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George, Eliot（ジョージ・エリオット/ 1819-1880/）研究論文IV

　George, Eliot(ジョージ・エリオット）研究の1971-1990年までに刊行された論文を紹介しています。
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　[論文著者（昇順）リスト]

     
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  1. Adam, Ian.;
    The Structure of Realisms in Adam Bede. In: Nineteenth-Century Fiction, Vol. 30, No. 2 (Sep., 1975), pp. 127-149(23)

  2. Adams, Harriet Farwell.;
    Dorothea and Miss Brooke in Middlemarch. In: Nineteenth Century Fiction. Vol. 39(1984): pp. 69-90(22)

  3. Alley, Henry.;
    The Complete and Incomplete Educations of the Mill on the Floss. In: Rocky Mountain Review of Language and Literature, Vol. 33, No. 4 (Autumn, 1979), pp. 183-201(19)

  4. Altick, Richard D.;
    Anachronisms in Middlemarch: A Note. In: Nineteenth-Century Fiction, Vol. 33, No. 3 (Dec., 1978), pp. 366-372(7)

  5. Anderson, Roland F.;
    George Eliot: A Case of Acromegaly? In: Literature and Medicine, Vol. 1(1982), pp. 90-106 (17)

  6. Anderson, Roland F.;
    George Eliot Provoked: John Blackwood and Chapter Seventeen of Adam Bede. In: Modern Philology: A Journal Devoted to Research in Medieval and Modern Literature, vol. 71, no. 1, Aug 1973, pp. 39-47(9)

  7. Andres, Sophia.;
    The Germ and the Picture in Middlemarch. In: ELH, Vol. 55, No. 4 (Winter, 1988), pp. 853-868(16)

  8. Arac, Jonathan.;
    Rhetoric and Realism in Nineteenth-Century Fiction: Hyperbole in The Mill on the Floss. In: ELH: a journal of english literary history, Vol. 46(1979): p. 673-692(20)

  9. Argyle, Gisela.;
    The German Key to Life in Middlemarch. In: Ariel: A Review of International English Literature, vol. 7(1976), no, 4, pp. 51-68(18)

  10. Ashton, Rosemary D.;
    The Intellectual 'Medium' of Middlemarch. In: The Review of English Studies, New Series, Vol. 30, No. 118 (May, 1979), pp. 154-168(15)

  11. Auerbach, Nina.;
    The Power of Hunger: Demonism and Maggie Tulliver. In: Nineteenth-Century Fiction, Vol. 30, No. 2 (Sep., 1975), pp. 150-171(22)

  12. Auerbach, Nina.;
    The Rise of the Fallen Woman. In: Nineteenth-Century Fiction, Vol. 35, No. 1 (Jun., 1980), pp. 29-52(24)

  13. Auerbach, Nina.;
    Women on Women's Destiny: Maturity as Penance. In: Massachusetts Review: A Quarterly of Literature, the Arts and Public Affairs, vol. 20(1979), no. 2, pp. 326-334(9)

  14. Austen, Zelda.;
    Why Feminist Critics Are Angry with George Eliot. In: College English, vol. 37(1976): no. 6, p. 549-561(13)
     
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  15. Baker, William.;
    George Eliot's Projected Napoleonic War Novel: An Unnoted Reading List. In: Nineteenth-Century Fiction, Vol. 29, No. 4 (Mar., 1975), pp. 453-460(8)

  16. Baker, William.;
    George Eliot's Readings in Nineteenth-Century Jewish Historians: A Note on the Background of "Daniel Deronda". In: Victorian Studies, Vol. 15, No. 4 (Jun., 1972), pp. 463-473(11)

  17. Baker, William.;
    The Kabbalah, Mordecai, and George Eliot's Religion of Humanity. In: The Yearbook of English Studies, Vol. 3 (1973), pp. 216-221(6)

  18. Bamber, Linda.;
    Self-Defeating Politics in George Eliot's "Felix Holt". In: Victorian Studies, Vol. 18, No. 4 (Jun., 1975), pp. 419-435(17)

  19. Bates, Richard.;
    Gwendolyn Harleth: Character Creation or Character Analysis? In: The Cambridge Quarterly, vol. 16(1987), no. 1, pp. 30-52(23)

  20. Beer, Gillian.;
    Anxiety and interchange: Daniel Deronda and the implications of Darwin's writing. In: Journal of the History of the Behavioral Sciences, vol. 19(1983), pp. 31-44(14)

  21. Bennett, Bruce.;
    Catherine Spence, George Eliot and the Contexts of Literary Possibility. In: The Journal of Commonwealth Literature, vol. 21(1986), no. 1, pp. 202-210(9)

  22. Benson, James D.;
    Romola and the Individuation Process. In: Colby Library Quarterly, vol. 14(1978), no. 2, pp. 54-71(18)

  23. Benson, James D.;
    "Sympathetic" Criticism: George Eliot's Response to Contemporary Reviewing. In: Nineteenth-Century Fiction, Vol. 29, No. 4 (Mar., 1975), pp. 428-440(13)

  24. Bićanić, Sonia.;
    Selfishness and Self-Affirmation in Rosamund Vincy and Gwendolen Harleth. In: Studia Romanica et Anglica Zagrabiensia, vol. 38(1974), pp. 115-126(12)

  25. Blake, Kathleen.;
    "Armgart"- George Eliot on the Woman Artist. In: Victorian Poetry, Vol. 18, No. 1 (Spring, 1980), pp. 75-80(6)

  26. Blake, Kathleen.;
    Middlemarch and the Woman Question. In: Nineteenth-Century Fiction, Vol. 31, No. 3 (Dec., 1976), pp. 285-312(28)

  27. Blessington, Francis C.;
    The Portrait in the Spoon: George Eliot's Casaubon and John Milton. In: Milton Quarterly, Vol. 20, No. 1 (MARCH 1986), pp. 29-31(3)

  28. Blumberg, Edwina Jannie.;
    Tolstoy and the English Novel: A Note on Middlemarch and Anna Karenina. In: Slavic Review, Vol. 30, No. 3 (Sep., 1971), pp. 561-569(9)

