel Beckett Today/Aujourd'hui, vol. 12(2002): Pastiches, Parodies & Other Imitations/Pastiches, Parodies & Autres Imitations. Edited by/edit? par Marius Buning, Matthijs Engelberts & Sjef Houppermans. , pp. 35-52(18)

  73. Danby, Nicola.;
    The space between: Self-translator Nancy Huston's Limbes/Limbo.   In: La linguistique 1/2004 (Volume 40), p. 83-96(14)

  74. Davies, Paul.;
    On Beckett's Metaphysics of Non-Location: Vagrancy, Void, and Formless Fire.  In: Samuel Beckett Today/Aujourd'hui, vol. 11(2001): Samuel Beckett: Endlessness in the Year 2000/Fin Sans Fin Enl´an 2000 edited by/édité par Angela Moorjani and/et Carola Veit. , pp. 399-407(9)

  75. De Larquier, Jeanne-Sarah.;
    Beckett's Molloy: Inscribing Molloy in a Metalanguage Story.  In: French Forum, Vol. 29, no. 3, Fall 2004, pp. 43-55(13)

  76. Deamer, John.;
    Authority and Resistance: The Event in What Where.  In: Samuel Beckett Today/Aujourd'hui, vol. 13(2003): Three Dialogues Revisited/Les Trois dialogues revisités. Edited by Marius Buning , pp. 185-197(13)

  77. Del Degan, Dario P.;
    PLaying with Paint or Painting with PLay: Positioning Beckett's PLay within Marin's Theory of Reading Painting.  In: Samuel Beckett Today/Aujourd'hui, vol. 11(2001): Samuel Becket: Endlessness in the Year 2000/Fin Sans Fin Enl´An 2000 edited by/édité par Angela Moorjani and/et Carola Veit. pp. 237-244(8)

  78. Diamond, Elin.;
    Feminist readings of Beckett.  In: Palgrave advances in Samuel Beckett studies. Ed by Lois Oppenheim. Palgrave, 2004. 274 pp. ISBN 1-4039-0352-2, p. 45-67(23)

  79. Diamond, Elin.;
    "The Society of My Likes": Beckett's Political Imaginary.  In: Samuel Beckett Today/Aujourd'hui, vol. 11(2001): Samuel Beckett: Endlessness in the Year 2000/Fin Sans Fin Enl´an 2000 edited by/édité par Angela Moorjani and/et Carola Veit. , pp. 382-388(7)

  80. Dilks, Stephen John.;
    Samuel Beckett's Samuel Johnson.  In: The Modern Language Review, Vol. 98, No. 2 (Apr., 2003), pp. 285-298(14)

  81. Dobrez, Livio.;
    The Word in Crisis: Variations on a Theme by Samuel Beckett.  In: Samuel Beckett Today/Aujourd'hui, Vol. 14(2004): After Becket / D'apres Beckett. edited by Anthony Uhlmann, Sjef Houppermans, Bruno Clement , pp. 595-606(12)

  82. Douglas-Fairhurst, Robert.;
    Old Bags and 'the Old Style': A New Source for Beckett's Happy Days ?  In: Notes and Queries, Dec 2005; 52: no. 4, p. 502 - 505(4)

  83. Dowd, Garin.;
    Karaoke Beckett, or Jeremy Irons, Mimicry and Travesty in Ohio Impromtu on Film.  In: Samuel Beckett Today/Aujourd'hui, vol. 13(2003): Three Dialogues Revisited/Les Trois dialogues revisités. Edited by Marius Buning , pp. 169-182(14)

  84. Dowd, Garin.;
    "Vasts Apart": Phenomenology and Worstward Ho.  In: Samuel Beckett Today/Aujourd'hui, Vol. 14(2004): After Becket / D'apres Beckett. edited by Anthony Uhlmann, Sjef Houppermans, Bruno Clement , pp. 323-339(17)

  85. Drew, Elizabeth.;
    Head to Footsteps: "Fundamental sounds" in "dread nay" and "Roundelay".  In: Samuel Beckett Today/Aujourd'hui, vol. 11(2001): Samuel Becket: Endlessness in the Year 2000/Fin Sans Fin Enl´An 2000 edited by/édité par Angela Moorjani and/et Carola Veit. pp. 291-299(9)

  86. Dukes, Gerry.;
    Englishing Godot.  In: Samuel Beckett Today/Aujourd'hui, Vol. 14(2004): After Becket / D'apres Beckett. edited by Anthony Uhlmann, Sjef Houppermans, Bruno Clement , pp. 521-531(11)
     
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  87. Eaglestone, Robert.;
    Beckett in the Wilderness: Writing about (Not) Writing about Beckett.   In: Beckett and Philosophy. Ed. Richard Lane. Great Britain: Palgrave publishers Ltd, 2002. p. 40-52(13)

  88. Esslin, Martin.;
    Beckett and the Quest for Meaning.  In: Samuel Beckett Today/Aujourd'hui, vol. 11(2001): Samuel Becket: Endlessness in the Year 2000/Fin Sans Fin Enl´An 2000 edited by/édité par Angela Moorjani and/et Carola Veit. pp. 27-30(4)

  89. Federman, Raymond.;
    The Imaginary Museum of Samuel Beckett.   In: Symploke, Vol. 10, no. 1-2, 2002, pp. 153-172(20)

  90. Feldman, Matthew.;
    "I Inquired into Myself": Beckett, Interpretation. Phenomenology?   In: Samuel Beckett Today/Aujourd'hui, vol. 12(2002): Pastiches, Parodies & Other Imitations/Pastiches, Parodies & Autres Imitations. Edited by/edit? par Marius Buning, Matthijs Engelberts & Sjef Houppermans. , pp. 215-234(20)

  91. Flood, John.;
    The "preface" to Matthew Arnold's Poems (1853): A source for Waiting for Godot?   In: English Language Notes.Boulder: Dec 2002. Vol. 40, no. 2; p. 55-57(3)

  92. Frost, Everett C.;
    Brecht and Beckett on the Radio.  In: Brecht Yearbook/Das Brecht-Jahrbuch 27 (2002) : Brecht and Beckett in the theater II. p. 121-133(13)

  93. Füger, Wilhelm.;
    The First Berlin Godot: Beckett's Debut on the German Stage.  In: Samuel Beckett Today/Aujourd'hui, vol. 11(2001): Samuel Becket: Endlessness in the Year 2000/Fin Sans Fin Enl´An 2000 edited by/édité par Angela Moorjani and/et Carola Veit. pp. 57- 63(7)

  94. Fusella, Patrizia.;
    Samuel Beckett's Pas Moi / Not I: Pas Traduction, Not Creation.  In: Textus, XV, 2002, pp. 121-144(24)
     
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  95. Gaffney, Phyllis.;
    Beckett, Belvedere College and Boer War Games: An Idle Speculation.   In: French Studies Bulletin (England), Spring 2004; 25: p. 11-13(3)

