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Shakespeare's Hamlet 研究論文(2) : 2001-2005

　　シェイクスピアの悲劇「ハムレット(Hamlet)」の2001-2005年に刊行された研究論文を紹介しています。
　ここで紹介する論文・書評は企画商品CD「イギリス文学論文撰」の「シェイクスピアの作品研究論文」の項 Hamlet (2): 2001-2005年刊行論文集に収録しています。

　他の時期やテーマの論文は次のリンクを参照して下さい。
　　Hamlet (1):2006-2011；

　リストの論文はすべてPDFファイルでご提供されます。

　[2001-2005年論文リスト]

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  1. Aasand, Hardin L.;
    'Pah! Puh!': Hamlet, Yorick, and the Chopless Stage Direction.  In: Aasand, Hardin L. (ed. and introd.); Rasmussen, Eric (afterword)., Stage Directions in Hamlet: New Essays and New Directions. Madison, NJ; London, England: Fairleigh Dickinson UP; Associated UP; 2003. 234 pp. ISBN: 9780838639467; pp. 214-225(12)

  2. Abbate, Alessandro;
    'To Be or Inter-Be': Almereyda's End-of-Millennium Hamlet.  In: Literature Film Quarterly, 2004; 32 (2): pp. 82-89(8)

  3. Acheson, Katherine O.;
    Hamlet, Synecdoche and History: Teaching the Tropes of 'New Remembrance'.  In: College Literature, 2004 Fall; 31 (4): pp. 111-134 (24)

  4. Ackerman, Alan L., Jr.;
    Visualizing Hamlet's Ghost: The Spirit of Modern Subjectivity.  In: Theatre Journal, 2001 Mar; 53 (1): pp. 119-144(26)

  5. Aebischer, Pascale.;
    Yorick's Skull: Hamlet's Improper Property.  In: EnterText: An Interactive Interdisciplinary E-Journal for Cultural and Historical Studies and Creative Work, 2001 Spring; 1 (2): pp. 206-225 (20)

  6. Alter, Iska.;
    'To See or Not to See': Interpolations, Extended Scenes, and Musical Accompaniment in Kenneth Branagh's Hamlet.  In: Aasand, Hardin L. (ed. and introd.); Rasmussen, Eric (afterword)., Stage Directions in Hamlet: New Essays and New Directions. Madison, NJ; London, England: Fairleigh Dickinson UP; Associated UP; 2003. 234 pp. ISBN: 9780838639467; p. 161-169(9)

  7. Ashley, Leonard R. N.;
    The Observed of All Observers: Hamlet on the Stage.  In: Hamlet Studies: An International Journal of Research on The Tragedie of Hamlet, Prince of Denmarke, 2002; 24: pp. 39-55 (17) ISSN: 0256-2480

  8. Atchley, Clinton P. E.;
    Reconsidering the Ghost in Hamlet: Cohesion or Coercion?  In: Philological Review, 2002 Fall; 28 (2): pp. 5-20(16)
     
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  9. Baughn, Gary.;
    The Skull beneath the Skin: Truth and Death in Hamlet.  In: Journal of the Wooden O Symposium, 2002; 2: pp. 9-27(19) ISSN: 1539-5758

  10. Bell, Millicent.;
    Introduction. Hamlet, Othello, King Lear, and Macbeth. Shakespeare's tragic skepticism / Millicent Bell. Yale College, 2002. ISBN 0-3---09255-5; pp. 1-28(28)

  11. Belsey, Catherine.;
    'Was Hamlet a Man or a Woman?': The Prince in the Graveyard, 1800-1920.  In: Kinney, Arthur F. (ed. and introd.) Hamlet: New Critical Essays. New York, NY: Routledge; 2002. x, 246 pp. ISBN: 9780815338765; pp. 134-158(15)

  12. Betts, Stephen C.;
    "To Be Or Not To Be?": Hamlet and Motivation Theory.  In: Allied Academies International Conference. Academy of Organizational Culture, Communications and Conflict. Proceedings. Cullowhee: 2002. Vol. 7, no. 2; p. 1-5 (5)

