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Herman, Melville(メルヴィル)研究 1970-1980年研究論文

 「白鯨」(Moby-Dick/The Whale)で有名な作家ハーマン・メルヴィル(Herman, Melville)研究論文を紹介しています。
 ここで紹介する論文・書評は企画商品CD「アメリカ文学」の「19世紀前半:ロマン主義の作家たち」の Melville 第4集1970-1980年刊行論文集に収録しています。
 各々のタイトルリストは下記リンクからご覧できます。

 2006-2011年論文リストへ ;2001-2005年論文リストへ ;1991-2000年論文リストへ ;1981-1990年論文リストへ ;2011-2015年論文リストへ ; Moby-Dick研究(1):1991-2010年論文リストへ; Moby-Dick研究(2):1951-1990年論文リストへ

 リストの論文はすべてPDFファイルでご提供されます。

 [1970-1980年論文リスト]
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  1. Abrams, Robert. E;
    'Bartleby' and the Fragile Pattern of the Ego.  In: ELH: A Journal of English Literary History 45 (1978): pp. 488-500(13)

  2. Adler, Joyce Sparer.;
    Billy Budd and Melville's Philosophy of War [and Peace].  In: PMLA, 91(March 1976), pp. 266-278(13)

  3. Allen, Priscilla.;
    White-Jacket and the Man-of-War Microcosm.  In: American Quarterly, 1973 Mar; 25 (1): pp, 32-47(16)

  4. Andrews, William L.;
    Moby-Dick and the Legend of Mahuika.  In: American Transcendental Quarterly: A Journal of New England Writers, 1979; 42: pp. 123-127(5)

  5. Ausband, Stephen C.;
    The Whale and the Machine: An Approach to Moby-Dick.  In: American Literature, 47, no. 2(May 1975): pp. 197-211(15)

     
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  6. Barber, Patricia.;
    Herman Melville's House in Brooklyn.  In: American Literature: A Journal of Literary History, Criticism, and Bibliography, 1973 Nov; 45 (3): pp. 433-434 (2)

  7. Barber, Patricia.;
    Two New Melville Letters.  In: American Literature: A Journal of Literary History, Criticism, and Bibliography, 1977 Nov; 49 (3): pp. 418-421(4)

  8. Barbour, James.;
    The Composition of Moby-Dick.  In: American Literature, Vol. 47, No. 3(Nov., 1975), pp. 343-360(18)

  9. Barbour, James. & Howard, Leon.;
    Carlyle and the Conclusion of Moby-Dick.  In: The New England Quarterly, Vol. 49, No. 2 (Jun., 1976), pp. 214-224(11)

  10. Barnett, Louise K.;
    American Novelists and the 'Portrait of Beatrice Cenci'.  In: New England Quarterly: A Historical Review of New England Life and Letters, 1980 June; 53 (2): pp. 168-183 (16)

  11. Baym, Nina.;
    Melville's Quarrel with Fiction.  In: PMLA, 94 (1979): pp. 903-923(21)

  12. Beaver, Harold.;
    Time on the Cross: White Fiction and Black Messiahs.  In: The Yearbook of English Studies, 1978; 8: pp. 40-53(14)

  13. Beja, Morris.;
    Bartleby and Schizophrenia.  In: Massachusetts Review, 19 (1978): pp. 555-568(14)

  14. Bell, Michael Davitt.;
    Melville's Redburn: Initiation and Authority.  In: New England Quarterly: A Historical Review of England Life and Letters, 1973 Dec; 46 (4): pp. 558-5721(15)

  15. Bender, Bert.;
    Moby-Dick, an American Lyrical Novel.  In: Studies in the Novel, 1978; 10: pp. 346-356 (11)

  16. Bergmann, Johannes Dietrich.;
    Bartleby and The Lawyer's Story.  In: American Literature, 47 (1975): pp. 432-436(5)

  17. Branch, Watson G.;
    The Genesis, Composition, and Structure of The Confidence-Man.  In: Nineteenth-Century Fiction, 1973 Mar; 27 (4): pp. 424-448 (25)

  18. Breinig, Helmbrecht.;
    The Symbol of Complexity: 'I and My Chimney' and Its Significance in the Context of Melville's Later Writings.  In: Anglia: Zeitschrift für Englische Philologie, 1980; 98: pp. 51-67 (17)

  19. Brodhead, Richard H.;
    Mardi: Creating the Creative.  In: New Perspectives on Melville. Ed. Faith Pullin. Edinburgh: Edinburgh UP, 1978; Kent: Kent State UP, 1978. pp. 29-53(25)  [ Contents ]

  20. Brodwin, Stanley.;
    Herman Melville's Clarel: An Existential Gospel.  In: PMLA: Publications of the Modern Language Association of America 86.3 (1971): pp. 375-387(13)

  21. Brodwin, Stanley.;
    Melville's Clarel Continued.  In: PMLA: Publications of the Modern Language Association of America, 87.2 (1972): pp. 310-312(3)

  22. Brodwin, Stanley.;
    To the Frontiers of Eternity: Melville's Crossing in "Bartleby the Scrivener".  In: M. Thomas, Inge., Bartleby The Inscrutable: A Cllection of Commentary on Herman Melville's Tale "Bartleby the Scrivener". Archon Book, 1979. pp. 174-196(23)  [ Contents ]

  23. Burns, Graham.;
    The Unshored World of Moby-Dick.  In: Critical Review, 13(1970), p. 68-83(16)

     
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  24. Carlson, Thomas C.;
    Ishmael as Art Critic: A Double Metrical Irony in Moby-Dick.  In: Interpretations: Studies in Language and Literature, 1979; 11: pp. 52-55 (4)

