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Virginia, Woolf(ヴァジニア・ウルフ)研究論文

  非ロマン主義の女性作家。ビクトリア時代のサッカレー、ジョージ・エリオットらに影響をあたえた。

 Virginia, Woolf(ヴァジニア・ウルフ)研究の2011年から2014年に刊行された論文を紹介しています。
 ここで紹介する論文は企画商品CD「イギリス文学論文撰」の「20世紀前半」の項 Woolf, Virginia 第1 集2011-2014年刊行論文集に収録しています。

 その他の論文は次のリンクからどうぞ!
  [2005-2010年];[Woolf and The Waves?]; [To the Lighthouse?]

 リストの論文はすべてPDFファイルでご提供されます。

 [2011-2014年論文リスト]

 下記の著者別索引をご利用下さい。個別の論文の御用命はページトップの「お問い合わせ」フォームかもしくはcustomer@articles-club.comへご連絡をお願いします。 

     
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  1. Adams, Ann Marie.;
    Mr. McEwan and Mrs. Woolf: How a Saturday in February Follows 'This Moment of June'.In: Contemporary Literature, Vol. 53(2012), no. 3, pp. 548-572(25)

  2. Alfandary, Isabelle.;
    Virginia Woolf / Friedrich Nietzsche: life or the Innocence of Becoming in Mrs. Dalloway.In: Le Tour critique 2 (2013): pp. 61-72(12)

  3. Allen, Judith.;
    "But…I had said 'but' too often." Why "but"?In: Contradictory Woolf Selected Papers from the Twenty-First Annual International Conference on Virginia Woolf. University of Glasgow. Glasgow, Scotland 9-12 June 2011. Edited by Derek Ryan and Stella Bolaki. Clemson University, 2012. ISBN: 978-0-9835339-5-5; pp. 1-10(10)

  4. Allison, Marcia.;
    Other-sexed/Other-gendered: Narrating a Spectrum in a Language of Binaries.In: Otherness: Essays and Studies, vol. 2(2011), no. 2, 23 pp.

  5. Armstrong, Charles I.;
    Why Phaedrus? Plato in Virginia Woolf's novel Jacob's Room.In: Nordic Journal of English Studies; Vol. 11, Issue 1, Feb2012, pp. 108-125(18)

  6. Ashton, Rosemary.;
    Education and Empire in Victorian Bloomsbury.In: Wussow, Helen (ed. and introd.), Gillies, Mary Ann (ed. and introd.), Virginia Woolf and the Common(wealth) Reader, Clemson, SC: Clemson University Digital, 2014. xiv, 250 pp. ISBN: 978-0-9890826-7-9; pp. 8-17(10)

     
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  7. Bǎdulescu, Dana.;
    Bloomsbury and Space Boundaries.In: Cross-Cultural Management Journal, Vol. XVI, Issue 2 (6) / 2014, pp. 247-254(8)

  8. Balasopoulos, Antonis.;
    Factories, Utopias, Decoration and Upholstery: On Utopia, Modernism, and Everyday Life.In: Utopian Studies, Vol. 25, No. 2 (2014), pp. 268-298(31)

  9. Banerjee, Ria.;
    Surviving the City: Resistance and Plant Life in Woolf's Jacob's Roomand Barnes' Nightwood.In: Laist, Randy (ed. and introd.), Plants and Literature: Essays in Critical Plant Studies, Amsterdam, Netherlands: Rodopi, 2013. 270 pp.(Critical Plant Studies: Philosophy, Literature, Culture1). pp. 123-146(24)

  10. Banfield, Ann.;
    Art as a place (or time) for the delight in what there is.In: Le Tour critique, 2(2013): pp. 165-184(20)

  11. Barrows, Adam.;
    Chinese Eyes and Muddled Armenians: The Hogarth Press and British Racial Discourse.In: Martin, Ann (ed. and introd.), Holland, Kathryn (ed. and introd.), Interdisciplinary/Multidisciplinary Woolf, Clemson, SC: Clemson University Digital, 2013. xvi, 298 pp. ISBN: 978-0-9890826-2-4; pp. 237-242(6)

  12. Battershill, Claire.;
    'No One Wants Biography': The Hogarth Press Classifies Orlando.In: Martin, Ann (ed. and introd.), Holland, Kathryn (ed. and introd.), Interdisciplinary/Multidisciplinary Woolf, Clemson, SC: Clemson University Digital, 2013. xvi, 298 pp. ISBN: 978-0-9890826-2-4; pp. 243-246(4)

  13. Beidler, Philip D.;
    The Great Party-Crasher: Mrs. Dalloway, The Great Gatsby, and the Cultures of World War I Remembrance.In: War, Literature, and the Arts: An International Journal of the Humanities, Vol. 25(2013), pp. 1-23(23)

  14. Bellamy, Suzanne.;
    "The Play's The Thing BUT We Are The Thing Itself." Prologue, Performance and Painting. A Multimedia Exploration of Woolf's Work in the Late 1930's and Her Vision of Prehistory.In: Contradictory Woolf Selected Papers from the Twenty-First Annual International Conference on Virginia Woolf. University of Glasgow. Glasgow, Scotland 9-12 June 2011. Edited by Derek Ryan and Stella Bolaki. Clemson University, 2012. ISBN: 978-0-9835339-5-5; pp. 43-56(14)

  15. Blake, Sarah.;
    Drawing as Thinking: A Visual Response to To the Lighthouse.In: Martin, Ann (ed. and introd.), Holland, Kathryn (ed. and introd.), Interdisciplinary/Multidisciplinary Woolf, Clemson, SC: Clemson University Digital, 2013. xvi, 298 pp. ISBN: 978-0-9890826-2-4; pp. 177-182(6)

  16. Blyth, Ian.;
    Do Not Feed the Birds: Night and Day and the Defence of the Realm Act.In: Contradictory Woolf Selected Papers from the Twenty-First Annual International Conference on Virginia Woolf. University of Glasgow. Glasgow, Scotland 9-12 June 2011. Edited by Derek Ryan and Stella Bolaki. Clemson University, 2012. ISBN: 978-0-9835339-5-5; pp. 278-284(6)

  17. Bolaki, Stella.;
    "When the lights of health go down": Virginia Woolf's Aesthetics and Contemporary Illness Narratives.In: Contradictory Woolf Selected Papers from the Twenty-First Annual International Conference on Virginia Woolf. University of Glasgow. Glasgow, Scotland 9-12 June 2011. Edited by Derek Ryan and Stella Bolaki. Clemson University, 2012. ISBN: 978-0-9835339-5-5; pp. 115-121(7)

  18. Bowlby, Rachel.;
    An ordinary mind on an ordinary day.In: Le Tour critique, 2 (2013): pp. 251-262(12)

  19. Bradshaw, David.;
    Beneath The Waves: Diffusionism and Cultural Pessimism.In: Essays in Criticism: A Quarterly Journal of Literary Criticism, vol. 63(2013), no. 3, pp. 317-343(27)

  20. Briggs, Kate.;
    The Making of A Writer's Diary: Being Extracts from the Diary of Virginia Woolf.In: Textual Practice, Vol. 25, no. 6, Dec2011, pp. 1033-1050(18)

  21. Briggs, Marlene A.;
    Vincent Van Gogh, Virginia Woolf, and Old Shoes: A Cross-Cultural Iconography of Historical Trauma from the Great War to the Iraq War.In: Martin, Ann (ed. and introd.), Holland, Kathryn (ed. and introd.), Interdisciplinary/Multidisciplinary Woolf, Clemson, SC: Clemson University Digital, 2013. xvi, 298 pp. ISBN: 978-0-9890826-2-4; pp. 50-56(6)

  22. Brody, Susan L.;
    Law, literature, and the legacy of Virginia Woolf: stories and lessons in feminist legal theory.In: Texas Journal of Women and the Law. Vol. 21 Issue 1, Fall, 2011, pp. 1-45(45)

  23. Brown, Christopher.;
    Mystical Gibberish or Renegade Discourse?: Poetic Language According to Orlando. In: Martin, Ann (ed. and introd.), Holland, Kathryn (ed. and introd.), Interdisciplinary/Multidisciplinary Woolf, Clemson, SC: Clemson University Digital, 2013. xvi, 298 pp. ISBN: 978-0-9890826-2-4; pp. 196-200(5)

  24. Brown, Susan, Patricia Clements, and Isobel Grundy.;
    'The most unaccountable of machinery': The Orlando Project produces a textbase of one's own.In: Martin, Ann (ed. and introd.), Holland, Kathryn (ed. and introd.), Interdisciplinary/Multidisciplinary Woolf, Clemson, SC: Clemson University Digital, 2013. xvi, 298 pp. ISBN: 978-0-9890826-2-4; pp. 208-224(17)

  25. Bulson, Eric.;
    Mrs. Dalloway Here, There, Everywhere.In: English Language Notes; Vol. 52 Issue 1, Spring/Summer 2014, pp. 133-144(12)

     
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  26. Cakirtaş, Onder.;
    To the Lighthouse Woolfs Search for the Meaning of Liffe through Colors.In: Pamukkale Universitesi. Sosyal Bilimler Enstitusu Dergisi Say, 17, 2014, Sayfa pp. 53-60(8)

  27. Cao, Ziaoqin.;
    'Walk[ing] over the Bridge in a Willow Pattern Plate': Virginia Woolf and the Exotic Landscapes.In: Czarnecki, Kristin (ed. and introd.), Rohman, Carrie (ed. and introd.) , Virginia Woolf and the Natural World Selected Papers from the Twentieth Annual International Conference on Virginia Woolf, Clemson, SC: Clemson University Digital, 2011. xii, 246 pp. ISBN: 978-0-9835339-0-0; pp. 174-179(6)

  28. Cartmell, Deborah .;
    100+ Years of Adaptations, or, Adaptation as the Art Form of DemocracyIn: A companion to literature, film, and adaptation / edited by Deborah Cartmell. Blackwell Publishing, 2012. ISBN 978-1-4443-3497-5; pp. 1-13(13)

  29. Cassigneul, Adele.;
    Dallying along the way: Virginia Woolf at the crossroads of cinema and literary creation.In: Anglophonia: French Journal of English Studies, vol. 33(2013), pp. 59-72(14)

  30. Caughie, Pamela L.;
    The Temporality of Modernist Life Writing in the Era of Transsexualism: Virginia Woolf's Orlando and Einar Wegener's Man Into Woman.In: MFS: Modern Fiction Studies, vol. 59, no. 3, Fall, 2013, pp. 501-525(25)

  31. Chapman, Wayne K.;
    Spengler's The Decline of the West and Intellectual Quackery: Checking the Climate with Leonard Woolf and W. H. Yeats.In: Czarnecki, Kristin (ed. and introd.), Rohman, Carrie (ed. and introd.) , Virginia Woolf and the Natural World Selected Papers from the Twentieth Annual International Conference on Virginia Woolf, Clemson, SC: Clemson University Digital, 2011. xii, 246 pp. ISBN: 978-0-9835339-0-0; pp. 221-227(7)

  32. Chapman, Wayne K.;
    Synthesizing Civilizations: Leonard Woolf, the League of Nations, and the Inverse of Imperialism, 1928-1933.In: Wussow, Helen (ed. and introd.), Gillies, Mary Ann (ed. and introd.), Virginia Woolf and the Common(wealth) Reader, Clemson, SC: Clemson University Digital, 2014. xiv, 250 pp. ISBN: 978-0-9890826-7-9; pp. 18-26(9)

  33. Chapman, Wayne K.;
    Woolf, Yeats, and the Making of "Spilt Milk".In: Contradictory Woolf Selected Papers from the Twenty-First Annual International Conference on Virginia Woolf. University of Glasgow. Glasgow, Scotland 9-12 June 2011. Edited by Derek Ryan and Stella Bolaki. Clemson University, 2012. ISBN: 978-0-9835339-5-5; pp. 265-270(6)

  34. Chapman, Wayne K.;
    The Woolfs in Print and Online: A University Press in Transition.In: Martin, Ann (ed. and introd.), Holland, Kathryn (ed. and introd.), Interdisciplinary/Multidisciplinary Woolf, Clemson, SC: Clemson University Digital, 2013. xvi, 298 pp. ISBN: 978-0-9890826-2-4; pp. 269-280(12)

  35. Chattopadhyay, Shinjini.;
    The Woman with the Still Camera: Photographs in Virginia Woolf's Fiction.In: Rupkatha Journal on Interdisciplinary Studies in Humanities; Vol. 6(2014), Issue 1, pp. 209-219(11)

  36. Ciugureanu, Adina.;
    The 'Silly' and The 'Proper Stuff of Fiction' - From the Popular to the Moder(ist) Novel.In: International Journal of Cross-Cultural Studies and Environmental Communication, Vol. 1, Issue 2, 2012, pp. 7-20(14)

  37. Coates, Kimberly Engdahl.;
    Performing Feminism, Transmitting Affect: Isadora Duncan, Virginia Woolf, and the Politics of Movement.In: Martin, Ann (ed. and introd.), Holland, Kathryn (ed. and introd.), Interdisciplinary/Multidisciplinary Woolf, Clemson, SC: Clemson University Digital, 2013. xvi, 298 pp. ISBN: 978-0-9890826-2-4; pp. 183-189(7)

  38. Colebrook, Claire.;
    Woolf and 'Theory'.In: Randall, Bryony (ed.), Goldman, Jane (ed.), Virginia Woolf in Context, Cambridge, England: Cambridge UP, 2012. xviii, 502 pp.. pp. 65-78(14)

  39. Coleman, Lisa.;
    Woolf's Troubled and Troubling Relationship to Race: The Long Reach of the White Arm of Imperialism.In: Wussow, Helen (ed. and introd.), Gillies, Mary Ann (ed. and introd.), Virginia Woolf and the Common(wealth) Reader, Clemson, SC: Clemson University Digital, 2014. xiv, 250 pp. ISBN: 978-0-9890826-7-9; pp. 165-172(8)

  40. Colesworthy, Rebecca.;
    Lean Back: Lessons from Woolf.In: WSQ: Women's Studies Quarterly, (42:1-2), 2014, pp. 154-160(7) (In special section: "Women's Work and the 'Social Necessity Debt'".)

