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Atwood_article03

Margaret, Atwood（アトウッド）研究 III:2009-2016年刊行論文

　Margaret, Atwood（マーガレット・アトウッド）の2009-2016年に刊行された研究論文を紹介します。
　ここで紹介する論文・書評はすべて企画商品CD「カナダ文学論文撰」の「Margaret Atwood」第3集に収録しています。
　収録タイトルリストは下記リンクからご覧できます。

　　1)2000-2010年刊行論文リスト; 2)1970-1999年刊行論文リスト

　[2009-2016年刊行の論文リスト]

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  1. Abbasi, Pyeaam and Amani, Omid.;
    Atwood's Female Writing: A Reading of'This Is a Photograph of Me.  In: Studies in Literature and Language, vol. 4, no. 2 (30 April 2012): pp. 89-93(5)

  2. Abirami, V.;
    Intertextuatity in Margaret Atwood's Alias Grace.  In: The Criterion: An International Journal in English 2.3 (September 2011): pp. 14-17(4)

  3. Abolfotoh, Inas Samy.;
    The 'cli-fi' and the ecocritical in Margaret Atwood's ecopoetry.  In: European Scientific Journal. Vol. 11, Issue 14, May 15, 2015, pp. 165-176(12)

  4. Abolfotoh, Inas Samy.;
    Not an absent order but 'an ordered absence': Life cycle poems in Margaret Atwood's ecopoetry.  In: European Scientific Journal. Vol. 11 Issue 26, Sept 15, 2015, pp. 145-159(15)

  5. Afrougheh, Shahram & Kalantari, Mandana.;
    A Study of Hélène Cixous' Concepts of Neuter and Other in Margaret Atwood's Life before Man.  In: International Journal of Applied Linguistics and English Literature, Vol 3(2014), Iss 3, pp 104-111 (8)

  6. Aguila-Way, Tania.;
    Beyond the Logic of Solidarity as Sameness: The Critique of Animal Instrumentalization inMargaret Atwood's Surfacing and Marian Engel's Bear.  In: ISLE: Interdisciplinary Studies in Literature & Environment, 2015; pp. 1-25(25)

  7. Akgun, Buket.;
    The Penelopiad: Dislodging the Myth of Penelope as the Archetype of Faithful and Patient Wife.  In: 4th International IDEA Conference, 15-17 April 2009: Book of Proceedings. Manisa: Celal Bayar University Publications, 2010. pp. 36-42(7)

  8. Akşehir Uygur, Mahinur.;
    Utopia and Dystopia Interwined: The Problem of Ecology in Margaret Atwood's Oryx and Crake, The Year of the Flodd and Maddadddam.  In: Journal of International Social Research, Vol 7, Iss 31, Pp 41-48 (2014)

  9. Al Omari, Kifah (Moh'd Khair) Ali; Jum'ah, Hala Abdel Razzaq A:
    Language Stratification: A Critical Reading of Margaret Atwood's The Penelopiad According to Mikhail Bakhtin's Concept of "Heteroglossia".  In: Theory and Practice in Language Studies (4:12) Dec 2014, pp. 2555-2563(9)

  10. Alaei, Sarieh;Barfi, Zahra.;
    Margaret Atwood in the Second and Third Waves of Feminism on the Basis of Julia Kristeva's Theories.  In: International Letters of Social and Humanistic Sciences (ILSHS), 2014, vol. 29, pp. 13-21(9)

  11. Alban, Gillian M. E.;
    Medusa as Female Eye or Icon in Atwood, Murdoch, Carter, and Plath.  In: Mosaic: A Journal for the Interdisciplinary Study of Literature, vol. 46(2013), no. 4, pp. 163-182 (20)

  12. Alonso-Breto, Isabel / Ortega-Saez, Marta.;
    Chapter 4: Canadian into Catalan: The Translation of Anglo-Canadian Authors in Catalonia.  In: Somacarrera, Pilar (ed.)., Made in Canada, Read in Spain: Essays on the Translation and Circulation of English-Canadian Literature. De Gruyter, 2013. ISBN: 9788376560175; pp. 90-107(18)

  13. Amiel-Houser, Tammy & Mendelson-Maoz, Adia.;
    Against Empathy: Levinas and Ethical Criticism in the 21st Century.  In: The Journal of Literary Theory, Vol 8, No 1 (2014), pp. 1-15(15)

  14. Anantha, Lakshmi.;
    Loss of Self in Margaret Atwood's "The Edible Woman".  In: Review Of Research, vol. 3, no. 8, May 2014, pp. 1-5(5)

  15. Appleton, Sarah A.;
    Corp(Se)ocracy: Marketing Death in Margaret Atwood's Oryx and Crake and The Year of the Flood.  In: Latch: A Journal for the Study of the Literary Artifacts in Theory, Culture or History. 2011, Vol. 4, pp. 63-73(11)

  16. Arias, Rosario.;
    Life After Man?: Posthumanity and Genetic Engineering in Margaret Atwood's Oryx and Crakeand Kazuo Ishiguro's Never Let Me Go.  In: Tinkler-Villani, Valeria (ed. and introd.), Barfoot, C. C. (ed. and introd.), Restoring the Mystery of the Rainbow: Literature's Refraction of Science, Amsterdam, Netherlands: Rodopi, 2011. 1106 pp. (DQR Studies in Literature47). pp. 379-394(16)

  17. Auken, Sune.;
    Genre as Fictional Action:On the Use of Rhetorical Genres in Fiction.  In: Nordisk Tidsskrift for Informationsvidenskab og Kulturformidling, vol 2(2014), no. 3, pp. 19-28(10)

  18. Auken, Sune.;
    Not Another Adult Movie: Some Platitudes on Genericity and the Use of Literary Studies.  In: Why Study Literature, Henrik Skov Nielsen et.al., (2011), pp. 119-134(16)

  19. Azizmohammadi, Fatemeh and Kohzadi, Hamedreza.;
    The Impact of Anthropocentrism on Natural Environment from the Perspective of Margaret Atwood.  In: Anthropologist, vol. 17(2014), no. 2, pp. 647-653 (7)
     
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  20. Babaee, Ruzbeh.;
    The Revived Self Through Nature in Atwood's Surfacing.  In: International Letters of Social and Humanistic Sciences, Vol. 27(2014), pp. 31-38(8)

  21. Babamiri, Navid Salehi.;
    The Technology of Sexual and Language Power resulting in Captivity in Margaret Atwood's Handmaid's Tale: Foucauldian Reading.  In: Journal of Academic and Applied Studies, vol. 5, no. 5, May 2015, pp. 1-11(11)

  22. Bahrawi, Nazry.;
    Hope of a Hopeless World: Eco-Teleology in Margaret Atwood's Oryx and Crake and The Year Of The Flood.  In: Green Letters: Studies in Ecocriticism, Vol. 17, 2013 - Issue 3, pp. 251-263(13)

  23. Bajwa, Poonam.;
    Margaret Atwood's The Edible Woman and the Commercialization of Literary Scholarship.  In: Studies in Canadian Literature. 2010, Vol. 35 Issue 2, pp. 145-164(21)

  24. Bakay, Gonul.;
    Examining Female Madness in Atwood's Surfacing: Madness or Awakening?  In: 2013. Inter-disciplinary.net. 6th Global Conference, Session 4: Women, Madness and Literature: Part Two. 8 pp.

  25. Bandyopadhyay, Debarati.;
    An Ecocritical Commentary on the Posthuman Condition in Margaret Atwood's Fiction.  In: The Criterion: An International Journal in English. 2.1 (April 2011): pp. 98-110(13)

  26. Banerjee, Suparna.;
    Resistance, Re-creation and the Blocked Return: Narrative Art in Atwood's Dystopian Novels.  In: The Criterion: An International Journal in English, Vol. II. Issue. IV, December 2011, pp. 36-46(12)

  27. Banerjee, Suparna.;
    Towards 'Feminist Mothering': Oppositional Maternal Practice in Margaret Atwood's Oryx and Crake.  In: Journal of International Women's Studies, vol. 14(2013), no. 1, pp. 236-247(12)

  28. Banita, Georgiana.;
    Quattrocento: On an Eclectic Poem by Margaret Atwood.  In: Explicator. Vol. 67, Issue 2, Winter 2009, pp. 99-102(4)

  29. Banupriya, S.;
    Canadian feminist consciousness in Margaret Atwood's Bodily Harm and The Handmaid's Tale.  In: Language In India. Nov, 2015, Vol. 15 Issue 11, pp. 43-51(9)

  30. Banurekaa, S.;
    Atwood's feminism in Surfacing.  In: Language In India. Vol. 12 Issue 9, Sept, 2012, pp. 140-149(10)

  31. Barzilai, Shuli.:
    'Scrooge Nouveau': Margaret Atwood resites A Christmas Carol.  In: Dickens Quarterly: a scholarly journal devoted to the study of the life, times, & works of Charles Dickens (31:4) [Dec 2014], pp. 298-311(14)

  32. Beauchamp, Gorman.;
    The Politics of "The Handmaid's Tale."  In: Midwest Quarterly. Autumn2009, Vol. 51 Issue 1, pp. 11-25(15)

  33. Bedford, Anna.;
    Survival in the Post-Apocalypse: Ecofeminism in MaddAddam.  In: Waltonen, Karma (ed. and introd.), Margaret Atwood's Apocalypses, Newcastle upon Tyne, England: Cambridge Scholars, 2014. pp. 71-92(22)

  34. Beran, Carol L.;
    Beautiful Girlhood, a Double Life: Lucy Maud Montgomery, Margaret Laurence, and Alice Munro.  In: American Review of Canadian Studies, Vol. 45(2015) - Issue 2, pp. 148-160(13)