  29. Blythe, David-Everett.;
    Eliot's Middlemarch. In: Explicator, vol. 48, no. 1, 1989 Fall, pp. 22-23(2)

  30. Bodenheimer, Rosemarie.;
    Ambition and Its Audiences: George Eliot's Performing Figures. In: Victorian Studies, Vol. 34, No. 1 (Autumn, 1990), pp. 7-33(27)

  31. Bonaparte, Felicia.;
    "Middlemarch": The Genesis of Myth in the English Novel: The Relationship between Literary form and the Modern Predicament. In: Notre Dame English Journal, Vol. 13, No. 3 (Summer, 1981), pp. 107-154(48)

  32. Booth, Wayne C.;
    "The Way I Loved George Eliot": Friendship with Books as a Neglected Critical Metaphor. In: The Kenyon Review, New Series, Vol. 2, No. 2 (Spring, 1980), pp. 4-27(24)

  33. Bradley, Anthony G.;
    Family as Pastoral: The Garths in Middlemarch. In: Ariel: A Review of International English Literature, vol. 6(1975), no. 4, pp. 41-51(11)

  34. Brody, Selma B.;
    Light on Some George Eliot Metaphors: Seeing Things in Their True Colors. In: Victorian Newsletter, 72, 1987 Fall, pp. 42-44(3)

  35. Brody, Selma B.;
    Physics in "Middlemarch": Gas Molecules and Ethereal Atoms. In: Modern Philology, Vol. 85, No. 1 (Aug., 1987), pp. 42-53(12)

  36. Buckley, Jerome H.;
    George Eliot's Double Life: The Mill on the Floss as a Bildungsroman. In: Mintz, Samuel I (ed.) ; Chandler, Alice (ed.) ; Mulvey, Christopher (ed.)., From Smollett to James: Studies in the Novel and Other Essays Presented to Edgar Johnson, Charlottesville, UP of Virginia, 1981, ISBN : 0813906636; pp. 211-236(26)

  37. Bullen, J. B.;
    George Eliot's Romola as a Positivist Allegory. In: Review of English Studies, vol. 26(1975): pp. 425-435(11)

  38. Burnett. T. A.;
    Brother and Sister: New George Eliot Letters. In: The British Library Journal, vol. 3, no. 1, Spring l977, pp. 24-26(3)

  39. Bushnell, John P.;
    Maggie Tulliver's 'Stored-up Force': A Re-reading of The Mill on the Floss. In: Studies in the Novel 16(1984): pp. 378-396(19)

  40. Butwin, Joseph.;
    The Pacification of the Crowd: From "Janet's Repentance" to Felix Holt. In: Nineteenth-Century Fiction, Vol. 35, No. 3, Special Issue: George Eliot, 1880-1980 (Dec., 1980), pp. 349-371(23)

  41. Byerly, Alison.;
    'The Language of the Soul': George Eliot and Music. In: Nineteenth-Century Literature, vol. 44, no. 1, 1989 June, pp. 1-17(17)

  42. Byrd, Scott.;
    The Fractured Crystal in Middlemarch and The Golden Bowl. In: Modern Fiction Studies, 18 (1972), pp. 551-554(4)
     
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  43. Cahill, Audrey F.;
    Why Not Write in the First Person? Why Use Complex Plots? Some Thoughts on George Eliot's Theory and Practice. In: Theoria: A Journal of Studies in the Arts, Humanities and Social Sciences, vol. 68, Dec. 1986, pp. 15-23(9)

  44. Caron, James.;
    The Rhetoric of Magic in Daniel Deronda. In: Studies in the Novel, vol. 15, no. 1, Spring 1983, pp. 1-9(9)

  45. Carpenter, Mary Wilson.;
    The Apocalypse of the Old Testament: Daniel Deronda and the Interpretation of Interpretation. In: PMLA, Vol. 99, No. 1 (Jan., 1984), pp. 56-71(16)

  46. Carroll, Alicia.;
    Tried by Earthly Fires: Hetty Wesley, Hetty Sorrel, and Adam Bede. In: Nineteenth-Century Literature, Vol. 44, No. 2 (Sep., 1989), pp. 218-224(7)

  47. Carroll, David.;
    George Eliot: The Sibyl of Mercia. In: Studies in the Novel, vol. 15, no. 1, 1983 Spring, pp. 10-25(16)

  48. Carroll, David.;
    "Janet's Repentance" and the Myth of the Organic. In: Nineteenth-Century Fiction, Vol. 35, No. 3, Special Issue: George Eliot, 1880-1980 (Dec., 1980), pp. 331-348(18)

  49. Chapman, Raymond & Gottlieb, Eleanora.;
    A Russian View of George Eliot. In: Nineteenth-Century Fiction, Vol. 33, No. 3 (Dec., 1978), pp. 348-365(18)

  50. Chase, Cynthia.;
    The Decomposition of the Elephants: Double-Reading Daniel Deronda. In: PMLA, Vol. 93, No. 2 (Mar., 1978), pp. 215-227(13)

  51. Childs, Donald J.;
    Knowledge and Experience in "The Love Song of J. Alfred Prufrock". In: ELH, Vol. 55, No. 3 (Autumn, 1988), pp. 685-699(15)

  52. Christ, Carol.;
    Aggression and Providential Death in George Eliot's Fiction. In: Novel 9 (1976): pp. 130-140(11)

  53. Clark-Beattie, Rosemary.;
    "Middlemarch's" Dialogic Style. In: The Journal of Narrative Technique, Vol. 15, No. 3 (Fall, 1985), pp. 199-218(20)

  54. Clayton, Jay.;
    Visionary Power and Narrative Form: Wordsworth and Adam Bede. In: ELH, Vol. 46, No. 4 (Winter, 1979), pp. 645-672(28)

  55. Collins, K. K.;
    G. H. Lewes Revised: George Eliot and the Moral Sense. In: Victorian Studies, Vol. 21, No. 4 (Summer, 1978), pp. 463-492(30)