  41. Colesworthy, Rebecca.;
    'The Perfect Hostess': Mrs. Dalloway, Gift Exchange, and the End of Laissez-Faire.In: Modernist Cultures, vol. 9(2014), no. 2, pp. 158-185 (28)

  42. Corbett, Mary Jean.;
    Virginia Woolf and 'The Third Generation'.In: Twentieth Century Literature. Vol. 60, Issue 1, Spring, 2014, pp. 27-58(32)

  43. Coyle, John.;
    Travesty in Woolf and Proust.In: Contradictory Woolf Selected Papers from the Twenty-First Annual International Conference on Virginia Woolf. University of Glasgow. Glasgow, Scotland 9-12 June 2011. Edited by Derek Ryan and Stella Bolaki. Clemson University, 2012. ISBN: 978-0-9835339-5-5; pp. 259-264(6)

  44. Crangle, S.;
    Woolf's Cesspoolage: On Waste and Resignation.In: Cambridge Quarterly, vol. 40, no. 1, Mar, 2011, pp. 1-20(20)

  45. Cuddy-Keane, Melba.;
    Woolf, History, Us.In: Martin, Ann (ed. and introd.), Holland, Kathryn (ed. and introd.), Interdisciplinary/Multidisciplinary Woolf, Clemson, SC: Clemson University Digital, 2013. xvi, 298 pp. ISBN: 978-0-9890826-2-4; pp. 13-19(7)

  46. Czarnecki, Kristin.;
    Proportion, Conversion, Transition: War Trauma and Sites of Healing in Virginia Woolf's Mrs. Dalloway and Leslie Marmon Silko's Ceremony.In: Wussow, Helen (ed. and introd.), Gillies, Mary Ann (ed. and introd.), Virginia Woolf and the Common(wealth) Reader, Clemson, SC: Clemson University Digital, 2014. xiv, 250 pp. ISBN: 978-0-9890826-7-9; pp. 190-196(7)

  47. Czarnecki, Kristin.;
    Who's Behind the Curtain? Virginia Woolf, "Nurse Lugton's Golden Thimble", and the Anxiety of Authorship.In: Contradictory Woolf Selected Papers from the Twenty-First Annual International Conference on Virginia Woolf. University of Glasgow. Glasgow, Scotland 9-12 June 2011. Edited by Derek Ryan and Stella Bolaki. Clemson University, 2012. ISBN: 978-0-9835339-5-5; pp. 222-228(7)

     
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  48. Dahiya, Jyoti.;
    Mrs. Dalloway: Themes and Stream of Consciousness.In: The Criterion: An International Journal in English, Vol. 5, Issue II (April 2014), pp. 724-728(5)

  49. Daileader, Celia R. Caputi.;
    Othello's sister: racial hermaphroditism and appropriation in Virginia Woolf's Orlando.In: Studies in the Novel. Vol. 45, Issue 1, Spring, 2013, pp. 56-79(24)

  50. Darvay, Daniel.;
    Chiastic Modernism: Rational Uncanniness and Uncanny Reason.In: Philobiblon, Vol. XIX (2014) No. 1, pp. 33-50(18)

  51. Daugherty, Beth Rigel.;
    Of Scrapbooks, War, and Newspapers: Leslie Stephen's Legacy.In: Wussow, Helen (ed. and introd.), Gillies, Mary Ann (ed. and introd.), Virginia Woolf and the Common(wealth) Reader, Clemson, SC: Clemson University Digital, 2014. xiv, 250 pp. ISBN: 978-0-9890826-7-9; pp. 39-44(6)

  52. Daughterty, Beth Rigel.;
    Taking Her Fences: The Equestrian Virginia Woolf.In: Czarnecki, Kristin (ed. and introd.), Rohman, Carrie (ed. and introd.) , Virginia Woolf and the Natural World Selected Papers from the Twentieth Annual International Conference on Virginia Woolf, Clemson, SC: Clemson University Digital, 2011. xii, 246 pp. ISBN: 978-0-9835339-0-0; pp. 61-70(10)

  53. Davis, Thomas S.;
    The Historical Novel at History's End: Virginia Woolf's The Years.In: Twentieth Century Literature, vol. 60, no. 1, 03/2014, pp. 1-26(26)

  54. Davison, Claire.;
    Virginia Woolf and the Russian Oxymoron.In: Contradictory Woolf Selected Papers from the Twenty-First Annual International Conference on Virginia Woolf. University of Glasgow. Glasgow, Scotland 9-12 June 2011. Edited by Derek Ryan and Stella Bolaki. Clemson University, 2012. ISBN: 978-0-9835339-5-5; pp. 229-242(14)

  55. de Gay, Jane.;
    James Stephen's Anti-Slavery Politics: A Woolfian Inheritance.In: Wussow, Helen (ed. and introd.), Gillies, Mary Ann (ed. and introd.), Virginia Woolf and the Common(wealth) Reader, Clemson, SC: Clemson University Digital, 2014. xiv, 250 pp. ISBN: 978-0-9890826-7-9; pp. 27-32(6)

  56. Delany, Paul.;
    'The Death of a Beautiful Man'.In: Wussow, Helen (ed. and introd.), Gillies, Mary Ann (ed. and introd.), Virginia Woolf and the Common(wealth) Reader, Clemson, SC: Clemson University Digital, 2014. xiv, 250 pp. ISBN: 978-0-9890826-7-9; pp. 50-58(9)

  57. Delourme, Chantal.;
    Preface: Virginia Woolf Among the Philosophers.In: Le Tour critique, 2 (2013): pp. I-X(10)

  58. Delsandro, Erica.;
    'Drawn from Our Island History': Virginia Woolf, Nancy Mitford, and the Politics of Pageantry.In: Wussow, Helen (ed. and introd.), Gillies, Mary Ann (ed. and introd.), Virginia Woolf and the Common(wealth) Reader, Clemson, SC: Clemson University Digital, 2014. xiv, 250 pp. ISBN: 978-0-9890826-7-9; pp. 151-158(8)

  59. Detloff, Madelyn.;
    "Am I a Snob?" Well, Sort of: Socialism, Advocacy, and Disgust in Woolf's Economic Writing.In: Contradictory Woolf Selected Papers from the Twenty-First Annual International Conference on Virginia Woolf. University of Glasgow. Glasgow, Scotland 9-12 June 2011. Edited by Derek Ryan and Stella Bolaki. Clemson University, 2012. ISBN: 978-0- 9835339-5-5; pp. 181-185(5)

  60. Detloff, Madelyn.;
    'The law is on the side of the normal': Virginia Woolf as Crip Theorist.In: Martin, Ann (ed. and introd.), Holland, Kathryn (ed. and introd.), Interdisciplinary/Multidisciplinary Woolf, Clemson, SC: Clemson University Digital, 2013. xvi, 298 pp. ISBN: 978-0-9890826-2-4; pp. 102-108(7)

  61. DeWald, Rebecca.;
    "A Dialogue…about this Beauty and Truth": Jorge Luis Borge's Translation of Virginia Woolf's Orlando.In: Contradictory Woolf Selected Papers from the Twenty-First Annual International Conference on Virginia Woolf. University of Glasgow. Glasgow, Scotland 9-12 June 2011. Edited by Derek Ryan and Stella Bolaki. Clemson University, 2012. ISBN: 978-0-9835339-5-5; pp. 243-249(7)

  62. Drobot, Irina-Ana.;
    Imagining Stories about Other Characters in Virginia Woolf and Graham Swift: The Role of Imagination in Creating Fiction.In: Philobiblon: Transylvanian Journal of Multidisciplinary Research in Humanities, vol. 18(2013), no. .2, pp. 466-488(23)

  63. Drobot, Irina-Ana.;
    Lyricism and Opposing Feelings in Virginia Woolf's Mrs Dalloway and in Graham Swift's the Light of Day.In: Research and Science Today, No. 1(7)/2014, pp. 229-235(7)

  64. Drobot, Irina-Ana.;
    'Moments of Being' in Virginia Woolf and Graham Swift.In: US-China Foreign Language, vol. 10(2012), no. 8, pp. 1452-1474(23)

  65. Drobot, Irina-Ana.;
    Perception of London in Virginia Woolf, Graham Swift and Charles Dickens.In: "Our Mutual Friend": New Perspectives in Dikens Studies. Edited by / Szerkesztette: Tamás Tukacs. Bessenyei Konyvkiadó Nyiregyháza, 2013. ISBN 978-615-5097-62-1; pp. 53-64(12)

  66. Duarte, Maria de Deus.;
    'What a wonderful piece of work is a woman!': Orlando and The Enigma of the Sexes".In: Panoramica: Revista Electronica de Estudos Anglo-Americanos / An Anglo-American Studies Journal. Serie 3, 3 (2014): pp. 21-42(22)

  67. Dubino, Jeanne.;
    The Bispecies Environment, Coevolution, and Flush.In: Contradictory Woolf Selected Papers from the Twenty-First Annual International Conference on Virginia Woolf. University of Glasgow. Glasgow, Scotland 9-12 June 2011. Edited by Derek Ryan and Stella Bolaki. Clemson University, 2012. ISBN: 978-0-9835339-5-5; pp. 150-157(8)

  68. Dubino, Jeanne.;
    Evolution, History and Flush; or, the Origin of Spaniels.In: Czarnecki, Kristin (ed. and introd.), Rohman, Carrie (ed. and introd.) , Virginia Woolf and the Natural World Selected Papers from the Twentieth Annual International Conference on Virginia Woolf, Clemson, SC: Clemson University Digital, 2011. xii, 246 pp. ISBN: 978-0-9835339-0-0; pp. 143-150(8)

  69. Dubino, Jeanne.;
    Globalization, Inter Connectivity, and Anti-Imperialism: Leonard Woolf, the Hogarth Press, and Kenya.In: Martin, Ann (ed. and introd.), Holland, Kathryn (ed. and introd.), Interdisciplinary/Multidisciplinary Woolf, Clemson, SC: Clemson University Digital, 2013. xvi, 298 pp. ISBN: 978-0-9890826-2-4; pp. 231-236(6)

  70. Dubino, Jeanne.;
    Networks of Empire: Virginia Woolf and the Travel Writing of Emily Eden.In: Wussow, Helen (ed. and introd.), Gillies, Mary Ann (ed. and introd.), Virginia Woolf and the Common(wealth) Reader, Clemson, SC: Clemson University Digital, 2014. xiv, 250 pp. ISBN: 978-0-9890826-7-9; pp. 33-38(6)

  71. Dunlap, Sarah.;
    'One Must Be Scientific': Natural History and Ecology in Mrs. Dalloway.In: Martin, Ann (ed. and introd.), Holland, Kathryn (ed. and introd.), Interdisciplinary/Multidisciplinary Woolf, Clemson, SC: Clemson University Digital, 2013. xvi, 298 pp. ISBN: 978-0-9890826-2-4; pp. 127-131(5)

     
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  72. Ebadi, Elmira and Jamili, Leila Baradaran.;
    Virginia Woolf's The Waves: Splitted Feminine "I"'s.In: Journal of Novel Applied Sciences, vol. 3(2014), no. 7, pp. 755-763(9)

  73. Edmondson, Annalee.;
    Narrativizing Characters in Mrs. Dalloway.In: Journal of Modern Literature, Vol. 36, No. 1 (Fall 2012), pp. 17-36(20)

  74. Evans, Elizabeth F.;
    Air War, Propaganda, and Woolf's Anti-Tyranny Aesthetic.In: MFS: Modern Fiction Studies, vol. 59(2013), no. 1, pp. 53-82(30)

  75. Evans, Elizabeth F.;
    London Calling: Una Marson in the Colonial London Scene.In: Wussow, Helen (ed. and introd.), Gillies, Mary Ann (ed.and introd.), Virginia Woolf and the Common(wealth) Reader, Clemson, SC: Clemson University Digital, 2014. xiv, 250 pp. ISBN: 978-0-9890826-7-9; pp. 107-114(8)

  76. Farajpour, Sara Bakhshandeh and Jamili, Leila Baradaran.;
    Britishness and Otherness in Virginia Woolf's Orlando.In: Journal of Novel Applied Sciences, vol. 3(2014), no. 4, pp. 444-451(8)

  77. Federici, Eleonora & Leonardi, Vanessa.;
    Using and Abusing Gender in Translation. The Case of Virginia Woolf's A Room of One's Own Translated into Italian.In: Quaderns. Revista de Traduccio, 19(2012), pp. 183-198(16)

  78. Ferguson, Smith, Martin.;
    "Suicidal Mania" and Flawed Psychobiography: Two Discussions of Virginia Woolf.In: English Studies, Vol. 95, Issue 5, Jul2014, pp. 538-556(19)

  79. Ferguson, Smith, Martin.;
    Virginia Woolf's Second Visit to Greece.In: English Studies. Vol. 92, Issue 1, Feb 2011, pp. 55-83(29)

  80. Fernald, Anne E.;
    Taxi! The Modern Taxicab as Feminist Heterotopia.In: Modernist Cultures, vol. 9(2014), no. 2, pp. 213-232 (20)

  81. Fernald, Anne E.;
    Woolf and Intertextuality.In: Randall, Bryony (ed.), Goldman, Jane (ed.), Virginia Woolf in Context, Cambridge, England. Cambridge UP, 2012. xviii, 502 pp. 52-64(13)

  82. Fernald, Anne E.;
    Writing for everybody, for nobody, for our age, for her own': The Common Reader as Writer's Manual.In: Lindsey Cordery et al., eds. Virginia Woolf en America Latina: Reflexiones desde Montevideo. Montevideo, Uruguay: Universidad de la Republica, 2013. pp. 219-243(25)

  83. Fletcher, Angus.;
    Another Literary Darwinism.In: Critical Inquiry, Vol. 40, No. 2 (Winter 2014), pp. 450-469(20)

  84. Foster, J. Ashley.;
    Stopped at the Border: Virginia Woolf and the Criminalization of Dissent in Democratic Societies.In: Martin, Ann (ed. and introd.), Holland, Kathryn (ed. and introd.), Interdisciplinary/Multidisciplinary Woolf, Clemson, SC: Clemson University Digital, 2013. xvi, 298 pp. ISBN: 978-0-9890826-2-4; pp. 57-67(11)

  85. Fox, Ragan.;
    Who's Afraid of the Author of Who's Afraid of Virginia Woolf ?In: Text and Performance Quarterly, vol. 34(2014), no. 2, pp. 204-208(5). (In special section: "Performance Space." English summary.) .