  25. Carlson, Thomas C.;
    Who's Afraid of Moby-Dick? An Approach to Teaching Ishmael's Autobiography.  In: Interpretations: Studies in Language and Literature, 1973; 5: pp. 10-19 (10)

  26. Carothers, Robert L.;
    The Whale and the Panorama.  In: Nineteenth-Century Fiction, 1971 Dec; 26 (3): pp. 319-328(10)

  27. Chabot, C. Barry.;
    Couching Clio: The Nature of Biographical Understanding.  In: Diacritics: A Review of Contemporary Criticism, 1977 Spring; 7 (1): pp. 78-86 (8)

  28. Chambers, Mary P.;
    White Man, White Whale Albinism in House Made of Dawn and Moby Dick.  In: Studies in American Indian Literatures, New Series, Vol. 4, No. 4 (Autumn 1980), pp. 51-54(4)

  29. Chase, Richard.;
    A Parable of the Artist.  In: M. Thomas, Inge., Bartleby The Inscrutable: A Cllection of Commentary on Herman Melville's Tale "Bartleby the Scrivener". Archon Book, 1979. pp. 78--83(6)  [ Contents ]

  30. Clark, Marden J.;
    Blending Cadences: Rhythm and Structure in Moby-Dick.  In: Studies in the Novel 8 (1976): pp. 158-171(14)

  31. Cochran, Robert.;
    The 'Little Lower Layer': Herman Melville's Carefully Disguised Heroes.  In: Phylon: The Atlanta University Review of Race and Culture, 1979; 40 (3): pp. 217-223 (7)

  32. Coffler, Gail.;
    Melville, Dana, Allston: Analogues in Lectures on Art.  In: Melville Society Extracts, 44 (1980): pp. 1-6(6)

  33. Cook, Richard M.;
    Evolving the Inscrutable: The Grotesque in Melville's Fiction.  In: American Literature, 49(Jan. 1978), pp. 544-559(16)

  34. Cromphout, Gustaaf Van.;
    Moby-Dick: The Transformation of the Faustian Ethos.  In: American Literature, Vol. 51, no. 1(Mar., 1979), pp. 17-32(16)

  35. Cross, Richard K.;
    Moby-Dick and under the Volcano: Poetry from the Abyss.  In: Modern Fiction Studies, 20 (1974): pp. 149-156(8)

  36. Cunningham, Frank R.;
    Lindsay Anderson's O Lucky Man! and the Romantic Tradition.  In: Literature/Film Quarterly. Salisbury: Summer 1974. Vol. 2, no. 3; p. 256-261(6)

     
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  37. Deacon, A. N.;
    Moby Dick.  In: Critical Review, 1980; 22: pp. 77-88 (12)

  38. Dean, John.;
    Shakespeare's Influence on Moby-Dick or, Where There's a Will, There's a Whale.  In: Cahiers Elisabethains: Etudes sur la Pre-Renaissance et la Renaissance Anglaises, 1978; 13: pp. 41-48 (8)

  39. Deer, Harriet and Irving (Deer).;
    Pinter's "The Birthday Party": The Film and the Play.  In: South Atlantic Bulletin, Vol. 45, No. 2 (May, 1980), pp. 26-30(5)

  40. Dillingham, William B.;
    The Higher Mathematics. "I and My Chimney".  In: Melville's short fiction, 1853-1856. By William B. Dillingham. Athens : Univ. of Georgia Press, 1977. pp. 271-295(25)

  41. Dillingham, William B.;
    Melville's Long Ghost and Smollett's Count Fathom.  In: American Literature, Vol. 42, No. 2 (May, 1970), pp. 232-235(4)

  42. Donaldson, Scott.;
    Damned Dollars and a Blessed Company: Financial Imagery in Moby-Dick.  In: The New England Quarterly, Vol. 46, No. 2 (Jun., 1973), pp. 279-283(5)

  43. Dryden, Edgar A.;
    The Entangled Text: Melville's Pierre and the Problem of Reading.  In: Boundary 2: An International Journal of Literature and Culture 7.3 (1979): p. 145-174(30)

  44. Dryden, Edgar A..;
    Writer as Reader: An American Story.  In: Boundary 2: A Journal of Postmodern Literature and Culture 8.1 (1979): pp. 189-195(7)

     
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  45. Emery, Allan Moore.;
    The Alternatives of Melville's "Bartleby".  In: Nineteenth-Century Fiction, Vol. 31, No. 2 (Sep., 1976), pp. 170-187(18)

  46. Emmet, Long, Robert.;
    The Theatre of Political Moralism: Lowell, Hawthorne, and Melville.  In: Modern Poetry Studies, 1 (1970): pp. 107-124(18)

  47. Engel, Leonard.;
    Melville and the Young American Movement.  In: Connecticut review, vol: 4(1971), no. 2, pp. 91-101(11)

  48. Fabricant, Carole.;
    "Tristram Shandy" and "Moby-Dick": A Cock and Bull Story and a Tale of a Tub.  In: The Journal of Narrative Technique, Vol. 7, No. 1 (Winter, 1977), pp. 57-69(13)

  49. Felheim, Marvin.;
    Meaning and Structure.  In: M. Thomas, Inge., Bartleby The Inscrutable: A Cllection of Commentary on Herman Melville's Tale "Bartleby the Scrivener". Archon Book, 1979. p. 114-120(7)  [ Contents ]

  50. Firestone, Evan R.;
    Herman Melville's Moby-Dick and the Abstract Expressionists.  In: Arts Magazine, 54 (1980), p. 120-124(5)

  51. Fisher, Marvin.;
    Melville's 'Tartarus': The Deflowering of New England.  In: American Quarterly, 23(Spring 1971), p. 79-100(22)