  56. Collins, K K.;
    George Eliot and Herbert Spencer: An Unnoted Reference in The Study of Sociology. In: English Language Notes, vol. 17(1980), pp. 199-203(5)

  57. Collins, K. K.:
    Questions of Method: Some Unpublished Late Essays. In: Nineteenth-Century Fiction, Vol. 35, No. 3, Special Issue: George Eliot, 1880-1980 (Dec., 1980), pp. 385-405(21)

  58. Collins, K K.;
    Reading George Eliot Reading Lewes's Obituaries. In: Modern Philology: A Journal Devoted to Research in Medieval and Modern Literature, vol. 85, no. 2, 1987 Nov, pp. 153-169(17)

  59. Collins, Rowland L.;
    George Eliot (Mary Ann Evans). In: Fredeman, William E (ed. and preface) ; Nadel, Ira B (ed. and preface)., Victorian Poets after 1850. Detroit, MI, Gale, 1985, ISSN: 1096-8547 ISBN: 9780810317130; pp. 63-71(9)

  60. Collister, Peter.;
    Portraits of 'Audacious Youth': George Eliot and Mrs. Humphrey Ward. In: English Studies: A Journal of English Language and Literature, vol. 64, no. 4, Aug. 1983, pp. 296-317(22)

  61. Conway, Richard.;
    Silas Marner and Felix Holt: From Fairy Tale to Feminism. In: Studies in the Novel, vol. 10(1978), pp. 295-304(10)

  62. Corbett, Mary Jean.;
    Representing the Rural: The Critique of Loamshire in Adam Bede. In: Studies in the Novel 20, no. 3 (1988): pp. 288-301(14)

  63. Corse, Sandra.;
    Henry James on Eliot and Sand. In: South Atlantic Review, vol. 51, no. 1, 1986 Jan, pp. 58-68(11)
     
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  64. Dale, Peter Allan.;
    George Eliot's 'Brother Jacob': Fables and the Physiology of Common Life. In: Philological Quarterly, vol. 64, no. 1, Winter 1985, pp. 17-35(19)

  65. Davis, G. A. Wittig.;
    Ruskin's Modern Painters and George Eliot's Concept of Realism. In: English Language Notes, vol. 18(1981), no. 3, pp. 194-201(8)

  66. De Jong, Mary Gosselink.;
    Romola: A Bildungsroman for Feminists. In: South Atlantic Review, vol. 49, no. 4, 1984 Nov, pp. 75-90(16)

  67. Demaria, Joanne Long.;
    The Wondrous Marriages of Daniel Deronda: Gender, Work, and Love. In: Studies in the Novel, Vol. 22, No. 4 (winter 1990), pp. 403-417(15)

  68. Dessner, Lawrence Jay.;
    The Autobiographical Matrix of Silas Marner. In: Studies in the Novel, vol. 11(1979), pp. 251-282(32)

  69. Diedrick, James.;
    George Eliot's Experiments in Fiction: 'Brother Jacob' and the German Novelle. In: Studies in Short Fiction, vol. 22, no. 4 (1985 Fall), pp. 461-468(8)

  70. Dobrez, Patricia.;
    George Eliot's Concept of Self. In: Australasian Victorian Studies Association. delivered at the A.VS.A. Conference held at the University of Sydney, August 1975. 9 pp.

  71. Doody, Margaret Anne.;
    George Eliot and the Eighteenth-Century Novel. In: Nineteenth-Century Fiction, Vol. 35, No. 3, Special Issue: George Eliot, 1880-1980 (Dec., 1980), pp. 260-291(32)

  72. Dunham, Robert H.;
    Silas Marner and the Wordsworthian Child. In: Studies in English Literature, 1500-1900, Vol. 16, No. 4, Nineteenth Century (Autumn, 1976), pp. 645-659(15)
     
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  73. Edwards, Lee R.;
    Women, Energy, and "Middlemarch". In: The Massachusetts Review, Vol. 13, No. 1/2, Woman: An Issue (Winter - Spring, 1972), pp. 223-238(16)

  74. Edwards, Michael.;
    George Eliot and Negative Form. In: Critical Quarterly. Volume 17, Issue 2, June 1975, pp. 171-179(9)

  75. Edwards, P D.;
    Daniel Deronda: New Elements and Long Familiar Types. In: Sydney Studies in English, vol. 6(1980), pp. 49-61(13)

  76. Ermarth, Elizabeth Deeds.;
    George Eliot's Conception of Sympathy. In: Nineteenth-Century Fiction, vol. 40, no. 1, 1985 June, pp. 23-42(20)

  77. Ermarth, Elizabeth.;
    Incarnations: George Eliot's Conception of "Undeviating Law". In: Nineteenth-Century Fiction, Vol. 29, No. 3 (Dec., 1974), pp. 273-286(14)

  78. Ermarth, Elizabeth.;
    Maggie Tulliver's Long Suicide. In: Studies in English Literature, 1500-1900 (SEL) 14 (1974): pp. 587-601(15)

  79. Feltes, N N.;
    Community and the Limits of Liability in Two Mid-Victorian Novels. In: Victorian Studies: A Journal of the Humanities, Arts and Sciences, vol. 17(1974), pp. 355-369(15)

  80. Fernando, Lloyd.;
    Special Pleading and Art in "Middlemarch": The Relations between the Sexes. In: The Modern Language Review, Vol. 67, No. 1 (Jan., 1972), pp. 44-49(6)

  81. Forster, Jean-Paul.;
    George Eliot: The Language and Drama of Reticence. In: English Studies: A Journal of English Language and Literature, vol. 64, no. 5, Oct. 1983, pp. 433-446(14)

  82. Fraser, Hilary.;
    St. Theresa, St. Dorothea, and Miss Brooke in Middlemarch. In: Nineteenth-Century Fiction, Vol. 40, No. 4 (Mar., 1986), pp. 400-411(12)

  83. Freeman, Janet H.;
    Authority in The Mill on the Floss. In: Philological Quarterly, vol. 56(1977), pp. 374-388(15)