  96. Gibson, Andrew.;
    Three Dialogues and Beckett's Tragic Ethos.   In: Samuel Beckett Today/Aujourd'hui, Vol. 13(2003): Three Dialogues Revisited/Les Trois dialogues revisités. Edited by Marius Buning , p. 43-54(12)

  97. Godeau, Florence.;
    Molloy Aux Mille Tours.  In: Samuel Beckett Today/Aujourd'hui, vol. 12(2002): Pastiches, Parodies & Other Imitations/Pastiches, Parodies & Autres Imitations. Edited by/edit? par Marius Buning, Matthijs Engelberts & Sjef Houppermans. , pp. 71-80(10)

  98. Gontarski, S.E.;
    Beckett and Performance.  In: Palgrave advances in Samuel Beckett studies. Ed by Lois Oppenheim. Palgrave, 2004. 274 pp. ISBN 1-4039-0352-2, p. 194-208(15)

  99. Greenlaw, Duncan.;
    'Preying on foresaid remains': Irish Identity,. Obituaries, and the Limits of Mourning.  In: Mosaic 34, iv (December. 2001): p. 123-144(22)

  100. Gendron, Sarah.;
    "A Cogito for the Dissolved Self": Writing, Presence, and the Subject in the Work of Samuel Beckett, Jacques Derrida, and Gilles Deleuze.  In: Journal of Modern Literature, Vol. 28, no. 1, Fall 2004, pp. 47-64(18)

  101. Gendron, Sarah.;
    "The Death of a Dynasty" Presence in Drama and Theory: Samuel Beckett and Jacques Derrida.  In: Journal of Dramatic Theory and Criticism, Vol. XVIII, No. 2: Spring 2004, p. 21-39(19)

  102. Ghosh, Ranjan.;
    Reconfiguring the Waiting for Godot: Explorations Within Some Paradigms of Hindu Philosophy.  In: Samuel Beckett Today/Aujourd'hui, Vol. 14(2004): After Becket / D'apres Beckett. edited by Anthony Uhlmann, Sjef Houppermans, Bruno Clement , pp. 307-321(15)

  103. Gibson, Andrew.;
    Beckett and Badiou.  In: Beckett and Philosophy. Ed. Richard Lane. Great Britain: Palgrave publishers Ltd, 2002. p. 93-107(15)

  104. Gibson, Suzie.;
    The Work, the Neutral and The Unnamable.  In: Samuel Beckett Today/Aujourd'hui, Vol. 14(2004): After Becket / D'apres Beckett. edited by Anthony Uhlmann, Sjef Houppermans, Bruno Clement , pp. 293-305(13)

  105. Gidal, Peter.;
    Beckett & Others & Art: A System.   In: Samuel Beckett Today/Aujourd'hui, vol. 11(2001): Samuel Becket: Endlessness in the Year 2000/Fin Sans Fin Enl´An 2000 edited by/édité par Angela Moorjani and/et Carola Veit. pp. 303-314(12)

  106. Gontarski, S.E.;
    The Body in the Body of Beckett's Theater.  In: Samuel Beckett Today/Aujourd'hui, vol. 11(2001): Samuel Becket: Endlessness in the Year 2000/Fin Sans Fin Enl´An 2000 edited by/édité par Angela Moorjani and/et Carola Veit. pp. 169-177(9)

  107. Gontarski, S.E.;
    Style and the Man: Samuel Beckett and the Art of Pastiche.  In: Samuel Beckett Today/Aujourd'hui, vol. 12(2002): Pastiches, Parodies & Other Imitations/Pastiches, Parodies & Autres Imitations. Edited by/edit? par Marius Buning, Matthijs Engelberts & Sjef Houppermans. , pp. 11-20(10)

  108. Gribben, Darren.;
    Samuel Beckett: Number 465. Censorship of the Self and Imagination in Beckett's Work After World War II.   In: Samuel Beckett Today/Aujourd'hui, vol. 13(2003):Three Dialogues Revisited/Les Trois dialogues revisités. Edited by Marius Buning , pp. 215-227(13)

  109. Guest, Michael.;
    Autonomy and the Body in Samuel Beckett And Kobo Abe.  In: Samuel Beckett Today/Aujourd'hui, Vol. 14(2004): After Becket / D'apres Beckett. edited by Anthony Uhlmann, Sjef Houppermans, Bruno Clement , pp. 161-177(17)

  110. Guest, Michael.;
    Beckett in Sydney: The Public Face of Beckett "Down Under". etc.,  In: The Beckett Circle Spring 2003, 24 pp.

  111. Guest, Michael.;
    Beckett Versus the Reader.  In: Samuel Beckett Today/Aujourd'hui, vol. 11(2001): Samuel Becket: Endlessness in the Year 2000/Fin Sans Fin Enl´An 2000 edited by/édité par Angela Moorjani and/et Carola Veit. pp. 228-236(9)
     
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  112. Hadfield, Andrew.;
    Beckett and Dyland Thomas.   In: Notes and Queries. Vol. 52, No. 4, (December 2005), 505-506(2)

  113. Hamilton, Geoff.;
    Life Goes On: Endgame as Anti-Pastoral Elegy.   In: Modern Drama. Vol. 45, No. 4 (Winter 2002), p. 611-627(17)

  114. Haney, William S.;
    Beckett Out of His Mind: The Theatre of the Absurd.  In: Studies in the Literary Imagination. Vol. 34, No. 2 (Fall 2001), p. 39-53(15)

  115. Hatch, David A.;
    "I am Mistaken": Surface and Subtext in Samuel Beckett's Three Dialogues.  In: Samuel Beckett Today/Aujourd'hui, Vol. 13(2003): Three Dialogues Revisited/Les Trois dialogues revisités. Edited by Marius Buning , pp. 57-71(15)

  116. Hatch, David A.;
    The "Untidy Analyst": Dialogue Form, Elenchus, and Subversion in "Three Dialogues with Georges Duthuit".  In: Samuel Beckett Today/Aujourd'hui, Vol. 14(2004): After Becket / D'apres Beckett. edited by Anthony Uhlmann, Sjef Houppermans, Bruno Clement , pp. 453-468(16)

  117. Hayman, David.;
    Continuing Now: Crisis Enjambments in the Watt Manuscripts.  In: Samuel Beckett Today/Aujourd'hui, vol. 12(2002): Pastiches, Parodies & Other Imitations/Pastiches, Parodies & Autres Imitations. Edited by/edit? par Marius Buning, Matthijs Engelberts & Sjef Houppermans. , pp. 205-212(8)

  118. Hayman, David.;
    Fundamental Sounds: Recording Samuel Beckett's Radio PLays.  In: Contemporary Literature, Vol. 43, No. 1 (Spring, 2002), pp. 28-49(22)

  119. Hayman, David.;
    The Paper Trap: Beckett's Manuscripts and Their Publication. etc.,  In: The Beckett Circle Spring 2005 22 pp.