  52. Foster, Elizabeth S.;
    Emerson in The Confidence-Man.  In: The confidence-man : his masquerade : an authoritative text, backgrounds and sources, reviews, criticism [and] an annotated bibliography Herman Melville ; edited by Hershel Parker New York : Norton, c1971. pp. 333-339(7)  [ Contents ]

  53. Friel, Joseph C.;
    Ustinov's Film Billy Budd, a Study in the Process of Adaption: Novel, to Play, to Film.  In: Literature/Film Quarterly, 4(1976): pp. 271-284(14)

     
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  54. Gaillard, Theodore L. Jr.;
    Melville's Riddle for Our Time: "Benito Cereno".  In: The English Journal, Vol. 61, No. 4 (Apr., 1972), pp. 479-487(9)

  55. Gamble, Richard H.;
    Reflections of the Hawthorne-Melville Relationship in Pierre.  In: American Literature: A Journal of Literary History, Criticism, and Bibliography, 1976 Jan; 47 (4): pp. 629-632 (4)

  56. Giantvalley, Scott.;
    'Precedents Are against It': An Examination of White-Jacket as a Corrective for the 'Two Moby-Dicks' Theory.  In: Studies in American Fiction, 1980; 8: pp. 165-181(17)

  57. Giddings, T. H.;
    Melville, the Colt-Adams Murder, and 'Bartleby.  In: Studies in American Fiction, 2 (1974): pp. 123-132(10)

  58. Gilbert, Arthur N.;
    Buggery and the British Navy 1700-1861.  In: Journal of Social History, 10 ( 1976): pp. 72-98(27)

  59. Giltrow, Janet.;
    Speaking out: Travel and Structure in Herman Melville's Early Narratives.  In: American Literature, 52(1980), pp. 18-32(15)

  60. Glenn, Barbara.;
    Melville and the Sublime in Moby-Dick.  In: American Literature, 48(May 1976), pp. 165-182(18)

  61. Goldman, Arnold.;
    Melville's England.  In: New Perspectives on Melville. Ed. Faith Pullin. Edinburgh: Edinburgh UP, 1978; Kent: Kent State UP, 1978. p. 68-85(18)  [ Contents ]

  62. Golemba, Henry L.;
    The Shape of Moby-Dick.  In: Studies in the Novel, 1973; 5: pp. 197-210 (14)

  63. Gollin, Rita K.;
    The Forbidden Fruit of Typee.  In: Modern Language Studies, 1975 Fall; 5 (2): pp. 31-34 (4)

  64. Gowler, Steve.:
    That Profound Silence: The Failure of Theodicy in Pierre.  In: SHR, yr: 1981 vol:15 iss:3 pp. 243 -254(12)

  65. Grenander, M. E.;
    Benzto Cereno and Legal Oppression: A Szaszian Interpretation.  In: Journal of Libertarian Studies, Vol. 2, no. 4(1978), pp. 337-342(6)

  66. Grobman, Neil R.;
    The Tall Tale Telling Events in Melville's "Moby-Dick".  In: Journal of the Folklore Institute, Vol. 12, No. 1 (1975), pp. 19-27(9)

  67. Grove, James P.;
    Melville's Vision of Death in Moby-Dick: Stepping away from the "Snug Sofa".  In: The New England Quarterly, Vol. 52, No. 2 (Jun., 1979), pp. 177-196(20)

  68. Gulliksen, Oyvind.;
    Melville's Intellectual Landscape: A Reading of Mardi.  In: American Studies in Scandinavia, 8 (No. 2, 1976) : pp. 41-53(13)

  69. Gupta, R. K.;
    Hautboy and Plinlimmon: A Reinterpretation of Melville's 'The Fiddler'.  In: American Literature: A Journal of Literary History, Criticism, and Bibliography, 1971 Nov; 43 (3): pp. 437-442 (6)

     
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  70. Haberstroth, Charles, Jr.;
    Redburn, White-Jacket, Moby-Dick: Full Circle.  In: Melville and male identity. By Charles J. Haberstroh, Jr. Rutherford, [N.J.] : Fairleigh Dickinson University Press, c1980. ISBN: 0838623212; pp. 73-103(30)

  71. Hall, Sallie J.;
    'Full Fathom Five': A Study of the Interpolated Poem in Melville's Billy Budd.  In: South Atlantic Bulletin, 42.4 (1977): pp. 139-143(5)

  72. Hands, Charles B.;
    The Comic Entrance to Moby-Dick.  In: College Literature 2(1975): pp. 182-191(10)

  73. Hauser, Helen Ann.;
    Multi-genre analysis of Melville's Pierre: the patterns almost followed. Thesis--University of Florida. 1975. 211 pp.

  74. Hauser, Helen A.;
    Spinozan Philosophy in Pierre.  In: American Literature, 49(March 1977), p. 49-56(8)

  75. Hayford, Harrison.;
    Poe in The Confidence-Man.  In: The confidence-man : his masquerade : an authoritative text, backgrounds and sources, reviews, criticism [and] an annotated bibliography Herman Melville ; edited by Hershel Parker New York : Norton, c1971. pp. 344-353(10)  
      In: [ Contents ]

  76. Hayford, Harrison.;
    Unnecessary Duplicates: A Key to the Writing of Moby-Dick.  In: New Perspectives on Melville. Ed. Faith Pullin. Edinburgh: Edinburgh UP, 1978; Kent: Kent State UP, 1978. pp. 128-161(34)  [ Contents ]

  77. Hays, Peter L., and Richard D. Rust.;
    'Something Healing': Fathers and Sons in Billy Budd.  In: Nineteenth-Century Fiction 34 (1979): pp. 326-336(11)

  78. Heath, William.;
    Melville's search for the primitive.  In: Dialectical Anthropology, Vol. 3(1978), no. 4, pp. 315-330(16)