  13. Blake, N.F.;
    Phrasal Verbs and Associated Forms in Shakespeare.  In: Atlantis: Revista de la Asociacion Espanola de Estudios Anglo-Norteamericanos, 2002 June; 24 (2): pp. 25-39(15)

  14. Boris, Edna Zwick.;
    To Soliloquize or Not to Soliloquize-Hamlet's 'To Be' Speech in Q1 and Q2/F.  In: Aasand, Hardin L. (ed. and introd.); Rasmussen, Eric (afterword)., Stage Directions in Hamlet: New Essays and New Directions. Madison, NJ; London, England: Fairleigh Dickinson UP; Associated UP; 2003. 234 pp. ISBN: 9780838639467; pp. 115-133(19)

  15. Botelho, Keith M.;
    'Look on This Picture, and on This': Framing Shakespeare in William Wells Brown's The Escape.  In: Comparative Drama, 2005 Summer; 39 (2): pp. 187-212 (26) ISSN: 0010-4078

  16. Bouchard, Marc-Andre.;
    Mephisto against Hamlet: The Internal Tyranny and Seduction of Primitive Idealization.  In: Canadian Journal of Psychoanalysis. Montreal: Spring 2002. Vol. 10, no. 1; pp. 91-114 (24)

  17. Bourus, Terri.;
    Shakespeare and the London Publishing Environment: The Publisher and Printers of Q1 and Q2 Hamlet.  In: Analytical & Enumerative Bibliography, 2001; 12 (3-4): pp. 206-228 (23) ISSN: 0161-0376

  18. Bourus, Terri.;
    The First Quarto of Hamlet in Film: The Revenge Tragedies of Tony Richardson and Franco Zeffirelli.  In: EnterText: An Interactive Interdisciplinary E-Journal for Cultural and Historical Studies and Creative Work, 2001 Spring; 1 (2): pp. 180-191(12)

  19. Bowman, Cindy. & Pieters, Brendan.;
    Shakespeare, Our Contemporary: Using Technology to Teach the Bard.  In: The English Journal , Vol. 92, No. 1, Shakespeare for a New Age (Sep., 2002), pp. 88-93(6)

  20. Boyd, Brian.;
    Literature and Ecolution: A Bio-Cultural Approach.  In: Philosophy and Literature. Dearborn: Apr 2005. Vol. 29, Iss. 1; pp. 1-23 (23)

  21. Brailow, David G.;
    ''Tis Heere. 'Tis Gone.' The Ghost in the Text.  In: Aasand, Hardin L. (ed. and introd.); Rasmussen, Eric (afterword)., Stage Directions in Hamlet: New Essays and New Directions. Madison, NJ; London, England: Fairleigh Dickinson UP; Associated UP; 2003. 234 pp. ISBN: 9780838639467; pp. 101-114(14)

  22. Bray, Peter.;
    Hamlet's Transformation: An Application of Stanislav Grof's Holotropic Theory to Adolescents Who Are Experiencing Grief and Loss. A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy in Education at the University of Auckland, 2005. 457 pp.

  23. Breuer, Horst.;
    Hamlet's 'Dram of Eale' Reconsidered.  In: Notes and Queries, 2003 Dec; 50 (248) (4): pp. 416-419(4)

  24. Bronfen, Elisabeth.;
    The Conspiracy of Gender: Hamlet's and Ophelia's Passionate Histrionics.  In: Shakespeare Jahrbuch, 2004; 140: pp. 66-80(15)

  25. Brotton, Jerry.;
    Ways of Seeing Hamlet.  In: Kinney, Arthur F. (ed. and introd.) Hamlet: New Critical Essays. New York, NY: Routledge; 2002. x, 246 pp. ISBN: 9780815338765; pp. 161-178(18)

  26. Burnett, Mark Thornton.;
    'To Hear and See the Matter': Communicating Technology in Michael Almereyda's Hamlet (2000).  In: Cinema Journal, 2003 Spring; 42 (3): pp. 48-69 (22)
     