  35. Beran, Carol L.;
    Strangers within the Gates: Margaret Atwood's Wilderness Tips.  In: Margaret Atwood. New ed. Ed. Harold Bloom. New York: Bloom's Literary Criticism (lnfobase Publishing), 2009. pp. 67-78(12)

  36. Bergthaller, Hannes.;
    Housebreaking the Human Animal: Humanism and the Problem of Sustainability in Margaret Atwood's Oryx and Crake and The Year of the Flood.  In: English Studies, vol. 91, no.7 (November 2010): pp. 728-743(16)

  37. Bhalla, Ambika.;
    Ecofeminism in Margaret Atwood's Surfacing.  In: International Journal of Scientific and Research Publications, Vol. 2, Issue 10, October 2012, pp. 1-6(6)

  38. Bhatt, Vinod.;
    Sex, Violence, And Deplorable Insubordination: Incomprehensible Character Of Alias Grace In The Novel By Margaret Atwood.  In: International Journal of Multidisciplinary Research and Modern Education: vol. 2(2016), no. 2, pp. 151-153(3)

  39. Bone, Jane.;
    Environmental dystopias: Margaret Atwood and the monstrous child.  In: Discourse: Studies in the Cultural Politics of Education. Vol. 37 Issue 5, Oct 2016, pp. 627-640(14)

  40. Borbely, Carmen-Veronica & Popa Petrar, Petronia.;
    "Natural-Born Cyborgs": Becoming Posthuman in Bio- and Cybertech Ustopias.  In: Ekphrasis (2067-631X) . 2014, Vol. 12 Issue 2, pp. 142-158(17)

  41. Botta, Giuseppina.;
    Camoufl-Ages: Body Assemblages at the Time of the Apocalypse.  In: Alicantina de Estudios Ingleses. 2013, 26: pp. 113-127(15)

  42. Botta, Giuseppina.:
    The Parable of Nutrition in Margaret Atwood's The Year of the Flood.  In: Ostrava Journal of English Philology, vol. 5(2013), no. 2, pp. 21-30(10)

  43. Bottez, Monica.;
    Another Penelope: Margaret Atwood's The Penelopiad.  In: University of Bucharest Review, Vol. XIV (Vol. II - new series)/ 2012, no. 1, pp. 49-56(8)

  44. Bouson, J. Brooks.;
    A "joke-filled romp" through end times: Radical environmentalism, deep ecology, and human extinction in Margaret Atwood's eco-apocalyptic MaddAddam trilogy.  In: Journal of Commonwealth Literature; Vol. 51 Issue 3, Sep 2016, pp. 341-357(17)

  45. Bouson, J. Brooks.;
    'It's Game Over Forever': Atwood's Satiric Vision of a Bioengineered Posthuman Future in Oryx and Crake.  In: Margaret Atwood. New ed. Ed. Harold Bloom. New York: Bloom's Literary Criticism (lnfobase Publishing), 2009. pp. 93-110(18)

  46. Bouson, J. Brooks.;
    'We're Using Up the Earth: It's Almost Gone': A Return to the Post-Apocalyptic Future in Margaret Atwood's The Year of the Flood.  In: The Journal of Commonwealth Literature, vol. 46, Mar 2011; pp. 9-26(18)

  47. Bowman, William.;
    Women and Women: Use of Women Types as Rhetorical Techniques in Atwood's Handmaid's Tale and Tepper's Gate to Women's Country.  In: Fafnir - Nordic Journal of Science Fiction and Fantasy Research, vol 1(2014), iss 4, pp. 7-26(20)

  48. Boyd, Shelley.;
    Ustopian Breakfasts: Margaret Atwood's MaddAddam.  In: Utopian Studies: Journal of the Society for Utopian Studies, Vol. 26, Number 1, 2015, pp. 160-182(23)

  49. Braid, Barbara.;
    The Other world under the stairs: the Victorian female servant in the Neo-Victorian novel.  In: Gonerko-Frej, Anna et al. Us and Them - Them and Us. Construction of the Other in Cultural Stereotypes. Aachen: Shaker Verlag 2011, 231-246(16)

  50. Braid, Barbara.;
    Who's afraid of Grace Marks? A perspective of feminist disability studies on female insanity in Margaret Atwood's Alias Grace.  In: Ambrogia Cereda and Jon Ross, eds. Masculinity/Femininity: Re-framing a Fragmented Debate. Oxford: Inter-Disciplinary Press 2011, pp. 141-150(10)

  51. Bram, Shahar.;
    Postcard Poem, Ekphrastic Delusion: On Margaret Atwood's Poem 'Postcard'.  In: University of Toronto Quarterly, Vol. 83, no. 1, Winter 2014, pp. 28-38(11)

  52. Braund, Susanna.;
    'We're Here Too, the Ones without Names': A Study of Female Voices As Imagined by Margaret Atwood, Carol Ann Duffy, and Marguerite Yourcenar.  In: Classical Receptions Journal, Vol. 4, no. 2, 2012, pp. 190-208(19)

  53. Briggs, Chris.;
    "Can't Pay" and "Won't Pay" in the Medieval Village.  In: Common Knowledge, Vol. 17, Issue 2, Spring 2011, pp. 363-370(8)

  54. Brown, Sarah Annes.;
    Science Fiction and Classical Reception in Contemporary Women's Writing.  In: Classical Receptions Journal, (4:2), 2012, pp. 209-223(15)

  55. Brownley, Martine Watson.;
    Atwood on Women, War, and History. The Loneliness of the Military Historian.'.  In: Margaret Atwood. New ed. Ed. Harold Bloom. New York: Bloom's Literary Criticism (lnfobase Publishing), 2009. pp. 3-19(17)

  56. Burridge, Terry.;
    Surfacing by Margaret Atwood: A study in borderlines.  In: Psychodynamic Practice, Vol. 21(2015) - Issue 1, pp. 60-67(8)
     
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  57. Canavan, Gerry.;
    Hope, but Not for Us: Ecological Science Fiction and the End of the World in Margaret Atwood's Oryx and Crake and The Year of the Flood.  In: Lit: Literature Interpretation Theory, Vol. 23(2012) - Issue 2. pp. 138-159(22)

  58. Carney, Jo.;
    Aimee Bender's Fiction and the Intertextual Ingestion of Fairy Tales.  In: Marvels & Tales, Vol. 26, No. 2 (2012), pp. 221-239(19)

  59. Catană, Adela Livia.;
    I had certainly found my tradition": Margaret Atwood and the construction of Canadian identity.  In: Iulian Boldea (ed)., The Proceedings of the International Conference Literature, Discourse and Multicultural Dialogue. Section: Language and Discourse, 2, ISBN: 978-606-93590-3-7. Arhipelag XXI Press, 2014. pp. 180-187(9)

  60. Catrinela Andreea Lazar.;
    Liquid Women in Margaret Atwood's The Edible Woman and Life before Man.  In: Canadian Studies in Europe / etudes Canadiennes en Europe, vol. 10(2012), pp. 111-123(13)

  61. Chang, Hui-chuan.;
    Critical Dystopia Reconsidered: Octavia Butler's Parable Series and Margaret Atwood's Oryx and Crake as Post-Apocalyptic Dystopias.  In: Tamkang Review: A Quarterly of Literary and Cultural Studies, (41:2), 2011, pp. 3-20(18)

  62. Chauhan, Nishi Bala.;
    Delineation of inner turmoil in Female Protagonists of Margaret Atwood and Shashi Deshpande (A special reference to The Handmaid's Tale and That Long Silence) .  In: The Criterion: An International Journal in English 2.2 (September 2011): pp. 155-160(6)

  63. Cheong, Pui Yin and Wan Yahya, Wan Roselezam.;
    Freedom in Margaret Atwood's novel The Handmaid's Tale.  In: Scottish Journal of Arts, Social Sciences and Scientific Studies, 15 (2013), no. 2, pp. 14-26(13)

  64. Christou, Maria.;
    A Politics of Auto-Cannibalism: Margaret Atwood's The Handmaid's Tale.  In: Literature & Theology, 2015, pp. 1-16(16)

  65. Ciobanu, Calina.;
    Rewriting the Human at the End of the Anthropocene in Margaret Atwood's MaddAddam Trilogy.  In: Minnesota Review, Issue 83, 2014 (New Series), pp. 153-162(10)

  66. Constantinescu , Ligia Doina.;
    On Some Hypostases of the Self in the English-Speaking (Multicultural) World of the Canadian Short Stories.  In: Language and Literature: European Landmarks of Identity, vol. 1. No. 10 (2012): pp. 77-85(9)

  67. Copley, Soraya.:
    Rereading Marge Piercy and Margaret Atwood: Eco-Feminist Perspectives on Nature and Technology.  In: Critical Survey. Vol. 25, Issue 2, May 2013, pp. 40-56(17)

  68. Cowdy, Cheryl.;
    Ravines and the Conscious Electrified Life of Houses: Margaret Atwood's Suburban Künstlerromane.  In: Studies in Canadian Literature, 36.1 (Winter 2011): pp. 69-85(17)

  69. Cuk, Maja.;
    The Robber Bride: A Dystopian Female World in Margaret Atwood's Mythology.  In: SIC: Casopis za Knjizevnost, Kulturu i Knjizevno/A Journal of Literature, Culture and Literary Translation, vol. 5(2015), no. 2, pp. 1-14(14)

  70. Cvetković, Tanja.;
    'How Should I Read These?' First Nations Voices in Canadian Literature.  In: (Re)connecting through diversity : Canadian perspectives = Les relations dans la diversite : perspectives canadiennes. Editors / Sous la direction de Jelena Novaković, Slobodan Pajović, Vladimir Gvozden. Megatrend University, 2011. ISBN 978-86-7747-429-4; pp. 143-149(7)
     