  120. Henzy, Karl.;
    Musical Interpretations of Modernist Literature.  In: Rodopi Perspectives on Modern Literature, vol. 26, no. 1, 1 May 2002, pp. 153-165(13)

  121. Herren, Graley V.;
    Facing the Darkness: Interrogations Across Genre in Samuel Beckett's What Where.  In: The Midwest Quarterly 43.3 (2002): p. 322-336(15)

  122. Herren, Graley.;
    Ghost Duet, or Krapp's First Videotape.  In: Samuel Beckett Today/Aujourd'hui, vol. 11(2001): Samuel Beckett: Endlessness in the Year 2000/Fin Sans Fin Enl´An 2000 edited by/édité par Angela Moorjani and/et Carola Veit. pp. 159-166(8)

  123. Hill, Leslie.;
    Poststructuralist Readings of Beckett.   In: Palgrave advances in Samuel Beckett studies. Ed by Lois Oppenheim. Palgrave, 2004. 274 pp. ISBN 1-4039-0352-2, p. 68-88(21)

  124. Holt, Matthew.;
    Catastrophe, Autonomy and the Future Of Modernism: Trying to Understand Adorno's Reading of Endgame.  In: Samuel Beckett Today/Aujourd'hui, Vol. 14(2004): After Becket / D'apres Beckett. edited by Anthony Uhlmann, Sjef Houppermans, Bruno Clement , pp. 261-275(15)

  125. Hornby, Richard.;
    Death in the mall.  In: The Hudson Review. New York: Summer 2001. Vol. 54, no. 2; p. 305-312 (8)

  126. Horowitz, Evan Cory.;
    Endgame : Beginning to End.  In: Journal of Modern Literature, Vol. 27, no. 4, Summer 2004, pp. 121-128(8)

  127. Houppermans, Sjef.;
    The Eye, the Voice, the Skin: La Peau, La Voix, L'œil.  In: Samuel Beckett Today/Aujourd'hui, Vol. 14(2004): After Becket / D'apres Beckett. edited by Anthony Uhlmann, Sjef Houppermans, Bruno Clement , pp. 53-59(7)

  128. Hunkeler, Thomas.;
    The Role of the Dead Man in the Game of Writing: Beckett and Foucault.  In: Beckett and Philosophy. Ed. Richard Lane. Great Britain: Palgrave publishers Ltd, 2002. p. 68-79(12)

  129. Hunter, Adrian.;
    Beckett and the Joycean Short Story.  In: Essays in Criticism, Apr 2001; 51: p. 230 - 244(15)

  130. Jouanneau, Joël.;
    Being There. etc.   In: The Beckett Circle Fall 2005. 20 pp.
     
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  131. Kalb, Jonathan.;
    Samuel Beckett, Heiner Müller and Postdramatic Theater.  In: Samuel Beckett Today/Aujourd'hui, vol. 11(2001): Samuel Beckett: Endlessness in the Year 2000/Fin Sans Fin Enl´An 2000 edited by/édité par Angela Moorjani and/et Carola Veit. pp. 74-83(10)

  132. Kalb, Jonathan.;
    Through the lens of Heiner Müller: Brecht and Beckett--three points of plausible convergence for the future.  In: Brecht Yearbook/Das Brecht-Jahrbuch 27 (2002) : pp. 95-120(26)

  133. Kalinowski, G. M.;
    Beckett's "Reversed Metamorphosis": What Constitutes a Serious Reading of "The Castle"?  In: Comparative Literature, Vol. 56, No. 4 (Autumn, 2004), pp. 317-330(14)

  134. Katz, Daniel.;
    Beckett's Measures: Principles of Pleasure in Molloy and "First Love".  In: MFS Modern Fiction Studies, Vol. 49, no. 2, Summer 2003, pp. 246-260(15)

  135. Kehler, Dorothea.;
    Beckett's Krapp's Last Tape.  In: The Explicator. Washington: Spring 2002. Vol. 60, no. 3; p. 159 (4)

  136. Kelley, Paul B.;
    Drama and/as the Pursuit of Narrative: Cascando and Inferno XXIV.   In: Samuel Beckett Today/Aujourd'hui, vol. 13(2003): Three Dialogues Revisited/Les Trois dialogues revisités. Edited by Marius Buning , pp. 153-165(13)

  137. Kemp, Gary;
    Autonomy and Privacy in Wittgenstein and Beckett.  In: Philosophy and Literature, Vol. 27, no. 1, April 2003, pp. 164-187(24)

  138. Kennedy, Andrew.;
    Light Still: The Dynamics of "the words that remain".  In: Samuel Beckett Today/Aujourd'hui, vol. 11(2001): Samuel Beckett: Endlessness in the Year 2000/ Fin Sans Fin Enl.´an 2000 edited by/édité par Angela Moorjani and/et Carola Veit. , pp. 408-415(8)

  139. Kennedy, Seàn.;
    "the Artist Who Stakes His Being is from Nowhere": Beckett and Thomas Macgreevy on the Art of Jack B. Yeats.  In: Samuel Beckett Today/Aujourd'hui, Vol. 14(2004): After Becket / D'apres Beckett. edited by Anthony Uhlmann, Sjef Houppermans, Bruno Clement , pp. 61-74(14)

  140. King, John.;
    Reading for the Plotless: The Difficult Characters of Samuel Beckett's A Dream of Fair to Middling Women.   In: Journal of Modern Literature. Bloomington: Fall 2005. Vol. 29, no. 1; p. 133-152(20)

  141. Kintzele, Paul.;
    Pim's Progress: The Trouble with Language in Beckett's How It Is.  In: Samuel Beckett Today/Aujourd'hui, vol. 12(2002): Pastiches, Parodies & Other Imitations/Pastiches, Parodies & Autres Imitations. Edited by/edit? par Marius Buning, Matthijs Engelberts & Sjef Houppermans. , pp. pp. 297-311(15)

  142. Knowlson, James.;
    Looking Back - But Leaping Forward.   In: Samuel Beckett Today/Aujourd'hui, vol. 11(2001): Samuel Beckett: Endlessness in the Year 2000/Fin Sans Fin Enl´An 2000 edited by/édité par Angela Moorjani and/et Carola Veit. pp. 31-37(7)

  143. Kose G.;
    The Quest for SelfIdentity: Time, Narrative, and the Late Prose of Samuel Beckett.   In: Journal of Constructivist Psychology, 1 July 2002, vol. 15, no. 3, p. 171-183(13)
     
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  144. Lamont, Rosette C.;
    Fast-Forward: Lucky's Pnigos.   In: Samuel Beckett Today/Aujourd'hui, vol. 11(2001): Samuel Becket: Endlessness in the Year 2000/Fin Sans Fin Enl´An 2000 edited by/édité par Angela Moorjani and/et Carola Veit. pp. 132-139(8)