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  27. Catania, Saviour.;
    'The Beached Verge': On Filming the Unfilmable in Grigori Kozintsev's Hamlet.  In: EnterText: An Interactive Interdisciplinary E-Journal for Cultural and Historical Studies and Creative Work, 2001 Spring; 1 (2): pp. 302-316(15)

  28. Cathcart, Charles.;
    Hamlet: Date and Early Afterlife.  In: Review of English Studies: A Quarterly Journal of English Literature and the English Language, 2001 Aug; 52 (207): pp. 341-359 (19)

  29. Cathcart, Charles.;
    Histriomastix, Hamlet, and the 'Quintessence of Duckes'.  In: Notes and Queries, 2003 Dec; 50 (248) (4): pp. 427-30(4)

  30. Clary, Frank Nicholas.;
    Pictures in the Closet: Properties and Stage Business in Hamlet 3.4.  In: Aasand, Hardin L. (ed. and introd.); Rasmussen, Eric (afterword)., Stage Directions in Hamlet: New Essays and New Directions. Madison, NJ; London, England: Fairleigh Dickinson UP; Associated UP; 2003. 234 pp. ISBN: 9780838639467; pp. 170-188(19)

  31. Crewe, Jonathan.;
    Black Hamlet: Psychoanalysis on Trial in South Africa.  In: Poetics Today, 2001 Summer; 22 (2): pp. 413-433(21)

  32. Croxford, Leslie.;
    The Uses of Interpretation in Hamlet.  In: Alif: Journal of Comparative Poetics, 2004; 24: 93-120 (28) ISSN: 1110-8673
     
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  33. Danner, Bruce.;
    Speaking Daggers.  In: Shakespeare Quarterly, 2003 Spring; 54 (1): pp. 29-62(34)

  34. De Grazia, Margreta.;
    Hamlet Before its Time.  In: Modern Language Quarterly: A Journal of Literary History, 2001 Dec; 62 (4): pp. 355-375(21)

  35. De Grazia, Margreta.;
    When Did Hamlet Become Modern?  In: Textual Practice, 2003 Winter; 17 (3): pp. 485-503 (19) ISSN: 0950-236X

  36. Dean, Paul.;
    The Afterlife of Hamlet.  In: English Studies: A Journal of English Language and Literature, 2002 Dec; 83 (6): pp. 519-526(8)

  37. Deans, Thomas.;
    Writing, Revision, and Agency in Hamlet.  In: Exemplaria: A Journal of Theory in Medieval and Renaissance Studies, 2003 Spring; 15 (1): pp. 223-243(21) ISSN: 1041-2573

  38. Demastes, William W.;
    Hamlet in His World: Shakespeare Anticipates/Assaults Cartesian Dualism.  In: Journal of Dramatic Theory and Criticism, 2005 Fall; 20 (1): pp. 27-39 (13)

  39. Dente, Carla.;
    Elusiveness of Revenge and Impossibility of Tragedy: Shakespeare's Hamlet and Pirandello's Enrico IV.  In: Ilha do Desterro: A Journal of Language and Literature, 2005 July-Dec; 49: pp. 159-194 (36)

  40. Dickson, Peter W.;
    BARDGATE Was Shakespeare a Secret Catholic?  In: The Oxfordian, Vol. VI(2003), pp. 109-132(24)

  41. Dilworth, John.;
    The Fictionality of Plays.  In: Journal of Aesthetics and Art Criticism, 2002 Summer; 60 (3): pp. 263-273(11)

  42. Drábek, Pavel.;
    František Nevrla's translation of "Hamlet".  In: Brno studies in English, vol. 31 (2005), pp. 119-127(9)

  43. Draudt, Manfred.;
    The Comedy of Hamlet.  In: Atlantis: Revista de la Asociacion Espanola de Estudios Anglo-Norteamericanos, 2002 June; 24 (1): pp. 71-83(13)

  44. Duquette, Elizabeth.;
    Pour faire une Hamlette: Freud, Kierkegaard, Lacan.  In: Literature and Psychology, 2003; 49 (1-2): pp. 1-38(38) ISSN: 0024-4759
     
