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Shakespeare's "Macbeth" 研究論文(1) : 2001-2011

　　シェイクスピアの悲劇「マクベス(Macbeth)」の2001-2011年に刊行された研究論文を紹介しています。
　ここで紹介する論文は企画商品CD「イギリス文学研究論文選」の「シェイクスピアの作品研究論文」の項 Macbeth(1): 2001-2011年刊行論文集に収録しています。

　他の時期やテーマの論文は次のリンクを参照して下さい。
　　Hamlet(1):2006-2011；Hamlet (2):2001-2005；King Lear (1):2001-2011；

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　[2001-2011年論文リスト]

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  1. Al-Garrallah, Aiman S. & Zahi Al-Hasan, Wasan.;
    Shakespeare's Plays and Modern Adaptations.  In: Studies in Literature and Language. Montreal: Oct 2010. Vol. 1, Iss. 6; pp. 31-36 (6)

  2. Albright, Daniel.;
    The witches and the witch: Verdi's Macbeth.  In: Cambridge Opera Journal 2005, 17(3): pp. 225-252(28)

  3. Alker, Sharon.;
    Macbeth, the Jacobean Scot, and the Politics of the Union.  In: SEL: Studies in English Literature, 1500-1900, 2007 Spring; 47 (2): pp. 379-401 (23)

  4. Angello, Elizabeth S.;
    Moving Like a Ghost: Tarquin's Specter and Agentive Objects in The Rape of Lucrece, Julius Caesar, and Macbeth.  In: Forum 7 (Autumn 2008). 14 pp.
     
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  5. Baker, Christopher.;
    Saint Peter and Macbeth's Porter.   In:The Ben Jonson Journal, 18.2 (2011): pp. 233-253(21)

  6. Baker, Oliver R.;
    Duncan's Thanes and Malcolm's Earls: Name Dropping in Macbeth.  In: Notes and Queries, 2009 Dec; 56 (254) (4): pp. 591-595(5)

  7. Barnes, Todd Landon.;
    George W. Bush's 'Three Shakespeares': Macbeth, Macbush, and the Theater of War.  In: Shakespeare Bullet  In:A Journal of Performance Criticism and Scholarship, 2008 Fall; 26 (3): pp. 1-29 (29)

  8. Batson, E. Beatrice.;
    The 'Horrid Deed' and Its Consequences in the Tragedy of Macbeth.  In: Sewanee Theological Review, 2006; 49 (4): pp. 431-442(12)

  9. Baxter, John.;
    Perilous Stuff: Poems of Religious Meditation.  In: Renascence. Milwaukee: Winter 2010. Vol. 62, no. 2; pp. 89-117 (29)

  10. Bell, Millicent.;
    Introduction: Hamlet, Othello, King Lear, and Macbeth.  In: Shakespeare's Tragic Skepticism. By Millicent Bell. Yale University Press, New Haven and London, 2002. ISBN 0-3---09255-5; pp. 1-28(28)

  11. Benecke, Ingrid.;
    Simon Forman's Notes on Macbeth-The Alternative Reading.  In: Notes and Queries, 2010 Sept; 57 (255) (3): pp. 389-393(5)

  12. Berlin, Normand.;
    Traffic of our stage: Shakespeare in Oregon.  In: The Massachusetts Review. Amherst: Fall 2003. Vol. 44, no. 3; pp. 531-545(15)

  13. Bernstein, Jane A.;
    'Bewitched, Bothered and Bewildered': Lady Macbeth, Sleepwalking, and the Demonic in Verdi's Scottish Opera.  In: Cambridge Opera Journal Vol. 14, No. 1/2, Primal Scenes: Proceedings of a Conference Held at the University of California, Berkeley, 30 November-2 December, 2001 (Mar., 2002), pp. 31-46(16)

  14. Billings, Timothy.;
    Squashing the 'Shard-Borne Beetle' Crux: A Hard Case with a Few Pat Readings.  In: Shakespeare Quarterly, 2005 Winter; 56 (4): pp. 434-447 (14)