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  71. Darweesh, Abbas Deygan and Ghayadh, Hussein Huwail.;
    Investigating Feminist Tendency in Margaret Atwood's "The Handmaid's Tale" in Terms of Sara Mills' Model. A Feminist Stylistic Study.  In: British Journal of English Linguistics, Vol.4, No.3, May 2016, pp. 21-34(14)

  72. Dawson, Carrie.;
    The "I" in Beaver: Sympathetic Identification and SelfRepresentation in Grey Owl's Pilgrims of the Wild (2007).  In: Soper, Ella (ed., introd., and afterword), Bradley, Nicholas (ed., introd., and afterword), Greening the Maple: Canadian Ecocriticism in Context, Calgary, AB: U of Calgary P, 2013. liv, 569 pp.(Energy, Ecology, and the Environment Series7). pp. 387-405(19)

  73. Dean, Misao.;
    Political Science: Realism in Roberts's Animal Stories (1996).  In: Soper, Ella (ed., introd., and afterword), Bradley, Nicholas (ed., introd., and afterword), Greening the Maple: Canadian Ecocriticism in Context, Calgary, AB: U of Calgary P, 2013. liv, 569 pp. (Energy, Ecology, and the Environment Series7). pp. 369-386(18)

  74. DeFalco, Amelia.;
    Moral Obligation, Disordered Care: The Ethics of Caregiving in Margaret Atwood's Moral Disorder.  In: Contemporary Literature, Vol. 52, no. 2, Summer 2011, pp. 236-263(28)

  75. Del Villano, Bianca.;
    An Ecocritical Retelling of the Bible: Genesis and Apocalypse in Margaret Atwood's The Year of the Flood.  In: Textus, no. 3 (settembre-dicembre 2014), pp. 151-170(20)

  76. Dell' Abate-Çelebi, Barbara.;
    Penelope's daughters: A feminist perspective of the myth of Penelope in Annie Leclerc's Toi, Penelope, Margaret Atwood's The Penelopiad and Silvana La Spina's Penelope.     Zea Books: Lincoln, Nebraska, 2016. ISBN 978-1-60962-084-4; 184 pp.

  77. Devi, C. Nandhini & Swamy, Sumathy K.;
    Dystopic vision of Margaret Atwood in The Handmaid's Tale.  In: Language In India. Dec, 2015, Vol. 15 Issue 12, pp. 129-134(6)

  78. Dimock, Wai Chee.:
    Crowdsourcing Penelope: Margaret Atwood, the Coen Brothers, Richard Linklater.  In: Comparative Literature, vol. 67(2015), no. 3, pp. 319-332(14). (In special issue: "Odyssey, Exile, Return".)

  79. Dunlap, Allison.;
    Eco-Dystopia: Reproduction and Destruction in Margaret Atwood's Oryx and Crake.  In: Journal of Ecocriticism, vol. 5(2013), no. 1, pp. 1-15(15)

  80. Durán, Isabel.;
    The Personal Essay as Autobiography: A Gender and Genre Approach.  In: Revista Canaria de Estudios Ingleses 58 (2009): pp. 41-65(25)
     
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  81. Ehsan, Muhammad.;
    Pantheism, Status of Religion and the Picture of Nature in Margaret Atwood's Surfacing.  In: The Criterion: An International Journal In English, Vol. 7, Issue IV August 2016, pp. 307-314(8)

  82. Elizabeth, Erin.;
    Timeless Feminist Resistance Defying Dominant Discourses in Sor Juana's"Hombres necios" And Margaret Atwood's "A Women's Issue".  In: The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English: Vol. 12: Iss. 1, pp. 71-92(22)

  83. Evnine, Simon J.;
    "But Is It Science Fiction?": Science Fiction and a Theory of Genre.  In: Midwest Studies in Philosophy, XXXIX (2015), pp. 1-28(28)

  84. Farahbakhsh, Alireza & Zohari, Banafsheh.;
    Gender Performances in Margaret Atwood's The Edible Woman.  In: BEST: International Journal of Humanities, Arts, Medicine and Sciences (BEST: IJHAMS), Vol. 4, Issue 2, Feb 2016, pp. 147-156(10)

  85. Farroq, Yasmin.;
    Resuscitating Pre-Colonial Space and Feminity inMargaret Atwood's 'Surfacing'.  In: Research Spectrum, vol. 3, Issue 1, Febrary 2012, pp. 39-43(5)

  86. Farshid, Sima.0;
    Capitalism and Fabrication of Hyper-reality: A Baudrillardian Reading of Margaret Atwood's Oryx and Crake.  In: The International Journal of Literary Humanities, Vol. 11(2014), pp. 1-8(8)

  87. Farshid, Sima.;
    Elimination of Inflexible Binaries in Margaret Atwood's Oryx and Crake.  In: Proceedings of the First National Conference on Language and Linguistics, At Iran, Volume: 3, 2013, pp. 23-35(13)

  88. Fazli, Roshanak and Hafezikermani, Ehsan.;
    Power and Truth in Atwood's The Blind Assassin.  In: Khapar Journal of Humanities and Social Sciences 15.4 (2012): pp. 56-63(8)

  89. Feldman-Kołodziejuk, Ewelina.;
    Margaret Atwood's "The Blind Assassin" as a Social Chronicle of 20th Century Canada.  In: Crossroads. A Journal of English Studies 7 (4/2014), pp. 4-12(9)

  90. Ferreira, Aline.;
    The Posthumanist and Biopolitical Turn in Post-Postmodernism.  In: The European English Messenger, Vol. 24. No. 2, Winter 2015, pp. 42-48(7)

  91. Ferreira, Marie Aline.;
    'Toward a Science of Perfect Reproduction'? Visions of Eugenics in Contemporary Fiction.  In: Tinkler-Villani, Valeria (ed. and introd.), Barfoot, C. C. (ed. and introd.), Restoring the Mystery of the Rainbow: Literature's Refraction of Science, Amsterdam, Netherlands: Rodopi, 2011. 1106 pp. (DQR Studies in Literature47). pp. 395-415(21)

  92. Fiamengo, Janice.;
    Truths of Storytelling: A Response to Burkhard Niederhoff.  In: Connotations: A Journal for Critical Debate. 19.1-3 (2009-2010): pp. 53-67(15)

  93. Filtness, Emma.;
    'The end or The End': Ageing, Memory and Reliability in Margaret Atwood's Fictional Autobiography, The Blind Assassin.  In: EnterText: An Interactive Interdisciplinary E-Journal for Cultural and Historical Studies and Creative Work, (11:), 2014, pp. 42-57(16)

  94. Fonfárová, Vladimira.;
    Nature the Monster or Did Atwood Get It All Wrong: Representation of Nature in Alistair MacLeod's Short Stories.  In: Silesian Studies in English 2012. Proceedings of the 3rd International Conference of English and American Studies, 13th - 14th September 2012/ Edited by Marketa Johnova and Michaela Weiss. Silesian University. Opava. 2013. ISBN 978-80-7248-887-2: pp. 166-176(11)
     
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  95. Gabora, Liane and Holmes, Nancy.;
    Dangling from a Tassel on the Fabric of Socially Constructed Reality: Reflections on the Creative Writing Process.  In: A. Cropley, D. Cropley, J. Kaufman, & M. Runco, Eds., The Dark Side of Creativity. Cambridge University Press. (2010). pp. 279-300(22)

  96. Gad-Cykman, Avital.;
    The Body of Hurt in Margaret Atwood's Novel Bodily Harm.  In: Ilha do Desterro. Aug 2015 68(2): pp. 57-66(10)

  97. Gadpaille, Michelle.;
    Thematics and its Aftermath: A Meditation on Atwood's Survival.  In: Primerjalna književnost (Ljubljana), vol. 37. no. 3, december 2014, pp. 165-176(12)

  98. Gautam, Vijeta. & Sinha, Jyotsna.;
    Female Self-Enslavement in Margaret Atwood's The Edible Woman.  In: Academic Research International 2.1 (January 2012): pp. 705-709(5)

  99. Gautam, Vijeta & Sinha, Jyotsna.;
    Role of Nature in Self-Exploration in Margaret Atwood's Surfacing.  In: International Journal of Scientific and Research Publications, Vol. 2, Issue 4, April 2012. pp. 1-3(3)

  100. Gautam, Vijeta & Sinha, Jyotsna.;
    Transformation of the Protagonist in Margaret Atwood's Lady Oracle.  In: International Journal of Humanities and Social Science Vol. 2 No. 3; February 2012, pp. 233-236(4)

  101. Gibert, Teresa.;
    Margaret Atwood's Art of Brevity: Metaphorical Conceptualization and Short Story Writing.  In: Patea, Viorica (ed. and introd.), Short Story Theories: A Twenty-First-Century Perspective, Amsterdam, Netherlands: Rodopi, 2012. vii, 346 pp. (DQR Studies in Literature49). pp. 205-223(19)

  102. Gibert, Teresa.;
    Metaphors of Health, Illness and Disease in Margaret Atwood's Fiction.  In: Illness, Bodies and Contexts. Interdisciplinary Perspectives. Edited by Isabelle Lange & Zoe Norridge. Inter-Disciplinary Press. Oxford, 2010. ISBN: 978-1-904710-29-5; pp. 123-133(11)

  103. Glover, Jane.;
    Human/Nature: Ecological Philosophy in Margaret Atwood's Oryx and Crake.  In: English Studies in Africa: A Journal of the Humanities 52.2 (October 2009): pp. 50-62(13)

  104. Gökçen, Nilsen.;
    Homo Ludens in Gilead: The Handmaid's Tale Revisited.  In: Journal of Graduate School of Social Sciences. 2014, Vol. 18 Issue 2, pp. 139-155(17)

  105. Gökçen, Nilsen.;
    The Past to Remember and the Past to Forget: Rewriting, Memory and Nostalgia in The Penelopiad.  In: Memory & Afostatgin. Editcd Atilla Silku, Murat Erdem, Patrick Folk. Ege University Press, 2009. ISBN 978-975-483-802-2; pp. 241-250(15)