  84. French, A. L.;
    A Note on Middlemarch. In: Nineteenth-Century Fiction, Vol. 26, No. 3 (Dec., 1971), pp. 339-347(9)

  85. Fricke, Douglas C.;
    Art and Artists in Daniel Deronda. In: Studies in the Novel, Vol. 5, No. 2 (summer 1973), pp. 220-228(9)

  86. Fulmer, Constance M.;
    Contrasting Pairs of Heroines in George Eliot's. Fiction. In: Studies in the Novel, Vol. 6, No. 3 (fall 1974), pp. 288-294(7)

  87. Fuchs, Eva.;
    'The Pattern's All Missed': Separation/Individuation in The Mill on the Floss. In: Studies in the Novel 19.4 (Winter 1987): pp. 422-434(13)
     
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  88. Gallagher, C.;
    George Eliot and Daniel Deronda: The Prostitute and the Jewish Question'. In: R. Yeazell (ed.), Sex, Politics, and Science in the Nineteenth-Century Novel (Johns Hopkins University Press, 1990. pp. 39-62(24)

  89. Gallagher, Catherine.;
    The Failure of Realism: Felix Holt. In: Nineteenth-Century Fiction, Vol. 35, No. 3, Special Issue: George Eliot, 1880-1980 (Dec., 1980), pp. 372-384(13)

  90. Gerrard, Lisa.;
    Romantic Heroines in the Nineteenth-Century Novel: A Feminist View. In: International Journal of Women's Studies, vol. 7, 1984 Jan. pp. 10-16(7)

  91. Gezari, Janet K.;
    Romola and the Myth of Apocalypse. In: Smith, Anne, George Eliot: Centenary Essays and an Unpublished Fragment, Totowa, NJ, Barnes & Noble, 1980, pp. 77-102(26)

  92. Gezari, Janet K.;
    The Metaphorical Imagination of George Eliot. In: ELH, Vol. 45, No. 1 (Spring, 1978), pp. 93-106(14)

  93. Gilbert, Kathleen.;
    Rosamond and Lady Blessington: Another Middlemarch Anachronism. In: Notes and Queries, 27(1980), pp. 527-528(2)

  94. Ginsburg, Michael Peled.;
    Pseudonym, Epigraphs, and Narrative Voice: Middlemarch and the Problem of Authorship. In: ELH, Vol. 47, No. 3 (Autumn, 1980), pp. 542-558(17)

  95. Goldman, Paul.;
    A New Portrait of George Eliot? In: The British Library Journal, vol. 8, no. 2, 1982 Autumn, pp. 174-181(8)

  96. Goodman, Charlotte.;
    The Lost Brother, the Twin: Women Novelists and the Male-Female Double Bildungsroman. In: Novel: A Forum on Fiction 17 (1983): pp. 28-43(16)

  97. Gordon, Jan B.;
    Origins, Middlemarch, Endings: George Eliot's Crisis of the Antecedent. In: Smith, Anne, George Eliot: Centenary Essays and an Unpublished Fragment, Totowa, NJ, Barnes & Noble, 1980, pp. 124-151(28)

  98. Gordon, Jan.;
    Affiliation as (Dis)semination: Gossip and Family in George Eliot's European Novel. In: Journal of European Studies 15 (1985): pp. 155-189(35)

  99. Grant, Judith Skelton.;
    Italians with White Mice in Middlemarch and Little Dorrit. In: English Language Notes, 16(1979), pp. 232-234(3)

  100. Graver, Suzanne.;
    Modeling Natural History: George Eliot's Framings of the Present. In: Studies in the Novel, vol. 15, no. 1, 1983 Spring, pp. 26-34(9)

  101. Gray, B M.;
    Pseudoscience and George Eliot's 'The Lifted Veil'. In: Nineteenth-Century Fiction, vol. 36, no. 4, 1982 Mar, pp. 407-423(17)

  102. Greenberg, Robert A.;
    Plexuses and Ganglia: Scientific Allusion in Middlemarch. In: Nineteenth-Century Fiction, Vol. 30, No. 1 (Jun., 1975), pp. 33-52(20)

  103. Greenstein, Susan M.;
    The Question of Vocation: From Romola to Middlemarch. In: Nineteenth-Century Fiction, Vol. 35, No. 4 (Mar., 1981), pp. 487-505(19)

  104. Guth, Barbara.;
    Philip: The Tragedy of The Mill on the Floss. In: Studies in the Novel, Vol. 15, No. 4 (winter 1983), pp. 356-363(8)
     
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  105. Hagan, John.;
    A Reinterpretation of The Mill on the Floss. In: PMLA, 87.1 (Jan. l972): pp. 53-62(10)

  106. Haight, Gordon S.;
    The Heroine of Middlemarch. In: Victorian Newsletter, 54(1978), pp. 4-8(5)

  107. Hall, Roland.;
    Words from Middlemarch Not Noticed in O.E.D. In: Notes and Queries, 26(1979), pp. 301-304(4)

  108. Han, Ae Kyeong.;
    A Feminist Approach to Middlemarch; On Dorothea's Second Marriage. In: Korean English Studies, No.13 (1989), pp. 20-28(9)

  109. Hardy, Barbara.;
    Implication and Incompleteness: George Eliot's Middlemarch. In: The Appropriate Form: An Essay on the Novel. London: Athlone Press, 1971, p. 105-131(27)

  110. Hardy Barbara, Miller J. Hillis, Poirier Richard.;
    Middlemarch, Chapter 85: Three Commentaries. In: Nineteenth-Century Fiction, Vol. 35, No. 3, Special Issue: George Eliot, 1880-1980 (Dec., 1980), pp. 432-453(22)

  111. Harris, Margaret.;
    The Narrator of The Mill on the Floss. In: Sydney Studies, vol. 3(1977), pp. 32-46(15)

  112. Harris, Wendell V.;
    Bakhtinian Double Voicing in Dickens and Eliot. In: ELH. vol. 57(1990), no. 2, p. 445-458(14)