  15. Blackburn, Tom.;
    Macbird! and Macbeth: Topicality and Imitation in Barbara Garson's Satirical Pastiche.  In: Shakespeare Survey Volume 57: Macbeth and its Afterlife. Ed. Peter Holland. Cambridge University Press, 2004. pp. 137-144(8)

  16. Bly, Mark.;
    Impossible Things Are Happening Every Day …: Medea/Macbeth/Cinderella at the Yale Repertory Theater.  In: TheatreForum, 2004 Winter-Spring; 24: pp. 82-87(6)

  17. Borah, Gautam.;
    Macbeth, the Birnam Wood, and the Meaning of [s].  In: Central Institute of English and Foreign Languages Bulletin, 2006 Dec; 16 (2): pp. 52-68 (17)

  18. Brandom, Robert B.;
    Responses to Pippin, Macbeth and Haugeland.  In: European Journal of Philosophy, Dec 2005. vol. 13, no. 3, pp. 429-441(13)

  19. Breuer, Horst.;
    How to Trammel Up the Consequence and Catch Success: Macbeth 1.7.3-4.  In: Modern Philology: A Journal Devoted to Research in Medieval and Modern Literature, 2002 Feb; 99 (3): pp. 376-378 (3)

  20. Bristol, Michael.;
    Macbeth the Philosopher: Rethinking Context.  In: New Literary History, 42.4 (2011): pp. 641-662(22)

  21. Brown, Eric C.;
    Shakespeare, Class, and Scotland.  In:Literature Film Quarterly. 34.2 (2006): pp. 147-153(7)

  22. Burnett, Mark Thornton.;
    Extending the Filmic Canon: The Banquet and Maqbool.  In: Borrowers and Lenders: The Journal of Shakespeare and Appropriation, 2009 Spring-Summer; 4 (2): [no pagination]. 6 pp.
     
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  23. Camati, Anna Stegh.;
    Textual Appropriation: Totalitarian Violence in Shakespeare's Macbeth and Tom Stoppard's Cahoot's Macbeth.  In: lha do Desterro: A Journal of Language and Literature, 2005 July-Dec; 49: pp. 339-367 (29)

  24. Carole Beebe Tarantelli.;
    "Till destruction sicken": The catastrophe of mind in Macbeth.  In: nternational Journal of Psychoanalysis. London: Dec 2010. Vol. 91, no. 6; pp. 1483-1501 (19)

  25. Carroll, William C.;
    'Two truths are told': Afterlives and Histories of Macbeths.  In: Shakespeare Survey Volume 57: Macbeth and its Afterlife. Ed. Peter Holland. Cambridge University Press, 2004. Vol. 57, pp. 69-80(12)

  26. Cartwright, Kent.;
    Scepticism and Theatre in Macbeth.  In: Shakespeare Survey: An Annual Survey of Shakespeare Studies and Production, 2002; 55: pp. 219-236 (18)

  27. Cerda, Juan F.;
    Shakespeare in Garcia Lorca's Early Poems.  In: Atlantis: Revista de la Asociacion Espanola de Estudios Anglo-Norteamericanos, ISSN 0210-6124, Vol. 33, No 1, 2011, pp. 33-52(20)

  28. Chamberlain, Stephanie.;
    Fantasizing Infanticide: Lady Macbeth and the Murdering Mother in Early Modern England.  In: College Literature, 2005 Summer; 32 (3): pp. 72-91(20)

  29. Chaudhury, Sarbani.;
    The Afterlife of Macbeth In Nineteenth Century Bengal : A Case Study.  In: MS ACADEMIC, 2011, 1(3): 1-11(11)

  30. Cimitile, Anna Maria.;
    Macbeth: Criticism, Gender and the Tragedy of the Human.  In: Textus: English Studies in Italy, 2007 Sept-Dec; 20 (3): pp. 539-554 (16)

  31. Ciraulo, Darlene.;
    The Old and New South: Shakespeare in Margaret Mitchell's Gone with the Wind.  In: Borrowers and Lenders: The Journal of Shakespeare and Appropriation, 2005 Spring; 1 (1): [no pagination]. 14 pp.