  106. Goldman, Marlene.;
    Canadian Female Gothic on the Foreign Border: Margaret Atwood's Bodily Harm and Karen Connelly's Burmese Lessons.  In: University of Toronto Quarterly, Vol. 82, no. 2, Spring 2013, pp. 225-241(17)

  107. Goncalves, Davi Silva.;
    Snowball Vs. Snowman: A Dystopian Bridge Between George Orwell's Animal Farm And Margaret Atwood's Oryx & Crake.  In: Pensares em Revista, Sao Goncalo-RJ, n.2, jan./jun. 2013, pp. 150-165(15)

  108. Goodchild, Philip.;
    The Shadow Side of Debt.  In: Common Knowledge, Vol. 17, Issue 2, Spring 2011, pp. 375-382(8)

  109. Grace, Sherrill E.;
    Quest for the Peaceable Kingdom: Urban/Rural Codes in Roy, Laurence, and Atwood (1984).  In: Soper, Ella (ed., introd., and afterword), Bradley, Nicholas (ed., introd., and afterword), Greening the Maple: Canadian Ecocriticism in Context, Calgary, AB: U of Calgary P, 2013. liv, 569 pp.(Energy, Ecology, and the Environment Series7). pp. 43-60(18)

  110. Gurung, Rashmi Bala.;
    Anita Desai and M argaret Atwood: Potrayal of Women Characters in Their Novels.  In: International Journal of Innovative Research and Studies, vol. 3, no. 4, April, 2014, pp. 521-534(14)
     
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  111. Hacking, Ian.;
    The Abolition of Man.  In: Behemoth - A Journal on Civilisation, Vol. 2(2009), No. 3, pp. 5-23(19)

  112. Hall, S.L.;
    The Last Laugh: A Critique of the Object Economy in Margaret Atwood's Oryx and Crake.  In: Contemporary Womens Writing, Vol. 4, no. 3, 2010, pp. 179-196(18)

  113. Hambuch, Doris.;
    Speculative Writing and Environmentalist Politics: Ecocritical Readings of 'Oryx and Crake' and 'Der Schwarm'.  In: Arab World English Journal, No.1, 2013 pp. 42-54(13)

  114. Heckman-McKenna, Heather.;
    Redefining Love in Margaret Atwood's Variation on The World Sleep.  In: Explicator. Vol. 74 Issue 2, Apr-Jun2016, pp. 92-98(7)

  115. Heubener, Paul.;
    Dark Stories: Poet-Audience Relations and the Journey Underground in Margaret Atwood's The Door and Other Works.  In: Studies in Canadian Literature, vol. 34, no. 2, Summer 2009, pp. 106-133(28)

  116. Holmes, Martha Stoddard.;
    After Sontag: Reclaiming Metaphor.  In: Genre, vol. 44, no. 3, Jan 2011; pp. 263 - 276(14)

  117. Houser, Tammy Amiel.;
    Margaret Atwood's Feminist Ethics of Gracious Housewifery.  In: Partial Answers: Journal of Literature and the History of Ideas, vol. 11(2013), no. 1, pp. 109-132 (24)

  118. Huebner, Karin L.;
    An Unexpected Alliance: Stella Atwood, the California Clubwomen, John Collier, and the Indians of the Southwest, 1917-1934.  In: Pacific Historical Review, Vol. 78, No. 3 (August 2009), pp. 337-366(30)

  119. Huttová, Mária.;
    Margaret Atwood: Changing Perspectives (Some Notes on the Variability of Atwood's Characters and Themes).  In: Central European Journal of Canadian Studies/Revue d'Etudes Canadiennes en Europe Centrale, (8:), 2012, pp. 71-76(6)
     
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  120. Ingersoll, Earl G.;
    Survival in Margaret Atwood's Novel Oryx and Crake.  In: Margaret Atwood. New ed. Ed. Harold Bloom. New York: Bloom's Literary Criticism (lnfobase Publishing), 2009. pp. 111-125(15)

  121. Ingersoll, Earl G.;
    The Trope of Doors in Margaret Atwood's The Handmaid's Tale.  In: Latch: A Journal for the Study of the Literary Artifacts in Theory, Culture or History. 2009, Vol. 2, pp. 1-16(16)

  122. Irshad, Shaista.;
    Construction of Sex, Gender and Class in Margaret Atwood's Alias Grace.  In: International Journal of Englishand Literature (IJEL), Vol. 3, Issue 2, Jun 2013, pp. 117-126(10)

  123. Irshad, Shaista.;
    Subversion of Identity in Margaret Atwood's The Robber Bride.  In: Language in India, Vol. 13:6 June 2013, pp. 743-764(22)

  124. Irshad, Shaista & Banerji, Niroj.;
    Deconstructing Gender and Myth in Margaret Atwood's "The Penelopiad".  In: Anglisticum Journal (IJLLIS), Vol. 2, Issue: 3, July 2013, pp. 35-41(7)

  125. Irshad, Shaista & Banerji, Niroj.;
    Gender as a Social Construct in Margaret Atwood's Oryx and Crake.  In: Academic Research International 2.2 (March 2012): pp. 585-594(10)

  126. Irwin, Beth.;
    Global Capitalism in Oryx and Crake.  In: Oshkosh Scholar. Vol. IV, November 2009, pp. 44-51(8)

  127. Isabella, S. Joy and Singh, J. Sundar.;
    Association of Self Fashioning and Circumstances in Margaret Atwood's The Blind Assassin.  In: Language in India 10 (March 2010): pp. 59-71(13)

  128. Isabella, S. Joy;Sundarsingh, J.;
    Margaret Atwood's The Blind Assassin - A Study of the Impact of War on Historical and Economic Aspects of the Society.  In: Language in India. Vol. 10 Issue 10, Oct 2010, pp. 495-501(7)

  129. Ivanovici, Cristina.;
    "A Courageous Project": Publishing Margaret Atwood's Work in Romania between 1978 and 1995.  In: Canadian Studies in Europe / études Canadiennes en Europe, 9(2010), pp. 79-91(13)
     
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  130. Jafni, Nur Fatin Syuhada Ahmad & Wan Yahya, Wan Roselezam.;
    Exploring the Sense of Belonging and the Notion of Home in Margaret Atwood's Cat's Eye.  In: International Letters of Social and Humanistic Sciences (ILSHS), vol. 27(2014), pp. 41-50(10)

  131. Javorčiková, Jana.;
    Canadian Identity through Literature: On the "Canadianness" of Margaret Atwood's Fiction.  In: (Re)connecting through diversity : Canadian perspectives = Les relations dans la diversite : perspectives canadiennes. Editors / Sous la direction de Jelena Novakovićdan Pajović, Vladimir Gvozden. Megatrend University, 2011. ISBN 978-86-7747-429-4; pp. 53-62(10)

  132. Jennings, Hope.;
    The Comic Apocalypse of The Year of the Flood.  In: Margaret Atwood Studies, vol. 3. no. 2 (August 2010): pp. 11-18(8)

  133. Johns-Putra, Adeline.;
    Ecocriticism, Genre, and Climate Change: Reading the Utopian Vision of Kim Stanley Robinson's Science in the Capital Trilogy.  In: English Studies 91(7): November 2010, pp. 744-760(17)

  134. Jones, Andy.;
    A Few Comments on the Epigraphs to Margaret Atwood's Alias Grace and Their Relation to the Novel as a Whole.  In: The Explicator, Vol. 72(2014) - Issue 4 , pp. 253-256(4)

  135. Joodaki, Abdol Hossein & Jafari, Yaser.;
    Anamorphosis: Symbolic Orders in The Handmaid's Tale.  In: International Journal of Zizek Studies. Vol. 9(2015), Issue 2, pp. 1-18(18)

  136. Jung, Susanne.;
    A Chorus Line': Margaret Atwood's Penelopiad at the Crossroads of Narrative, Poetic and Dramatic Genres.  In: Connotations: A Journal for Critical Debate , (24:1), 2014, pp. 41-62 (22)
     
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  137. Kapuscinski, Kiley.;
    Exis-tensions: Surviving the Red Shoes Syndrome in Margaret Atwood's Lady Oracle.  In: University of Toronto Quarterly, Vol. 78, no. 3, Summer 2009, pp. 902-923(22)

  138. Kaus, Alaina.:
    Liberalities of Feeling: Free Market Subjectivities in Margaret Atwood's The Blind Assassin.  In: Critique: Studies in Contemporary Fiction ,Vol. 56(2015) - Issue 4, pp. 369-382(14)

  139. Keating, Christine C.;
    Freeing the Feminine Identity: The Egg as Transformative Image in the Magical Realism of Angela Carter and Margaret Atwood.  In: Making Connections: Interdisciplinary Approaches to Cultural Diversity. Vol. 14 Issue 2, Fall 2013, pp. 19-26(8)

  140. Keating, Christine C.:
    Unearthing the goddess within: feminist revisionist mythology in the poetry of Margaret Atwood.  In: Women's Studies, Vol. 43, 2014 - Issue 4, pp. 483-501(19)

  141. Keck, Michaela.;
    Murder in the Dark': Lying Games, or Margaret Atwood's Ioci.  In: Margaret Atwood Studies, vol. 2. No. 2 (May 2009): pp. 3-14(12)

  142. Keefe, Anne.;
    An Organism of Words: Ekphrastic Poetry and the Pedagogy of Perception.  In: Art's Teachings, Teaching's Art: Philosophical, Critical and Educational Musings. Editors: Tyson Lewis, Megan Laverty. Springer, 2015. ISBN: 978-94-017-7190-0; pp. 63-78(16)