  86. Friedman, Susan Stanford.;
    Towards a Transnational Turn in Narrative Theory: Literary Narratives, Traveling Tropes, and the Case of Virginia Woolf and the Tagores.In: Narrative, vol. 19, no. 1, Jan 2011, pp. 1-32(32)

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  88. Froula, Christine.;
    Virginia Woolf and the art of doubt: modern fiction between Moore and Montaigne.In: Le Tour critique, 2 (2013): pp. 209-227(19)

  89. Froula, Christine.;
    War, Peace, Internationalism: Bloomsbury Legacies.In: Wussow, Helen (ed. and introd.), Gillies, Mary Ann (ed. and introd.), Virginia Woolf and the Common(wealth) Reader, Clemson, SC: Clemson University Digital, 2014. xiv, 250 pp. ISBN: 978-0-9890826-7-9; pp. 128-144(17)

     
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    Human Body in the Society: The View through the Prism of Literary Corporality.In: International Journal of Social Science and Humanity, Vol. 3, No. 3, May 2013, pp. 237-241(5)

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    V. Woolf's Literary Interpretation of the Body without Limits: A Conceptual Study.In: Athens Journal of Philology, Vol. 1, No. 3, September 2014, pp. 183-195(13)

  92. Garnier, Marie-Dominique.;
    Following suit(e): Woolf, Carlyle, Deleuze.In: Le Tour critique, 2(2013): pp. 503-514(12)

  93. Garnier, Marie-Dominique.;
    Following suit(e): Woolf, Carlyle, Deleuze.In: Le Tour critique, 2 (2013) Virginia Woolf among the philosophers / Virginia Woolf parmi les philosophes. pp. 515-527(13)

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    Phenomenology Begins at Home: The Presence of Things in the Short Fiction of Katherine Mansfield and Virginia Woolf.In: Journal of New Zealand Literature, vol. 32(2014), no. 2, pp. 31-51(21) (In special issue: "Katherine Mansfield Masked and Unmasked".)

  95. Gatt, Dashrath.;
    Edward Albee's Who's Afraid of Virginia Woolf: A Journey from Separation to Communion.In: The Criterion: An International Journal in English, Vol. 5, Issue V, October 2014, pp. 132-138(7)

  96. Gay, Jane de.;
    Challenging the Family Script: Woolf, the Stephen Family, and Victorian Evangelical Theology.In: Martin, Ann (ed. and introd.), Holland, Kathryn (ed. and introd.), Interdisciplinary/Multidisciplinary Woolf, Clemson, SC: Clemson University Digital, 2013. xvi, 298 pp. ISBN: 978-0-9890826-2-4; pp. 35-40(6)

  97. Gharaei, Zohreh; Dastjerdi, Hossein Vahid.;
    Free Indirect Discourse in Farsi Translations of Woolf's Mrs. Dalloway.In: CLCWeb: Comparative Literature and Culture, (14:1), 2012, 10 pp.

  98. Gilchrist, Jennifer.;
    "Right at the Meat of Things": Virginia Woolf in Who's Afraid of Virginia Woolf ?In: Women's Studies, Vol. 40, Issue 7, October 2011, pp. 853-872(20)

  99. Gillespie, Diane F.;
    Adventures in Common: Investing with Woolfs and 'Securitas'.In: Wussow, Helen (ed. and introd.), Gillies, Mary Ann (ed. and introd.), Virginia Woolf and the Common(wealth) Reader, Clemson, SC: Clemson University Digital, 2014. xiv, 250 pp. ISBN: 978-0-9890826-7-9; pp. 205-211(7)

  100. Gillespie, Diane F.;
    The Bird Is the Word': Virginia Woolf and W. H. Hudson, Visionary Ornithologist.In: Czarnecki, Kristin (ed. and introd.), Rohman, Carrie (ed. and introd.) , Virginia Woolf and the Natural World Selected Papers from the Twentieth Annual International Conference on Virginia Woolf, Clemson, SC: Clemson University Digital, 2011. xii, 246 pp. ISBN: 978-0-9835339-0-0; pp. 133-142(10)

  101. Gillespie, Diane F.;
    "Please Help Me!" Virginia Woolf, Viola Tree, and the Hogarth Press.In: Contradictory Woolf Selected Papers from the Twenty-First Annual International Conference on Virginia Woolf. University of Glasgow. Glasgow, Scotland 9-12 June 2011. Edited by Derek Ryan and Stella Bolaki. Clemson University, 2012. ISBN: 978-0-9835339-5-5; pp. 173-180(8)

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    There Goes the Bride: Virginia Woolf, Julia Strachey, and the Hogarth Press.In: Martin, Ann (ed. and introd.), Holland, Kathryn (ed. and introd.), Interdisciplinary/Multidisciplinary Woolf, Clemson, SC: Clemson University Digital, 2013. xvi, 298 pp. ISBN: 978-0-9890826-2-4; pp. 247-255(9)

  103. Gillies, Mary Ann.;
    On a View from the Rims: Katherine Mansfield and Emily Carr.In: Wussow, Helen (ed. and introd.), Gillies, Mary Ann (ed. and introd.), Virginia Woolf and the Common(wealth) Reader, Clemson, SC: Clemson University Digital, 2014. xiv, 250 pp. ISBN: 978-0-9890826-7-9; pp. 94-106(13)

  104. Gills, Stacy.;
    'The skeleton is well wrapped in flesh': Official First World War Films and Modernist Literary Corporeality in H.D. and Virginia Woolf.In: Literature and History, vol. 21, no. 1, Spring 2012, pp. 24-43(20)

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    "But somebody you wouldn't forget in a hurry": Bloomsbury and the Contradictions of African Art.In: Contradictory Woolf Selected Papers from the Twenty-First Annual International Conference on Virginia Woolf. University of Glasgow. Glasgow, Scotland 9-12 June 2011. Edited by Derek Ryan and Stella Bolaki. Clemson University, 2012. ISBN: 978-0-9835339-5-5; pp. 66-73(8)

  106. Godayol, Pilar.;
    Three feminist classics in Catalan, Galician and Spanish: Charlotte Perkins Gilman, Virginia Woolf and Betty Friedan.In: Women's Studies International Forum. Vol. 42, Jan/Feb 2014, pp. 77-86(10)

  107. Golden, Amanda.;
    "A Brief Note in the Margin:" Virginia Woolf and Annotating.In: Contradictory Woolf Selected Papers from the Twenty-First Annual International Conference on Virginia Woolf. University of Glasgow. Glasgow, Scotland 9-12 June 2011. Edited by Derek Ryan and Stella Bolaki. Clemson University, 2012. ISBN: 978-0-9835339-5-5; pp. 209-214(6)

  108. Goldman, Jane.;
    Crusoe's dog(s): Woolf and Derrida (between beast and sovereign).In: Le Tour critique, 2 (2013): pp. 475-487(13)

  109. Goldman, Jane.;
    The Dogs that Therefore Woolf Follows: Some Canine Sources for A Room of One's Own in Nature and Art.In: Czarnecki, Kristin (ed. and introd.), Rohman, Carrie (ed. and introd.) , Virginia Woolf and the Natural World Selected Papers from the Twentieth Annual International Conference on Virginia Woolf, Clemson, SC: Clemson University Digital, 2011. xii, 246 pp. ISBN: 978-0-9835339-0-0; pp. 125-132(8)

  110. Goldman, Jane.;
    Woolf, Defoe, Derrida: Interdisciplinary dogs-or the canine aesthetics and (gender) politics of creativity.In: Martin, Ann (ed. and introd.), Holland, Kathryn (ed. and introd.), Interdisciplinary/Multidisciplinary Woolf, Clemson, SC: Clemson University Digital, 2013. xvi, 298 pp. ISBN: 978-0-9890826-2-4; pp. 95-101(7)

  111. Goldschmidt, Oren.;
    "Can 'I' become 'we'?": Addressing Community in The Years and Th ree Guineas.In: Contradictory Woolf Selected Papers from the Twenty-First Annual International Conference on Virginia Woolf. University of Glasgow. Glasgow, Scotland 9-12 June 2011. Edited by Derek Ryan and Stella Bolak . Clemson University, 2012. ISBN: 978-0-9835339-5-5; pp. 88-95(8)

  112. Gordon, Elizabeth Willson.;
    Redefining Woolf for the 1990s: Producing and Promoting the 'Definitive Collected Edition'.In: Martin, Ann (ed. and introd.), Holland, Kathryn (ed. and introd.), Interdisciplinary/Multidisciplinary Woolf, Clemson, SC: Clemson University Digital, 2013. xvi, 298 pp. ISBN: 978-0-9890826-2-4; pp. 256-261(6)

  113. Gorman, Clare.;
    Maleness/Femaleness - The 'Pharmatic' Status of Paul Howard, a.k.a Ross O'Carroll-Kelly's Work.In: Otherness: Essays and Studies, vol. 2(2011), no. 2, 21 pp.

  114. Groover, Kristina K.;
    Body and Soul: Virginia Woolf's To the Lighthouse.In: Renascence: Essays on Values in Literature, vol. 66(2014), no. 3, pp. 217-229(13)

  115. Gualtieri, Elena.;
    The thoughtless image: Woolf, Rancière on photography.In: Le Tour critique, 2 (2013): pp. 307-322(16)

     
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    Socially Conscious Criticism of the Earlier Twentieth Century.In: Literary criticism from Plato to the present : an introduction. By M.A.R. Habib. Wiley-Blackwel, 2011. ISBN 978-1-4051-6034-6; pp. 206-218(13)

  117. Hammond Adam, Brooke Julian, and Hirst Graeme.;
    A Tale of Two Cultures: Bringing Literary Analysis and Computational Linguistics Together.In: Proceedings of the Second Workshop on Computational Linguistics for Literature, June 14, 2013, pp. 1-8(8)

  118. Hankins, Leslie Kathleen.;
    "As I spin along the roads I remodel my life": Travel Films "projected into the shape of Orlando".In: Contradictory Woolf Selected Papers from the Twenty-First Annual International Conference on Virginia Woolf. University of Glasgow. Glasgow, Scotland 9-12 June 2011. Edited by Derek Ryan and Stella Bolaki. Clemson University, 2012. ISBN: 978-0-9835339-5-5; pp. 250-258(9)

  119. Hankins, Leslie Kathleen.;
    'Time has whizzed back an inch or two on its reel': Relating Virginia Woolf and Emily Carr through Vintage Postcards, Lily Briscoe, Mrs. McNab, and the Cinematic Time of To the Lighthouse.In: Martin, Ann (ed. and introd.), Holland, Kathryn (ed. and introd.), Interdisciplinary/Multidisciplinary Woolf, Clemson, SC: Clemson University Digital, 2013. xvi, 298 pp. ISBN: 978-0-9890826-2-4; pp. 144-163(20)

  120. Hankins, Leslie Kathleen.;
    Printing "Prelude": Virginia Woolf's Typesetting Apprenticeship and Katherine Mansfield on 'Other People's Presses'.In: Wussow, Helen (ed. and introd.), Gillies, Mary Ann (ed. and introd.), Virginia Woolf and the Common(wealth) Reader, Clemson, SC: Clemson University Digital, 2014. xiv, 250 pp. ISBN: 978-0-9890826-7-9; pp. 212-222(11)

  121. Hardy, Sarah Boykin.;
    The Unanchored Self in The Hours after Dalloway.In: Critique: Studies in Contemporary Fiction, vol. 52(2011), no. 4, pp. 400-411(12)

  122. Harker, Ben.;
    'On Different Levels Ourselves Went Forward': Pageantry, Class Politics and Narrative Form in Virginia Woolf's Late Writing.In: ELH, vol. 78(2011), no. 2, pp. 433-456 (23)

  123. Harris, Laurel.;
    Hearing cinematic modernism in the 1930s: the audiovisual in British documentary cinema and Virginia Woolf's between the acts.In: Literature & History. Vol. 21, Issue 1, Spring, 2012, pp. 61-75(15)

  124. Herman, David.;
    Animal worlds in modern fiction : an introduction.In: Modern fiction studies, vol. 60 (2014), no. 3, pp. 421-443(23)

  125. Herman, David.;
    Modernist Life Writing and Nonhuman Lives: Ecologies of Experience in Virginia Woolf's Flush.In: MFS Modern Fiction Studies, Vol. 59, Issue 3, Fall, 2013, pp. 547-568(22)

  126. Hevert, Mark.;
    Was There No Safety?: Suffering, Animals, and Religion in Virginia Woolf's To the Lighthouse.In: 2nd Global Conference. Making Sense Of: Suffering interdisciplinary research and publications project. Wednesday 9th November - Friday 11th November 2011. Prague, Czech Republic. Session 6: Literary Portraits and Encodings. 15 pp.