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  45. Eddy, Charmane.;
    Labor, Economy, and Desire: Rethinking American Nationhood through Yoknapatawpha.  In: Mississippi Quarterly: The Journal of Southern Cultures, 2004 Fall; 57 (4): pp. 569-591(23) ISSN: 0026-637X

  46. Edwards, Philip.;
    The Dyer's Infected Hand: The Sonnets and the Text of Hamlet.  In: Kinney, Arthur F. (ed. and introd.) Hamlet: New Critical Essays. New York, NY: Routledge; 2002. x, 246 pp. ISBN: 9780815338765; pp. 101-111(11)

  47. Egan, Gabriel (ed. and introd.).;
    Hamlet on Screen.  In: EnterText: An Interactive Interdisciplinary E-Journal for Cultural and Historical Studies and Creative Work, 2001 Spring; 1 (2): pp. 171-179 (9)

  48. Ehrlich, Jeremy.;
    The search for the Hamlet 'director's cut'.  In: English Studies. Amsterdam: Nov 2002. Vol. 83, no. 5; pp. 399-406(8)

  49. Emmerichs, Sharon.;
    Inside-Out and Outside-In: Landscape and the Unnatural in Shakespeare's Hamlet and Macbeth.  In: The Upstart Crow. Clemson: 2003. Vol. 23; p. 39-51(13)

  50. Erickson, Peter.;
    Can We Talk About Race in Hamlet?  In: Kinney, Arthur F. (ed. and introd.) Hamlet: New Critical Essays. New York, NY: Routledge; 2002. x, 246 pp. ISBN: 9780815338765; pp. 207-213(7)

  51. Evans, David H.;
    Mobile Home: Pragmatism and The Hamlet.  In: The Mississippi Quarterly. Mississippi State: Summer 2005. Vol. 58, no. 3/4; p. 463-493 (31)

  52. Fedderson, Kim.;
    Hamlet 9/11: Sound, Noise, and Fury in Almereyda's Hamlet.  In: College Literature, 2004 Fall; 31 (4): pp. 150-170(21)

  53. Fernandez, Enrique.;
    Bare-Bones Humour in Hamlet (5.1) and Don Quixote (1, 19).  In: Hamlet Studies: An International Journal of Research on The Tragedie of Hamlet, Prince of Denmarke, 2002; 24: pp. 26-38(13) ISSN: 0256-2480

  54. Flaherty, Kate.;
    Theatre and Metatheatre in Hamlet.  In: Sydney Studies in English, Vol 31 (2005), pp. 3-20(18)

  55. Fleissner, Robert F.;
    Stevens's Emperor of Ice-Cream and the Dark Wake Once More: Enter Hamlet and Luther.  In: Aligarh Journal of English Studies, 2001; 23 (1-2): pp. 1-16 (16) ISSN: 0258-0365

  56. Foakes, R. A.;
    'Armed at Point Exactly': The Ghost in Hamlet.  In: Shakespeare Survey: An Annual Survey of Shakespeare Studies and Production, 2005; 58: pp. 34-47 (14) ISSN: 0080-9152

  57. Foakes, R. A.;
    Hamlet's Neglect of Revenge.  In: Kinney, Arthur F. (ed. and introd.) Hamlet: New Critical Essays. New York, NY: Routledge; 2002. x, 246 pp. ISBN: 9780815338765; pp. 85-99(15)

  58. Freeman, Arthur.;
    Did Halliwell Steal and Mutilate the First Quarto of Hamlet?  In: Library: The Transactions of the Bibliographical Society, 2001 Dec; 2 (4): pp. 349-363(15)

  59. Freeman, David.;
    Shakespeare and Philosophy. Lecture delivered to the Seminar of Philosophy of Culture and Axiology, "Al. I.Cuza" University of Iasi, on May 5, 2005. pp. 40-49(10)

  60. Fulton, Lorie Watkins.;
    He's a Bitch: Gender and Nature in The Hamlet.  In: Mississippi Quarterly: The Journal of Southern Cultures, 2005 Summer-Fall; 58 (3-4): 441-462 (22)
     