  79. Heffernan, Thomas F.;
    Melville and Wordsworth.  In: American Literature: A Journal of Literary History, Criticism, and Bibliography 49.3 (1977): pp. 338-351(14)

  80. Herbert, T. Walter, Jr.;
    Homosexuality and Spiritual Aspiration in Moby-Dick.  In: Canadian Review of American Studies, 1975; 6: pp. 50-58(9)

  81. Hershel Parker.;
    Being Professional in Working on "Moby-Dick".  In: College Literature, Vol. 2, No. 3, Moby-Dick (Fall, 1975), pp. 192-197(6)

  82. Higgins, Brian.;
    The Flawed Grandeur of Melville's Pierre.  In: New Perspectives on Melville. Ed. Faith Pullin. Edinburgh: Edinburgh UP, 1978; Kent: Kent State UP, 1978. p. 162-196(35)  [ Contents ]

  83. Higgins, Brian.;
    Mark Winsome and Egbert: 'In the Friendly Spirit.'  In: The confidence-man : his masquerade : an authoritative text, backgrounds and sources, reviews, criticism [and] an annotated bibliography Herman Melville ; edited by Hershel Parker New York : Norton, c1971. pp. 339-343(5)

  84. Hirsch, David H.;
    Verbal Reverberations and the Problem of Reality in Moby Dick.  In: Books at Brown, 1971; 24: pp. 45-67(23)

  85. Homberger, Eric.;
    Melville, Lt Guert Gansevoort and Authority: An Essay in Biography.  In: New Perspectives on Melville. Ed. Faith Pullin. Edinburgh: Edinburgh UP, 1978; Kent: Kent State UP, 1978. pp. 255-274(20)

  86. Howard, Leon.;
    The Quest for Confidence.  In: The confidence-man : his masquerade : an authoritative text, backgrounds and sources, reviews, criticism [and] an annotated bibliography Herman Melville ; edited by Hershel Parker New York : Norton, c1971. pp. 286-298(13)

  87. Hughes, Cchrles W.;
    Man against Nature : Moby-Dick and « TheBear ».  A Dissertation in English Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy. August, 1971. 152 pp.

  88. Hunsberger, Claude.;
    Vectors in Recent "Moby-Dick" Criticism.  In: College Literature, Vol. 2, No. 3, Moby-Dick (Fall, 1975), pp. 230-245(16)

  89. Huntress, Keith.;
    Melville, Henry Cheever, and "The Lee Shore"  In: The New England Quarterly, Vol. 44, No. 3 (Sep., 1971), pp. 468-475(8)

  90. Husni, Khalii.;
    The Confidence-Man's Colourful-Colourless Masquerade: Melville's Theatre of the Absurd 'In Black and White'.  In: Studia Anglica Posnaniensia: An International Review of English Studies, 1984; 17: pp. 219-231(13)

  91. Isani, Mukhtar A.;
    Zoroastrianism and the Fire Symbolism in Moby-Dick.  In: American Literature, 44(1972), no. 3, pp. 385-397(13)

     
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  92. Johnson, Paul David.;
    American Innocence and Guilt: Black-White Destiny in 'Benito Cereno.'.  In: Phylon: The Atlanta University Review of Race and Culture 36(1975): pp. 426-434(9)

  93. Joseph, Vasanth.;
    Some Biblical Nuances in Moby-Dick.  In: Osmania Journal of English Studies, 1971; 8 (2): pp. 69-77(9)

  94. Joswick, Thomas P.;
    The 'Incurable Disorder' in 'Bartleby'.  In: Delta, VI (April 1978), pp. 79-93(15)

  95. Karcher, Carolyn L.;
    Melville's "The 'Gees": A Forgotten Satire on Scientific Racism.  In: American Quarterly, 27(Oct. 1975), pp. 421-442(22)

  96. Karcher, Carolyn L.;
    The "Spiritual Lesson" of Melville's "The Apple-Tree Table".  In: American Quarterly Vol. 23, No. 1 (1971), p. 101-109(9)

  97. Kazin, Alfred.;
    Ishmael in His Academic Heaven.  In: M. Thomas, Inge., Bartleby The Inscrutable: A Cllection of Commentary on Herman Melville's Tale "Bartleby the Scrivener". Archon Book, 1979. pp. 75-77(3)  [ Contents ]

  98. Kearns, Edward A.;
    Omniscient Ambiguity: The Narrators of Moby-Dick and Billy Budd.  In: ESQ: A Journal of the American Renaissance, 1970; 58: pp. 117-120 (4)

  99. Keyser, Elizabeth.;
    'Quite an Original': The Cosmopolitan in The Confidence-Man.  In: Texas Studies in Literature and Language, 15 ( Summer 1973), p. 279-300(22)

  100. Kirkham, E. Bruce.;
    The Iron Crown of Lombardy in Moby Dick.  In: ESQ: A Journal of the American Renaissance, 1970; 58: pp. 127-129(3)

  101. Knauf, David.;
    Notes on Mystery, Suspense, and Complicity: Lowell's Theatricalization of Melville's "Benito Cereno".  In: Educational Theatre Journal, Vol. 27, No. 1 (Mar., 1975), pp. 40-55(16)

  102. Kring, Walter D.;
    Two Discoveries concerning Herman Melville.  In: Proceedings of the Massachusetts Historical Society, 1975; 87: pp. 136-141(6)

     
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  103. Leary, Lewis.;
    B Is for Bartleby.  In: M. Thomas, Inge., Bartleby The Inscrutable: A Cllection of Commentary on Herman Melville's Tale "Bartleby the Scrivener". Archon Book, 1979. pp. 13-27(15)  [ Contents ]