  143. Keller, Wolfram R.;
    Canadian Popular Classics: Recycling Homer's Odyssey in Novels by Frederick Philip Grove, Robert Kroetsch and Margaret Atwood.  In: Ranam: Recherches Anglaises et Nord-Americaines, (45:), 2012, pp. 37-50(14)

  144. Keller, Wolfram R.;
    Penelopean Transatlanticism: Margaret Atwood's Penelopiad and the Translation of Empire.  In: Kuester, Martin (ed. and introd.), Le Jeune, Françoise (ed. and introd.), Radu, Anca-Raluca (ed. and introd.), Sturgess, Charlotte (ed. and introd.), Narratives of Crisis-Crisis of Narrative, Augsburg, Germany: Wißner, 2012. 232 pp.(Studies in Anglophone Literatures and Cultures3). pp. 22-41(20)

  145. Khalid, Saman.;
    Margaret Atwood's Penelopiad as Postmodern Fiction.  In: Explorations, Vol. 21 (2010), pp. 41-54(14)

  146. Kouhestani, Maryam.;
    Disciplining the Body: Power and Language in Margaret Atwood's Dystopian Novel The Handmaid's Tale.  In: Journal of Educational and Social Research; Vol 3, No 7 (2013): pp. 610-613(4)

  147. Kouhestani, Maryam.;
    Exploring Technology and Surveillance in Margaret Atwood's Oryx and Crake.  In: International Conference on Knowledge, Culture and Society, 29-30 June 2012, Jeju, Korea. pp. 171-175(5)

  148. Kouhestani, Maryam.;
    Sexual Oppression and Religious Extremism in Margaret Atwood's The Handmaid's Tale.  In: International Proceedings of Economics Development & Research;2013, Vol. 56, pp. 129-133(5)

  149. Koukhaei, Zeinab & Afrougheh, Shahram.;
    New Perspective in Women and Nature: Dualism in Margaret Atwood's Surfacing.  In: International Research Journal of Applied and Basic Sciences, vol. 4(2013), no. 11, pp. 3501-3507(7)

  150. Kriebernegg, Ulla.;
    "Neatly Severing the Body from the Head:" Female Abjection in Margaret Atwood's The Edible Eoman.  In: Linguaculture, 1(2012), pp. 53-64(12)

  151. Kuester, Martin.;
    Genetic Games of a Retiring God: Atwood's 'Divine Solution' in Oryx and Crake.  In: Zeitschrift für Kanada-Studien, vol. 30(2010), no. 2, pp. 76-86(11)

  152. Kuester, Martin.;
    Miltonic Godgames: Teaching through Entangling from Milton's Eden to Milton Manor and Beyond.  In: Milton through the Centuries. Eds. Gjbor Ittzes & Miklos Peti. Budapest: L'Harmattan, 2012. pp. 274-283(10)

  153. Kulkarni, Sharmila.;
    Alice Munro's 'Lives of Girls and Women:' A Deviayion from Conventional Canadian Short Storuy.  In: Indian Streams Research Journal, Vol II, Iss XII, January - 2013, 4 pp.
     
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  154. Labudova, Katarina.;
    (Fat) Lady Oracle.  In: GRAAT On-Line issue #5.2 October 2009, pp. 208-222(15)

  155. Labudova, Katarina.;
    Paradice Redesigned: Post-Apocalyptic Visions of Urban and Rural Spaces in Margaret Atwood's Maddaddam Trilogy.  In: Eger Journal of English Studies. 2013, Vol. 13, pp. 27-36(10)

  156. Labudova, Katarina.;
    Power, Pain, and Manipulation in Margaret Atwood's Oryx and Crake and The Year of the Flood.  In: Brno Studies in English, vol. 36(2010), no. 1, pp. 135-146(12)

  157. Lacombe, Michèle.;
    On Critical Frameworks for Analyzing Indigenous Literature: The Case of Monkey Beach.  In: International Journal of Canadian Studies / Revue internationale d'etudes canadiennes, n° 41, 2010, p. 253-276(24)

  158. Laflen, Angela.;
    "There's a Shock in This Seeing": The Problem of the Image in "The Handmaid's Tale" and "Oryx and Crake".  In: Amerikastudien / American Studies, Vol. 54, No. 1, Appropriating Vision(s): Visual Practices in American Women's Writing (2009), pp. 99-120(22)

  159. Langston, Jessica.;
    Supplementing the Supplement: Looking at the Function of Afterwords and Acknowledgements in Some Canadian Historical Novels.  In: English Studies in Canada, (40:2-3), 2014, pp. 155-172(18)

  160. Latimer, Heather.;
    Popular Culture and Reproductive Politics: 'Juno,' 'Knocked Up' and the Enduring Legacy of The Handmaid's Tale.  In: Feminist Theory 10.2 (2009): pp. 211-226(16)

  161. Leporini, Nicola.;
    The Transculturation of Mythic Archetypes: Margaret Atwood's Circe ; La transculturacion de los arquetidos miticos: la "Circe" de Margaret Atwood.  In: Amaltea. Revista de mitocritica; Vol 7 (2015): Mito y emociones / Myth and Emotions; pp. 37-55(19)

  162. Lima, Luiz Fernando Martins de.;
    "This is a Photograph of Me", de Margaret Atwood.  In: Cadernos de Literatura em Traducao; n. 13 (2012) ; pp. 85-87(3)

  163. Lloyd, Joanne Reardon.;
    Talking to the Dead - the Voice of the Victim in Crime Fiction.  In: New Writing. Vol. 11, 2014 - Issue 1, pp. 100-108(9)

  164. Lopez, Maria J.;
    'You Are One of Us': Communities of Marginality, Vulnerability, and Secrecy in Margaret Atwood's Alias Grace.  In: English Studies in Canada, (38:2), 2012, pp. 157-177(21)

  165. Lukes, Daniel.;
    Neomedievalist Feminist Dystopia.  In: Postmedieval: A Journal of Medieval Cultural Studies, vol. 5(2014), no. 1, pp. 44-56(13)
     
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  166. MacDonald, Tanis.;
    "Absence, havoc": Gothic Mourning and Daughterly Duty in Jay Macpherson's Welcoming Disaster.  In: Studies in Canadian Literature, Vol. 34, no. 1 (2009), pp. 58-80(23)

  167. MacPerson, Heidi Slettedahl.;
    The Cambridge Introduction to Margaret Atwood.     Cambridge: Cambridge University Press, 2010. 143 pp.

  168. Malarvizhi, K.;
    Desire for Autonomy in Atwood's Lady Oracle.  In: Devanga Arts College Manas: A Multidisciplinary Research Journal, Vol. 3, no. 1(2012), 8 pp.

  169. Mannon, Bethany Ober.;
    Fictive Memoir and Girlhood Resistance in Margaret Atwood's Alias Grace.  In: Critique: Studies in Contemporary Fiction, Vol. 55, 2014 - Issue 5, pp. 551-566(16)

  170. Marks de Marques, Eduardo.;
    "God is a cluster of neurons": Neo-posthumanism, theocide, theogony and anti-myths of origin in Margaret Atwood's Oryx and Crake.  In: Niteroi, n. 35, sem. 2013, pp. 155-169(15)

  171. Marks de Marques, Eduardo.;
    Children of Oryx, Children of Crake, Children of Men: Redefining the Post/Transhuman in Margaret Atwood's "ustopian" Madd Addam Trilogy.  In: Aletria: Revista de Estudos de Literatura. Vol. 25(2016), no. 3, pp. 133-146(14)

  172. Martin Párraga, Javier.;
    Translating Science Fiction: a Dystopian Task?   In: Skopos. Revista Internacional de Traduccion e Interpretacion; Vol. 5 (2014); pp. 87-102(16)

  173. Maver, Igor.;
    Margaret Atwood's Non-Fiction about Fiction: Payback.  In: Logos et Littera: Interdisciplinary Approaches to Text. No. 2(2015), pp. 1-9(9)

  174. McHugh, Susan.;
    Real Artificial: Tissue-Cultured Meat, Genetically Modified Farm Animals, and Fictions.  In: Configurations: A Journal of Literature, Science, and Technology, Vol. 18, no. 1-2, Winter 2010, pp. 181-197(17)

  175. Miller, T. S.;
    Apocalypse in the Mainstream 101.  In: The Science Fiction Research Association Review 301 (2012): pp. 30-38(9)

  176. Moradi, Maryam & AzizMohammadi, Fatemeh.;
    Althusserian Reading of The Handmaid's Tale.  In: International Letters of Social and Humanistic Sciences, Vol. 49, pp. 83-91(9)

  177. Moreton, Bethany.;
    A Matter of Some Interest: Payback and the Sterility of Capital.  In: Common Knowledge, Vol. 17, Issue 2, Spring 2011, pp. 356-362(7)

  178. Mosca, Valeria.;
    Crossing Human Boundaries: Apocalypse and Posthumanism in Margaret Atwood's Oryx and Crake and The Year of the Flood.  In: Altre Modernità, Iss. 9(2013, pp. 38-52(15). (In special issue: "Apocalisse 2012.") .