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  61. Gana, Nouri.;
    Remembering Forbidding Mourning: Repetition, Indifference, Melanxiety, Hamlet.  In: Mosaic: A Journal for the Interdisciplinary Study of Literature, 2004 June; 37 (2): pp. 59-78 (20)

  62. Garnier, Marie-D.;
    Hamlet: Selected Letters between Derrida and Deleuze.  In: Oxford Literary Review, 2003; 25: pp. 63-77(15)

  63. Gervin, Mary A.;
    The Monodrama Maud: Tennyson's Little Hamlet.  In: CLA Journal, 2005 Mar; 48(3): pp. 274-289(16)

  64. Godden, Richard.;
    Comparative Cows: Or, Reading The Hamlet for Its Residues.  In: ELH, 2003 Summer; 70 (2): pp. 597-623(27)

  65. Goldman, Peter.;
    Hamlet's Ghost: A Review Article.  In: Anthropoetics: The Electronic Journal of Generative Anthropology, 2001 Spring-Summer; 7 (1): 9 paragraphs.

  66. Gooch, Bryan N. S.;
    Hamlet as Hero: The Necessity of Virtue.  In: Hamlet Studies: An International Journal of Research on The Tragedie of Hamlet, Prince of Denmarke, 2001; 23: pp. 50-58 (9) ISSN: 0256-2480

  67. Górski, Tomasz P.;
    Selected Aspects of Verse Translation: William Shakespeare's Hamlet and Its Polish Translations by Stanisław Barańczak and Maciej Słomczyński.  In: Brno Studies in English: Sborník Prací Filozofické Fakulty Brnĕnské Univerzity, S: Řada Anglisticá/Series Anglica, 2004; 30 (10): pp. 103-115 (13)

  68. Grace, Tiffany.;
    Hamlet and Protestant Aural Theater.  In: Christianity and Literature, 2003 Spring; 52 (3): pp. 307-332(26)

  69. Greene, Robert W.;
    Ever Faithful to Presence: Yves Bonnefoy on Delacroix's Hamlet and on Shakespeare.  In: French Review, 2001 Feb; 74 (3): pp. 506-517 (12)

  70. Grimmett, Roxanne.;
    'By Heaven and Hell': Re-Evaluating Representations of Women and the Angel/Whore Dichotomy in Renaissance Revenge Tragedy.  In: Journal of International Women's Studies, 2005 July; 6 (3): pp. 31-39 (9)
     
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  71. Hadfield, Andrew.;
    The Power and Rights of the Crown in Hamlet and King Lear: 'The King-the King's to Blame'.  In: Review of English Studies: The Leading Journal of English Literature and the English Language, 2003 Nov; 54 (217): pp. 566-586(21)

  72. Haskell, Eric T.;
    Drawn to the Page: Hamlet and Illustration as Interpretation.  In: Mime Journal. Claremont: 2002/2003. pp. 104-123(20)

  73. Hawkes, Terence.;
    The Old Bill.  In: Kinney, Arthur F. (ed. and introd.) Hamlet: New Critical Essays. New York, NY: Routledge; 2002. x, 246 pp. ISBN: 9780815338765; pp. 177-191(15)

  74. Hedrick, Donald.;
    The Bard of Enron: From Shakespace to Noir Humanism.  In: College Literature. West Chester: Fall 2004. Vol. 31, no. 4; pp. 19-44 (26)

  75. Hidalgo, Pilar.;
    On Reading Harold Bloom's Shakespeare: The Invention of the Human.  In: SEDERI: Journal of the Spanish Society for English Renaissance Studies, vol. 12(2002). ISSN 1135-7789; pp. 51-68(18)

  76. Hillman, Ben.;
    The Rise of the Community in Rural China: Village Politics, Cultural Identity and Religious Revival in a Hui Hamlet.  In: The China Journal, No. 51 (Jan., 2004), pp. 53-73(21)

  77. Hirschfeld, Heather.;
    Hamlet's 'first Corse': Repetition, Trauma, and the Displacement of Redemptive Typology.  In: Shakespeare Quarterly, 2003 Winter; 54 (4): pp. 424-448 (25)