  113. Havely, Cicely Palser.;
    Authorization in Middlemarch. In: Essays in Criticism, vol. 40, Oct. 1990, p. 303-321(19)

  114. Hayles, N. Katherine.;
    Anger in Different Voices: Carol Gilligan and "The Mill on the Floss". In: Signs, Vol. 12, No. 1 (Autumn, 1986), pp. 23-39(17)

  115. Herbert, Christopher.;
    Preachers and the Schemes of Nature in Adam Bede. In: Nineteenth-Century Fiction, Vol. 29, No. 4 (Mar., 1975), pp. 412-427(16)

  116. Hertz, Neil.;
    Some Words in George Eliot: Nullify, Neutral, Numb, Number. In: Budick, Sanford (ed. and introd.) ; Iser, Wolfgang (ed. and introd.), Languages of the Unsayable: The Play of Negativity in Literature and Literary Theory, New York, NY, Columbia UP, 1989, ISBN: 9780231068666; pp. 280-296(17)

  117. Higdon, David Leon.;
    The Iconographic Backgrounds of Adam Bede, Chapter 15. In: Nineteenth-Century Fiction, Vol. 27, No. 2 (Sep., 1972), pp. 155-170(16)

  118. Hollahan, Eugene.;
    The Concept of 'Crisis' in Middlemarch. In: Nineteenth-Century Fiction, vol. 28, no. 4, 1974 Mar, pp. 450-457(18)

  119. Horowitz, Lenore Wisney.;
    George Eliot's Vision of Society in Felix Holt the Radical. In: Texas Studies in Literature and Language, Vol. 17, No. 1 (Spring 1975), pp. 175-191(17)

  120. Howe, Irving.;
    The Self and the State.     The Tanner Lectures of Human Values Princeton University, March 8 and 9, 1990. 50 pp.

  121. Hughes, Judith.;
    Self-Suppression & amp; Attachment: Mid-Victorian Emotional Life. In: Massachusetts Review: A Quarterly of Literature, the Arts and Public Affairs, vol. 19(1978), no. 3, pp. 541-555(15)

  122. Irwin, Michael.;
    Readings in Melodrama. In: Gregor, Ian., Reading the Victorian Novel: Detail into Form, London; Totowa, NJ, Vision; Barnes & Noble, 1980, pp. 15-31(17)
     
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  123. Jędrzejewski, Jan.;
    The Function of the Social and Political Background in the Construction of "Romola". In: Acta Universitats Lodziensis, Folia Literaria, 24. 1988, pp. 53-68(16)

  124. Johnston, Judith.;
    Middlemarch: Medieval Discourses and Will Ladislaw. In: Sydney Studies, vol. 15(1989), pp. 125-139(15)

  125. Jones, Lawrence.;
    George Eliot and Pastoral Tragicomedy in Hardy's "Far from the Madding Crowd". In: Studies in Philology, Vol. 77, No. 4 (Autumn, 1980), pp. 402-425(24)

  126. Jones, Lawrence.;
    Imagery and the 'Idiosyncratic Mode of Regard': Eliot, Hardy, and Lawrence. In: Ariel: A Review of International English Literature, vol. 12, no. 1, Jan 1981, pp. 29-49(21)

  127. Joseph, Gerhard.;
    The Antigone as Cultural Touchstone: Matthew Arnold, Hegel, George Eliot, Virginia Woolf, and Margaret Drabble. In: PMLA: Publications of the Modern Language Association of America, vol. 96, no. 1, 1981 Jan, pp. 22-35(14)

  128. Joseph, Gerhard.;
    Hegel, Derrida, George Eliot, and the Novel. In: Lit: Literature Interpretation Theory, vol. 1, no. 1-2(Dec. 1989), pp. 59-68(10)

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    George Eliot: The Intellectual vs. Intellect? In: English Studies in Africa: A Journal of the Humanities, vol. 30(1987), no. 1, pp. 17-26(10)

  130. Kearney, John P.;
    Time and Beauty in Daniel Deronda: "Was She Beautiful or not Beautiful?". In: Nineteenth-Century Fiction, Vol. 26, No. 3 (Dec., 1971), pp. 286-306(21)

  131. Kelly, Mary Ann.;
    "Daniel Deronda" and Carlyle's Clothes Philosophy. In: The Journal of English and Germanic Philology, Vol. 86, No. 4 (Oct., 1987), pp. 515-530(16)

  132. King, James Roy.;
    George Eliot's Troubled Souls: A Neglected Chapter in the History of Pastoral Counseling. In: Pastoral Psychology, VoL 38, No. 4, 1990, pp. 225-235(11)

  133. Knapp, Shoshana.;
    George Eliot and W. S. Gilbert: Silas Marner into Dan'l Druce. In: Nineteenth-Century Fiction, vol. 40, no. 4, 1986 Mar, pp. 438-459(22)

  134. Knapp, Shoshana.;
    'Joy Came in the Evening': A Note on a Serious Joke in George Eliot's Diary. In: Victorian Newsletter, 64, 1983 Fall, pp. 1-3(3)

  135. Knapp, Shoshana.;
    Tolstoj's Reading of George Eliot: Visions and Revisions. In: Slavic and East European Journal, vol. 27, no. 3, 1983 Autumn, pp. 318-326(9)

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    Middlemarch: An Avuncular View. In: Nineteenth-Century Fiction, Vol. 30, No. 1 (Jun., 1975), pp. 53-81(29)

  137. Kropf, Carl R.;
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  138. La Belle, Jenijoy.;
    Mutiny against the Mirror: Jane Eyre and "The Mill on the Floss". In: Pacific Coast Philology, Vol. 20, No. 1/2 (Nov., 1985), pp. 53-56(4)

  139. Langland, Elizabeth.;
    Promises Not Kept: Sexual Infidelity and the Vengeful George Eliot. In: Postscript, vol3(1986), pp. 53-60(8)

  140. Lawless, Elaine J.;
    The silencing of the preacher woman: The muted message of George Eliot's Adam Bede. In: Women's Studies, Vol. 18, 1990 - Issue 2-3, pp. 249-268(20)