  145. Lane, Richard.;
    Beckett and Nietzsche: The Eternal Headache.  In: Beckett and Philosophy. Ed. Richard Lane. New York : Palgrave, 2002. p. 166-176(11)

  146. Lane, Richard.;
    Introduction.   In: Beckett and Philosophy. Ed. Richard Lane. New York : Palgrave, 2002. p. 1-7(7)

  147. Laughlin, Karen L.;
    "Dreaming of [...] Love": Beckett's Theatre and the Making of the (Post)Modern Subject.   In: Samuel Beckett Today/Aujourd'hui, vol. 11(2001): Samuel Becket: Endlessness in the Year 2000/Fin Sans Fin Enl´An 2000 edited by/édité par Angela Moorjani and/et Carola pp. 202-209(8)

  148. Lawley, Paul.;
    "The Grim Journey": Beckett Listens to Schubert.   In: Samuel Beckett Today/Aujourd'hui, vol. 11(2001): Samuel Becket: Endlessness in the Year 2000/Fin Sans Fin Enl´An 2000 edited by/édité par Angela Moorjani and/et Carola Veit. pp. 255-266(12)

  149. Laws, Catherine.;
    Music in Words and Music: Feldman's Response to Beckett's PLay.  In: Samuel Beckett Today/Aujourd'hui, vol. 11(2001): Samuel Becket: Endlessness in the Year 2000/Fin Sans Fin Enl´An 2000 edited by/édité par Angela Moorjani and/et Carola Veit. pp. 279-290(12)

  150. Laws, Catherine.;
    The Music of Beckett's Theatre.  In: Samuel Beckett Today/Aujourd'hui, Vol. 13(2003): Three Dialogues Revisited/Les Trois dialogues revisités. Edited by Marius Buning , pp. 121-133(13)

  151. Lehmann, Hans-Thies.;
    Brecht and Beckett Fifteen Minutes to Comply.  In: Brecht Yearbook/Das Brecht-Jahrbuch 27 (2002) : Brecht and Beckett in the theater I. p. 43-47(5)

  152. Leigh Callet, Jeanette.;
    The Performative Voice in Mallarmé's Poetic Reverie.  In: French Forum vol. 28, no. 3 (2003), pp. 41-58(18)

  153. Levy, Eric P.;
    The Beckettian Mimesis of pain.  In: Philological Quarterly. Iowa City: Summer 2001. Vol. 80, no. 3; p. 271-289 (19)

  154. Levy, Eric P.;
    The Beckettian Mimesis of Seeing Nothing.  In: University of Toronto Quarterly, 70:2 (spring 2001): p. 620-632(13)

  155. Levy, Eric P.;
    Disintegrative Process in Endgame.  In: Samuel Beckett Today/Aujourd'hui, vol. 12(2002): Pastiches, Parodies & Other Imitations/Pastiches, Parodies & Autres Imitations. Edited by/edit? par Marius Buning, Matthijs Engelberts & Sjef Houppermans. pp. 263-280(18)

  156. Levy, Eric P.;
    'Krapp's Last Tape' and the Beckettian Mimesis of Regret.  In: Sydney Studies in English, vol. 28(2002), p. 51-68(18)

  157. Levy, Eric P.;
    Living without a life: The disintegration of the Christian-humanist synthesis in Molloy.  In: Studies in the Novel. Denton: Spring 2001. Vol. 33, no. 1; p. 80-94 (15)

  158. Levy, Shimon.;
    Six She's, One Not I: Proxies of Beckettian Selves.  In: Samuel Beckett Today/Aujourd'hui, vol. 11(2001): Samuel Beckett: Endlessness in the Year 2000/Fin Sans Fin Enl´An 2000 edited by/édité par Angela Moorjani and/et Carola Veit. pp. 140-150(11)

  159. Li, Xia.;
    Bus Stop. Signal Driver - The Dramaturgy of Waiting: Gao Xingjian, Patrick White and Samuel Beckett.  In: Neohelicon, Vol. 29, no. 2 / September, 2002, p. 227-246(20)

  160. Locatelli, Carla.;
    Theo-Less-Ology: God Talk and God Unwording in Beckett.  In: Samuel Beckett Today/Aujourd'hui, vol. 11(2001): Samuel Beckett: Endlessness in the Year 2000/Fin Sans Fin Enl´an 2000 edited by/édité par Angela Moorjani and/et Carola Veit. , pp. 341-350(10)

  161. Love, Damian.;
    Doing Him into the Eye: Samuel Beckett's Rimbaud.  In: Modern Language Quarterly, Dec 2005; 66: p. 477- 504(28)

  162. Lunberry, Clark.;
    "(silence)": Scripting [It], Staging [It], on the Page, for the Stage.  In: Journal of Dramatic Theory and Criticism, Vol. XV, No. 2: Spring 2001, p. 69-84(16)

  163. Lunberry, Clark.;
    Theatre as Installation: Ann Hamilton and the Accretions of Gesture.  In: Mosaic (Vol. 37, No. 1, March. 2004): p. 119-133(15)
     
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  164. Macris, Anthony.;
    Samuel Beckett, Claude Simon and the Mise En Abyme of Paradoxical Duplication.   In: Samuel Beckett Today/Aujourd'hui, Vol. 14(2004): After Becket / D'apres Beckett. edited by Anthony Uhlmann, Sjef Houppermans, Bruno Clement , pp. 117-129(13)

  165. Maier, Michael.;
    Geistertrio : Beethoven's Music in Samuel Beckett's Ghost Trio.  In: Samuel Beckett Today/Aujourd'hui, vol. 11(2001): Samuel Becket: Endlessness in the Year 2000/Fin Sans Fin Enl´An 2000 edited by/édité par Angela Moorjani and/et Carola Veit. pp. 267-278(12)

  166. Maier, Michael.;
    Geistertrio: Beethoven's Music in Samuel Beckett's Ghost Trio (Part 2).   In: Samuel Beckett Today/Aujourd'hui, vol. 12(2002): Pastiches, Parodies & Other Imitations/Pastiches, Parodies & Autres Imitations. Edited by/edit? par Marius Buning, Matthijs Engelberts & Sjef Houppermans. , pp. 313-320(8)

  167. Martin, William.;
    Esse and Percipi in Film: A 'note' Upon the Beckett-Schneider 'correspondence'.  In: Samuel Beckett Today/Aujourd'hui, Vol. 14(2004): After Becket / D'apres Beckett. edited by Anthony Uhlmann, Sjef Houppermans, Bruno Clement , pp. 533-546(14)

  168. Martin-Jordache, Corina.;
    Modernity, urban semiology and the Beckettian cityscape.  In: Journal of European Studies 2002 32: p. 351-368(18)

