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Othello_article01

Shakespeare's "Othello" 研究論文(1) : 2001-2011

　　シェイクスピアの悲劇「オセロ(Othello)」の2001-2011年に刊行された研究論文を紹介しています。
　ここで紹介する論文は企画商品CD「イギリス文学研究論文選」の「シェイクスピアの作品研究論文」の項 Othello(1): 2001-2011年刊行論文集に収録しています。

　他の時期やテーマの論文は次のリンクを参照して下さい。
　　Hamlet(1):2006-2011； Hamlet (2):2001-2005；
　　King Lear(1):2001-2011；
　　Macbeth(1):2001-2011；

　リストの論文はすべてPDFファイルでご提供されます。

　[2001-2011年論文リスト]

　下記の著者別索引をご利用下さい。個別の論文の御用命はページトップの「お問い合わせ」フォームかもしくはcustomer@articles-club.comへご連絡をお願いします。　

     
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  1. Abrahams, E.;
    "I nothing know": Emilia's Rhetoric of Self-Resistance in Othello.  In: SEDERI, 14 (2004): pp. 179-188(10)

  2. Albanese, Denise.;
    Black and White, and Dread All Over: The Shakespeare Theatre's 'Photonegative' Othello- and the Body of Desdemona.  In: Orlin, Lena Cowen (ed. and introd.) New Casebooks: Othello. Basingstoke, England: Palgrave Macmillan; 2004. ix, 269 pp. ISBN: 9780333633571; pp. 220-249(30)

  3. Aldama, Frederick Luis.;
    Race, Cognition, and Emotion: Shakespeare on Film.  In: College Literature, 2006 Winter; 33 (1): pp. 197-213 (17)

  4. Andrea, Bernadette.;
    Assimilation or Dissimulation?: Leo Africanus's "Geographical Historie of Africa" and the Parable of Amphibia.  In: ARIEL: A Review of International English Literature, vol. 32, no.3, July 2001, pp. 7-29(23)

  5. Arkin, Marc M.;
    The Federalist Trope: Power and Passion in Abolitionist Rhetoric.  In: The Journal of American History, Vol. 88, No. 1 (Jun., 2001), pp. 75-98(24)

  6. Armstrong, Andrew.;
    It's in the Blood! Othello and his Descendants: Reading the Spatialization of Race in Caryl Phillips' The Nature of Blood.  In: Shibboleths: a Journal of Comparative Theory 2.2. (2008): pp. 118-132(14)
     
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  7. Bartels, Emily C.;
    Othello on Trial.  In: Orlin, Lena Cowen (ed. and introd.) New Casebooks: Othello. Basingstoke, England: Palgrave Macmillan; 2004. ix, 269 pp. ISBN: 9780333633571; pp. 148-170(23)

  8. Bassi, Shaul.;
    The Moor(lacco) of Genoa: Ethnicity and Loyalty in an Illyrian Othello.  In: Litteraria Pragensia, 12, no. 23 (2002): pp. 113-129(17)

  9. Baumbach, Sibylle.;
    'Facing' Shakespeare's Narratives and Ovid's Ars Amatoria.  In: Wissenschaftliches Seminar Online, 2005; 3: pp. 2-15(14)

  10. Bell, Millicent.;
    Introduction: Hamlet, Othello, King Lear, and Macbeth.  In: Shakespeare's Tragic Skepticism. By Millicent Bell. Yale University Press, New Haven and London, 2002. ISBN 0-3--09255-5; pp. 1-28(28)

  11. Bell, Millicent.;
    Shakespeare's Moor.  In: Raritan: A Quarterly Review, 2002 Spring; 21 (4): pp. 1-14(14)

  12. Benson, Sean.;
    'If I Do Prove Her Haggard': Shakespeare's Application of Hawking Tropes to Marriage.  In: Studies in Philology, 2006 Spring; 103 (2): pp. 186-207(22)

  13. Berger, Harry, Jr.;
    Acts of Silence, Acts of Speech: How to Do Things with Othello and Desdemona.  In: Renaissance Drama, 2004; 33: pp. 3-35(33)

  14. Berger, Harry, Jr.;
    Impertinent Trifling: Desdemona's Handkerchief.  In: Orlin, Lena Cowen (ed. and introd.) New Casebooks: Othello. Basingstoke, England: Palgrave Macmillan; 2004. ix, 269 pp. ISBN: 9780333633571; pp. 103-124(22)