  127. Hickman, Valerie Reed.;
    Clarissa and the Coolies' Wives: Mrs. Dalloway Figuring Transnational Feminism.In: MFS: Modern Fiction Studies, vol. 60(2014), no. 1, pp. 52-77(26)

  128. Hindrichs, Cheryl.;
    Reading "Moments of Being" Between the Lines of Bach's Fugue: Lyric Narrative in Virginia Woolf's "Slater's Pins Have No Points.".In: Studies in Short Fiction. Vol. 37 Issue 1, Winter 2012, pp. 1-25(25)

  129. Hinnov, Emily M.;
    'To Give the Moment Whole': The Nature of Time and Cosmic (Comm)unity in Virginia Woolf's The Waves.In: Czarnecki, Kristin (ed. and introd.), Rohman, Carrie (ed. and introd.) , Virginia Woolf and the Natural World Selected Papers from the Twentieth Annual International Conference on Virginia Woolf, Clemson, SC: Clemson University Digital, 2011. xii, 246 pp. ISBN: 978-0-9835339-0-0; pp. 214-220(7)

  130. Hogberg, Elsa.;
    Modernism across the Commonwealth: Virginia Woolf's and Arundhati Roy's Critique of Empire.In: Wussow, Helen (ed. and introd.), Gillies, Mary Ann (ed. and introd.), Virginia Woolf and the Common(wealth) Reader, Clemson, SC: Clemson University Digital, 2014. xiv, 250 pp. ISBN: 978-0-9890826-7-9; pp. 115-120(6)

  131. Hogberg, Elsa.;
    Virginia Woolf's Poetics of Revolt.In: Études britanniques contemporaines, 46(2014), 11 pp.

  132. Hogberg, Elsa.;
    Voices against violence: Virginia Woolf and Judith Butler.In: Le Tour critique, 2 (2013): pp. 425-447(23)

  133. Hollis, Catherine W.;
    Clarissa's Glacial Skepticism: John Tyndall and Deep Time in Mrs. Dalloway.In: Martin, Ann (ed. and introd.), Holland, Kathryn (ed. and introd.), Interdisciplinary/Multidisciplinary Woolf, Clemson, SC: Clemson University Digital, 2013. xvi, 298 pp. ISBN: 978-0-9890826-2-4; pp. 132-137(6)

  134. Hollis, Catherine W.;
    Leslie Stephen's Science of (Ecological) Ethics.In: Wussow, Helen (ed. and introd.), Gillies, Mary Ann (ed. and introd.), Virginia Woolf and the Common(wealth) Reader, Clemson, SC: Clemson University Digital, 2014. xiv, 250 pp. ISBN: 978-0-9890826-7-9; pp. 45-49(5)

  135. Hollis, Catherine W.;
    Virginia Woolf as Mountaneer.In: Czarnecki, Kristin (ed. and introd.), Rohman, Carrie (ed. and introd.) , Virginia Woolf and the Natural World Selected Papers from the Twentieth Annual International Conference on Virginia Woolf, Clemson, SC: Clemson University Digital, 2011. xii, 246 pp. ISBN: 978-0-9835339-0-0; pp. 184-190(7)

  136. Hoorvash, Mona and Pourgiv, Farideh.;
    Martha the Mimos: Femininity, Mimesis and Theatricality in Edward Albee's Who's Afraid of Virginia Woolf.In: Atlantis: Journal of the Spanish Association of Anglo-American Studies. vol. 33. no. 2 (December 2011): pp. 11-25(15)

  137. Horacki, Michael J.;
    Apollonian Illusion and Dionysian Truth in Mrs. Dalloway.In: Martin, Ann (ed. and introd.), Holland, Kathryn (ed. and introd.), Interdisciplinary/Multidisciplinary Woolf, Clemson, SC: Clemson University Digital, 2013. xvi, 298 pp. ISBN: 978-0-9890826-2-4; pp. 138-142(5)

  138. Hornby, R.;
    Who's Afraid of Virginia Woolf ? : A Memoir.In: The Hudson Review, vol. 66, no. 1, Spr, 2013, pp. 219-225(7)

  139. Hu, Chin-yuan.;
    Metaphor of Travel: Virginia Woolf's Orlando (1928).In: Coldnoon: Travel Poetics, 2.4 (2013): pp. 110-132(23)

  140. Humm, Maggie.;
    Contradictions in Autobiography: Virginia Woolf's Writings on Art.In: Contradictory Woolf Selected Papers from the Twenty-First Annual International Conference on Virginia Woolf. University of Glasgow. Glasgow, Scotland 9-12 June 2011. Edited by Derek Ryan and Stella Bolaki. Clemson University, 2012. ISBN: 978-0-9835339-5-5; pp. 74-81(8)

  141. Humm, Maggie.;
    Multidisciplinary Woolf / Multiple Woolfs?In: Martin, Ann (ed. and introd.), Holland, Kathryn (ed. and introd.), Interdisciplinary/Multidisciplinary Woolf, Clemson, SC: Clemson University Digital, 2013. xvi, 298 pp. ISBN: 978-0-9890826-2-4; pp. 2-12(10)

  142. Hussey, Mark.;
    'Thoughts without words': silence, violence, and memorial in Woolf's Late Works.In: Le Tour critique, 2 (2013): pp. 87-98(12)

  143. Ifrim, Mihaela-Alina.;
    Representations of Virginia Woolf.In: Philologica Jassyensia, An X, Nr. 1 (19), 2014, Supliment, pp. 573-579(7)

  144. Im, Jeannie.;
    Gift Subscriptions: Underwriting Emergent Agencies in Virginia Woolf's Three Guineas and Agnes Smedley's Daughter of Earth.In: Modern Fiction Studies, vol. 59, Issue 3, Fall, 2013, pp. 569-590(22)

  145. Iszaj, Fruzsina; Demetrovics, Zsolt.;
    "Unborn selves"--literature as self-therapy in Virginia Woolf's work.In: Psychiatria Hungarica : A Magyar Pszichiatriai Tarsasag tudomanyos folyoirata, vol. 26(2011), no. 1, pp. 26-35(10)

     
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  146. Jensen, Meg.;
    The Writer's Diary as Borderland: The Public and Private Selves of Virginia Woolf, Katherine Mansfield and Louisa May Alcott.In: Life Writing, Vol. 9, Issue 3, September 2012, pp. 315-325(11)

  147. Jin, Ma.;
    James Joyce's epiphany and Virginia Woolf's 'moment of importance'.In: Studies in Literature and Language. Vol. 2 Issue 1, Feb 28, 2011, pp. 114-118(5)

  148. Jingrui, Hui.;
    Feminism revealed from Lily's Picture in To The Lighthouse.In: Studies in Literature and Language. Vol. 7 Issue 3, Dec 31, 2013, pp. 73-76(4)

  149. Joannou, Maroula.;
    "Our Time": Sylvia Townsend Warner, Virginia Woolf and the 1940s.In: Literature Compass, vol. 11, no. 12, December 2014, pp. 732-744(13)

  150. Kao, Pei-Wen Clio.;
    Queer Love in Woolf's Orlando and Chu's Notes of a Desolate Man.In: CLCWeb: Comparative Literature and Culture, vol. 14(2012): no. 1), 9 pp.

  151. Katsarova, Vesela.;
    Illumine the Mind within: Eva Figes' Waking and V. Woolf's the Waves.In: Gender Studies: Revista de Studii de Gen a Centrului Interdisciplinar de Studii de Gen al Universitǎţii de Vest din Timişoara, vol. 10, no. 1, 2011, pp. 10-22(13)

  152. Kaviola, Karen.;
    Revisiting the Ramsays: Love, Alterity, and the Ethical Experience of the Impossible in Virginia Woolf's To the Lighthouse.In: LIT: Literature Interpretation Theory, vol. 24(2013), no. 3, pp. 202-225(24)

  153. Kavitha, V.;
    Gates of Literature: Role of Literature in Instigating a Sicial Change.In: Research Journal of English Language and Literature (RJELAL), Vol.1.Issue.4.;2013, pp. 192-200(9)

  154. Keane, Alice.;
    'Full of Experiments and Reforms': Virginia Woolf, John Maynard Keynes, and the Impossibility of Economic Modeling.In: Martin, Ann (ed. and introd.), Holland, Kathryn (ed. and introd.), Interdisciplinary/Multidisciplinary Woolf, Clemson, SC: Clemson University Digital, 2013. xvi, 298 pp. ISBN: 978-0-9890826-2-4; pp. 20-26(7)

  155. Kesirli, Ayşegül.;
    "Women that Melted into the Air:" Criticizing Marshall Berman's Critic of Modernity.In: International Journal of Humanities and Social Science Vol. 1 No. 13 [Special Issue - September 2011], pp. 209-215(7)

  156. Kinoshita, Yukiko.;
    A Study of Far Eastern Influences on Virginia Woolf: Kakuzo Okakura, Roger Fry, and Virginia Woolf.In: Horizons, vol. 4, no. 1, June 2013, pp. 63-86(24)

  157. Kolocotroni, Vassiliki.;
    Strange Cries and Ancient Songs: Woolf's Greek and the Politics of Intelligibility.In: Randall, Bryony (ed.), Goldman, Jane (ed.), Virginia Woolf in Context, Cambridge, England: Cambridge UP, 2012. xviii, 502 pp. pp. 423-438(16)

  158. Kostkowska, Justyna.;
    Studland Beach and Jacob's Room:. Vanessa Bell's and Virginia Woolf's Experiments in Portrait Making 1910-1922.In: Partial Answers; Vol. 9 Issue 1, Jan 2011, pp. 79-93(15)

  159. Koulouris, Theodore.;
    Jacques Derrida in Virginia Woolf: Death, Loss and Mourning in Jacob's Room.In: Pacific Coast Philology, Vol. 46, (2011), no. 1, pp. 65-79(15)

     
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    Reality or Deception: The Differences between Writing about It and Taking Pictures of It: Paul Strand and Virginia Woolf.In: Hermeneia: Journal of Hermeneutics, Art Theory & Criticism; 2014, Issue 14, pp. 135-143(9)

  161. Latham, Monica.;
    Arlington Park: Variations on Virginia Woolf's Mrs Dalloway.In: E-rea: Revue electronique d'etudes sur le monde Anglophone, 2013, 17 pp.

  162. Latham, Monica.;
    Serv[Ing] Under Two Masters.In: Auto/Biography Studies, Vol. 27, Issue 2, January 2012, pp. 354-373(20)

  163. Laudando, Carmela Maria.;
    The Risky In-betweenness of Performing Audiences.In: Alicante Journal of English Studies, 26 (2013): pp. 45-58(14)

  164. Lestienne, Solenne.;
    Communication in The Waves and Between the Acts by Virginia Woolf.In: Otherness: Essays and Studies, vol. 3(2013), no. 2, 16 pp.