  104. Leavis, Q.D.;
    Melville: The 1853-6 Phase.  In: New Perspectives on Melville. Ed. Faith Pullin. Edinburgh: Edinburgh UP, 1978; Kent: Kent State UP, 1978. p. 197-228(32)

  105. Lee, A. Robert.;
    Moby-Dick: The Tale and the Telling.  In: New Perspectives on Melville. Ed. Faith Pullin. Edinburgh: Edinburgh UP, 1978; Kent: Kent State UP, 1978. p. 86-127(42)

  106. Lee, Grace Farrell.;
    Pym and Moby-Dick: Essential Connections.  In: American Transcendental Quarterly: A Journal of New England Writers, 1978; 37: pp. 73-86 (14)

  107. Leonard, David Charles.;
    Descartes, Melville, and the Mardian Vortex.  In: South Atlantic Bulletin, 45.2 (1980): pp. 13-25(13)

  108. Leonard David Charles.;
    The Cartesian Vortex in Moby-Dick.  In: American Literature, Vol. 51, no. 1(Mar., 1979), pp. 105-110(5)

  109. Levy, Harris.;
    The Iowa Theater Lab's "Moby Dick".  In: The Drama Review: TDR, Vol. 19, No. 3, Expressionism Issue (Sep., 1975), pp. 63-67(5)

  110. Lewis, Florence.;
    Mostly Melville.  In: The North American Review, Vol. 263, No. 2 (Summer, 1978), pp. 68-72(5)

  111. Lonoff, Sue.;
    Reluctant Readers and a Controversial Classic: Teaching "Benito Cereno".  In: College English, Vol. 41, No. 1 (Sep., 1979), pp. 88-93(6)

  112. Loving, Jerome M.;
    Melville's Pardonable Sin.  In: New England Quarterly: A Historical Review of New England Life and Letters, 1974 June; 47 (2): pp. 262-178(17)

     
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  113. Manlove, C. N..;
    An Organic Hesitancy: Theme and Style in Billy Budd.  In: New Perspectives on Melville. Edinburgh: Edinburgh UP, 1978. pp. 275-300(26)

  114. Marcus, Mordecai.;
    Melville's Bartleby as Psychological Double.  In: M. Thomas, Inge., Bartleby The Inscrutable: A Cllection of Commentary on Herman Melville's Tale "Bartleby the Scrivener". Archon Book, 1979. p. 107-113(7)  [ Contents ]

  115. Marx, Leo.;
    Melville's Parble of the Walls.  In: M. Thomas, Inge., Bartleby The Inscrutable: A Cllection of Commentary on Herman Melville's Tale "Bartleby the Scrivener". Archon Book, 1979. pp. 84-106(23)

  116. Marx, Leo.;
    'Noble Shit': The Uncivil Response of American Writers to Civil Religion in America.  In: Massachusetts Review: A Quarterly of Literature, the Arts and Public Affairs, 1973; 14: pp. 709-739(31)

  117. McHaney, Thomas L.;
    The Confidence-Man and Satan's Disguises in Paradise Lost.  In: Nineteenth-Century Fiction, 1975 Sept; 30 (2): pp. 200-206(7)

  118. McIntosh, James.;
    Melville's Use and Abuse of Goethe: The Weaver-Gods in Faust and Moby-Dick.  In: Amerikastudien/American Studies, 1980; 25 (2): pp. 158-173 (16)

  119. McWilliams, John P., Jr.;
    'Drum-Taps' and Battle-Pieces: The Blossom of War.  In: American Quarterly 23.2 (1971): 181-201(21)

  120. Monteiro, George.;
    Poetry and Madness: Melville's Rediscovery of CamaμEs in 1867.  In: New England Quarterly: A Historical Review of New England Life and Letters 51.4 (1978): p. 561-565(5)

  121. Mottram, Eric.;
    Orpheus and Measured Forms: Law, Madness and Reticence in Melville.  In: New Perspectives on Melville. Ed. Faith Pullin. Edinburgh: Edinburgh UP, 1978; Kent: Kent State UP, 1978. pp. 229-254(26)

  122. Moynihan, Robert D.;
    Irony in Moby-Dick.  In: Essays in Arts and Sciences, 1977; 6 (2): pp. 55-67 (13)

  123. Munford, Lewis.;
    Melville's Miserable Year.  In: M. Thomas, Inge., Bartleby The Inscrutable: A Cllection of Commentary on Herman Melville's Tale "Bartleby the Scrivener". Archon Book, 1979. pp .57-60(4)

  124. Murray, Henry A.;
    Bartleby and I.  In: M. Thomas, Inge., Bartleby The Inscrutable: A Cllection of Commentary on Herman Melville's Tale "Bartleby the Scrivener". Archon Book, 1979. pp. 121-142(22)

  125. Myerson, Joel.;
    Comstock's White Whale and Moby-Dick.  In: American Transcendental Quarterly: A Journal of New England Writers, 1976; 29: pp. 8-27 (20)

     
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  126. Naremore, James.;
    John Huston and The Maltese Falcon.  In: Literature/Film Quarterly. Salisbury: Summer 1973. Vol. 1, no. 3; pp. 239-249(11)

  127. Nechas, James W.;
    Ambiguity of Word and Whale: The Negative Affix in "Moby-Dick".  In: College Literature, Vol. 2, No. 3, Moby-Dick (Fall, 1975), pp. 198-225(28)

  128. Norman, Liane.;
    Bartleby and the Reader.  In: New England Quarterly: A Historical Review of New England Life and Letters, 1971 Mar; 44 (1): pp. 22-39 (18)

  129. Norris, William.;
    Abbott Lawrence in the Confidence Man: American success or American Failure?.  In: American Studies, Vol. 17, No. 1: Spring 1976, pp. 25-38(14)