  141. Leavis, L R.;
    George Eliot's Creative Mind: Felix Holt as the Turning-Point of Her Art. In: English Studies: A Journal of English Language and Literature, vol. 67, no. 4, Aug. 1986, pp. 311-326(16)

  142. Lee, A Robert.;
    The Mill on the Floss: 'Memory' and the Reading Experience. In: Gregor, Ian, Reading the Victorian Novel: Detail into Form, London; Totowa, NJ, Vision; Barnes & Noble, 1980, pp. 72-91(20)

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  144. Lefkovitz, Lori.;
    Delicate Beauty Goes out: "Adam Bede's" Transgressive Heroines. In: The Kenyon Review, New Series, Vol. 9, No. 3 (Summer, 1987), pp. 84-96(13)

  145. Lensing, George S.;
    Hart Crane's Tunnel from The Waste Land. In: Ariel: A Review of International English Literature, vol. 6(1975), no. 3, pp. 20-35(16)

  146. Levine, George.;
    George Eliot's Hypothesis of Reality. In: Nineteenth-Century Fiction, Vol. 35, No. 1 (Jun., 1980), pp. 1-28(28)

  147. Levine, George.;
    The Hero as Dilettante: Middlemarch and Nostromo. In: Smith, Anne, George Eliot: Centenary Essays and an Unpublished Fragment, Totowa, NJ, Barnes & Noble, 1980, pp. 152-180(29)

  148. Levine, George.;
    Politics and the Form of Disenchantment. In: College English, vol. 36, no 4(1974 Dec), pp. 422-435(14)

  149. Lisle, Bonnie J.;
    Art and Egoism in George Eliot's Poetry. In: Victorian Poetry, vol. 22, no. 3, 1984 Autumn, pp. 263-278(16)

  150. Lovesey, Oliver.;
    The Clerical Character in the Victorian Novel: George Eliot's Adam Bede. In: Newsletter of the Victorian Studies Association of Western Canada, Vol. 13, No. 2 (FALL 1987), pp. 1-14(14)

  151. Lundberg, Patricia Lorimer.;
    George Eliot: Mary Ann Evans's Subversive Tool in Middlemarch? In: Studies in the Novel, XVIII/3 (1986), pp. 270-282(13)
     
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  152. Makurath, Paul A.;
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  153. Malmgren, Carl D.;
    Reading Authorial Narration: The Example of The Mill on the Floss. In: Poetics Today, 7.3 (1986): pp. 471-494(24)

  154. Mann, Karen B.;
    George Eliot and Wordsworth: The Power of Sound and the Power of Mind. In: Studies in English Literature, 1500-1900, Vol. 20, No. 4, Nineteenth Century (Autumn, 1980), pp. 675-694(20)

  155. Mann, Karen B.;
    George Eliot's Language of Nature: Production and Consumption. In: ELH, Vol. 48, No. 1 (Spring, 1981), pp. 190-216(27)

  156. Marks, Sylvia Kasey.;
    A Brief Glance at George Eliot's The Spanish Gypsy. In: Victorian Poetry, vol. 21, no. 2, 1983 Summer, pp. 184-190(7)

  157. Martin, Bruce K.;
    Rescue and Marriage in Adam Bede. In: Studies in English Literature, 1500-1900, Vol. 12, No. 4, Nineteenth Century (Autumn, 1972), pp. 745-763(19)

  158. Martin, Bruce K.;
    Similarity Within Dissimilarity: The Dual Structure of Silas Marner. In: Texas Studies in Literature and Language: A Journal of the Humanities, vol. 14(1972). pp. 479-489(11)

  159. Martin, Carol A.;
    Contemporary Critics and Judaism in "Daniel Deronda". In: Victorian Periodicals Review, Vol. 21, No. 3 (Fall, 1988), pp. 90-107(18)

  160. Mason, Kenneth M, Jr.;
    George Eliot's The Mill on the Floss: Tragic Harvest and Pastoral Deceit. In: Journal of Narrative Technique, vol. 15, no. 2(Spring 1985), pp. 169-182(14)

  161. Mason, Michael York.;
    Middlemarch and History. In: Nineteenth-Century Fiction, Vol. 25, No. 4 (Mar., 1971), pp. 417-431(15)

  162. Mason, Michael York.;
    Middlemarch and Science: Problems of Life and Mind. In: Review of English Studies, vol. 22(1971): p. 151-169(19)

  163. Matus, Jill L.;
    Saint Teresa, Hysteria, and Middlemarch. In: Journal of the History of Sexuality, Vol. 1, No. 2 (Oct., 1990), pp. 215-240(26)

  164. McCarron, Robert.;
    Evil and Eliot's Religion of Humanity: Grandcourt in Daniel Deronda. In: Ariel: A Review of International English Literature, vol. 11(1980), no. 1, pp. 71-88(19)

  165. McCobb, E A.;
    Aaron Bernstein's Mendel Gibbor: A Minor Source for Daniel Deronda? In: English Language Notes, 14(1976), pp. 42-43(2)

  166. McCobb, E. A.;
    "Daniel Deronda" as Will and Representation: George Eliot and Schopenhauer. In: The Modern Language Review, Vol. 80, No. 3 (Jul., 1985), pp. 533-549(17)

  167. McCobb, E.A.;
    'Keller's influence on The Mill on the Floss: a reassessment'. In: German Life and Letters, New series Vol. XXXIII No. 3, April 1980, pp. 199-208(10)

  168. McCormack, Kathleen.;
    George Eliot: Wollstonecraft's 'Judicious Person with Some Turn for Humour'. In: English Language Notes, vol. 19, no. 1, Sept 1981, pp. 44-46(3)

  169. McCormack, Kathleen.;
    George Eliot's Earliest Prose: The Coventry Herald and the Coventry Fiction. In: Victorian Periodicals Review, vol. 19, no. 2, 1986 Summer, pp. 57-62(6)

  170. McCormack, Kathleen.;
    The Sybil and the Hyena: George Eliot's Wollstonecraftian Feminism. In: Dalhousie Review, vol. 63, no. 4, 1983-1984 Winter, pp. 602-614(13)