  169. Maude, Ulrika.;
    The Body of Memory : Beckett and Merleau-Ponty.  In: Beckett and Philosophy. Ed. Richard Lane. New York : Palgrave, 2002. p. 108-122(15)

  170. McGowan, Moray.;
    Wating for Wating fo Godot: Echoes of Beckett's PLay in Brecht's Chosen Land. (incl: Brecht and Beckett in the theater II. Discussion).  In: Brecht Yearbook/Das Brecht-Jahrbuch 27 (2002) : Brecht and Beckett in the theater II. p. 133-160(28)

  171. McKee, Al.;
    Buster's Hat.  In: Film Quarterly. Berkeley: Summer 2004. Vol. 57, no. 4; p. 31-34 (4)

  172. Mcmullan, Anna.;
    Irish/Postcolonial Beckett.  In: Palgrave advances in Samuel Beckett studies. Ed by Lois Oppenheim. Palgrave, 2004. 274 pp. ISBN 1-4039-0352-2, p. 89-109(21)

  173. Mehta, Xerxes.;
    Scholars/ Artists/ Beckett.  In: Samuel Beckett Today/Aujourd'hui, vol. 11(2001): Samuel Becket: Endlessness in the Year 2000/Fin Sans Fin Enl´An 2000 edited by/édité par Angela Moorjani and/et Carola Veit. pp. 125-131(7)

  174. Milne, Drew.;
    The Beautiful Soul: From Hegel to Beckett.  In: Diacritics, Vol. 32, no. 1, Spring 2002, pp. 63-82(20)

  175. Moi, Ruben.;
    Going on beyond Modernism in Beckett's Texts for Nothing.  In: Nordlit, No. 18 2005, p. 133-153(21)

  176. Mooney, Sinead.;
    "An Atropos All in Black" or Ill Seen Worse Translated: Beckett, Self-Translation and the Discourse of Death.  In: Samuel Beckett Today/Aujourd'hui, vol. 12(2002): Pastiches, Parodies & Other Imitations/Pastiches, Parodies & Autres Imitations. Edited by/edit? par Marius Buning, Matthijs Engelberts & Sjef Houppermans. , pp. 163-176(14)

  177. Moorjani Angela.;
    Beckett and Psychoanalysis.  In: Palgrave advances in Samuel Beckett studies. Ed by Lois Oppenheim. Palgrave, 2004. 274 pp. ISBN 1-4039-0352-2, p. 172-193(22)

  178. Moorjani, Angela & Veit, Carola (eds).
    Introduction/Avant-Propos.   In: Samuel Beckett Today/Aujourd'hui, vol. 11(2001): Samuel Becket: Endlessness in the Year 2000/Fin Sans Fin Enl´An 2000 edited by/édité par Angela Moorjani and/et Carola Veit. pp. 13-19(7)

  179. Moorjani, Angela.;
    Peau De Chagr  In: Beckett and Bion on Looking Not to See.   In: Samuel Beckett Today/Aujourd'hui, Vol. 14(2004): After Becket / D'apres Beckett. edited by Anthony Uhlmann, Sjef Houppermans, Bruno Clement , p. 25-38(14)

  180. Morash, Christopher.;
    A Night at the Theatre 6: Waiting for Godot [...], Pike Theatre, Friday 28 October 1955.   In: A history of Irish theatre, 1601-2000. By Christopher Morash. Cambridge University Press, 2002. pp.199-208(10)

  181. Munteanua, Alexandra.;
    A Wittgensteinian Analysis of Samuel Beckett's Drama.  In: Annales Universitatis Apulensis, Philologica 3(2002):p. 261-268(8)

  182. Munteanua, Alexandra.;
    Conceptual Frames in Beckett's Endgame.  In: Annales Universitatis Apulensis, Philologica 4/2 (2003), pp. 359-366(8)

  183. Murphy, John L.;
    Beckett's Purgatories.  In: European Joyce Studies. November 2005, vol. 16, no. 1, p. 109-124(16)

  184. Musgrave, David.;
    The Abstract Grotesque In Beckett's Trilogy.  In: Samuel Beckett Today/Aujourd'hui, Vol. 14(2004): After Becket / D'apres Beckett. edited by Anthony Uhlmann, Sjef Houppermans, Bruno Clement , pp. 371-385(15)

  185. Myskja, B. K.;
    Beckett's Molloy and the Ethics of Literature.  In: B. K. Myskja., The sublime in Kant and Beckett : aesthetic judgement, ethics and literature. Berlin ; New York : Walter de Gruyter, 2002. p. 12-58(47)

  186. Myskja, B. K.;
    Molloy and the Kantian Sublime.  In: B. K. Myskja., The sublime in Kant and Beckett : aesthetic judgement, ethics and literature. Berlin ; New York : Walter de Gruyter, 2002. p. 273-303(31)
     
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  187. Nixon, Mark.;
    'A Brief Glow in the Dark': Samuel Beckett's Presence in Modern Irish Poetry.   In: The Yearbook of English Studies. Vol. 35 (2005), p. 43-57(15)

  188. Nojoumian, Amir Ali.;
    Samuel Beckett's The Unnamable : The Story of That Impossible Place Named Silence.   In: Samuel Beckett Today/Aujourd'hui, Vol. 14(2004): After Becket / D'apres Beckett. edited by Anthony Uhlmann, Sjef Houppermans, Bruno Clement , pp. 387-404(18)

  189. O'Beirne, Emer.;
    Dying for Silence: Language and its Absence in the Late Work of Nathalie Sarraute and Samuel Beckett.  In: Forum for Modern Language Studies, October 2005; 41: p. 397- 406(10)

  190. O'Reilly, Magessa.;
    Beckett's 'From an Unabandoned Work': On the Way to "Comment c'est".  In: Translation and Literature, Vol. 12, No. 1, Modernism and Translation (Spring, 2003), pp. 144-154(11)

  191. Oppenheim, Lois.;
    Disturbing the Feasible: Object Representation in "Three Dialogues with Georges Duthuit".   In: Samuel Beckett Today/Aujourd'hui, vol. 12(2002): Pastiches, Parodies & Other Imitations/Pastiches, Parodies & Autres Imitations. Edited by/edit? par Marius Buning, Matthijs Engelberts & Sjef Houppermans. , pp. 235-246(12)

  192. Oppenheim, Lois.;
    Introduction.   In: Palgrave advances in Samuel Beckett studies. Ed by Lois Oppenheim. Palgrave, 2004. 274 pp. ISBN 1-4039-0352-2, p. 1-6(6)

  193. Oppenheim, Lois.;
    Introduction to Round Table: Beckett and the Twentieth Century.  In: Samuel Beckett Today/Aujourd'hui, vol. 11(2001): Samuel Becket: Endlessness in the Year 2000/Fin Sans Fin Enl´An 2000 edited by/édité par Angela Moorjani and/et Carola Veit. pp. 23-26(4)