  32. Clayton, Frederick W.;
    Mercury, Boy Yet and the 'Harsh' Words of Love's Labour's Lost.  In: Shakespeare Survey, Volume 57: Macbeth and its Afterlife. Ed. Peter Holland. Cambridge University Press, 2004. pp. 209-224(16)

  33. Colston, Ken.;
    Macbeth and the Tragedy of Sin.  In: Logos: A Journal of Catholic Thought and Culture, 2010 Fall; 13 (4): pp. 60-95(36)

  34. Cummins, Justice P.D.;
    Shakespear and Madness. A Paper presented to The Judicial Conference of Australia Melbourne Colloquium 11 October 2009. 24 pp.
     
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  35. Dedabas, Eda.;
    Cganging and Cgallenging Shakespeare: Subversion of Language in Tom Stoppard's "Dog's Hamlet" and "Cahoots Macbeth".  In: Romanian Journal of English Studies, no.5, 2008. ISSN 1584-3734; 10 pp.

  36. Deitchman, Elizabeth A.;
    White Trash Shakespeare: Taste, Morality, and the Dark Side of the American Dream in Billy Morrissette's Scotland.  In: Literature Film Quarterly, 2006; 34 (2): pp. 140-146 (7)

  37. Delaney, Bill;
    Shakespeare's Macbeth.  In: Explicator, 2001 Fall; 60 (1): pp. 7-9(3)

  38. Delaney, Bill;
    Shakespeare's Macbeth.  In: Explicator, 2004 Fall; 63 (1): pp. 6-9(4)

  39. Delaney, Bill;
    Shakespeare's Macbeth.  In: Explicator, 2005 Summer; 63 (4): pp. 209-211 (4)

  40. Di Biase, Carmine G.;
    "I am as I have Spoken": The Act of Naming in Macbeth.  In: Renaissance and Reformation / Renaissance et Reforme, XXV, 1 (2001), pp. 23-44(22)

  41. Dillon, Janette.;
    Macbeth.  In: Janette Dillon., The Cambridge Introduction to Shakespeare's Tragedies. Cambridge University Press, 2007. ISBN-10 0-521-67492-1; Chapter 9, pp. 114-125(12)

  42. Distiller, Natasha.;
    'The Zulu Macbeth': The Value of an 'African Shakespeare'.  In: Shakespeare Survey, Volume 57: Macbeth and its Afterlife. Ed. Peter Holland. Cambridge University Press, 2004. pp. 159-168(10)

  43. Dobson, Michael.;
    Shakespeare Performances in England, 2003.  In: Shakespeare Survey Volume 57: Macbeth and its Afterlife. Ed. Peter Holland. Cambridge University Press, 2004. pp. 258-289(32)

  44. Draudt, Manfred.;
    The Real Thing? Adaptations, Transformations and Burlesques of Shakespeare, Historic and Post- Modern.  In: Ilha do Desterro Florianopolis no 49, jul./dez. 2005, pp. 289-314(26)

  45. Ducasse-Turner, Milagro.;
    Gods on Earth: Usurping Kingly and Godly Authority in Shakespeare's Macbeth and Webster's The Duchess of Malfi.  In: Anglophonia: French Journal of English Studies, 2005; 17: pp. 35-49 (16)

  46. Dusinberre, Juliet.;
    Wilfred Owen and Macbeth.  In: Borrowers and Lenders: The Journal of Shakespeare and Appropriation, 2011 Fall-Winter; 6 (2): [no pagination]. 28 pp.