  171. McGowan, John P.;
    The Turn of George Eliot's Realism. In: Nineteenth-Century Fiction, Vol. 35, No. 2 (Sep., 1980), pp. 171-192(22)

  172. McKenzie, P.;
    George Eliot's Nightmare, Proust's Realism. In: The Modern Language Review, vol. 79, no. 4, 1984 Oct. pp. 810-816(7)

  173. Meckier, Jerome.;
    'That Arduous Invention': Middlemarch versus the Modern Satirical Novel. In: Ariel: A Review of International English Literature, vol. 9(1978), no. 4, pp. 31-63(33)

  174. Meikle, Susan.;
    Fruit and Seed: The Finale to Middlemarch. In: Smith, Anne, George Eliot: Centenary Essays and an Unpublished Fragment, Totowa, NJ, Barnes & Noble, 1980, pp. 181-195(15)

  175. Miller, J Hillis.;
    Narrative and History. In: ELH, vol. 41, no. 3, Fall 1974, pp. 455-473(19)

  176. Miller, Nancy K.;
    Emphasis Added: Plots and Plausibilities in Women's Literature. In: PMLA 96.1 (1981): pp. 36-48(13)

  177. Millet, Stanton.;
    The Union of "Miss Brooke" and "Middlemarch": A Study of the Manuscript. In: The Journal of English and Germanic Philology, Vol. 79, No. 1 (Jan., 1980), pp. 32-57(26)

  178. Mitchell, Judith.;
    George Eliot and the Problematic of Female Beauty. In: Modern Language Studies, vol. 20, no. 3, 1990 Summer, pp. 14-28(15)

  179. Murdoch, John.;
    English Realism: George Eliot and the Pre-Raphaelites. In: Journal of the Warburg and Courtauld Institutes, Vol. 37 (1974), pp. 313-329(17)

  180. Myers, William.;
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  181. Neufeldt, Victor A.;
    The Madonna and the Gypsy. In: Studies in the Novel, Vol. 15, No. 1, George Eliot (spring 1983), pp. 44-54(11)

  182. New, P.;
    Chance, Providence and Destiny in George Eliot's Fiction. In: Journal of the English Association, 34 (1985), no. 150, pp. 191-208(18)

  183. Newton, K. M.;
    Byronic egoism and George Eliot'sThe Spanish Gypsy. In: Neophilologus, October 1973, Vol. 57, Issue 4, pp 388-400(13)

  184. Newton, K M.;
    Historical Prototypes in Middlemarch. In: English Studies: A Journal of English Language and Literature, vol. 56(1975), pp. 403-408(6)

  185. Nicholes, Joseph.;
    Vertical Context in Middlemarch: George Eliot's Civil War of the Soul. In: Nineteenth-Century Literature, Vol. 45, No. 2 (Sep., 1990), pp. 144-175(32)

  186. Novy, Marianne.;
    Daniel Deronda and George Eliot's Female (Re)Vision of Shakespeare. In: Studies in English Literature, 1500-1900, Vol. 28, No. 4, Nineteenth Century (Autumn, 1988), pp. 671-692(22)
     
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  187. Pace, Timothy.;
    Who Killed Gwendolen Harleth? "Daniel Deronda" Keats's "Lamia". In: The Journal of English and Germanic Philology, Vol. 87, No. 1 (Jan., 1988), pp. 35-48(14)

  188. Palliser, Charles.;
    Adam Bede and 'the Story of the Past'. In: Smith, Anne, George Eliot: Centenary Essays and an Unpublished Fragment, Totowa, NJ, Barnes & Noble, 1980, pp. 55-76(22)

  189. Patrick, Anne E.;
    Rosamond Rescued: George Eliot's Critique of Sexism in "Middlemarch". In: The Journal of Religion, Vol. 67, No. 2, Women and Religion (Apr., 1987), pp. 220-238(19)

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    George Eliot and the City: The Imprisonment of Culture. In: Squier, Susan Merrill (ed.)., Women Writers and the City: Essays in Feminist Literary Criticism. Knoxville, U of Tennessee P, 1984, pp. 71-96(26 )

  191. Pell, Nancy.;
    The Fathers' Daughters in Daniel Deronda. In: Nineteenth-Century Fiction, Vol. 36, No. 4 (Mar., 1982), pp. 424-451(28)

  192. Peltason, Timothy.;
    Imagination and Learning in George Eliot, Mill, and Dickens. In: Essays in Criticism: A Quarterly Journal of Literary Criticism, vol. 38, no. 1, Jan 1988, pp. 35-54(20)

  193. Pope, Rebecca A.;
    The Diva Doesn't Die: George Eliot's "Armgart". In: Criticism, Vol. 32, No. 4 (fall, 1990), pp. 469-483(15)

  194. Postlethwaite, Diana.;
    Making it whole: A Victorian Circle and the Shape of Their World.     Ohio State University Press, 1984. ISBN 0-8142-0372-8; 282 pp.

  195. Postlethwaite, Diana.;
    When George Eliot Reads Milton: The Muse in a Different Voice. In: ELH. vol. 57(1990). pp. 197-221(25)

  196. Preston, John.;
    The Community of the Novel: Silas Marner. In: Comparative Criticism: A Yearbook, 2(1980), pp. 109-130(22)

  197. Preyer, Robert O.;
    The Language of Discovery: William Whewell and George Eliot. In: Browning Institute Studies, Vol. 16, Victorian Learning (1988), pp. 123-152(30)

  198. Putzell, Sara M.;
    The Importance of Being Gwendolen: Contexts for George Eliot's Daniel Deronda. In: Studies in the Novel, vol. 19, no. 1, 1987 Spring, pp. 31-45(15)

  199. Putzell, Sara M.;
    'An Antagonism of Valid Claims': The Dynamics of The Mill on the Floss. In: Studies in the Novel, vol. 7(1975), pp. 227-244(18)