  165. Levenback, Karen L.;
    Approaches to War and Peace in Woolf: "A Chapter on the Future".In: Contradictory Woolf Selected Papers from the Twenty-First Annual International Conference on Virginia Woolf. University of Glasgow. Glasgow, Scotland 9-12 June 2011. Edited by Derek Ryan and Stella Bolaki. Clemson University, 2012. ISBN: 978-0-9835339-5-5; pp. 285-290(6)

  166. Levenback, Karen.;
    Preserving Our History of Reading Woolf: The Common Wealth of Our Past and Future.In: Wussow, Helen (ed. and introd.), Gillies, Mary Ann (ed. and introd.), Virginia Woolf and the Common(wealth) Reader, Clemson, SC: Clemson University Digital, 2014. xiv, 250 pp. ISBN: 978-0-9890826-7-9; pp. 198-204(7)

  167. Lilienfeld, Jane.;
    The Besieged Garden: Nature in Virginia Woolf's Mrs. Dalloway and Willa Cather's One of Ours.In: Czarnecki, Kristin (ed. and introd.), Rohman, Carrie (ed. and introd.) , Virginia Woolf and the Natural World Selected Papers from the Twentieth Annual International Conference on Virginia Woolf, Clemson, SC: Clemson University Digital, 2011. xii, 246 pp. ISBN: 978-0-9835339-0-0; pp. 90-94(5)

  168. Lin, Tzu Yu Allison.;
    London's Age and Agelessness.In: Journal of Literature and Art Studies, ISSN 2159-5836 December 2014, Vol. 4, No. 12, 1015-1018(4)

  169. Lin, Yi-Chuang Elizabeth.;
    Between the Acts of Eros: Nature and History in Virginia Woolf's Between the Acts.In: Philament: an online journal of the arts & culture; Mar 2014, pp. 1-16(16)

  170. Lin, Yi-Chuang Elizabeth.;
    Reading Virginia Woolf through Soren Kierkegaard's Concept of Irony.In: International Journal of Humanities and Social Science Vol. 2 No. 8 [Special Issue - April 2012], pp. 130-140(11)

  171. Lynch, Éadaoín.;
    Violence and the Body: Reclaiming Virginia Woolf's Non-Fiction.In: Ecloga : Journal of Literature and the Arts New Work in Modernist Studies Special Edition 2014, Edited by Andrew Campbell. Et al. pp. 49-62(14)

  172. Liu Chen.;
    The Penetration of Virginia Woolf's Life to Her Novel Mrs. Dalloway.In: Cross - Cultural Communication, vol. 10(2014), no. 5, pp. 80-84(5)

  173. Lonnquist, Barbara.;
    Homeless in Nature: Solitary Trampings and Shared Errantry in Cornwall, 1905.In: Czarnecki, Kristin (ed. and introd.), Rohman, Carrie (ed. and introd.) , Virginia Woolf and the Natural World Selected Papers from the Twentieth Annual International Conference on Virginia Woolf, Clemson, SC: Clemson University Digital, 2011. xii, 246 pp. ISBN: 978-0-9835339-0-0; pp. 169-173(5)

  174. Lovrod, Marie, and Karen Wood.;
    A Healing Centre of One's Own: Woolf's Legacy and Public Responses to Child Abuse.In: Martin, Ann (ed. and introd.), Holland, Kathryn (ed. and introd.), Interdisciplinary/Multidisciplinary Woolf, Clemson, SC: Clemson University Digital, 2013. xvi, 298 pp. ISBN: 978-0-9890826-2-4; pp. 109-118(10)

  175. Lowe, Alice.;
    'A Certain Hold on Haddock and Sausage': Dining Well in Virginia Woolf's Life and Work.In: Czarnecki, Kristin (ed. and introd.), Rohman, Carrie (ed. and introd.) , Virginia Woolf and the Natural World Selected Papers from the Twentieth Annual International Conference on Virginia Woolf, Clemson, SC: Clemson University Digital, 2011. xii, 246 pp. ISBN: 978-0-9835339-0-0; pp. 157-162(6)

  176. Lowe, Gill.;
    "Observe, Observe Perpetually," Montaigne, Virginia Woolf and the "Patron au Dedans".In: Contradictory Woolf Selected Papers from the Twenty-First Annual International Conference on Virginia Woolf. University of Glasgow. Glasgow, Scotland 9-12 June 2011. Edited by Derek Ryan and Stella Bolaki. Clemson University, 2012. ISBN: 978-0-9835339-5-5; pp. 215-221(7)

  177. Lowe, Gill.;
    Wild Swimming.In: Czarnecki, Kristin (ed. and introd.), Rohman, Carrie (ed. and introd.) , Virginia Woolf and the Natural World Selected Papers from the Twentieth Annual International Conference on Virginia Woolf, Clemson, SC: Clemson University Digital, 2011. xii, 246 pp. ISBN: 978-0-9835339-0-0; pp. 108-115(8)

  178. Ludwigs, Marina.;
    Epiphany and Closure in Virginia Woolf's To the Lighthouse.In: Anthropoetics - The Journal of Generative Anthropology, Vol. XX, no. 1 (Fall 2014). 13 pp.

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    On the Asylum Road with Woolf and Mew.In: Modernism/Modernity, Vo. 18(2011), no. 3, pp. 551-574(24)

     
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    Woolf Blogging, Blogging Woolf: Using the Web to Create a Common Wealth of Global Scholars-Readers.In: Wussow, Helen (ed. and introd.), Gillies, Mary Ann (ed. and introd.), Virginia Woolf and the Common(wealth) Reader, Clemson, SC: Clemson University Digital, 2014. xiv, 250 pp. ISBN: 978-0-9890826-7-9; pp. 232-237(6)

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    The Believers: Writers Publishing for Readers, or Preliminary Musings on the Hogarth Press and McSweeney's.In: Martin, Ann (ed. and introd.), Holland, Kathryn (ed. and introd.), Interdisciplinary/Multidisciplinary Woolf, Clemson, SC: Clemson University Digital, 2013. xvi, 298 pp. ISBN: 978-0-9890826-2-4; pp. 262-268(7)

  182. Manning, Susan.;
    Did Human Character Change? Representing Women and Fiction from Shakespeare to Virginia Woolf.In: Partial Answers; Vol. 11, Issue 1, Jan 2013, pp. 29-52(24)

  183. Mao, Douglas.;
    Woolf, T. E. Hulme, William James, and the Unseen.In: Le Tour critique, 2(2013): pp. 391-406(16)

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    Introduction.In: Martin, Ann (ed. and introd.), Holland, Kathryn (ed. and introd.), Interdisciplinary/Multidisciplinary Woolf, Clemson, SC: Clemson University Digital, 2013. xvi, 298 pp. ISBN: 978-0-9890826-2-4; pp. vii-xiii(7)

  185. Martin, Kirsty.;
    Virginia Woolf's happiness.In: Essays in Criticism. Vol. 64, Issue 4, Oct 2014, pp. 394-414(21)

  186. Mather, Jeffrey.;
    Stopping to Read the Flowers in Virginia Woolf's KEW GARDENS.In: The Explicator, Vol. 72, Issue 2, April 2014, pp. 80-83(4)

  187. Mattison, Laci.;
    The Metaphysics of Flowers in The Waves: Virginia Woolf's 'Seven-Sided Flower' and Henry Bergson's Intuition.In: Czarnecki, Kristin (ed. and introd.), Rohman, Carrie (ed. and introd.) , Virginia Woolf and the Natural World Selected Papers from the Twentieth Annual International Conference on Virginia Woolf, Clemson, SC: Clemson University Digital, 2011. xii, 246 pp. ISBN: 978-0-9835339-0-0; pp. 71-77(7)

  188. Mattison, Laci.;
    Virginia Woolf's Ethical Subjectivity: Deleuze and Guattari's Worlding and Bernard's 'Becoming-Savage.In: Deleuze Studies, vol. 7(2013), no. 4, pp. 562-580(19)

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    Woolf's Un/Folding(s): The Artist and the Event of the Neo-Baroque.In: Contradictory Woolf Selected Papers from the Twenty-First Annual International Conference on Virginia Woolf. University of Glasgow. Glasgow, Scotland 9-12 June 2011. Edited by Derek Ryan and Stella Bolaki. Clemson University, 2012. ISBN: 978-0-9835339-5-5; pp. 96-100(5)

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    All bets are off: Woolf, Benjamin, and the problem of the future in Jacob's Room.In: Le Tour critique, 2 (2013): pp. 31-43(13)

  191. McLoughlin, Kate.;
    Woolf's Crotchets: Textual Cryogenics in To the Lighthouse.In: Textual Practice, vol. 28(2014), no. 6, pp. 949-967 (19)

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    Seduction and revenge in Virginia Woolf's Orlando.In: The Psychoanalytic quarterly, vol. 80, no. 3, Jul, 2011, pp. 619-641(23)

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    Virginia Woolf: Natural Olympian: Swimming and Diving as Metaphors for Writing.In: Czarnecki, Kristin (ed. and introd.), Rohman, Carrie (ed. and introd.) , Virginia Woolf and the Natural World Selected Papers from the Twentieth Annual International Conference on Virginia Woolf, Clemson, SC: Clemson University Digital, 2011. xii, 246 pp. ISBN: 978-0-9835339-0-0; pp. 95-100(6)

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    History as Scaffolding: Woolf's Use of The Times in The Years.In: Martin, Ann (ed. and introd.), Holland, Kathryn (ed. and introd.), Interdisciplinary/Multidisciplinary Woolf, Clemson, SC: Clemson University Digital, 2013. xvi, 298 pp. ISBN: 978-0-9890826-2-4; pp. 41-49(9)

  195. Meyer, Priscilla & Trousdale, Rachel.;
    Vladimir Nabokov and Virginia Woolf.In: Comparative Literature Studies, Vol. 50(2013), Issue 3, pp. 490-522(33)

  196. Miller, Andrew.;
    The One Cake, the Only Cake.In: Michigan Quarterly Review, Vol. LI, No. 2. Spring 2012, pp. 167-186(20)

  197. Miller, Joseph Hillis.;
    Waves Theory: an anachronistic reading.In: Le Tour critique, 2 (2013): pp. 113-120(8)

  198. Minow-Pinkney, Makiko.;
    Virginia Woolf and December 1910: The Question of the Fourth Dimension.In: Contradictory Woolf Selected Papers from the Twenty-First Annual International Conference on Virginia Woolf. University of Glasgow. Glasgow, Scotland 9-12 June 2011. Edited by Derek Ryan and Stella Bolaki. Clemson University, 2012. ISBN: 978-0-9835339-5-5; pp. 194-201(8)

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    Heaven be Praised for it, the Problem of Space Remained: The Phenomenology of Pictorial Space in Virginia Woolf's To the Lighthouse.In: The AnaChronisT, Journal of English and American Studies, vol. 16, Winter 2011, pp. 34-56(23)

  200. Montashery, Iraj.;
    A Feminist Reading of Virginia Woolf's Mrs. Dalloway.In: International Journal of Applied Linguistics & English Literature, vol. 1(2012), no. 3, pp. 22-28(7)

  201. Montashery, Iraj.;
    Virginia Woolf and the Exploration of the Third Gender.In: International Journal of Comparative Literature & Translation Studies, Vol. 1 No. 1; April 2013, pp. 1-10(10)

  202. Montashery, Iraj.;
    Virginia Woolf's Maternal Narrative.In: International Journal of Comparative Literature & Translation Studies, Vol. 2, No.4; October 2014, pp. 42-49(8)

  203. Muscogiuri, Patrizia A.;
    'This, I Fancy, Must Be the Sea': Thalassic Aesthetics in Virginia Woolf's Writing.In: Czarnecki, Kristin (ed. and introd.), Rohman, Carrie (ed. and introd.) , Virginia Woolf and the Natural World Selected Papers from the Twentieth Annual International Conference on Virginia Woolf, Clemson, SC: Clemson University Digital, 2011. xii, 246 pp. ISBN: 978-0-9835339-0-0; pp. 101-107(7)

  204. Muscogiuri, Patrizia A.;
    Woolfian Seamarks: Commodified Women and the (In)visibility of the Racial Other on the Shores of Empire.In: Wussow, Helen (ed. and introd.), Gillies, Mary Ann (ed. and introd.), Virginia Woolf and the Common(wealth) Reader, Clemson, SC: Clemson University Digital, 2014. xiv, 250 pp. ISBN: 978-0-9890826-7-9; pp. 173-182(10)

  205. Muşina, Tania.;
    Virginia Woolf and the Condition of the Woman Writer in the Essays 'A Room of One's Own.In: Studia Universitatis Petru Maior - Philologia. 2013, Issue 14, pp. 188-192(5)

     
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    'Caterpillars of the the Commonwealth Unite': Photography and Trauma in Three Guineas.In: Wussow, Helen (ed. and introd.), Gillies, Mary Ann (ed. and introd.), Virginia Woolf and the Common(wealth) Reader, Clemson, SC: Clemson University Digital, 2014. xiv, 250 pp. ISBN: 978-0-9890826-7-9; pp. 145-150(6)

  207. Najafi, Saghar.;
    A Phenomenological Reading of Virginia Woolf's Fictions: The Process of Self-Formation.In: Proceedings of SOCIOINT14- International Conference on Social Sciences and Humanities, 8-10 September 2014-Istanbul, Turkey. ISBN: 978-605-64453-1-6; pp. 436-442(7)

  208. Nardin, Jane.;
    Poultry for Dinner in Katherine Mansfield's 'Prelude' and Virginia Woolf's 'The Shooting Party.'.In: Midwest Quarterly, vol. 52(2011), no. 3, pp. 293-306(14)

  209. Nash, John.;
    Exhibiting the Example: Virginia Woolf's Shoes.In: Twentieth Century Literature , vol. 59(2013), no. 2, pp. 283-308(26)

  210. Nash, John.;
    "Talk & talk & talk": Virginia Woolf's responses to Ireland.In: Irish Studies Review, Vol. 21, Issue 3, August 2013, pp. 255-273(19)

  211. Nemerov, Alexander.;
    The Madness of Art: Georgia O'Keeffe and Virginia Woolf.In: Art History; Vol. 34, Issue 4, Sep 2011, pp. 818-837(20)

  212. Neverow, Vara S.;
    Bi-sexing the Unmentionable Mary Hamiltons in A Room of One's Own: The Truth and Consequences of Unintended Pregnancies an Calculated Cross-Dressing.In: Contradictory Woolf Selected Papers from the Twenty-First Annual International Conference on Virginia Woolf. University of Glasgow. Glasgow, Scotland 9-12 June 2011. Edited by Derek Ryan and Stella Bolaki. Clemson University, 2012. ISBN: 978-0-9835339-5-5; pp. 134-141(8)

  213. Neverow, Vara.;
    Desiring Statues and Ambiguous Sexualities in Jacob's Room.In: Martin, Ann (ed. and introd.), Holland, Kathryn (ed. and introd.), Interdisciplinary/Multidisciplinary Woolf, Clemson, SC: Clemson University Digital, 2013. xvi, 298 pp. ISBN: 978-0-9890826-2-4; pp. 27-34(8)