  194. Oppenheim, Lois.;
    A Precccupation with Object-Representation: The Beckett-Bion Case Revisited.  In: The International Journal of Psychoanalysis, Vol. 82, no. 4, August 2001, p. 767-784(18)

  195. Oppenheim, Lois.;
    The Uncanny in Beckett.  In: European Joyce Studies, November 2005, vol. 16, no. 1, p. 125-140(16)
     
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  196. Parrott, Jeremy.;
    The Gnostic Gospel of Sam: Watt as Modernist Apocryphon.  In: Samuel Beckett Today/Aujourd'hui, vol. 11(2001): Samuel Beckett: Endlessness in the Year 2000/Fin Sans Fin Enl´an 2000 edited by/édité par Angela Moorjani and/et Carola Veit. , pp. 425-433(9)

  197. Parrott, Jeremy.;
    "Nothing Neatly Named": The Beckettian Aesthetic and Negative Theology.  In: Samuel Beckett Today/Aujourd'hui, Vol. 13(2003): Three Dialogues Revisited/Les Trois dialogues revisités. Edited by Marius Buning , pp. 91-101(11)

  198. Pattie, David.;
    Beckett and Bibliography.  In: Palgrave advances in Samuel Beckett studies. Ed by Lois Oppenheim. Palgrave, 2004. 274 pp. ISBN 1-4039-0352-2, p. 226-246(21)

  199. Perloff, Marjorie.;
    The Beckett/ Feldman Radio Collaboration: Words and Music as H?rspiel. etc.,  In: The Beckett Circle Fall 2003, 22 pp.

  200. Perloff, Marjorie.;
    "In Love with Hiding": Samuel Beckett's War.  In: The Iowa Review, Vol. 35, No. 1 (Spring, 2005), pp. 76-103(28)

  201. Pfister, Manfred.;
    Beckett's Tonic Laughter.  In: Samuel Beckett Today/Aujourd'hui, vol. 11(2001): Samuel Becket: Endlessness in the Year 2000/Fin Sans Fin Enl´An 2000 edited by/édité par Angela Moorjani and/et Carola Veit. pp., pp. 48-53(6)

  202. Phelan, Peggy.;
    Lessons in blindness from Samuel Beckett.  In: PMLA. Publications of the Modern Language Association of America. New York: Oct 2004. Vol. 119, no. 5; p. 1279-1288(10)

  203. Phelan, Peggy.;
    Samuel Beckett in the new century.  In: Modern Drama. Toronto: Winter 2002. Vol. 45, no. 4; p. 663-672(10)

  204. Phillips, James.;
    Beckett's Boredom and the Spirit of Adorno.   In: Samuel Beckett Today/Aujourd'hui, Vol. 14(2004): After Becket / D'apres Beckett. edited by Anthony Uhlmann, Sjef Houppermans, Bruno Clement , pp. 251-259(9)

  205. Pilling, John.;
    Something for Nothing: Beckett's Dream of Fair to Middling Women.   In: European Joyce Studies, November 2005, vol. 16, no. 1, p. 171-179(9)

  206. Popova, Yanna.;
    "Little is left to tell": Beckett's Theater of Mind, Ohio Impromptu, and the New Cognitive Turn in Analyzing Drama.   In: Style. DeKalb: Winter 2004. Vol. 38, no. 4; p. 452-467 (16)

  207. Powell Kersti Tarien.;
    `Not a son but a survivor': Beckett Joyce Banville.   In: The Yearbook of English Studies. 1 January 2005, vol. 35, no. 1, p. 199-211(13)

  208. Prieto, Eric.;
    Caves: Technology and the Total Artwork in Reich's The Cave and Beckett's Ghost Trio.  In: Mosaic, XXXV, March 2002, 1, pp. 197-213(17)
     
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  209. Quigley, Megan M.;
    Justice for the "Illstarred Punster": Samuel Beckett and Alfred P?ron's Revisions of "Anna Lyvia Pluratself".   In: James Joyce Quarterly, Vol. 41, No. 3 (Spring, 2004), pp. 469-487(19)

  210. Rabaté, Jean-Michel,;
    Shades of Beckett.   In: Journal of Modern Literature, Vol. 26, no. 3/4, Summer 2003, pp. 161-165(5)

  211. Ratcliffe, Sophie.;
    Savage Loving: Beckett, Browning and The Tempest.  In: Samuel Beckett Today/Aujourd'hui, vol. 12(2002): Pastiches, Parodies & Other Imitations/Pastiches, Parodies & Autres Imitations. Edited by/edit? par Marius Buning, Matthijs Engelberts & Sjef Houppermans., pp. 147-162(16)

  212. Rathjen, Friedhelm.;
    The Magic Triangle: James Joyce, Samuel Beckett, Arno Schmidt.   In: Samuel Beckett Today/Aujourd'hui, vol. 11(2001): Samuel Becket: Endlessness in the Year 2000/Fin Sans Fin Enl´An 2000 edited by/édité par Angela Moorjani and/et Carola Veit. pp. 92-102(11)

  213. Restivo, Giuseppina.;
    Melencolias and Scientific Ironies in Endgame: Beckett, Walther, D?rer, Musil.   In: Samuel Beckett Today/Aujourd'hui, vol. 11(2001): Samuel Becket: Endlessness in the Year 2000/Fin Sans Fin Enl´An 2000 edited by/édité par Angela Moorjani and/et Carola Veit. pp. 103-113(11)

  214. Riquelme, John Paul.;
    After Modernism: Kenner's Beckett/Beckett's Kenner. etc.,  In: The Beckett Circle Fall 2004. 22 pp.

  215. Riquelme, John Paul.;
    Reading Modernism, After Hugh Kenner (1923-2003): Kenner, Beckett, "Irrational" "Man," and the Obligation to Express.   In: Modernism/modernity, Vol. 12, no. 3, September 2005, pp. 499-503(5)

  216. Rodriguez, Michael Angelo.;
    "Everywhere Stone is Gaining": The Struggle for the Sacred in Samuel Beckett's Ill Seen Ill Said.   In: Samuel Beckett Today/Aujourd'hui, Vol. 14(2004): After Becket / D'apres Beckett. edited by Anthony Uhlmann, Sjef Houppermans, Bruno Clement , pp. 105-116(12)

  217. Rodriguez-Gago, Antonia.;
    Translating and Adapting Company for the Screen.   In: Samuel Beckett Today/Aujourd'hui, vol. 11(2001): Samuel Beckett: Endlessness in the Year 2000/Fin Sans Fin Enl´an 2000 edited by/édité par Angela Moorjani and/et Carola Veit., pp. 437-445(9)