  78. Hirsh, James.;
    Hamlet's Stage Directions to the Players.  In: Aasand, Hardin L. (ed. and introd.); Rasmussen, Eric (afterword)., Stage Directions in Hamlet: New Essays and New Directions. Madison, NJ; London, England: Fairleigh Dickinson UP; Associated UP; 2003. 234 pp. ISBN: 9780838639467; pp. 47-73(27)

  79. Hirsh, Janet.;
    To Take Arms against a Sea of Anomalies: Laurence Olivier's Film Adaptation of Act Three, Scene One of Hamlet.  In: EnterText: An Interactive Interdisciplinary E-Journal for Cultural and Historical Studies and Creative Work, 2001 Spring; 1 (2): pp. 192-203(12)

  80. Holderness, Graham.;
    Vanishing Point: Looking for Hamlet.  In: Shakespeare, 2005 June-Dec; 1(1-2): pp. 154-173(20) ISSN: 1745-0918

  81. Holland, Peter.;
    Editing for Performance: Dr. Johnson and the Stage.  In: Ilha do Desterro: A Journal of Language and Literature, 2005 July-Dec; 49: pp. 75-98 (24)

  82. Hopkins, Lisa.;
    'Denmark's a Prison': Branagh's Hamlet and the Paradoxes of Intimacy.  In: EnterText: An Interactive Interdisciplinary E-Journal for Cultural and Historical Studies and Creative Work, 2001 Spring; 1 (2): pp. 226-246(21)

  83. Houliston, Victor.;
    Offstage! Shakespeare and The Naive Reader.  In: Shakespeare in Southern Africa Vol. 17, 2005, pp. 45-51(7)

  84. Huang, Alexander C. Y.;
    Where is Shakespeare?: Locality and Performative Translation.  In: Ilha do Desterro: A Journal of Language and Literature, 2005 July-Dec; 49: pp. 255-264 (10)

  85. Huelin, Scott.;
    Reading, Writing, and Memory in "Hamlet".  In: Religion & Literature, Vol. 37, No. 1 (Spring, 2005), pp. 25-44(20)

  86. Hunt, Caroline.;
    Hamlet, Tiberius, and the Elephants' Graveyard.  In: Shakespeare Bullet  In: A Journal of Performance Criticism and Scholarship, 2005 Fall; 23 (3): p. 43-51 (9)

  87. Hunt, Maurice.;
    'Forward Backward' Time and the Apocalypse in Hamlet.  In: Comparative Drama, 2004-2005 Winter; 38 (4): pp. 379-399(21)

  88. Hunt, Maurice.;
    Impregnating Ophelia.  In: Neophilologus, 2005 Oct; 89 (4): pp. 641-663(23)

  89. Hunter, Dianne.;
    Skakespeare's continuity through the daughter.  In: Literature and Psychology. Providence: 2002. Vol. 48, no. 3; pp. 38-55(18)
     
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  90. Jackson, Russell.;
    Shakespeare at Stratford-upon-Avon: The RSC's 2001-2002 season.  In: Shakespeare Quarterly. Washington: Winter 2002. Vol. 53, no. 4; pp. 536-548 (13)

  91. James, Heather.;
    Dido's Ear: Tragedy and the Politics of Response.  In: Shakespeare Quarterly, 2001 Fall; 52 (3): pp. 360-382(23)

  92. Jess, Carolyn.;
    'The Promethean Apparatus: Michael Almereyda's Hamlet as Cinematic Allegory.  In: Literature Film Quarterly, 2004; 32 (2): pp. 90-96(7)

  93. John C Tibbetts.;
    Backstage with the Bard: Or, building a better mousetrap.  In: Literature/Film Quarterly. Salisbury: 2001. Vol. 29, Iss. 2; p. 147-164 (18)