  47. Dwyer, Bonnie.;
    My Celtic Sabbath Journey with Esther, Lady Macbeth, and St. Brigid.  In: Spectrum, vol. 39, Issue1, winter 2011, pp. 21-30(10)

  48. Dyer, Bill.;
    The Merchants of Macbeth: Strategies for Selling Students Shares in the Play.  In: Minnesota English Journal, Vol. 45 - Fall 2009, pp. 50-84(35)
     
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  49. Edgecombe, Rodney Stenning.;
    Verdi and Le Sueur: A Note on the Final Chorus in Macbeth.  In: Opera Quarterly, 2005 Spring; 21 (2): pp. 222-226 (5)

  50. Edmondson, Paul.;
    Macbeth: The Play in Performance.  In: Angles on the English-Speaking World, 2005; 5: pp. 121-133(12)

  51. Egan, Gabriel.;
    Gilding Loam and Painting Lilies: Shakespeare's Scruple of Gold.  In: Connotations 11.2-3 (2001/2002): pp. 165-179(15)

  52. Egan, Gabriel.;
    Performance: Macbeth,  In: Shakespeare. By Gabriel Egan. Edinburgh University Press, 2007. ISBN: 978074842371; Chapter 6, pp180-202(23)

  53. Emmerichs, Sharon.;
    Inside-Out and Outside-In: Landscape and the Unnatural in Shakespeare's Hamlet and Macbeth.  In: The Upstart Crow. Clemson: 2003. Vol. 23; p. 39-51(13)

  54. Erin, Suzuki.;
    Lost in Translation: Reconsidering Shakespeare's Macbeth and Kurosawa's Throne of Blood.  In: Literature Film Quarterly, 2006; 34 (2): pp. 93-103 (11)

  55. Esse, Melina.;
    'Chi piange, qual forza m'arretra?': Verdi's interior voices.  In: Cambridge Opera Journal. Cambridge: Mar 2002. Vol. 14, Iss. 1-2; pp. 59-78(20)

  56. Evans, G. Blakemore.;
    'The Shard-Borne [-Born] Beetle,' Macbeth, 3.2.42-43.  In: ANQ: A Quarterly Journal of Short Articles, Notes, and Reviews, 2005 Fall; 18 (4): pp. 31-34(4)
     
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  57. Farley-Hills, David.;
    The Entrances and Exits of Macbeth.  In: Notes and Queries, 2003 Mar; 50 (248) (1): pp. 50-55(6)

  58. Favila, Marina.;
    'Mortal Thoughts' and Magical Thinking in Macbeth.  In: Modern Philology: A Journal Devoted to Research in Medieval and Modern Literature, 2001 Aug; 99 (1): pp. 1-25(25)

  59. Fendt, Gene.;
    Macbeth's Banquo: Faux Ami as Christian Friend.  In: Literature and Theology, December 2009; 23: pp. 388-400(13)

  60. Ferleman, William C.;
    What If Lady Macbeth Were Pregnant? Amativeness, Procreation, and Future Dynasty in Maqbool.  In: Borrowers and Lenders: The Journal of Shakespeare and Appropriation, 2009 Spring-Summer; 4 (2): [no pagination]. 6 pp.

  61. Fielitz, Sonja.;
    Staging sexual difference: the cultural appropriation of Shakespeare's Lady Macbeth in Eighteenth-Century England and Germany.  In: Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies, ISSN - 2175-8026, jul./dez. 2005, pp. 265-287(23)

  62. Fitzpatrick, Joan.;
    Macbeth and Poisoned Nutrients.  In: Joan Fitzpatrick., Food in Shakespeare: Early Modern Dietaries and the Plays. 2007, pp. 44-56(13)

  63. Floyd-Wilson, Mary.;
    English Epicures and Scottish Witches.  In: Shakespeare Quarterly, 2006 Summer; 57 (2): pp. 131-161(31)

  64. Friedman, Michael D.;
    In Defense of Authenticity.  In: Studies in Philology, 99.1 (Winter 2002), pp. 33-56(24)

  65. Friedman, Michael D.;
    Shakespeare and the Catholic Revenger: V for Vendetta.  In: Literature Film Quarterly, 2010; 38 (2): pp. 117-133(17)

  66. Frolova-Walker, Marina.;
    Lady Macbeth of Mtsensk: Bleak Tragedy or Black Comedy?  In: Opera Quarterly, Vol. 25(2009), no. 1, pp. 150-156(7)
     