  218. Ross, Ciaran.;
    Beckeet's Godot in Berl  In: New Coordinates of the Void.   In: Samuel Beckett Today/Aujourd'hui, vol. 11(2001): Samuel Becket: Endlessness in the Year 2000/Fin Sans Fin Enl´An 2000 edited by/édité par Angela Moorjani and/et Carola Veit. pp. 64-73(10)
     
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  219. Salisbury, Laura.;
    "So The Unreasoning Goes": The Comic Timing of Trembling in Ill Seen Ill Said.  In: Samuel Beckett Today/Aujourd'hui, vol. 11(2001): Samuel Beckett: Endlessness in the Year 2000/Fin Sans Fin Enl´an 2000 edited by/édité par Angela Moorjani and/et Carola Veit. , pp. 372-381(10)

  220. Schleifer, Ronald.;
    The Poetics of Tourette Syndrome: Language, Neurobiology, and Poetry.  In: New Literary History. Vol. 32(2001), p. 563-584(22)

  221. Schweiger, Hannes.;
    Samuel Beckett and Friederike Mayr?cker: Attempts at Writing the Self.   In: Samuel Beckett Today/Aujourd'hui, Vol. 14(2004): After Becket / D'apres Beckett. edited by Anthony Uhlmann, Sjef Houppermans, Bruno Clement , pp. 147-160(14)

  222. Shields, Paul.;
    Beckett's Labour Lost: Company and the Paradox of Creation.  In: Samuel Beckett Today/Aujourd'hui, vol. 11(2001): Samuel Beckett: Endlessness in the Year 2000/Fin Sans Fin Enl´an 2000 edited by/édité par Angela Moorjani and/et Carola Veit. , pp. 478-485(8)

  223. Shields, Paul.;
    Sons of Disorder: Thomas Carlyle, Samuel Beckett, and the Travesty of Great Men.  In: Samuel Beckett Today/Aujourd'hui, vol. 12(2002): Pastiches, Parodies & Other Imitations/Pastiches, Parodies & Autres Imitations. Edited by/edit? par Marius Buning, Matthijs Engelberts & Sjef Houppermans., pp. 121-130(10)

  224. Sierz, Aleks.;
    "A Relevant and Cinematic Environment": Filming Beckett's PLays.  In: Samuel Beckett Today/Aujourd'hui, vol. 13(2003): Three Dialogues Revisited/Les Trois dialogues revisités. Edited by Marius Buning , pp. 137-149(13)

  225. Sion, Ioana.;
    The Zerosoul: Godot's Waiting Selves in Dante's Waiting Rooms.  In: Transverse: A Comparative Studies Journal, no. 2, November, 2004, p. 63-80(18)

  226. Smith, Russell.;
    Beckett's Endlessness: Rewriting Modernity and the Postmodern Sublime.  In: Samuel Beckett Today/Aujourd'hui, Vol. 14(2004): After Becket / D'apres Beckett. edited by Anthony Uhlmann, Sjef Houppermans, Bruno Clement , pp. 405-420(16)

  227. Stephen, Watt.;
    Beckett, Late Modernism, and Bernard MacLaverty's Grace Notes.  In: New Hibernia Review, Vol. 6, no. 2, Summer 2002, pp. 53-64(12)

  228. Stewart, Paul.;
    "All Men Talk, When Talk They Must, The Same Tripe": Beckett, Derrida and Needle Wylie.   In: Samuel Beckett Today/Aujourd'hui, Vol. 14(2004): After Becket / D'apres Beckett. edited by Anthony Uhlmann, Sjef Houppermans, Bruno Clement , pp. 237-250(14)

  229. Sultan, Sabbar Saadoon.;
    The Critical Aspects of Beckett's Trilogy.  In: Samuel Beckett Today/Aujourd'hui, Vol. 14(2004): After Becket / D'apres Beckett. edited by Anthony Uhlmann, Sjef Houppermans, Bruno Clement , pp. 421-435(15)

  230. Szafraniec, Asja.;
    "wanting in Inanity": Negativity, Language and "God" in Beckett.  In: European Joyce Studies, November 2005, vol. 16, no. 1, p. 213-234(22)

  231. Szafraniec, J.D.;
    Beckett, Derrida and the event of Literature: Philosophical Perspective. Dissertation. Universiteit van Amsterdam 2004. ISBN: 9090184759.- 245 pp.
     
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  232. Tew, Philip.;
    Philosophical Adjacency: Beckett's Prose Fragments via Jurgen Habermas.   In: Beckett and Philosophy. Ed. Richard Lane. New York : Palgrave, 2002. p. 140-153(14)

  233. Tew, Philip.;
    Three Dialogues as a Laughable Text?: Beckett's Bergsonian Comedy.   In: Samuel Beckett Today/Aujourd'hui, Vol. 13(2003): Three Dialogues Revisited/Les Trois dialogues revisités. Edited by Marius Buning , pp. 105-118(14)

  234. Thobo-Carlsen, John.;
    Becketts Dialogic 'De-Sign' and Rhetoric of Impotence.   In: Samuel Beckett Today/Aujourd'hui, vol. 11(2001): Samuel Becket: Endlessness in the Year 2000/Fin Sans Fin Enl´An 2000 edited by/édité par Angela Moorjani and/et Carola Veit. pp. 245-252(8)

  235. Thomas, Calvin.;
    Cultural droppings: Bersani's Beckett.  In: Twentieth Century Literature. Hempstead: Summer 2001. Vol. 47, no. 2; p. 169-197(29)

  236. Tönnies, Merle.;
    PLayers, PLaythings and Patterns: Three Stages of Heteronomy in Beckett's Mature Drama.  In: Samuel Beckett Today/Aujourd'hui, vol. 11(2001): Samuel Becket: Endlessness in the Year 2000/Fin Sans Fin Enl´An 2000 edited by/édité par Angela Moorjani and/et Carola Veit. pp. 194-201(8)

  237. Tucker, Stephanie.;
    A Technician in the Wings: Ayckbourn's Comic Potential.  In: Journal of Dramatic Theory and Criticism, Vol. XVII, No. 2: Spring 2003, p. 71-93(23)

  238. Uhlmann, Anthony.;
    The Ancient Stoics, Émile Bréhier, and Becketts Beings of Ciolence.   In: Samuel Beckett Today/Aujourd'hui, vol. 11(2001): Samuel Beckett: Endlessness in the Year 2000/Fin Sans Fin Enl´an 2000 edited by/édité par Angela Moorjani and/et Carola Veit. , pp. 351-360(10)

  239. Uhlmann, Anthony.;
    "A Fragment of a Vitagraph": Hiding and Revealing in Beckett, Geulincx, and Descartes.  In: Samuel Beckett Today/Aujourd'hui, Vol. 14(2004): After Becket / D'apres Beckett. edited by Anthony Uhlmann, Sjef Houppermans, Bruno Clement , pp. 341-356(16)