  214. Neverow, Vara.;
    Documenting Fascism in Three Guineas and The Handmaid's Tale: An Examination of Woolf's Textual Notes and Scrapbooks and Atwood's 'Historical Notes'.In: Wussow, Helen (ed. and introd.), Gillies, Mary Ann (ed. and introd.), Virginia Woolf and the Common(wealth) Reader, Clemson, SC: Clemson University Digital, 2014. xiv, 250 pp. ISBN: 978-0-9890826-7-9; pp. 183-189(7)

  215. Neverow, Vara.;
    The Woolf, the Horse and the Fox: Recurrent Motifs in Jacob's Room and Orlando.In: Czarnecki, Kristin (ed. and introd.), Rohman, Carrie (ed. and introd.) , Virginia Woolf and the Natural World Selected Papers from the Twentieth Annual International Conference on Virginia Woolf, Clemson, SC: Clemson University Digital, 2011. xii, 246 pp. ISBN: 978-0-9835339-0-0; pp. 116-124(8)

  216. Nicolae, Cristina.;
    Love, Creation, Change in Virginia Woolf's Orlando.In: Studia Universitatis Petru Maior - Philologia. 2011, Issue 11, pp. 208-216(9)

  217. Nicholson, Claire.;
    But Woolf was a Sophisticated Observer of Fashion…: Virginia Woolf, Clothing and Contradiction.In: Contradictory Woolf Selected Papers from the Twenty-First Annual International Conference on Virginia Woolf. University of Glasgow. Glasgow, Scotland 9-12 June 2011. Edited by Derek Ryan and Stella Bolaki. Clemson University, 2012. ISBN: 978-0-9835339-5-5; pp. 129-133(5)

  218. Nozar Niazi; Ehsan Honarjou; Hajar Ranjbar.;
    A Cixusian Approach to Virginia Woolf's Mrs Dalloway.In: Asian Journal of Research in Social Sciences and Humanities, vol. 4(2014), no. 4, pp. 524-531(8)

  219. O'Hara, Daniel T.;
    The Revisionary Muse in Virginia Woolf's On Being Ill: on literary politics, modernist-style.In: Symploke. Wntr-Spring, 2014, Vol. 22 Issue 1, pp. 293-302(10)

  220. Ockerstrom, Lolly.;
    Leonard Woolf and the Ceylon Civil Service: 'I Had Come to Dislike Imperialism'.In: Wussow, Helen (ed. and introd.), Gillies, Mary Ann (ed. and introd.), Virginia Woolf and the Common(wealth) Reader, Clemson, SC: Clemson University Digital, 2014. xiv, 250 pp. ISBN: 978-0-9890826-7-9; pp. 59-64(6)

  221. Ockerstrom, Lolly J.;
    Photography, History, and Memoir of the Spanish Civil War: Interdisciplinary Views.In: Martin, Ann (ed. and introd.), Holland, Kathryn (ed. and introd.), Interdisciplinary/Multidisciplinary Woolf, Clemson, SC: Clemson University Digital, 2013. xvi, 298 pp. ISBN: 978-0-9890826-2-4; pp. 73-78(6)

  222. Oinam, Promila.;
    Virginia Woolf's Jacob's Room: An Elusive character of Jacob Flanders.In: Journal of Literature, Culture & Media Studies; Vol. 3 Issue 5/6, Jan-Dec2011, pp. 31-38(8)

  223. Oliveira, Maria Aparecida de.;
    Virginia Woolf and Clarice Lispector: Thinking Back Through Brazilian Mothers.In: Martin, Ann (ed. and introd.), Holland, Kathryn (ed. and introd.), Interdisciplinary/Multidisciplinary Woolf, Clemson, SC: Clemson University Digital, 2013. xvi, 298 pp. ISBN: 978-0-9890826-2-4; pp. 190-195(6)

  224. Outka, Elizabeth.;
    "Wood for the Coffins Ran Out": Modernism and the Shadowed Afterlife of the Influenza Pandemic.In: Modernism/modernity, Vol. 21, no. 4, November 2014, pp. 937-960(24)

  225. Oxner, Alex.;
    Characterizing Absence: Virginia Woolf's New Elegy in JACOB'S ROOM..In: The Explicator, Vol. 72, Issue 3, July 2014, pp. 210-214(5)

  226. Ozsert, Lecturer Seher.;
    The Hotel Room Nineteen: A Passage to Freedom.In: Journal of Language and Literature Education, 11(2014), no. 9, pp. 60-68(9)

     
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  227. Pala Mull, Çiğdem.;
    "Transforming Ordinary Experience To An Ecstasy": Virginia Woolf's Autobiographical Novel To The Lighthouse.In: Idil Sanat ve Dil Dergisi, vol. 3(2014), no. 11, pp. 147-156(10)

  228. Park, Sowon S.;
    Apostolic Minds and the Spinning House: Jane Ellen Harrison and Virginia Woolf's Discourse of Alterity.In: Women: A Cultural Review. Vol. 22, Issue 1, Spring, 2011, pp. 69-78(10)

  229. Park, Sowon S.;
    The Feeling of Knowing in Mrs. Dalloway: Neuroscience and Woolf.In: Contradictory Woolf Selected Papers from the Twenty-First Annual International Conference on Virginia Woolf. University of Glasgow. Glasgow, Scotland 9-12 June 2011. Edited by Derek Ryan and Stella Bolaki. Clemson University, 2012. ISBN: 978-0-9835339-5-5; pp. 108-114(7)

  230. Parray, Ashaq Hussain.;
    Who's Afraid of Virginia Woolf? An Exquisite Messaging of the Moral Collapse of American Society.In: Language in India. Vol. 14, Issue 4, Apr 2014, pp. 18-22(5)

  231. Parui, Avishek.;
    'All Is Hubble-Bubble, Swarm and Chaos': The Cognitive Contingencies and Possibilities in Virginia Woolf's 'The Cinema'.In: Postgraduate English: A Journal and Forum for Postgraduates in English , (23:), 2011, 27 pp.

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    Politicising Cityscape: London in Virginia Woolf's Mrs Dalloway.In: Literary London: Interdisciplinary Studies in the Representation of London, vol. 10, no. 1(2013), 7 pp.

  233. Penner, Erin Kay.;
    Crowding Clarissa's Garden.In: Czarnecki, Kristin (ed. and introd.), Rohman, Carrie (ed. and introd.) , Virginia Woolf and the Natural World Selected Papers from the Twentieth Annual International Conference on Virginia Woolf, Clemson, SC: Clemson University Digital, 2011. xii, 246 pp. ISBN: 978-0-9835339-0-0; pp. 78-83(6)

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    Work as Salvation: Eureka's Angel in the House, A Director's Experience.In: Martin, Ann (ed. and introd.), Holland, Kathryn (ed. and introd.), Interdisciplinary/Multidisciplinary Woolf, Clemson, SC: Clemson University Digital, 2013. xvi, 298 pp. ISBN: 978-0-9890826-2-4; pp. 171-176(6)

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    Voices and Perspectives: Translating the Ambiguity in Virginia Woolf's To the Lighthouse.In: Eronen, M. & M. Rodi-Risberg (toim.)., Haasteena nakokulma, Perspektivet som utmaning, Point of view as challenge, Perspektivitat als Herausforderung. VAKKI-symposiumi XXXIII 7.-8.2.2013. VAKKI Publications 2. Vaasa, pp. 281-291(11)

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    Anthropology on Screen: Luigi Pirandello, Virginia Woolf.In: PSA: The Official Publication of the Pirandello Society of America , vol. 26(2013), pp. 13-31(19)

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    The Politics of Gender in Virginia Woolf's the Voyage.In: Turkish Journal of Scientific Research. Vol., 1(2014), no. 1, pp. 8-15(8)

  238. Putzel, Steven D.;
    The Hotel at the End of the Universe.In: Martin, Ann (ed. and introd.), Holland, Kathryn (ed. and introd.), Interdisciplinary/Multidisciplinary Woolf, Clemson, SC: Clemson University Digital, 2013. xvi, 298 pp. ISBN: 978-0-9890826-2-4; pp. 225-230(6)

     
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    The wandering thread: on the rationality of the novel.In: Le Tour critique, 2 (2013): pp. 1-14(14)

  240. Read, Richard.;
    Vico, Virginia Woolf and Adrian Stoke's Autobiographies: Fantasy, Providence and Isolation in Post-War British Aesthetics.In: Art History, vol. 35. No. 4, Sep. 2012, pp. 778-795(18)

  241. Reader, Luke.;
    Listening-In, Tuning Out: Leonard Woolf's Criticism of the BBC During the 1930s.In: Czarnecki, Kristin (ed. and introd.), Rohman, Carrie (ed. and introd.) , Virginia Woolf and the Natural World Selected Papers from the Twentieth Annual International Conference on Virginia Woolf, Clemson, SC: Clemson University Digital, 2011. xii, 246 pp. ISBN: 978-0-9835339-0-0; pp. 228-235(8)

  242. Reed, Conor Tomás.;
    'Q. And babies? A. And babies?': On Pacifism, Visual Trauma, and the Body Heap.In: Martin, Ann (ed. and introd.), Holland, Kathryn (ed. and introd.), Interdisciplinary/Multidisciplinary Woolf, Clemson, SC: Clemson University Digital, 2013. xvi, 298 pp. ISBN: 978-0-9890826-2-4; pp. 68-72(5)

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    "But something betwixt and between": Roger Fry and the Contradictions of Biography.In: Contradictory Woolf Selected Papers from the Twenty-First Annual International Conference on Virginia Woolf. University of Glasgow. Glasgow, Scotland 9-12 June 2011. Edited by Derek Ryan and Stella Bolaki. Clemson University, 2012. ISBN: 978-0-9835339-5-5; pp. 82-87(6)

  244. Rezanezhad, Farzaneh.;
    Women, Nature, Culture: Ecological Discourse in Virginia Woolf Mrs Dalloway.In: Journal of Novel Applied Sciences, vol. 3(2014), no. 7, pp. 764-770(7)

  245. Riquelme, John Paul.;
    Modernist Transformations of Life Narrative: From Wilde and Woolf to Bechdel and Rushdie.In: Modern Fiction Studies, vol. 59, no. 3, Fal, 2013, pp. 461-479(19)

  246. Robertson, Kyle.;
    Selves and Others as Narrative Participants in Woolf's Novels.In: Martin, Ann (ed. and introd.), Holland, Kathryn (ed. and introd.), Interdisciplinary/Multidisciplinary Woolf, Clemson, SC: Clemson University Digital, 2013. xvi, 298 pp. ISBN: 978-0-9890826-2-4; pp. 201-206(6)

  247. Rodal, Jocelyn.;
    Virginia Woolf on Mathematics: Signifying Opposition.In: Contradictory Woolf Selected Papers from the Twenty-First Annual International Conference on Virginia Woolf. University of Glasgow. Glasgow, Scotland 9-12 June 2011. Edited by Derek Ryan and Stella Bolaki. Clemson University, 2012. ISBN: 978-0-9835339-5-5; pp. 202-208(7)

  248. Rohman, Carrie.;
    A Hoard of Floating Monkeys: Creativity and Inhuman Becomings in Woolf's Nurse Lugton Story.In: Deleuze Studies, vol. 7(2013), no. 4, pp. 515-536(22)

  249. Rohman, Carrie.;
    'We Make Life': Vibration, Aesthetics and the Inhuman in The Waves.In: Czarnecki, Kristin (ed. and introd.), Rohman, Carrie (ed. and introd.) , Virginia Woolf and the Natural World Selected Papers from the Twentieth Annual International Conference on Virginia Woolf, Clemson, SC: Clemson University Digital, 2011. xii, 246 pp. ISBN: 978-0-9835339-0-0; pp. 12-23(12)

  250. Rosenbaum, S. P.;
    Virginia Woolf among the Apostles.In: Le Tour critique, 2 (2013): pp. 131-146(16)

  251. Rosenthal, Edna.;
    Ethos or Mythos? The Implicit History of Woolf's Modern Ssublime.In: Le Tour critique, 2 (2013): pp. 277-290(14)

  252. Royer, Diana.;
    Mining with the Head: Virginia Woolf, Henry David Thoreau, and Exploring the Self Through Nature.In: Czarnecki, Kristin (ed. and introd.), Rohman, Carrie (ed. and introd.) , Virginia Woolf and the Natural World Selected Papers from the Twentieth Annual International Conference on Virginia Woolf, Clemson, SC: Clemson University Digital, 2011. xii, 246 pp. ISBN: 978-0-9835339-0-0; pp. 180-183(4)

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    From Spaniel Club to Animalous Society: Virginia Woolf's Flush.In: Contradictory Woolf Selected Papers from the Twenty-First Annual International Conference on Virginia Woolf. University of Glasgow. Glasgow, Scotland 9-12 June 2011. Edited by Derek Ryan and Stella Bolaki. Clemson University, 2012. ISBN: 978-0-9835339-5-5; pp. 158-165(8)

  254. Ryan, Derek.;
    'Nature, Who Has Played So Many Queer Tricks Upon Us': Digging Granite and Chasing Rainbows with Virginia Woolf.In: Czarnecki, Kristin (ed. and introd.), Rohman, Carrie (ed. and introd.) , Virginia Woolf and the Natural World Selected Papers from the Twentieth Annual International Conference on Virginia Woolf, Clemson, SC: Clemson University Digital, 2011. xii, 246 pp. ISBN: 978-0-9835339-0-0; pp. 202-207(6)

  255. Ryan, Derek, and Mattison, Laci.;
    Introduction: Deleuze, Virginia Woolf, and Modernism.In: Deleuze Studies, vol. 7(2013), no. 4, pp. 421-426(6)

  256. Rybicki, Jan; Heydel, Magda.;
    The Stylistics and Stylometry of Collaborative Translation: Woolf's Night and Day in Polish.In: Literary and Linguistic Computing: Journal of the Association for Literary and Linguistic Computing and The Association for Computers and the Humanities, vol. 28, no. 4, Dec, 2013, pp. 708-717(10)

     
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    'Something That Would Stand for the Conception': The Inseminating World in the Last Writings of Virginia Woolf.In: Green Letters: Studies in Ecocriticism, (17:2), 2013, pp. 109-120 (12)

  258. Saloman, Randi.;
    'Unsolved Problems': Essayism, Counterfactuals, and the Futures of A Room of One's Own.In: Tulsa Studies in Women's Literature , (32:1), 2013, pp. 53-73(21) (In special section: "New Work on Virginia Woolf's Nonfiction".)