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  67. Gamez, Elena; Diaz, Jose M; Hernandez, Hipolito Marrero.;
    The Uncertain Universality of the Macbeth Effect with a Spanish Sample.  In: Spanish journal of psychology, ISSN 1138-7416, Vol. 14, No. 1, 2011, pp. 156-162(7)

  68. Garbero, Maria Del Sapio.;
    A Spider in the Eye/IThe Hallucinatory Staging of the Self in Shakespeare'sThe Winter's Tale.  In: Berns, Ute (Ed.)., Solo Performances. Staging the Early Modern Self in England. Amsterdam/New York, NY, 2010, 272 pp. Pb: 978-90-420-2952-1; pp. 133-155(23)

  69. Gervais, David.;
    Shakespeare and Night: The Dream, Macbeth and Racine.  In: English: The Journal of the English Association, 2002 Spring; 51 (199): pp. 15-25 (11)

  70. Gil, Daniel Juan.;
    Avant-Garde Technique and the Visual Grammar of Sexuality in Orson Welles's Shakespeare Films.  In: Borrowers and Lenders: The Journal of Shakespeare and Appropriation, 2005 Fall-Winter; 1 (2): [no pagination]. 27 pp.

  71. Gleyzon, Francois-Xavier.;
    Under the Eye of Gorgo: Apotropaic Acts in Macbeth and King Lear.  In: Journal of the Wooden O Symposium, 2007; 7: pp. 22-41(20)

  72. Goehring, Edmund J.;
    The Lamentations of Don Juan and Macbeth.  In: PMLA: Publications of the Modern Language Association of America, 2005 Oct; 120 (5): pp. 1524-1542 (19)

  73. Gomez, Paula Maria Rodriguez.;
    Macbeth's Portrait Of Cad Goddeu: encounters Whith The Celtic World.  In: SEDERI: yearbook of the Spanish and Portuguese Society for English Renaissance Studies, ISSN 1135-7789, No. 12, 2002, pp. 313-322(10)

  74. Groves, Beatrice.;
    Hal as Self-Styled Redeemer: The Harrowing of Hell and Henry IV Part 1.  In: Shakespeare Survey Volume 57: Macbeth and its Afterlife. Ed. Peter Holland. Cambridge University Press, 2004. pp. 236-248(13)

  75. Guntner, J. Lawrence.;
    Hamlet, Macbeth, and King Lear on Film.  In: Jackson, Russell (ed. and introd.) The Cambridge Companion to Shakespeare on Film. Cambridge, England: Cambridge UP; 2007. xii, 349 pp. ISBN: 9780521685016; (pbk.); 9780521866002; (hbk.); pp. 120-140(21)
     
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  76. Hale, David G.;
    Order and Disorder in Macbeth, Act V: Film and Television.  In: Literature Film Quarterly, 2001; 29 (2): pp. 101-106(6)

  77. Hampton, Bryan Adams.;
    Purgation, Exorcism, and the Civilizing Process in Macbeth.  In: SEL: Studies in English Literature, 1500-1900, 2011 Spring; 51 (2): pp. 327-347 (21)

  78. Harrington, Gary.;
    The New World Order in 4.3 of Macbeth.  In: Journal of the Wooden O Symposium, 2001; 1: pp. 109-117(9)

  79. Harris, Jonathan Gil.;
    The Smell of Macbeth.  In: Shakespeare Quarterly, 2007 Winter; 58 (4): pp. 465-486(22)

  80. Hassel, R. Chris, Jr.;
    'No Boasting Like a Fool'? Macbeth and Herod.  In: Studies in Philology, 2001 Spring; 98 (2): pp. 205-224(20)

  81. Hatchuel, Sarah.;
    'Prithee, See There! Behold! Look! (1.4.69): The Gift or the Denial of Sight in Screen Adaptations of Shakespeare's Macbeth.  In: Borrowers and Lenders: The Journal of Shakespeare and Appropriation, 2005 Fall-Winter; 1 (2): [no pagination]. 18 pp.