  240. Uhlmann, Anthony.;
    Image and Intuition in Beckett's Film.  In: SubStance, Jan 2004; 33: p. 90 - 106(17)
     
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  241. Van Hulle, Dirk.;
    '(Hiatus in MS.)': Watt and the Textual Genesis of Stirrings Still.   In: Samuel Beckett Today/Aujourd'hui, Vol. 14(2004): After Becket / D'apres Beckett. edited by Anthony Uhlmann, Sjef Houppermans, Bruno Clement , pp. 483-494(12)

  242. Van Hulle, Dirk.:
    'In twosome twiminds': a reconstructed genesis of Samuel Becketfs Stirrings Still,   In: Texte, no. 29-30 (2001), p. 81-104(24)

  243. Van Hulle, Dirk.;
    The Manner of Meaning: Ogden and Beckett Translating Joyce.  In: BELL - Belgian journal of english language and literatures, no 2 (2004): p. 75-84(10)

  244. Van Hulle, Dirk.;
    "Nichtsnichtsundnichts": Beckett's and Joyce's. Transtextual Undoings.  In: European Joyce Studies. November 2005, vol. 16, no. 1, p. 49-61(13)

  245. Voigts-Virchow, Eckart.;
    Quad I and Teletubbies or: 'Aisthetic' Panopticism versus Reading Beckett.  In: Samuel Beckett Today/Aujourd'hui, vol. 11(2001): Samuel Becket: Endlessness in the Year 2000/Fin Sans Fin Enl´An 2000 edited by/édité par Angela Moorjani and/et Carola Veit. pp. 210-218(9)

  246. Wall, John.;
    A Study of the Imagination in Samuel Beckett's "Watt".  In: New Literary History, Vol. 33, No. 3, The Book as Character, Composition, Criticism, and Creation (Summer, 2002), pp. 533-558(26)

  247. Weagel, Deborah.;
    Silence in John Cage and Samuel Beckett: 4' 33" and Waiting for Godot.   In: Samuel Beckett Today/Aujourd'hui, vol. 12(2002): Pastiches, Parodies & Other Imitations/Pastiches, Parodies & Autres Imitations. Edited by/edit? par Marius Buning, Matthijs Engelberts & Sjef Houppermans. , pp. 249-261(13)

  248. Weber, Carl.;
    Beckett and Brecht: Comparing their ""Scenic Writing".   In: Brecht Yearbook/Das Brecht-Jahrbuch 27 (2002) : Brecht and Beckett in the theater I. p. 49-63(15)

  249. Weiss, Katherine.;
    De/composing the Machine in Samuel Beckett's The Lost Ones and Ping.   In: Stirrings Still: The International Journal of Existential Literature 1.1 (2004): 4-22(19)

  250. Weiss, Katherine.;
    Perceiving Bodies in Beckeet's PLay.   In: Samuel Beckett Today/Aujourd'hui, vol. 11(2001): Samuel Becket: Endlessness in the Year 2000/Fin Sans Fin Enl´An 2000 edited by/édité par Angela Moorjani and/et Carola Veit. pp. 186-193(8)

  251. Wheatley, David.;
    "The Mercyseat" and "The Mansion of Forgetfulness": Samuel Beckett's Murphy, Austin Clarke's "Mnemosyne Lay in Dust" and Irish Poetic Modernism'.   In: English Studies, vol. 83. no. 6 (December 2002), pp. 527-540(14)

  252. Williams, Peter.;
    Unsaying and the Categories of Discourse In Beckett's Gestural Texts.   In: Samuel Beckett Today/Aujourd'hui, Vol. 14(2004): After Becket / D'apres Beckett. edited by Anthony Uhlmann, Sjef Houppermans, Bruno Clement , pp. 607-620(14)

  253. Willits, Curt G.;
    The Blanchot/Beckett Correspondence: Situating the Writer/Writing at the Limen of Naught.  In: COLLOQUY text theory critique 10 (2005). p. 257-268(12)

  254. Willits, Curt G.;
    How It Is: The Epical Call to Voice At the Limits of Experience.  In: Samuel Beckett Today/Aujourd'hui, Vol. 14(2004): After Becket / D'apres Beckett. edited by Anthony Uhlmann, Sjef Houppermans, Bruno Clement , pp. 579-593(15)

  255. Wilson, Sue.;
    Krapp's Last Tape and the Mania of Manichaeism.  In: Samuel Beckett Today/Aujourd'hui, vol. 12(2002): Pastiches, Parodies & Other Imitations/Pastiches, Parodies & Autres Imitations. Edited by/edit? par Marius Buning, Matthijs Engelberts & Sjef Houppermans. , pp. 131-144(14)

  256. Wilson, Sue.;
    Versions of the Vision in Samuel Beckett's Krapp's Last Tape.  In: English Language Notes 40.3 (mars 2003) : p. 76-82(7)

  257. Worth, Katharine.;
    Sources of Attraction to Beckett's Theater.  In: Palgrave advances in Samuel Beckett studies. Ed by Lois Oppenheim. Palgrave, 2004. 274 pp. ISBN 1-4039-0352-2, p. 209-225(17)

  258. Wynands, Sandra.;
    Visuality and Iconicity in Samuel Beckett's "Catastrophe".  In: Religion & Literature, Vol. 37, No. 3 (Autumn, 2005), pp. 81-102(22)
     
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  259. Yates, Andrea L.;
    Abandoning the Empirical: Repetition and Homosociality in Waiting for Godot.   In: Samuel Beckett Today/Aujourd'hui, Vol. 14(2004): After Becket / D'apres Beckett. edited by Anthony Uhlmann, Sjef Houppermans, Bruno Clement , pp. 437-449(13)

  260. Yeoh, Gilbert.;
    Beckett's Persistent Humanism: Ethics and Epistemology in Molloy.   In: AUMLA : Journal of the Australasian Universities Modern Language Association. Sydney: May 2005. p. 109-135 (27)

  261. Yeoh, Gilbert..;
    J. M. Coetzee and Samuel Beckett: Ethics, Truth-Telling, and Self-Deception.   In: Critique: Studies in Contemporary Fiction, Vol. 44, no. 4 / Summer 2003, p. 331- 348(18)

  262. Yuan, Yuan.;
    From Ideology of Loss to Aesthetics of Absence: The Endgame in Beckett's The Lost Ones.  In: European Joyce Studies, November 2005, vol. 16, no. 1, p. 235-246(12)

  263. Zenck, Martin.;
    Beckett after Kurt?g: Towards a Theory of Theatricality of a Non-theatrical Music.  In: Studia Musicologica Academiae, Vol. 43, no. 3-4 / June 2002, p. 411-420(10)

  264. Zileli, Bilge Nihal.;
    Absurdity of the Human Condition in the Novels by Albert Camus and Samuel Beckett. Thesis. Middle East Technical University, November 2005, 165 pp.

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