  179. Moss, Maria.;
    "Their deaths are not elegant" - Portrayals of Animals in Margaret Atwood's Writings.  In: Zeitschrift für Kanada-Studien, 35 (2015), pp. 120-135(16)

  180. Mouda, Asra Sultana.;
    Margaret Atwood's The Handmaid's Tale - A Feminist Postmodernist Dystopia - An Overview.  In: IRWLE, vol. 8, no. II July, 2012, pp. 1-10(10)

  181. Mouda, Asra Sultana.;
    The Woman's Body and Consumer Society- A Feminist Reading of Margaret Atwood's Edible Woman.  In: IRWLE VOL. 7 No. I January 2011, pp. 1-8(8)

  182. Mount, Nicholas J.;
    Interview: Elephants Are Not Giraffes: A Conversation with Margaret Atwood, More or Less about Northrop Frye.  In: University of Toronto Quarterly. Vol. 81, Issue 1(2012), pp. 60-70(11)

  183. Muinos, Alba De Bejar.:
    Engineering Bodies: Cyborg Takeovers in Canadian Speculative Fictions.  In: Canadian Studies in Europe / études Canadiennes en Europe, vol. 10(2012), pp. 63-75(13)

  184. Murphy, Patrick D.;
    The Procession of Identity and Ecology in Contemporary Literature.  In: SubStance, Vol. 41, no. 1, January 1, 2012, pp. 77-91(15)

  185. Murray, Heather.;
    Women in the Wilderness (1986).  In: Soper, Ella (ed., introd., and afterword), Bradley, Nicholas (ed., introd., and afterword), Greening the Maple: Canadian Ecocriticism in Context, Calgary, AB: U of Calgary P, 2013. liv, 569 pp.(Energy, Ecology, and the Environment Series7). pp. 61-81(21)

  186. Murray, Jennifer.;
    For the Love of a Fish: A Lacanian Reading of Margaret Atwood's Surfacing.  In: LIT: Literature Interpretation Theory, Vol. 26, no. 1, 2 January 2015, pp. 1-21(21)

  187. Murray, Patrick.;
    'These Vistas of Desolation': Image and Poetry in Margaret Atwood and Charles Pachter'sThe Journals of Susanna Moodie.  In: British Journal of Canadian Studies , (24:1), 2011, pp. 69-84(16)

  188. Murray, Sean.;
    Food for Critical Thought: Teaching the Science Fiction of Margaret Atwood.  In: Pedagogy: Critical Approaches to Teaching Literature, Language, Composition, and Culture, Vol. 14, Issue 3, Fall 2014, pp. 475-498(24)

  189. Murray, Sean.;
    The Pedagogical Potential of Margaret Atwood's Speculative Fiction: Exploring Ecofeminism in the Classroom.  In: Environmentalism in the Realm of Science Fiction and Fantasy Literature, Volume 1(2012), pp. 111-125(15)

  190. Mushtaq, Aneesa.;
    Metaphorical Cannibalism in Margaret Atwood's Novel Oryx and Crake.  In: Asian Journal of Multidisciplinary Studies, Vol 3, No 7, July, 2015, pp. 148-150(3)
     
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  191. Narkunas, J. Paul.:
    Between Words, Numbers, and Things: Transgenics and Other Objects of Life in Margaret Atwood's MaddAddams.  In: Critique: Studies in Contemporary Fiction, Vol. 56(2015) - Issue 1, pp. 1-25(25)

  192. Nayar, B. C. Anish Krishnan;Duresh, J. G.;
    Theorising Canadian Literature: A Reading of Margaret Atwood's Survival.  In: Language in India. Vol. 12 Issue 8, Aug 2012, pp. 131-144(14)

  193. Neverow, Vara.;
    Documenting Fascism in Three Guineas and The Handmaid's Tale: An Examination of Woolf's Textual Notes and Scrapbooks and Atwood's 'Historical Notes'.  In: Wussow, Helen (ed. and introd.), Gillies, Mary Ann (ed. and introd.), Virginia Woolf and the Common(wealth) Reader, Clemson, SC: Clemson University Digital, 2014. xiv, 250 pp. ISBN: 978-0-9890826-7-9; pp. 183-189(7)

  194. Nicolaescu, Cristina.;
    Myth and Stereotypes in the Novel Surfacing by Margaret Atwood.  In: Annals of "Dimitrie Cantemir" Christian University Linguistics, Literature and Methodology of Teaching, vol. XI, No. 2/2012, pp. 111-126(16)

  195. Niederhoff, Burkhard.;
    Ghosts, Knowledge and Truth in Atwood: A Reader's Guide to Six Responses.  In: Connotations: A Journal for Critical Debate 19.1-3 (2009/2010): pp. 126-135(10)

  196. Nikandam, Roya.;
    Eating, Starving and the Body: The Presentation of Self.  In: Asian Culture and History, Vol 5, Iss 2 (2013), pp. 115-127(13)

  197. Nikandam, Roya.;
    Undetermined Subjectivity through Unusual Performance.  In: Advances in Asian Social Science, Vol. 1, No. 1, March 2012, pp. 99-105(7)

  198. Niranjani, S. Ramya.;
    Self-discovery through nature in Margaret Atwood's Surfacing.  In: Language In India. August, 2012, Vol. 12 Issue 8, pp. 195-203(9)

  199. Northover, Richard Alan.;
    Ecological Apocalypse in Margaret Atwood's MaddAddam Trilogy.  In: Studia Neophilologica, Vol. 88, Supplement 1, 31 March 2016, pp. 81-95(15)

  200. Nunes, Ruan.;
    Looking into Margaret Atwood's The Penelopiad: Appropriation, Parody and Class Issues.  In: Palimpsesto, No 18, Ano 13, 2014, pp. 228-240(13)

  201. O'Neill, John.:
    Dying in a State of Grace: Memory, Duality, and Uncertainty in Margaret Atwood's Alias Grace.  In: Textual Practice, vol. 27(2013), no. 4, pp. 651-670(20)

  202. Otrísalová, Lucia.;
    "Holes that Open Inward": Landscape Paintings in Margaret Atwood's Death by Landscape.  In: Ars Aeterna, Vol.5, no.1 / 2013, pp. 34-43(10)

  203. Ovens, Katherine.;
    She's Such a Tease: The Feminine as Burlesque Performance in Margaret Atwood's The Edible Woman.  In: Pivot: Journal of Interdisciplinary Studies. Vol. 2(2013), Issue 1, pp. 85-106(22)
     
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  204. Palumbo, Alice M.;
    On the Border: Margaret Atwood's Novels.  In: Margaret Atwood. New ed. Ed. Harold Bloom. New York: Bloom's Literary Criticism (lnfobase Publishing), 2009. pp. 21-34(14)

  205. Parry, Jovian.;
    Oryx and Crake and the New Nostalgia for Meat.  In: Society & Animals 17.3 (June 2009): pp. 241-256(16)

  206. Pedler, Mike & Attwood, Margaret.;
    How can action learning contribute to social capital?  In: Action Learning: Research and Practice, Vol. 8, 2011 - Issue 1, pp. 27-39(13)

  207. Péneau, Emilie.;
    Margaret Atwood's Multiple Subversions: The Question of Genre in Her Short Fiction.  In: Canadian Studies in Europe / etudes Canadiennes en Europe, vol. 10(2012), pp. 137-152(16)

  208. Percec, Dana.;
    Margaret Atwood and the Politics of Ecofeminism.  In: Colloquium politicum, Vol. 3, Nr. 1 (5), January-June 2012, pp. 45-56(12)

  209. Pirnajmuddin, Hossein & Amani, Omid.;
    Margaret Atwood's Surfacing as a Critique of the Enlightenment Reason.  In: Studies in Literature and Language, Vol. 3(2011), Iss 2, pp 6-10 (5)

  210. Pordzik, Ralph.;
    The Posthuman Future of Man: Anthropocentrism and the Other of Technology in Anglo-American Science Fiction.  In: Utopian Studies, Vol. 23, no. 1, 2012, pp. 142-161(20)

  211. Pourgharib, Behzad.;
    Margaret Atwood: Twenty-Five years of Gothic Tales.  In: Criterion: An InternationalJournal in English 2.1 (April 2011): 13 pp.

  212. Pundir, Leena.;
    From being an Unreliable Narrator to becoming a Reliable one: A Study of Margaret Atwood's Surfacing.  In: Lapis Lazuli - An International Literary Journal (LLILJ), Vol.2/ NO.2/Autumn 2012, pp. 1-6(6)

  213. Pundir, Leena.;
    Marian's Search for Self in Margaret Atwood' s The Edible Woman.  In: The Criterion: An International Journal in English, Vol. III. Issue. IV, December 2012, 3 pp.

  214. Pundir, Leena.;
    Rennie's 'Massive Dis-involvement' in Margaret Atwood's Bodily Harm.  In: New Academia: An International Journal of English Language Literature and Literary Theory, (2:4), 2013, pp. 1-9 (9)

  215. Pundir, Leena.;
    Sex Role Socialization in Margaret Atwood's 'Cat's Eye'.  In: SubalternSpeak, vol. 1, issue 4, Dec 2012, pp. 63-68(6)
     
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  216. Ragaišienè, Irena.;
    Beauty, Cultural Norm, and Identity in Toni Morrison's te Blues Eye and Margaret Atwood's Lady Oracle.  In: The Phenomenon of Beauty in Culture. Vilnius, 2012, ISBN 978-609-425-090-3; pp. 235-242(8)

  217. Rajan, Sheeba V.;
    Dystopia In Oryx And Crake Vis-a-vis The Utopia Of Walden: An Ecocritical Approach.  In: Golden Research Thoughts, Vol 3(2013), Iss 2, pp. 01-3 (3)

  218. Rao, Eleonora.;
    A Response to The Return of the Dead in Margaret Atwood's Surfacing and Alias Grace.  In: Connotations, vol. 19.no. 1-3 (2009/2010): pp. 68-78(11)

  219. Raspini, Ana.;
    Goddess or Countertop Dancer: Mythological Female Figures in Margaret Atwood's Morning In The Burned House.  In: Revista Artemis; v. 17, n. 1 (2014) ; pp. 96-104(9)

  220. Reddy, P. Madhurima.;
    The Handmaid's Tale:. The Carving out of Feminist Space in Margaret Atwood's Novel.  In: The Criterion: An International Journal in English 2.4 (December 2011): 9 pp.