  82. Hateley, Erica.;
    Lady Macbeth in Detective Fiction: Criminalizing the Female Reader.  In: Clues: A Journal of Detection, 2006 Summer; 24 (4): pp. 31-46 (16)

  83. Hateley, Erica.;
    Shakespeare's Macbeth.-Poster-boy for contemporary masculinity?  In: Journal of Interdisciplinary Gender Studies, Vol. 9, no. 2, December 2004, pp. 80-92(13)

  84. Hibbs, Stacey.;
    Virtue, Natural Law, and Supernatural Solicitation: A Thomistic Reading of Shakespeare's Macbeth.  In: Religion and the Arts, 2001; 5 (3): pp. 273-296 (24)

  85. Hirsch, Brett D.:
    'What are these faces?' Interpreting Bearded Women in Macbeth.  In:Renaissance Drama and Poetry in Context: Essays for Christopher Wortham. Ed. Andrew Lynch and Anne M. Scott. Newcastle-upon-Tyne: Cambridge Scholars Press, 2008. ISBN: 978-1-8471-8610-2; pp. 91-114(24)

  86. Hoefer, Anthony D., Jr.;
    The McDonaldization of Macbeth: Shakespeare and Pop Culture in Scotland.  In: Literature Film Quarterly, 2006; 34 (2): pp. 154-160 (7)

  87. Honigmann, E. A. J.;
    Shakespeare's Self-Repetitions and King John.  In:Shakespeare Survey Volume 53: Shakespeare and Narrative. Ed. Peter Holland. Cambridge University Press, 2000. pp. 175-183(9)

  88. Honigmann, E. A. J.;
    Shakespeare, Sir Thomas More and Asylum Seekers.  In: Shakespeare Survey Volume 57: Macbeth and its Afterlife. Ed. Peter Holland. Cambridge University Press, 2004. pp. 225-235(11)

  89. Howard, Jean E.;
    Shakespeare, Geography, and the Work of Genre on the Early Modern Stage.  In: Modern Language Quarterly: A Journal of Literary History, 2003 Sept; 64 (3): pp. 299-322(24)

  90. Hsiung, Yuwen.;
    Kurosawa's Throne of Blood and East Asia's Macbeth.  In: CLCWeb: Comparative Literature and Culture: A WWWeb Journal, 2004 Mar; 6 (1): 14 paragraphs. 9 pp.

  91. Huang, Alexander C. Y.;
    Shakespeare and the Visualization of Metaphor in Two Chinese Versions of Macbeth.  In: CLCWeb: Comparative Literature and Culture: A WWWeb Journal, 2004 Mar; 6 (1): 16 paragraphs. 8 pp.

  92. Huang, Alexander C. Y.;
    Where is Shakespeare?: Locality and Performative Translation.  In: Ilha do Desterro: A Journal of Language and Literature, 2005 July-Dec; 49: pp. 255-264(10)

  93. Hudson, Elizabeth.;
    '. . . qualche cosa d'incredibile . . .': Hearing the Invisible in "Macbeth".  In: Cambridge Opera Journal, Vol. 14, No. 1/2, Primal Scenes: Proceedings of a Conference Held at the University of California, Berkeley, 30 November-2 December, 2001 (Mar., 2002), pp. 11-29(19)

  94. Hunt, Maurice.;
    Duncan, Macbeth, and the Thane of Cawdor.  In: Studies in the Humanities, 2001 June-Dec; 28 (1-2): pp. 1-30(30)
     
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  95. Idrees, Mohammad.;
    Appearance Versus Reality in Macbeth.  In: Gomal University Journal of Research, 23(2007), no.2, pp. 96-102(7)

  96. Isenberg, Sarina.;
    Spectacle: Orson Welles's Problematic Portrayal of Race in "Voodoo" Macbeth.  In: Narritivizing Identity: QUEUC 2011 Conference Proceedings/ edited by Jessica Riddell and Melshean Boardman. Sherbrooke: Bishop's University Press, 2011. pp. 103-110(8)

  97. Jensen, Michael P.;
    Macbeth Meets Alley Oop, and William Shakespeare Meets V. T. Hamlin and Tom Stoppard.  In: Borrowers and Lenders: The Journal of Shakespeare and Appropriation, 2006 Spring-Summer; 2 (1): [no pagination]. 4 pp.