  130. Oliver, Egbert S.;
    A Second Look at "Bartleby".  In: M. Thomas, Inge., Bartleby The Inscrutable: A Cllection of Commentary on Herman Melville's Tale "Bartleby the Scrivener". Archon Book, 1979. pp. 61-74(14)  [ Contents ]

  131. Omans, Stuart E.;
    The Variations on a Masked Leader: A Study on the Literary Relationship of Ralph Ellison and Herman Melville.  In: South Atlantic Bulletin, 40 (May 1975), pp. 15-23(9)

     
    [A] [B] [C] [D] [E/F] [G] [H/I] [J/K] [L] [M] [N/O] [P] [Q/R] [S] [T-]

  132. Packard, Hyland.;
    Mardi: The Role of Hyperbole in Melville's Search for Expression.  In: American Literature, 49(May 1977), pp. 241-253(13)

  133. Parker, Hershel,;
    A Reexamination of Melville's Reviewers.  In: American Literature: A Journal of Literary History, Criticism, and Bibliography 42.2 (1970): p. 226-232(7)

  134. Parker, Hershel.;
    'Benito Cereno' and Cloister-Life: A Re-Scrutiny of a 'Source'.  In: Studies in Short Fiction 9 (1972): p. 221-232(12)

  135. Parker, Hershel.;
    Being Professional in Working on "Moby-Dick".  In: College Literature, Vol. 2, No. 3, Moby-Dick (Fall, 1975), pp. 192-197(6)

  136. Parker, Hershel,;
    Five Reviews Not in Moby-Dick as Doubloon.  In: English Language Notes, 9 (1972): pp. 182-185(4)

  137. Parker, Hershel.;
    Melville's Satire of Emerson and Thoreau: An Evaluation of the Evidence.  In: American Transcendental Quarterly 7 (Summer 1970): p. 61-67(7)

  138. Parker, Hershel.;
    Practical Editions: Herman Melville's Moby-Dick.  In: Proof: Yearbook of American Bibliographical and Textual Studies, 1973; 3: pp. 371-378 (8)

  139. Parker, Hershel,;
    'The Confidence-Man and the Use of Evidence in Compositional Studies: A Rejoinder.  In: Nineteenth-Century Fiction, 28 (June 1973): pp. 119-124(6)

  140. Parker, Hershel.;
    The Metaphysics of Indian-hating.  In: The confidence-man : his masquerade : an authoritative text, backgrounds and sources, reviews, criticism [and] an annotated bibliography Herman Melville ; edited by Hershel Parker New York : Norton, c1971. pp. 323-331(9)

  141. Parker, Hershel.;
    The "Sequel" in "Bartleby".  In: M. Thomas, Inge., Bartleby The Inscrutable: A Cllection of Commentary on Herman Melville's Tale "Bartleby the Scrivener". Archon Book, 1979. pp. 159-165(7)

  142. Parker, Hershel,;
    Three Melville Reviews in the London Weekly Chronicle.  In: American Literature: A Journal of Literary History, Criticism, and Bibliography 41.4 (1970): pp. 584-589(6)

  143. Parker, Hershel,;
    Why Pierre Went Wrong.  In: Studies in the Novel 8 (1976): pp. 7-23(17)

  144. Parker, Hershel, and Henry Binder.;
    Exigencies of Composition and Publication: Billy Budd, Sailor and Pudd'nhead Wilson.  In: Nineteenth-Century Fiction, 33 (1978): pp. 131-143(13)

  145. Patrick, Walton R.;
    Melville's "Bartleby" and the Doctrine of Necessity.  In: M. Thomas, Inge., Bartleby The Inscrutable: A Cllection of Commentary on Herman Melville's Tale "Bartleby the Scrivener". Archon Book, 1979. p. 143-158(16)  [ Contents ]

  146. Peterson, Audrey C.;
    Brain Fever in Nineteenth-Century Literature: Fact and Fiction.  In: Victorian Studies: A Journal of the Humanities, Arts and Sciences, 1976; 19: pp. 445-464 (20)

  147. Pinsker, Sanford.;
    'Bartleby the Scrivener': Language as Wall.  In: College Literature 2 (1975), no. 2: pp. 17-27(11)

  148. Pollin, Burton R.;
    Additional Unrecorded Reviews of Melville's Books.  In: Journal of American Studies, 1975; 9: pp. 55-68(14)

  149. Pops, Martin L.;
    Melville: To Him, Olson.  In: boundary 2, Vol. 2, No. 1/2, Charles Olson: Essays, Reminiscences, Reviews (Autumn, 1973 - Winter, 1974), pp. 55-84(30)

  150. Pullin, Faith.;
    Melville's Typee : The Failure of Eden.  In: New Perspectives on Melville. Ed. Faith Pullin. Edinburgh: Edinburgh UP, 1978; Kent: Kent State UP, 1978. pp. 1-28(28)  [ Contents ]

     
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  151. Quirk, Tom.;
    Saint Paul's Types of the Faithful and Melville's Confidence Man.  In: Nineteenth-Century Fiction, 1974 Mar; 28 (4): pp. 472-477 (6)

  152. Ramsey, William M.;
    Melville's and Barnum's Man with a Weed.  In: American Literature, 51(March 1979), pp. 101-104(4)

  153. Ramsey, William M.;
    The Moot Points of Melville's Indian-Hating.  In: American Literature, 52(May 1980), p. 224-235(12)

  154. Redekop, Ernest H.;
    Hoodwinking the World: Two Views of Melville's Piazza Tales.  In: Canadian Review of American Studies, Vol. 10(1979), no. 2, pp. 175-194(20)

  155. Reynolds, Larry J.;
    Anti-Democratic Emphasis in White-Jacket.  In: American Literature, 48(March 1976), p. 13-28(16)