  94. Johnson, Bruce.;
    Hamlet: Voice, Music, Sound.  In: Popular Music, 2005 May; 24 (2): pp. 257-267(11)

  95. Jones, Nicholas.;
    Hamlet in Warsaw: The Antic Disposition of Ernst Lubitsch.  In: EnterText: An Interactive Interdisciplinary E-Journal for Cultural and Historical Studies and Creative Work, 2001 Spring; 1 (2): pp. 264-288 (25)

  96. Joughin, John J.;
    The inauguration of Modern Subjectivity: Shakespeare's "lyrical tragedy" Richard II.  In: E-rea , 2.2 (2004), (automne 2004): pp. 22-34(13)
     
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  97. Kaaber, Lars.;
    What Happened to Hamlet? Text and Tradition.  In: Angles on the English-Speaking World, 2005; 5: pp. 97-107(11)

  98. Kahn, Victoria.;
    Hamlet or Hecuba: Carl Schmitt's Decision.  In: Representations, 2003 Summer; 83: pp. 67-96(30)

  99. Kang, Hee.;
    Eula Varner Snopes: Men's Monument, or More Than That?  In: Mississippi Quarterly: The Journal of Southern Cultures, 2005 Summer-Fall; 58 (3-4): pp. 495-512 (18)

  100. Kliman, Bernice. W.;
    Explicit Stage Directions (Especially Graphics) in Hamlet.  In: Aasand, Hardin L. (ed. and introd.); Rasmussen, Eric (afterword)., Stage Directions in Hamlet: New Essays and New Directions. Madison, NJ; London, England: Fairleigh Dickinson UP; Associated UP; 2003. 234 pp. ISBN: 9780838639467; pp. 74-91(18)

  101. Knapp, Jeffrey.;
    What Is a Co-Author?  In: Representations, 2005 Winter; 89: pp. 1-29(29)

  102. Ko, Yu Jin.;
    'The Mousetrap' and Remembrance in Michael Almereyda's Hamlet.  In: Shakespeare Bullet  In: A Journal of Performance Criticism and Scholarship, 2005 Winter; 23 (4): pp. 19-32 (14)
     
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  103. Landau, Aaron.;
    'Let Me Not Burst in Ignorance': Skepticism and Anxiety in Hamlet.  In: English Studies: A Journal of English Language and Literature, 2001 June; 82 (3): pp. 218-230 (13)

  104. Lanier, Douglas. M.;
    Shakescorp Noir.  In: Shakespeare Quarterly, 53.2 (2002): pp. 157-180(24)

  105. Lapinski, Michal.;
    The venom's work in 'Hamlet' as a metaphor for some aspects of destructiveness.   In: Psychoanalysis, Issue #1 - June 2001, 10 pp.

  106. Lehmann, Courtney.;
    Shakespeare the Savior or Phantom Menace? Kenneth Branagh's A Midwinter's Tale and the Critique of Cynical Reason.  In: Colby Quarterly, 2001 Mar; 37 (1): pp. 54-77(24)

  107. Leimberg, Inge.;
    Shakespeare De-Witched: A Response to Stephen Greenblatt.  In: Connotations: A Journal for Critical Debate, 2001-2002; 11 (1): pp. 60-77(18)

  108. Lerer, Seth.;
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  111. Levy, Eric P.;
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  115. Levy, Eric P.;
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  117. Magnus, Laury.;
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  118. Marzola, Alessandra.;
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  119. Marx, Peter W.;
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  120. Mason, Pamela.;
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  121. Maxwell, Julie.;
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  122. McCoy, Richard C.;
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  124. Menzer, Paul.;
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  125. Meskill, L. S.;
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  126. Montezanti, Miguel A.;
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  127. Moore, Peter R.;
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  128. Mou, Xianfeng.;
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  130. Parker, Patricia.;
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  134. Pettitt, Thomas.;
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  135. Pilkington, Ace G.;
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    Hamlet as process: A novel approach to using literature in teaching psychiatry.  In: Psychiatry. New York: Fall 2003. Vol. 66, no. 3; pp. 202-213(12)

  137. Prendergast, Christopher.;
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  142. Robinson, John V.;
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  143. Robinson, Owen.;
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  150. Savu, Laura Elena.;
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