  98. Kahr, Brett.;
    Defending Lady Macbeth: Testimony of an Expert Witness.  In: American Imago. Baltimore: Fall 2010. Vol. 67, no. 3; pp. 453-462 (10)

  99. Kallay, Geza.;
    Macbeth and Late Tragedy.  In: The Sight, the Voice and the Deed: an Introduction to Drama from Sophocles to Goethe by Geza Kallay. 2005. pp. 134-139(5)

  100. Keller, J. Gregory.;
    The Moral Thinking of Macbeth.  In: Philosophy and Literature, 29 (2005), pp. 41-56(16)

  101. Kinney, Arthur F.;
    Macbeth's Knowledge.  In: Shakespeare Survey: An Annual Survey of Shakespeare Studies and Production, 2004; 57: pp. 11-26 (16)

  102. Knowles, Katherine.;
    Appetite and Ambition: The Influence of Hunger in Macbeth.  In: Early English Studies, 2009; 2: (no pagination). 20 pp.

  103. Kolb, Laura.;
    Playing with Demons: Interrogating the Supernatural in Jacobean Drama.  In: Forum for Modern Language Studies, 2007 Oct; 43 (4): pp. 337-350 (14)

  104. Kottman, Paul.;
    Macbeth and the Ghosts of Sovereignty.  In: SEDERI: yearbook of the Spanish and Portuguese Society for English Renaissance Studies, ISSN 1135-7789, No. 12, 2001 , pp. 281-300(20)

  105. Kranz, David L.;
    The Sounds of Supernatural Soliciting in Macbeth.  In: Studies in Philology, 2003 Summer; 100 (3): pp. 346-383(38)
     
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  106. Ledbury, Mark.;
    Visions of Tragedy: Jean-Francois Ducis and Jacques-Louis David.  In: Eighteenth-Century Studies, 2004 Summer; 37(4): pp. 553-580(28)

  107. Leimberg, Inge;
    Shakespeare De-Witched: A Response to Stephen Greenblatt.  In: Connotations: A Journal for Critical Debate, 2001-2002; 11 (1): pp. 60-77 (18)

  108. Leinwand, Theodore B.;
    Coniugium Interruptum in Shakespeare and Webster.  In: ELH, 2005 Spring; 72 (1): pp. 239-257(19)

  109. Lemon, Rebecca.;
    Scaffolds of Treason in Macbeth.  In:Theatre Journal, 2002 Mar; 54 (1): pp. 25-43(19)

  110. Levin, David J.;
    Opera out of Performance: Verdi's "Macbeth" at San Francisco Opera.  In: Cambridge Opera Journal, Vol. 16, No. 3, Performance Studies and Opera (Nov., 2004), pp. 249-267(19)

  111. Levin, Joanna.;
    Lady Macbeth and the Daemonologie of Hysteria.  In: ELH, 2002 Spring; 69 (1): pp. 21-55 (35)

  112. Li, Ruru.;
    'A Drum, a Drum - Macbeth doth come': When Birnam Wood moved to China.  In: Shakespeare Survey Volume 57: Macbeth and its Afterlife. Ed. Peter Holland. Cambridge University Press, 2004. pp. 169-185(17)

  113. Lindley, Arthur.;
    Scotland Saved from History: Welles's Macbeth and the Ahistoricism of Medieval Film.  In: Literature Film Quarterly, 2001; 29 (2): pp. 96-100 (5)

  114. Lindsey, Scott;
    'There's No Such Thing': Nothing and Nakedness in Polanski's Macbeth.  In: Shakespeare Survey: An Annual Survey of Shakespeare Studies and Production, 2008; 61: pp. 104-115 (12)

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