  156. Reynolds, Larry J.;
    Kings and Commoners in Moby-Dick.  In: Studies in the Novel, 1980 Summer; 12 (2): pp. 101-113(13)

  157. Reynolds, Michael S.;
    The Prototype for Melville's Confidence-Man.  In: PMLA, 86(Oct. 1971), p. 1009-1013(5)

  158. Ricci, Mario.; Caroli, Betty.;
    Moby Dick.  In: The Drama Review: TDR, Vol. 16, No. 3, The "Puppet" Issue (Sep., 1972), pp. 78-93(16)

  159. Rice, Julian C.;
    Male Sexuality in Moby-Dick.  In: American Transcendental Quarterly: A Journal of New England Writers, 1978; 39: pp. 237-244(8)

  160. Rice, Julian C.;
    Moby-Dick and Shakespearean Tragedy.  In: Centennial Review, 1970; 14: pp. 444-168 (25)

  161. Rice, Julian C.;
    The Ship as Cosmic Symbol in Moby Dick and Benito Cereno.  In: Centennial Review, 1972; 16: pp. 138-154 (16)

  162. Rosenberry, Edward H.;
    "Moby-Dick": Epic Romance.  In: College Literature, Vol. 2, No. 3, Moby-Dick (Fall, 1975), pp. 155-170(16)

  163. Rose, Edward J.;
    Annihilation and Ambiguity: Moby-Dick and 'The Town-Ho's Story.'  In: New England Quarterly 45.4(December 1972): pp. 541-558(18)

  164. Ross, Morton.L.;
    Moby-Dick as an Education.  In: Studies in the Novel, 6 (Spring 1974), p. 62-75(14)

  165. Rothschild, Herbert,Jr.;
    The Language of Mesmerism in 'The Quarterdeck' Scene in Moby Dick.  In: English Studies: A Journal of English Language and Literature, 1972; 53: no. 3, pp. 235-238 (4)

  166. Rowland, Beryl.;
    Grace Church and Melville's Story of 'The Two Temples'.  In: Nineteenth-Century Fiction, 1973 Dec; 28 (3): pp. 339-346(8)

  167. Rowland, Beryl.;
    Sitting Up with a Corpse: Malthus According to Melville in 'Poor Man's Pudding and Rich Man's Crumbs'.  In: Journal of American Studies, 1972; 6: pp. 69-83 (15)

     
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  168. Sachs, Viola.;
    The Gnosis of Hawthorne and Melville: An Interpretation of the Scarlet Letter and Moby-Dick.  In: American Quarterly, Vol. 32, No. 2 (Summer, 1980), pp. 123-143(21)

  169. Samson, Joan P.;
    The Ambiguity of Ambergris in "Moby-Dick".  In: College Literature, Vol. 2, No. 3, Moby-Dick (Fall, 1975), pp. 226-228(3)

  170. Sattelmeyer, Robert.;
    A Possible Source and Model for 'The Story of China Aster' in Melville's The Confidence-Man.  In: American Literature: A Journal of Literary History, Criticism, and Bibliography, 1977 Jan; 48 (4): pp. 577-583 (7)

  171. Sattelmeyer, Robert.;
    The Sources and Genesis of Melville's 'Norfolk Isle and the Chola Widow'.  In: American Literature: A Journal of Literary History, Criticism, and Bibliography, 1978 Nov; 50 (3): pp. 398-417 (20)

  172. Sattelmeyer, Robert.;
    Thoreau and Melville's Typee.  In: American Literature, 52(Nov. 1980), p. 462-474(13)

  173. Schaa, John H.;
    Melville's Benito Cereno.  In: Theory and Society, Vol. 7(1972), no. 3, pp. 417-452(36)

  174. Scholnick, Ro Short, Bryan C.;
    Form as Vision in Herman Melville's Clarel.  In: American Literature: A Journal of Literary History, Criticism, and Bibliography 50.4 (1979): pp. 553-569(17)

  175. Scholnick, Robert J.;
    Politics and Poetics: The Reception of Melville's Battle-Pieces and Aspects of the War.  In: American Literature: A Journal of Literary History, Criticism, and Bibliography, 49.3 (1977): pp. 422-430(9)

  176. Scorza, Thomas J.;
    Technology, Philosophy and Political Virtue: The Case of Billy Budd, Sailor.  In: Interpretation: Journal of Political Philosophy, 1975; 5 (1): pp. 91-107 (17)

  177. Scorza, Thomas J.;
    Tragedy in the State of Nature: Melville's Typee.  In: Interpretation: Journal of Political Philosophy, 1979; 8 (1): pp. 103-120(18)

  178. Scouten, Arthur H.;
    The Derelict Slave Ship in Melville's Benito Cereno and Defoe's Captain Singleton.  In: Colby Library Quarterly, series 12, no.3, September 1976, pp.122-125(4)

  179. Sealts, Merton M.;
    Melville and Richard Henry Stoddard.  In: American Literature: A Journal of Literary History, Criticism, and Bibliography 43.3 (1971): p. 359-370(12)

  180. Shroeder, John W,;
    Sources and Symbols for Melville's Confidence-Man.  In: The confidence-man : his masquerade : an authoritative text, backgrounds and sources, reviews, criticism [and] an annotated bibliography Herman Melville ; edited by Hershel Parker New York : Norton, c1971. pp. 298-316(19)  [ Contents ]

  181. Stafford, William T.;
    A Whale, an Heiress, and a Southern Demigod: Three Symbolic Americas.  In: College Literature, 1974; 1: pp. 100-112(13)