  221. Renaux, Sigrid.;
    Margaret Atwood and the re-invention of myth in The Penelopiad.  In: Interfaces Brasil/Canada, vol. 11(2011), no. 1, pp. 97-119(23)

  222. Ridout, Alice.;
    Margaret Atwood's Straddling Environmentalism.  In: Comparative American Studies: An International Journal, Vol. 13(2015) - Issue 1-2, pp. 31-41(11)

  223. Ridout, Alice.;
    Temporality and Margaret Atwood.  In: Margaret Atwood. New ed. Ed. Harold Bloom. New York: Bloom's Literary Criticism (lnfobase Publishing), 2009. pp. 35-58(24)

  224. Rigney, Barbara Hill.;
    Alias Atwood: Narrative Games and Gender Politics.  In: Margaret Atwood. New ed. Ed. Harold Bloom. New York: Bloom's Literary Criticism (lnfobase Publishing), 2009. pp. 59-66(8)

  225. Roberts, Dorothy E.;
    Race, Gender, and Genetic Technologies: A New Reproductive Dystopia?  In: Signs, Vol. 34, No. 4 (Summer 2009), pp. 783-804(22)

  226. Roddis, Melissa.;
    'Someone Else's Utopia': The Eco-Posthuman 'Utopia' of Margaret Atwood's Oryx and Crake.  In: Writing Technologies, vol. 5 (2013), pp. 19-35(17)

  227. Rodi-Risberg, Marinella.;
    Ex-Centric Narratives: Other Contemporary Female-Authored Lears.  In: Rodi-Risberg, Marinella., Writing Trauma, Writing Time and Space: Jane Smiley's A Thousand Acres and the Lear Group of Father-Daughter Incest Narratives / Acta Wasaensia, 229 / Literary and Cultural Studies, 5. Universitas Wasaensis, 2010. ISBN 978-952-476-320-2; pp. 133-166(34)

  228. Rodriguez Salas, Gerardo.;
    'Close as a kiss': Gyn/Affection in Margaret Atwood's The Penelopiad ; 'Cercanas como un beso': el desafio de la afectividad femenina de las doncellas en "The Penelopiad" de Margater Atwood.  In: Amaltea. Revista de mitocritica, Vol. 7 (2015), pp. 19-34(15)

  229. Rogerson, Margaret.;
    Should We Believe Her? Margaret Atwood and Uncertainty: A Response to Burkhard Niederhoff.  In: Connotations, vol. 19. no 1-3(2009/2010): pp. 79-91(13)

  230. Roman, Stephanie.;
    Feminism and the Force of Institutions in Twenty-First Century Dystopian Novels.  In: The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English: Vol. 17 (2015): Iss. 1, pp. 134-175(42)

  231. Rosen, Jeremy.;
    An Insatiable Market for Minor Characters: Genre in the Contemporary Literary Marketplace.  In: New Literary History: a journal of theory and interpretation (46:1) [Winter 2015] , pp. 143-163(21)

  232. Rosenfeld, Erica.;
    Narrative Contradictions in Margaret Atwood's Alias Grace.  In: The Sigma Tau Delta Review, Volume 6, 2009, pp. 64-70(7)

  233. Rousselot, Elodie.;
    A Christmas Carol and global economy: the neo-Victorian debt to the nineteenth century.  In: Neo-Victorian Studies, vol. 5(2012), no. 2, pp. 59-83(25)

  234. Royanian, Shamsoddin and Yazdani, Zeinab.;
    Metaphor of Body in Margaret Atwood's The Edible Woman.  In: The Criterion: An International Journal in English 2.2 (September 2011): pp. 233-239(7)
     
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  235. Sahu, Aarti.;
    Portrayal of Marginalized Women in Atwood's The Handmaid's Tale.  In: Language in India. May2016, Vol. 16 Issue 5, pp, 1-7(7)

  236. Sanderson, Jay.;
    Pigoons, Rakunks and Crakers: Margaret Atwood's Oryx and Crake and Genetically Engineered Animals in a (Latourian) Hybrid World.  In: Law and Humanities, Vol. 7(2013) - Issue 2. pp. 218-239(22)

  237. Sanfelici, Aline de Mello.;
    Political Engagement in the Writings by Margaret Atwood and Dionne Brand.  In: Revista critica cultural, vol. 6, no.1 (January-June 2011): pp. 105-113(9)

  238. Sankar, G.;
    The Emergence of Canadian Colonialism and Post- Colonialism in Margaret Atwood's Surfacing.  In: International Journal of English Literature and Culture, Vol. 2(5), May 2014, pp. 64-66(3)

  239. Sankar, G.; Jaya, K.; Das, J.; Rajeshkannan, T.;
    The Representing the theme of Self-Discovery and Memoir in Margaret Atwood's Surfacing and Don Delillo's Libra, Underworld.  In: International Journal of English Literature and Culture, Vol. 4(1), January 2016, pp. 5-8(4)

  240. Sarlak, Effat.;
    Women's identity in Margaret Atwood's The Robber Bride.  In: Journal of Novel Applied Sciences, vol. 3(2014), no. 12, pp. 1407-1409(3)

  241. Sasani, Samira; Arjmandi, Diba:
    "The 'I' against an 'Other'": Gender Trouble in The Edible Woman.  In: Theory and Practice in Language Studies (5:7) [Jul 2015] , pp. 1520-1524(5)

  242. Scheurer, Maren.;
    "And Somebody Else Comes In": Shared Madness in Margaret Atwood's Alias Grace.  In: 2013. Inter-disciplinary.net. 6th Global Conference, Session 4: Women, Madness and Literature: Part Two. 10 pp.

  243. Schoene, Berthold.;
    Getting World Going in Margaret Atwood's Oryx and Crake.  In: The Senses and Society, Vol. 8(2013), Issue 1, pp. 96-105(10)

  244. Sedehi, Kamelia Talebian and Wan Yahya, Wan Roselezam.;
    Journey through nature and self: the melancholic narrator in Atwood's Surfacing.  In: Pertanika Journal of Social Sciences & Humanities, 23 (2015) , no. 1, pp. 247-252(6)

  245. Shapira, Yael.;
    Hairball Speaks: Margaret Atwood and the Narrative Legacy of the Female Grotesque.  In: Narrative, Vol. 18, no. 1, January 2010, pp. 51-72(22)

  246. Shih, Paris.;
    De-Dystopia, or a City of Her Own: Rethinking Gender, Space, and the Subversion of Dystopian Tradition in The Handmaid's Tale.  In: Negotiating Gendered Spaces. Eds. Isabel Duran Gimenez-Rico, Noelia Hernando Real, Carmen Mendez Garcia, Joanne Neff van Aertselaer & Ana Laura Rodriguez Redondo. Madrid: Editorial Fundamentos, 2013. pp. 205-217(13)

  247. Siddall, Gillian.;
    That Is What I Told Dr. Jordan...': Public Constructions and Private Disruptions in Margaret Atwood's Alias Grace.  In: Margaret Atwood. New ed. Ed. Harold Bloom. New York: Bloom's Literary Criticism (lnfobase Publishing), 2009. pp. 127-142(16)

  248. Simonson, Patricia.;
    Pictorial Cross-Currents between Hawthorne and Atwood: Negotiating with the Dead.  In: Perifrasis : Revista de Literatura, Teoria y Critica, vol. 6(2015), no. 11, pp. 105-119(15)

  249. Singha, Padumi.;
    Surfacing: The Recovery of a Displaced Identity.  In: The Criterion: An International Journal in English, Vol. 4. Issue-VI, December 2013, pp. 176-183(8)

  250. Snyder, Katherine V.;
    'Time to Go': The Post-Apocalyptic and the Post-Traumatic in Margaret Atwood's Oryx and Crake.  In: Studies in the Novel, Vol. 43, no. 4, Winter 2011, pp. 470-489(20)

  251. Somacarrera, Pilar.;
    Chapter 1: Contextual and Institutional Coordinates of the Transference of Anglo-Canadian Literature into Spain.  In: Somacarrera, Pilar (ed.)., Made in Canada, Read in Spain: Essays on the Translation and Circulation of English-Canadian Literature. De Gruyter, 2013. ISBN: 9788376560175; pp. 21-53(33)

  252. Somacarrera, Pilar.;
    Chapter 5: A Prince of Asturias Award for the Queen of Canadian Letters: Reading Margaret Atwood's Texts in Spain.  In: Somacarrera, Pilar (ed.)., Made in Canada, Read in Spain: Essays on the Translation and Circulation of English-Canadian Literature. De Gruyter, 2013. ISBN: 9788376560175; pp. 108-128(21)

  253. Soofastaei, Elaheh & Mirenayat, Sayyed Ali.;
    Female Body and Sexual Politics in Margaret Atwood's Selected Novels.  In: International Letters of Social and Humanistic Sciences, Vol. 55 (2015), pp. 154-159(6)

  254. Soofastaei, Elaheh & Mirenayat, Sayyed Ali.;
    Politics, Violence, and Victimization in Margaret Atwood's Selected Novels.  In: International Letters of Social and Humanistic Sciences, Vol. 50(2015), pp. 86-90(5)

  255. Sparling, Nicole L.;
    Deauthorizing Anthropologies and 'Authenticating' Landscapes in Margaret Atwood's The Handmaid's Tale and Diamela Eltit's El cuarto mundo.  In: Canadian Review of Comparative Literature/Revue Canadienne de Litterature Comparee (38:3), 2011, pp. 356-380(25). (In special issue: "The Human, the Not Human and Cultural Contact".) .