  200. Putzell, Sara Moore.;
    The Search for a Higher Rule: Spiritual Progress in the Novels of George Eliot. In: Journal of the American Academy of Religion, Vol. 47, No. 3 (Sep., 1979), pp. 389-407(19)

  201. Putzell-Korab, Sara M.;
    The Role of the Prophet: The Rationality of Daniel Deronda's Idealist Mission. In: Nineteenth-Century Fiction, Vol. 37, No. 2 (Sep., 1982), pp. 170-187(18)
     
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  202. Quick, Jonathan R.;
    Silas Marner as Romance: The Example of Hawthorne. In: Nineteenth-Century Fiction, Vol. 29, No. 3 (Dec., 1974), pp. 287-298(12)

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    'The Flash of Fervour': Daniel Deronda. In: Gregor, Ian, Reading the Victorian Novel: Detail into Form, London; Totowa, NJ, Vision; Barnes & Noble, 1980, pp. 253-273(21)

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    Daniel Deronda: A View of Grandcourt. In: Studies in the Novel, Vol. 17, No. 4 (winter 1985), pp. 371-382(12)

  205. Reed, John R; Herron, Jerry.;
    George Eliot's Illegitimate Children. In: Nineteenth-Century Fiction, vol. 40, no. 2, 1985 Sept, pp. 175-186(12)

  206. Reisner, Thomas A.;
    The Error of Her Days: Dtings and Misdatings in George Eliot's Adam Bede. In: Newsletter of the Victorian Studies Association of Western Canada, Vol. 9, No. 1 (SPRING 1983), pp. 1-7(7)

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    "Middlemarch ": A Feminist Perspetive. In: Studies in the Novel, Vol. 15, No. 1, George Eliot (spring 1983), pp. 55-61(7)

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    Middlemarch and the Wordsworthian Imagination. In: English Studies: A Journal of English Language and Literature, vol. 58(1977), pp. 411-425(15)

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    The Weaver of Raveloe: Metaphor as Narrative Persuation in "Sils Matner". In: Studies in the Novel, Vol. 15, No. 1, George Eliot (spring 1983), pp. 35-43(9)

  210. Rogal, Samuel J.;
    Hymns in George Eliot's Fiction. In: Nineteenth-Century Fiction, Vol. 29, No. 2 (Sep., 1974), pp. 173-184(12)

  211. Rogers, Philip.;
    Lessons for Fine Ladies: Tolstoj and George Eliot's Felix Holt, the Radical. In: Slavic and East European Journal, vol. 29, no. 4, 1985 Winter, pp. 379-392(14)

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    George Eliot and the Victorian 'Historical Imagination'. In: Victorian Newsletter, 61, 1982 Spring ; ISSN: 0042-5192, pp. 1-5(5)

  213. Rosenman, Ellen B.;
    Women's Speech and the Roles of the Sexes in Daniel Deronda. In: Texas Studies in Literature and Language. Austin: Summer 1989. vol. 31, no. 2; p. 237-256(20)

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    George Eliot as a Type of European Intellectual. In: History of European Ideas, vol. 7(1986), no. 1, pp. 47-65(19)

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    'Melting Outlines in Daniel Deronda. In: Studies in the Novel. 22:1 (Spring 1990): pp. 10-18(9)
     
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    Brunetière, Montégut: And George Eliot. In: The Modern Language Review, Vol. 66, No. 1 (Jan., 1971), pp. 66-75(10)

  218. Showalter, Elaine.;
    The Greening of Sister George. In: Nineteenth-Century Fiction, vol. 35, no. 3, Dec. 1980, pp. 292-311(20)

  219. Shuttleworth, Sally.;
    The Language of Science and Psychology in George Eliot's Daniel Deronda. In: Annals of the New York Academy of Sciences, Volume 360(1981) Victorian Science and Victorian Values: Literary Perspectives, pp. 269-298(30)

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    "The Fashion of Sentiment": Allusive Technique and the Sonnets of "Middlemarch". In: Studies in Philology, Vol. 84, No. 2 (Spring, 1987), pp. 219-244(26)

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    Eliot's 'red rock' and Norris's McTeague. In: Notes and Queries, 20(1973), pp. 330-331(2)

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    C. Bronte's Jane Eyre and G. Eliot's Middlemarch. In: Explicator, vol. 43, no. 3(1985 Spring), pp. 10-11(2)

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    Stowe and Eliot: An Epistolary Friendship. In: Biography: An Interdisciplinary Quarterly, vol. 9, no. 1, 1986 Winter, pp. 59-81(22)

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    Adam Bede and the Locus Amoenus. In: SEL: Studies in English Literature, 1500-1900, vol. 13, no. 4, Autumn 1973, pp. 670-676(7)

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    The Voices of the Essayist. In: Nineteenth-Century Fiction, Vol. 35, No. 3, Special Issue: George Eliot, 1880-1980 (Dec., 1980), pp. 312-330(19)

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    Anality in The Mill on the Floss. In: Novel: A Forum on Fiction 5.1 (1971): pp. 42-53(12)

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    Subjective to Objective: A Career Pattern in Jane Austen, George Eliot, and Contemporary Women Novelists. In: ARIEL: A Review of International English Literature, vol. 18, no. 1, Jan 1987, pp. 55-61(7)

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    The Web of Utterance: Middlemarch. In: Texas Studies in Literature and Language: A Journal of the Humanities, vol. 19(1977), pp. 179-187(9)

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    Piero di Cosimo and the Higher Primitivism in Romola. In: Nineteenth-Century Fiction, Vol. 26, No. 4 (Mar., 1972), pp. 390-405(16)

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    The Allusion to Jenny Lind in Daniel Deronda. In: Nineteenth-Century Fiction, Vol. 29, No. 2 (Sep., 1974), pp. 211-214(4)

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    The Sketch of the Three Masks in Romola. In: Victorian Newsletter, 41(1972), pp. 9-13(5)

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    The Fiction Earning Patterns of Thackeray, Dickens, George Eliot and Trollope. In: Browning Institute Studies, Vol. 7 (1979), pp. 71-92(22)

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