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  260. Sanchez Cuervo, Margarita Esther.;
    The Literary Essay as Encomium in Virginia Woolf's "The Enchanted Organ".In: International Journal of Applied Linguistics & English Literature, Vol. 3(2014), no. 5, pp. 39-46(8)

  261. Sandberg, Eric.;
    "To want and not to have": Desire and Form in Virginia Woolf's To the Lighthouse.In: Affirmations: Of the Modern. Vol 1, No 2 (2014): Modernism, Intimacy, and Emotion. pp. 56-74(19)

  262. Sanyal, Swikriti.;
    Breaking through the Limits of Flesh: Gender Fluidity and (Un)natural Sexuality in Virginia Woolf's Orlando.In: Rupkatha Journal on Interdisciplinary Studies in Humanities; Vol. 6(2014), Issue 1, pp. 79-86(8)

  263. Sarker, Sonita.;
    Virginia Woolf in the British Commonwealth.In: Wussow, Helen (ed. and introd.), Gillies, Mary Ann (ed. and introd.), Virginia Woolf and the Common(wealth) Reader, Clemson, SC: Clemson University Digital, 2014. xiv, 250 pp. ISBN: 978-0-9890826-7-9; pp. 65-76(12)

  264. Sasani, Samira.;
    Pathological interaction in Edward Albee's Who's Afraid of Virginia Woolf ?In: Theory and Practice in Language Studies, Vol. 4, Issue 7, July 2014, pp. 1483-1491(9)

  265. Schaller, Karen.;
    'I Know It to Be Synthetic But It Affects Me Strongly': 'Dead Mabelle' and Bowen's Emotion Pictures.In: Textual Practice, vol. 27(2013), no. 1, pp. 163-185(23)

  266. Scheck, Dominic.;
    Sundered Waters: Isolated Consciousness and Ostensible Communion in Woolf's Narration.In: Czarnecki, Kristin (ed. and introd.), Rohman, Carrie (ed. and introd.) , Virginia Woolf and the Natural World Selected Papers from the Twentieth Annual International Conference on Virginia Woolf, Clemson, SC: Clemson University Digital, 2011. xii, 246 pp. ISBN: 978-0-9835339-0-0; pp. 208-213(6)

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    Mrs. Woolf and Mrs. Dalloway: Parallels between Virginia Woolf's Poetics and her Novel Mrs. Dalloway.In: Arbeitsblatter des Anglistischen Seminars Heidelberg. Beitrage zur Sprach-, Literatur- und Kulturwissenschaft, Vol. 2011:1, pp. 25-37(13)

  268. Scott, Bonnie Kime.;
    Ecofeminism, Holism, and the Search for Natural Order in Woolf.In: Czarnecki, Kristin (ed. and introd.), Rohman, Carrie (ed. and introd.) , Virginia Woolf and the Natural World Selected Papers from the Twentieth Annual International Conference on Virginia Woolf, Clemson, SC: Clemson University Digital, 2011. xii, 246 pp. ISBN: 978-0-9835339-0-0; pp 1-11 (11)

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    Petrified Mermaids: transcendence and female subjectivity in the aesthetics of Virginia Woolf's Mrs Dalloway and Andre Breton's Nadja.In: Textual Practice. Vol. 28 Issue 1, Feb2014, pp. 121-140(20)

  270. Sedon, Katherine.;
    Moments of Aging: Revising Mother Nature in Virginia Woolf's Mrs. Dalloway.In: Czarnecki, Kristin (ed. and introd.), Rohman, Carrie (ed. and introd.) , Virginia Woolf and the Natural World Selected Papers from the Twentieth Annual International Conference on Virginia Woolf, Clemson, SC: Clemson University Digital, 2011. xii, 246 pp. ISBN: 978-0-9835339-0-0; pp. 163-168(6)

  271. Sellei Nora, Bernard Catherine, Gonzalez Madelena, and Ryan-Sautour Michelle.;
    20th-21st Century 'British' Literature: Recent Critical Trends.In: Etudes britanniques contemporaines [En ligne], 46 | 2014, 28 pp.

  272. Shams, Parisa; Pourgiv, Farideh.;
    Gender trouble in Who's Afraid of Virginia Woolf.In: Journal of Research in Gender Studies, Vol. 3(2013), no. 2, pp. 85-100(16)

  273. Sharma, Brahma Dutta.;
    The Play of Jealousy in Virginia Woolf's Mrs Dalloway.In: Creative Writing and Criticism, IX, 1 (October 2011), pp.38-43(6)

  274. Shashi, Amrita.;
    Dualism between the Self and the Other in Virgii Woolf's Mrs. Dalloway and To The Lighthouse.In: The Dawn Journal, Vol. 3, no. 2, July - December 2014, pp. 999-1009(11)

  275. Sherman, David.;
    The Being that Thinks in Us: Woolf and the Aesthetics of Self-Alarm.In: Le Tour critique, 2 (2013): pp. 369-377(9)

  276. Shirkhani, Kim.;
    Small Language and Big Men in Virginia Woolf.In: Studies in the Novel, vol. 43, no. 1, Spring2011, pp. 55-74(20)

  277. Silva, Maria Candida Zamith.;
    A Spectre of Virginia Woolf's Utopias: the Theatre.In: Via Panoramica, Numero Especial (2012), pp. 32-44(13)

  278. Silver, Brenda R.;
    Waving to Virginia.In: Martin, Ann (ed. and introd.), Holland, Kathryn (ed. and introd.), Interdisciplinary/Multidisciplinary Woolf, Clemson, SC: Clemson University Digital, 2013. xvi, 298 pp. ISBN: 978-0-9890826-2-4; pp. 80-94(15)

  279. Simpson, Kathryn.;
    "Come buy, come buy": Woolf's Contradictory Relationship to the Marketplace.In: Contradictory Woolf Selected Papers from the Twenty-First Annual International Conference on Virginia Woolf. University of Glasgow. Glasgow, Scotland 9-12 June 2011. Edited by Derek Ryan and Stella Bolaki. Clemson University, 2012. ISBN: 978-0-9835339-5-5; pp. 186-193(8)

  280. Simpson, Kathryn.;
    'Lappin and Lapinova': A Woolf in Hare's Clothing? In: Czarnecki, Kristin (ed. and introd.), Rohman, Carrie (ed. and introd.) , Virginia Woolf and the Natural World Selected Papers from the Twentieth Annual International Conference on Virginia Woolf, Clemson, SC: Clemson University Digital, 2011. xii, 246 pp. ISBN: 978-0-9835339-0-0; pp. 151-156(6)

  281. Simpson, Kathryn.;
    Wealth in Common: Gifts, Desire, and Colonial Commodities in Woolf and Mansfield.In: Wussow, Helen (ed. and introd.), Gillies, Mary Ann (ed. and introd.), Virginia Woolf and the Common(wealth) Reader, Clemson, SC: Clemson University Digital, 2014. xiv, 250 pp. ISBN: 978-0-9890826-7-9; pp. 88-93(6)

  282. Sirković, Nina.;
    The Mobility of Sexual Identity and the Androgynous Vision in Virginia Woolf's Orlando.In: Philologia: Naucno-Strucni Casopis za Jezik, Knjizevnost i Kulturu/Scientific-Professional Journal for Language, Literature and Cultural Studies, vol. 9(2011), pp. 93-100(8)

  283. Smith, Melinda.;
    From Bloomsbury to Fountain Lakes: An Australian Virginia Woolf.In: Wussow, Helen (ed. and introd.), Gillies, Mary Ann (ed. and introd.), Virginia Woolf and the Common(wealth) Reader, Clemson, SC: Clemson University Digital, 2014. xiv, 250 pp. ISBN: 978-0-9890826-7-9; pp. 121-126(6)

  284. Sorin, Claire & Lux-Sterritt, Laurence.;
    Women and Spirituality in 20th-Century Writing: an Exploration into the Fiction of Virginia Woolf, Michele Roberts, Sara Maitland, Gail Godwin and Toni Morrison.In: E-rea : Revue Electronique d'Etudes sur le Monde Anglophone, 2011, Vol. 8, Issue 2, 5 pp.

  285. Sparks, Elisa Kay.;
    'Everything Tended To Set Itself in a Garden': Virginia Woolf's Literary and Quotidian Flowers: A Bar-Graphical Approach.In: Czarnecki, Kristin (ed. and introd.), Rohman, Carrie (ed. and introd.) , Virginia Woolf and the Natural World Selected 4 Papers from the Twentieth Annual International Conference on Virginia Woolf, Clemson, SC: Clemson University Digital, 2011. xii, 246 pp. ISBN: 978-0-9835339-0-0; pp. 42-60(19)

  286. Sparks, Elisa Kay.;
    Sunflower Suture: Disseminating the Garden in The Years.In: Martin, Ann (ed. and introd.), Holland, Kathryn (ed. and introd.), Interdisciplinary/Multidisciplinary Woolf, Clemson, SC: Clemson University Digital, 2013. xvi, 298 pp. ISBN: 978-0-9890826-2-4; pp. 119-126(8)

  287. Spiropoulou, Angeliki.;
    Woolf's Contradictory Thinking.In: Contradictory Woolf Selected Papers from the Twenty-First Annual International Conference on Virginia Woolf. University of Glasgow. Glasgow, Scotland 9-12 June 2011. Edited by Derek Ryan and Stella Bolaki. Clemson University, 2012. ISBN: 978-0-9835339-5-5; pp. 101-107(7)

  288. Sriratana, Verita.;
    'It Was an Uncertain Spring': Reading the Weather in The Years.In: Czarnecki, Kristin (ed. and introd.), Rohman, Carrie (ed. and introd.) , Virginia Woolf and the Natural World Selected Papers from the Twentieth Annual International Conference on Virginia Woolf, Clemson, SC: Clemson University Digital, 2011. xii, 246 pp. ISBN: 978-0-9835339-0-0; pp. 191-195(5)

  289. Sriratana, Verita.;
    That Alluring Land (Tá zem vábna) Which They Both Have Never Seen: Imaging and Imagining America in the Words of Timrava and Virginia Woolf.In: Ars Aeterna. Vol. 5. No. 1. Word and Image in Contemporary Culture. Nitra: Constantine the Philosopher University, 2013: pp. 19-33(15) ISSN: 1337-9291

  290. Stafford, Jane.;
    'Simplicity and Art Shades Reign Supreme': Costume, Collectibles, and Aspiration in Katherine Mansfield's New Zealand.In: Wussow, Helen (ed. and introd.), Gillies, Mary Ann (ed. and introd.), Virginia Woolf and the Common(wealth) Reader, Clemson, SC: Clemson University Digital, 2014. xiv, 250 pp. ISBN: 978-0-9890826-7-9; pp. 78-87(10)

  291. Storace, Katryna.;
    A Woolf at the Hogarth Press: Virginia Woolf and the Art of Publishing.In: The Journal of Publishing Culture Vol. 2, May 2014, pp. 1-12(12)

  292. Subotnik, Dan.;
    Do law schools mistreat women faculty? Or who's afraid of Virginia Woolf.In: Akron Law Review. Vol. 44 Issue 3, Summer, 2011, pp. 867-893(27)

  293. Sullam, Sara.;
    Figures of Contradiction: Virginia Woolf's Rhetoric of Genres.In: Contradictory Woolf Selected Papers from the Twenty-First Annual International Conference on Virginia Woolf. University of Glasgow. Glasgow, Scotland 9-12 June 2011. Edited by Derek Ryan and Stella Bolaki. Clemson University, 2012. ISBN: 978-0-9835339-5-5; pp. 271-277(7)

  294. Sümbül, Yiğit.;
    A Plotinian Reading of Virginia Woolf's To the Lighthouse.In: Atatürk Üniversitesi Sosyal Bilimler Enstitusu Dergisi /Journal of Graduate School of Social Sciences, vol. 17(2013), no. 1: pp. 87-94(8)

  295. Sutton, Emma.;
    Shell shock and hysterical fugue, or why Mrs Dalloway likes Bach.In: First World War Studies, Vol. 2, Issue 1, March 2011, pp. 17-26(10)

  296. Swanson, Diana L.;
    'The Real World': Virginia Woolf and Ecofeminism.In: Czarnecki, Kristin (ed. and introd.), Rohman, Carrie (ed. and introd.) , Virginia Woolf and the Natural World Selected Papers from the Twentieth Annual International Conference on Virginia Woolf, Clemson, SC: Clemson University Digital, 2011. xii, 246 pp. ISBN: 978-0-9835339-0-0; pp. 24-34(11)