  182. Stanonik, Janez.;
    The Sermon to the Sharks in Moby Dick.  In: Acta Neophilologica, 1971; 4: pp. 53-60 (8)

  183. Stark, John.;
    Melville, Lemuel Shaw, and "Bartleby".  In: M. Thomas, Inge., Bartleby The Inscrutable: A Cllection of Commentary on Herman Melville's Tale "Bartleby the Scrivener". Archon Book, 1979. p. 166-173(8)  [ Contents ]

  184. Stark, John.;
    'The Cassock' Chapter in Moby-Dick and the Theme of Literary Creativity.  In: Studies in American Fiction, 1973; 1: pp. 105-111(7)

  185. Stempel, Daniel and Bruce M. Stillians.;
    'Bartleby the Scrivener': A Parable of Pessimism.  In: Nineteenth-Century Fiction, XXVII (December 1972), pp. 268-282(15)

  186. Sten, Christopher W.;
    Vere's Use of the 'Forms': Means and Ends in Billy Budd.  In: American Literature 47 (1975): pp. 37-51(15)

  187. Stone, Albert E.;
    A New Version of American Innocence: Robert Lowell's Benito Cereno.  In: The New England Quarterly, Vol. 45, No. 4 (Dec., 1972), pp. 467-483(17)

  188. Stone, Edward.;
    Ahab Gets Girl, or Herman Melville Goes to the Movies.  In: Literature/Film Quarterly. Salisbury: Spring 1975. Vol. 3, no. 2; p. 172 -181(10)

  189. Stone, Edward.;
    The Buried Book: Moby-Dick.  In: Studies in the Novel, 1975; 7: pp. 552-562 (11)

  190. Stone, Edward.;
    The Function of the Gams in "Moby-Dick".  In: College Literature, Vol. 2, No. 3, Moby-Dick (Fall, 1975), pp. 171-181(11)

  191. Stone, Edward.;
    The Other Sermon in Moby-Dick.  In: Costerus: Essays in English and American Language and Literature, 1972; 4: pp. 215-222(8)

  192. Strickland, Carol Colclough.;
    Coherence and Ambiv- alence in Melville'sPierre.  In: American Literature 48 (1976): pp. 302-311(10)

  193. Sweeney, Gerard M.;
    Melville's Hawthornian Bell-Tower: A Fairy-Tale Source.  In: American Literature, Vol. 45, No. 2 (May, 1973), pp. 279-285(7)

     
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  194. Tichi, Cecelia.;
    Melville's Craft and Theme of Language Debased in The Confidence-Man.  In: ELH: A Journal of English Literary History, 39(Dec. 1972), pp. 639-658(20)

  195. Tichi, Cecelia.;
    Melville's Craft and Theme of Language Debased in The Confidence-Man.  In: ELH: A Journal of English Literary History, 39(Dec. 1972), pp. 639-658(20)

  196. Trimpi, Helen P.;
    Conventions of Romance in Moby-Dick.  In: Southern Review, 1971; 7: pp. 115-129 (15)

  197. Wadlington, Warwick.;
    Ishmael's Godly Gamesomeness: Selftaste and Rhetoric in Moby-Dick.  In: ELH: A Journal of English Literary History, 39(June 1972), p. 309-331(23)

  198. Waggoner, Hyatt H.;
    Hawthorne and Melville Against the Reader With Their Abode.  In: Studies In The Novel 2.4(1970): pp. 420-424(5)

  199. Waggoner, Hyatt H.;
    Hawthorne's Presence in Moby-Dick and in Melville's Tales and Sketches.  In: Nathaniel Hawthorne Journal, 1977; pp. 73-79 (7)

  200. Wallace, Louis J., Robert K.;
    Billy Budd and the Haymarket Hangings.  In: American Literature 47 (1975): pp 108-113(6)

  201. Watson, Charles N., Jr.;
    The Estrangement of Hawthorne and Melville.  In: New England Quarterly, 46 (1973), p. 380-402(23)

  202. Watson, Charles N., Jr.;
    Melville and the Theme of Timonism: From Pierre to The Confidence-Man.  In: American Literature 44 (1972): pp. 398-413(16)

  203. Watson, Charles N., Jr.;
    A New Life of Melville.  In: New England Quarterly: A Historical Review of New England Life and Letters, 1976; 49 (4): pp. 627-633(7)

  204. Welsh, Howard.;
    The Politics of Race in "Benito Cereno".  In: American Literature, Vol. 46, No. 4 (Jan., 1975), pp. 556-566(11)

  205. Werge, Thomas.;
    Dante's Ulysses and Ahab's Voyage: The Angelic Imagination in the Literal World.  In: Notre Dame English Journal: A Journal of Religion in Literature, 1980; 12: pp. 141-174 (34)

  206. Whitburn, Merrill D.;
    Moby-Dick and the Sublime.  In: Comparatist: Journal of the Southern Comparative Literature Association, 1979; 3: pp. 32-39(8)

  207. Willett, Maurita.;
    The Silences of Herman Melville.  In: American Transcendental Quarterly, yr:1970 vol:7 pp. 85 -92(8)

  208. Wolf, Jack C.;
    The Two-Faced Whale: Naming as Misdirection in Moby-Dick.  In: Literary Onomastics Studies, 1980; 7: pp. 111-126(16)

  209. Ziff,. Larzer,
    Shakespear and Melville's America.  In: New Perspectives on Melville. Ed. Faith Pullin. Edinburgh: Edinburgh UP, 1978; Kent: Kent State UP, 1978. p. 54-67(14)  [ Contents ]

  210. Reviews of The Piazza Tales.  In: Bartleby the Inscrutable: A Collection of Commentary on Herman Melville's Tale "Bartleby the Scrivener." A Collection of Commentary on Herman Melville's Tale "Bartleby the Scrivener." Ed. M. Thomas Inge. Hamden, CT: Archon Books, 1979. pp. 32-53(22)


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