  256. Spiegel, Michael.;
    Character in a Post-National World: Neomedievalism in Atwood's Oryx and Crake.  In: Mosaic, 43(2010).3: pp. 119-134(16)

  257. Srinivasan, K.;
    Assault on the Women in Margaret Atwood\'S Bodily Harm: an Analysis.  In: IOSR Journal Of Humanities And Social Science (IOSR-JHSS), Vol. 17, Issue 5 (Nov. - Dec. 2013), pp. 49-52(4)

  258. Staels, Hilde.;
    "The Penelopiad" and "Weight". Contemporary Parodic and Burlesque Transformations of Classical Myths.  In: College Literature, Vol. 36, No. 4 (Fall, 2009), pp. 100-118(19)

  259. Steuber, Lindsay.;
    Jezebel's: A Place for Conformity and Subversion.  In: MP: An Online Feminist Journal, (3:4), 2012, pp. 17-36(20) (In special issue: "Transgender".)

  260. Sullivan, Heather I.;
    The dark pastoral: Goethe and Atwood.  In: Green Letters, Vol. 20(2016), Issue 1, pp. 47-59(13)

  261. Sullivan, Rosemary.;
    La foret or the Wilderness as Myth (1987).  In: Soper, Ella (ed., introd., and afterword), Bradley, Nicholas (ed., introd., and afterword), Greening the Maple: Canadian Ecocriticism in Context, Calgary, AB: U of Calgary P, 2013. liv, 569 pp.(Energy, Ecology, and the Environment Series7). pp. 31-41(11)

  262. Sundaram, C. Bagavathi.;
    41. Marriage as an Institution of Consumerism: A Comparative Study of Margaret Atwood's The Edible Woman and Shashi Deshpande's The Binding Vine.  In: Devanga Arts College Manas: A Multidisciplinary Research Journal, Vol. 3, no. 1(2012), 5 pp.
     
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  263. Talpalaru, Margrit.;
    Extinctathon: Margaret Atwood's Urge for an Immanent Episteme in Oryx and Crake and The Year of the Flood.  In: Canada and Beyond, 3.1-2 (2013): pp. 243-265(23)

  264. Taylor, Chloe.;
    Abnormal Appetites: Foucault, Atwood, and the Normalization of an Animal Based Diet.  In: Journal for Critical Animal Studies, Vol. 10, Issue 4, 2012 (ISSN1948-352X), pp. 130-148(19)

  265. Templin, Charlotte.;
    Americans Read Margaret Atwood's Surfacing: Literary Criticism and Cultural Differences.  In: Reception: Texts, Readers, Audiences, History, (3:), 2011, pp. 102-135(34)

  266. Thambi, Olive.;
    Blurring identities in a changing world: a perspective on Margaret Atwood's select poems.  In: Language In India. Nov, 2014, Vol. 14 Issue 11, pp. 252-258(7)

  267. Tolan, Fiona.;
    The Psychoanalytic Theme in Margaret Atwood's Fiction: A Response to Burkhard Niederhoff.  In: Connotations, vol. 19. no. 1-3(2009/2010): pp. 92-106(15)

  268. Tolan, Fiona.;
    Situating Canada: The Shifting Perspective of the Postcolonial Other in Margaret Atwood's The Robber Bride.  In: Margaret Atwood. New ed. Ed. Harold Bloom. New York: Bloom's Literary Criticism (lnfobase Publishing), 2009. pp. 143-158(16)

  269. Trauvitch, Rhona.;
    The Bible's Paradise and Oryx and Crake's Paradice: A Comparison of the Relationships between Humans and Nature.  In: Plants and Literature: Essays in Critical Plant Studies, ed. Randy Laist (Amsterdam: Rodopi Press, 2013), pp. 165-180(16)

  270. Upadhyay, Mukti.;
    Feministic Approach with Reference of Margaret Atwood's Novel.  In: International Journal of Recent Research and Review, Vol. I, March 2012, pp. 27-32(6)

  271. Verwaayen, K. J.:
    Ethical Relations, Intertextuality, and the Im/Possibilities of an 'Intersubjective Third' in Margaret Atwood'sThe Journals of Susanna Moodie.  In: Contemporary Women's Writing , (8:3), 2014, pp. 300-318(19)

  272. Vials, Chris.;
    Margaret Atwood's Dystopic Fiction and the Contradictions of Neoliberal Freedom.  In: Textual Practice, Vol. 29(2015) - Issue 2, pp. 235-254(20)

  273. Vukčević, Radojka.;
    Margaret Atwood's Strange Things: The Power of Words in (Re) Connecting Through Diversity.  In: (Re)connecting through diversity : Canadian perspectives = Les relations dans la diversite : perspectives canadiennes. Editors / Sous la direction de Jelena Novaković, Slobodan Pajović, Vladimir Gvozden. Megatrend University, 2011. ISBN 978-86-7747-429-4; pp. 137-141(5)
     
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  274. Waghmare, Panchappa R.;
    Subjugation Of Woman In Margaret Atwood's The Edible Woman.  In: Indian Streams Research Journal, Vol-3, Issue-11 (Dec 2013): pp. 1-3(3)

  275. Waltonen, Karma.;
    Introduction: "[It] was zero hour, you said Be Brave": Tracing Atwood's Apocalypses.  In: Waltonen, Karma (ed. and introd.), Margaret Atwood's Apocalypses, Newcastle upon Tyne, England: Cambridge Scholars, 2014. pp. IX-XIX(11)

  276. Wang, Fanghui.;
    Trapped and Silenced: Claustrophobic Fear in The Yellow Wallpaper and The Handmaid's Tale.  In: Studies in Literature and Language, vol. 5(2012), no. 2, pp. 10-15(6)

  277. Watkins, Susan.;
    Future Shock: Rewriting the Apocalypse in Contemporary Women's Fiction.  In: Lit: Literature Interpretation Theory, vol. 23(2012), no. 2, pp. 119-137(19)

  278. Weafer, Miles.;
    Writing from the Margin: Victim Positions in Atwood's The Year of the Flood.  In: Waltonen, Karma (ed. and introd.)., Margaret Atwood's Apocalypses, Newcastle upon Tyne, England: Cambridge Scholars, 2014. pp. 57-70(14)

  279. Weiss, Allan.;
    Offred's Complicity and the Dystopian Tradition in Margaret Atwood's The Handmaid's Tale.  In: Studies in Canadian Literature / Etudes en litterature canadienne; Volume 34, Number 1 (2009) ; pp. 120-141(22)

  280. Wellinghoff, Lisa A.;
    Alias Atwood, Alias Author, Alias Murder.  In: Clues: A Journal of Detection, (29:2), 2011, pp. 92-97 (6)

  281. White, Roberta.;
    Northern Light: Margaret Atwood's Caf's Eye.  In: Margaret Atwood. New ed. Ed. Harold Bloom. New York: Bloom's Literary Criticism (lnfobase Publishing), 2009. pp. 159-182(24)

  282. Wilson, Sharon R.;
    A Response to Burkhard Niederhoffs 'The Return of the Dead in Margaret Atwood's Surfacing and Alias Grace.  In: Connotations, vol. 19. no. 1-3 (2009/2010): pp. 107-118(12)

  283. Wilson, Sharon Rose.;
    Quilting As Narrative Art: Metafictional Construction in Alias Grace.  In: Margaret Atwood. New ed. Ed. Harold Bloom. New York: Bloom's Literary Criticism (lnfobase Publishing), 2009. pp. 79-91(13)

  284. Wisker, Gina.;
    Nothing wasted: engaging values and the imagination. How can working with feminist speculative fictions enthuse and engage students with social justice and sustainability in an age of austerity?  In: Journal of Gender Studies, Vol. 23(2014), Issue 3, pp. 302-316(15)

  285. Wrethed, Joakim.;
    "I am a place": Aletheia as aesthetic and political resistance in Margaret Atwood's Surfacing.  In: Journal of Aesthetics & Culture, Vol 7(2015), Iss 0, Pp 1-12(12)

  286. Wright, Laura.;
    'This is Border Country': Margaret Atwood's Surfacing and Postcolonial Identity.  In: Critical Insights: Margaret Atwood. Ed. Brooks Bouson. Pasadena: Salem P, 2012. pp. 211-229(19)

  287. Wright, Laura.;
    Vegans, Zombies, and Eco-Apocalypse: McCarthy's The Road and Atwood's Year of the Flood.  In: ISLE: Interdisciplinary Studies in Literature & Environment. Vol. 22 Issue 3, Summer 2015, pp. 507-524(18)
     
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  288. Xiaoxiao LU.;
    The Social Critical Function of Female Discourse in Alias Grace.  In: Studies in Literature and Language, Vol 9, No 3 (2014): pp. 173-176(4)

  289. Yalen, Christopher M.;
    Agent Red: Fashioning Agency in Margaret Atwood's The Handmaid's Tale.  In: Oglethorpe Journal of Undergraduate Research: Vol. 4 (2014): Iss. 1, Article 3. 10 pp.

  290. Yazdani, Zeinab & Dr. Devikarani L.;
    Quest for Identity in Margaret Atwood's Lady Oracle.  In: The Criterion: An International Journal in English 2.4 (December 2011): 7 pp.

  291. York, Lorraine.;
    Surfacing from Six Feet Under: A Response to Burkhard Niederhoff.  In: Connotations 19.1-3 (2009/2010): pp. 119-125(7)

  292. Zidan, Ashraf Ibrahim.;
    Postcolonial Feminism in Margaret Atwood's Fiction.  In: International Journal of Linguistics and Literature (IJLL), Vol. 2, Issue 3, July 2013, pp. 11-20(10)

  293. Zubair Baig, Mirza Muhammad.;
    The Suitor's Treasure Trove: Un/Re‐Inscribing of Homer's Penelope in Margaret Atwood's The Penelopiad.  In: NUML: Journal of Critical Inquiry, Vol 12 (I), June, 2014, pp. 65-84(20)

  294. Zwart, Hub.;
    Tainted Food and the Icarus Complex: Psychoanalysing Consumer Discontent from Oyster Middens to Oryx and Crake.  In: Journal of Agricultural & Environmental Ethics. Vol. 28 Issue 2, Apr 2015, pp. 255-275(21)

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