  297. Swarbrick, Katharine.;
    Lacanian Orlando.In: Contradictory Woolf Selected Papers from the Twenty-First Annual International Conference on Virginia Woolf. University of Glasgow. Glasgow, Scotland 9-12 June 2011. Edited by Derek Ryan and Stella Bolaki. Clemson University, 2012. ISBN: 978-0-9835339-5-5; pp. 142-149(8)

  298. Swinford, Elise.;
    Transforming Nature: Orlando as Elegy.In: Czarnecki, Kristin (ed. and introd.), Rohman, Carrie (ed. and introd.) , Virginia Woolf and the Natural World Selected Papers from the Twentieth Annual International Conference on Virginia Woolf, Clemson, SC: Clemson University Digital, 2011. xii, 246 pp. ISBN: 978-0-9835339-0-0; pp. 196-201(6)

  299. Szegedy-Maszak, Mihaly.;
    Wagner or Beethoven?: Shifts in the Musical Taste of Virginia Woolf.In: Neohelicon, vol. 39(2012), no. 1, pp. 89-103(15)

     
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  300. Thomas, S.;
    Revisiting Katherine Mansfield, Virginia Woolf and the Aesthetics of Respectability.In: English Studies, vol. 94, no. 1, Feb 2013, pp. 64-82(19)

  301. Tildesley, Matthew.;
    Knocking on the Lighthouse Gate: Further Connections between Thomas de Quincey and Virginia Woolf's To the Lighthouse.In: Neophilologus; Vol. 98 Issue 3, Jul2014, pp. 517-525(9)

  302. Tobin, Vera.;
    Joint Attention, To the Lighthouse, and Modernist Representations of Intersubjectivity.In: Dancygier, Barbara (ed., introd., and conclusion), Sanders, Jose; (ed., introd., and conclusion), Vandelanotte, Lieven (ed. and introd.), Textual Choices in Discourse: A View from Cognitive Linguistics, Amsterdam, Netherlands: Benjamins, 2012. 198 pp.(Benjamins Current Topics40). 2012. pp. 45-62(18)

  303. Toth, Naomi.;
    Reincarnating Shakespeare's Sister: Virginia Woolf and the 'Uncircumscribed Spirit' of Fiction.In: EREA: Revue Electronique d'Etudes sur le Monde Anglophone, (8:2), 2011, [11 pages]

  304. Toth, Naomi.;
    'The very jar on the nerves': Reading Lily Briscoe's painting with phenomenology.In: Le Tour critique, 2 (2013): pp. 339-352(14)

  305. Trangmar, Susan.;
    'A Divided Glance': A Dialogue between the Photographic Project 'A Forest of Signs' and the Figure of the Tree in Virginia Woolf's Writing.In: Literary London: Interdisciplinary Studies in the Representation of London , (10:1), 2013, 13 pp.

  306. Tromanhauser, Vicki.;
    Mrs. Dalloway's Animals and the Humanist Laboratory.In: Twentieth Century Literature, vol. 58(2012), no. 2, pp. 187-212(26)

  307. Tseng, Ching-fang.;
    The Lily Pool, the Mirrors, and the Outsiders: Envisioning Home and England in Virginia Woolf'sBetween the Acts.In: Concentric: Literary and Cultural Studies , (38:1), 2012, pp. 249-275(27)

  308. Utell, Janine.;
    View from the Sickroom: Virginia Woolf, Dorothy Wordsworth, and Writing Women's Lives of Illness.In: Life Writing, 2014, pp. 1-19(19)

     
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  309. van Rijswijk, Honni.;
    Neighbourly Injuries: Proximity in Tort Law and Virginia Woolf's Theory of Suffering.In: Feminist Legal Studies, vol. 20, no. 1, Apr. 2012, pp. 39-60(22)

  310. Walker, Casey M.;
    Marcel Proust meets Mrs. Dalloway.In: Raritan: A Quarterly Review, vol. 34(2014), no. 1, pp. 35-56(22)

  311. Walkowitz, Rebecca L.;
    For Translation: Virginia Woolf, J. M. Coetzee, and Transnational Comparison.In: English Language Notes, vol. 51(2013), no. 1, pp. 35-50(16) (In special issue: "ELN Forum: The Advisory Board." In special section: "Circulations")

  312. Wall, Kathleen.;
    Speaking Citizen to Citizen in a Time of War: Miss La Trobe's Use of Parabasis in Her Historical Pageant.In: Martin, Ann (ed. and introd.), Holland, Kathryn (ed. and introd.), Interdisciplinary/Multidisciplinary Woolf, Clemson, SC: Clemson University Digital, 2013. xvi, 298 pp. ISBN: 978-0-9890826-2-4; pp. 164-170(7)

  313. Warner, Marina.;
    Report to the Memoir Club: Scenes from a Colonial Childhood.In: Contradictory Woolf Selected Papers from the Twenty-First Annual International Conference on Virginia Woolf. University of Glasgow. Glasgow, Scotland 9-12 June 2011. Edited by Derek Ryan and Stella Bolaki. Clemson University, 2012. ISBN: 978-0-9835339-5-5; pp. 57-65(9)

  314. Waugh, Patricia.;
    "Did I not banish the soul?" Th inking Otherwise, Woolf-wise.In: Contradictory Woolf Selected Papers from the Twenty-First Annual International Conference on Virginia Woolf. University of Glasgow. Glasgow, Scotland 9-12 June 2011. Edited by Derek Ryan and Stella Bolaki. Clemson University, 2012. ISBN: 978-0-9835339-5-5; pp. 23-42(20)

  315. Weiss, Michaela.;
    Gender Construction in Virginia Woolf's Orlando.In: Silesian Studies in English 2012: Proceedings of the 3rd International Conference of English and American Studies, 13th - 14th September 2012. Edited by Marketa Johnova and Michaela Weiss. Silesian University in Opava, 2013. ISBN 978-80-7248-887-2; pp. 258-268(11)

  316. Whittier-Ferguson, John.;
    Repetition, Remembering, Repetition: Virginia Woolf's Late Fiction and the Return of War.In: MFS: Modern Fiction Studies, vol. 57, no. 2, Sum, 2011, pp. 230-253(24)

  317. Whitworth, Michael H.;
    Woolf, Context, and Contradiction.In: Contradictory Woolf Selected Papers from the Twenty-First Annual International Conference on Virginia Woolf. University of Glasgow. Glasgow, Scotland 9-12 June 2011. Edited by Derek Ryan and Stella Bolaki. Clemson University, 2012. ISBN: 978-0-9835339-5-5; pp. 11-22(12)

  318. Wiley, Christopher.;
    Music and literature: Ethel Smyth, Virginia Woolf, and 'the first woman to write an opera'.In: Musical Quarterly. Vol. 96, Issue 2, Summer, 2013, pp. 263-295(33)

  319. Williams, Lucia C. A.;
    Virginia Woolf's History of Sexual Victimization: A Case Study in Light of Current Research.In: Psychology, 5(2014), pp. 1151-1164(14)

  320. Wilson, Nicola.;
    Virginia Woolf, Hugh Walpole, the Hogarth Press, and the Book Society.In: ELH, vol. 79, no. 1, Spring 2012, pp. 237-260(24)

  321. Wilson, Nicola; Gordon, Elizabeth Willson; Stavely, Alice; Southworth, Helen; Battershill, Claire.;
    The Hogarth Press, Digital Humanities, and Collaboration: Introducing the Modernist Archives Publishing Project.In: Wussow, Helen (ed. and introd.), Gillies, Mary Ann (ed. and introd.), Virginia Woolf and the Common(wealth) Reader, Clemson, SC: Clemson University Digital, 2014. xiv, 250 pp. ISBN: 978-0-9890826-7-9; pp. 223-231(9)

  322. Winquist, Martin.;
    A 'Bloodless and Pernicious Pest': The Middlebrow's 'Common Man' in the Essays of Virginia Woolf.In: Wussow, Helen (ed. and introd.), Gillies, Mary Ann (ed. and introd.), Virginia Woolf and the Common(wealth) Reader, Clemson, SC: Clemson University Digital, 2014. xiv, 250 pp. ISBN: 978-0-9890826-7-9; pp. 159-164(6)

  323. Winston, Janet.;
    Kinetic Tropes, Comedic Turns: Dancing To The Lighthouse.In: Contradictory Woolf Selected Papers from the Twenty-First Annual International Conference on Virginia Woolf. University of Glasgow. Glasgow, Scotland 9-12 June 2011. Edited by Derek Ryan and Stella Bolaki. Clemson University, 2012. ISBN: 978-0-9835339-5-5; pp. 122-128(7)

  324. Wiseman, Sam.;
    Ecology, Identity, and Eschatology: Crossing the Country and the City in Woolf.In: Contradictory Woolf Selected Papers from the Twenty-First Annual International Conference on Virginia Woolf. University of Glasgow. Glasgow, Scotland 9-12 June 2011. Edited by Derek Ryan and Stella Bolaki. Clemson University, 2012. ISBN: 978-0-9835339-5-5; pp. 166-172(7)

  325. Wisker, Gina.;
    Places, People and Time Passing: Virginia Woolf's Haunted Houses.In: Hecate, Vol. 37(2011), Issue 1, pp. 4-26(23)

  326. Wojciehowski, Hannah & Gallese, Vittorio.;
    How Stories Make Us Feel: Toward an Embodied Narratology.In: California Italian Studies, vol. 2(2011), no. 1, 36 pp.

  327. Wollaeger, Mark.;
    Richardson, Woolf, Lawrence: The Modernist Novel's Experiments with Narrative (I).In: Caserio, Robert L. (ed. and introd.), Hawes, Clement (ed. and introd.), The Cambridge History of the English Novel, Cambridge, England: Cambridge UP, 2012. xiii, 944 pp. ISBN: 9780521194952; pp. 596-611(16)

  328. Wood, Alice.;
    Facing Life as We Have Known It: Virginia Woolf and the Women's Co-operative Guild.In: Literature & History. Vol. 23, Issue 2, Autumn, 2014, pp. 18-34(17)

  329. Woolf, Cecil.;
    Duncan Grant.In: Contradictory Woolf Selected Papers from the Twenty-First Annual International Conference on Virginia Woolf. University of Glasgow. Glasgow, Scotland 9-12 June 2011. Edited by Derek Ryan and Stella Bolaki. Clemson University, 2012. ISBN: 978-0-9835339-5-5; pp. 291-293(3)

  330. Woolf, Cecil.;
    Virginia and Leonard, as I Remember Them.In: Czarnecki, Kristin (ed. and introd.), Rohman, Carrie (ed. and introd.), Virginia Woolf and the Natural World Selected Papers from the Twentieth Annual International Conference on Virginia Woolf, Clemson, SC: Clemson University Digital, 2011. xii, 246 pp. ISBN: 978-0-9835339-0-0; pp. 35-41(7)

  331. Wright, Elizabeth.;
    Virginia Woolf at the National Portrait Gallery.In: Women: A Cultural Review, Vol. 25, Issue 4, October 2014, pp. 429-430(2)

  332. Wussow, Helen and Gillies, Mary Ann.;
    Introduction to Virginia Woolf and the Common(wealth) Reader.In: Wussow, Helen (ed. and introd.), Gillies, Mary Ann (ed. and introd.), Virginia Woolf and the Common(wealth) Reader, Clemson, SC: Clemson University Digital, 2014. xiv, 250 pp. ISBN: 978-0-9890826-7-9; pp. vii-xii(6)

     
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  333. Yuan Yuan.;
    The Character Cracked: The Waves and Woolf?s New Way of Characterization.In: Theory and Practice in Language Studies, Vol. 2(2012), Issue 4, pp. 726-733(8)

  334. Zelinka, Elisabeta.;
    'I Mapped the Knitting-Ball': Woolf versus Cunningham: Femininity and Androgyny in Literary Cartography.In: Gender Studies: Revista de Studii de Gen a Centrului Interdisciplinar de Studii de Gen al Universitǎţii de Vest din Timişoara, vol. 10, no. 1, 2011, pp. 206-221(16)

  335. Zhao, Mingzhu.;
    The Art of Balance: A Corpus-Assisted Stylistic Analysis of Woolfian Parallelism in To the Lighthouse.In: International Journal of English Studies (IJES), vol. 12(2012), no. 2, pp. 39-58(20) (In special issue: "A New Approach to Literature.").

  336. Zhang, Dora.;
    Naming the Indescribable: Woolf, Russell, James, and the Limits of Description.In: New Literary History: A Journal of Theory and Interpretation, vol. 45(2014), no. 1, pp. 51-70(20)

  337. Zimmerman, Tegan.;
    The Politics of Writing, Writing Politics: Virginia Woolf's A [Virtual] Room of One's Own.In: Journal of Feminist Scholarship 3 (Fall 2012), pp. 35-55(21)

  338. Zlatkin, Rachel.;
    The Flesh of Citizenship: Red Flowers Grew.In: Czarnecki, Kristin (ed. and introd.), Rohman, Carrie (ed. and introd.), Virginia Woolf and the Natural World Selected Papers from the Twentieth Annual International Conference on Virginia Woolf, Clemson, SC: Clemson University Digital, 2011. xii, 246 pp. ISBN: 978-0-9835339-0-0; pp. 84-89(6)


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