  15. Bethell, S. L.;
    Shakespeare's Imagery: The Diabolic Images in Othello.  In: Shakespeare Survey Online c Cambridge University Press, 2007, pp. 62-80(19)

  16. Bharucha, Rustom.;
    Foreign Asia/Foreign Shakespeare: Dissenting Notes on New Asian Interculturality, Postcoloniality, and Recolonization.  In: Theatre Journal, 2004 Mar; 56 (1): pp. 1-28 (28)

  17. Bhatia, Nandi.;
    Different Othello(s) and Contentious Spectators: Changing Responses in India.  In: Gramma/Γράμμα Journal of Theory and Criticism - Περιοδικó 2009, pp. 155-174(20)

  18. Bonnell, Andrew G.;
    Shylock and Othello under the Nazis.  In: German Life and Letters, April 2010, vol. 63, no. 2, pp. 166-178(13)

  19. Boose, Lynda E.;
    'Let It Be Hid': The Pornographic Aesthetic of Shakespeare's Othello.  In: Orlin, Lena Cowen (ed. and introd.) New Casebooks: Othello. Basingstoke, England: Palgrave Macmillan; 2004. ix, 269 pp. ISBN: 9780333633571; pp. 22-48(27)

  20. Borrelli, Nicola.;
    Mental Illness and Sexual Deviations in Shakespeare's Othello: A Freudian Perspective on the Cast Study of Iago.  In: Textus: English Studies in Italy, 2007 Sept-Dec; 20 (3): pp. 633-657 (25)

  21. Briggs, John Channing.;
    The Problem of Inartificial Proof: Othello Peers into Bacon's Universe.  In: Ben Jonson Journal: Literary Contexts in the Age of Elizabeth, James and Charles, 2003; 10: pp. 161-177 (17)

  22. Bristol, Michael D.;
    Charivari and the Comedy of Abjection in Othello.  In: Orlin, Lena Cowen (ed. and introd.) New Casebooks: Othello. Basingstoke, England: Palgrave Macmillan; 2004. ix, 269 pp. ISBN: 9780333633571; pp. 78-102(25)

  23. Britton, Dennis Austin.;
    Re-'turning' Othello: Transformative and Restorative Romance.  In: ELH, 2011 Spring; 78 (1): pp. 27-50 (24)

  24. Brown, Eric C.;
    Cinema in the Round: Self-Reflexivity in Tim Blake Nelson's O.  In: Keller, James R. (ed. and introd.); Stratyner, Leslie (ed. and introd.) Almost Shakespeare: Reinventing His Works for Cinema and Television. Jefferson, NC: McFarland; 2004. vi, 197 pp. ISBN: 9780786419098; pp. 73-85(13)

  25. Brown, Ted.;
    'And That's True Too': The Importance of Intellectual Flexibility in Othello and King Lear.  In: CEA Critic: An Official Journal of the College English Association, 2008 Spring-Summer; 70 (3): pp. 35-45(11)

  26. Brydon, Diana.;
    George Elliott Clarke's Othello.  In: Canadian Literature, 2004 Autumn; 182: pp. 188-194(7)

  27. Burnett, Mark Thornton.;
    Madagascan Will: Cinematic Shakespeares/Transnational Exchanges.  In: Shakespeare Survey: An Annual Survey of Shakespeare Studies and Production, 2008; 61: pp. 239-255(17)

  28. Burt, Richard.;
    Slammin' Shakespeare in Acc(id)ents Yet Unknown: Liveness, Cinem(edi)a, and Racial Dis-Integration.  In: Shakespeare Quarterly, Vol. 53, No. 2, Screen Shakespeare (Summer, 2002), pp. 201-226(26)
     
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  29. Calbi, Maurizio.;
    The Ghost of Strangers: Hospitality, Identity and Temporality in Caryl Phillips's "The Nature of Blood".  In: Journal for Early Modern Cultural Studies Vol. 6, No. 2, Postcolonial Revisions of the Early Modern (Fall - Winter, 2006), pp. 38-54(17)

  30. Calbi, Maurizio.;
    Thresholds of Hospitality: Othello and the 'Question of the Foreigner'.  In: Grove: Working Papers on English Studies, 2006; 13: pp. 29-41 (13)

  31. Callaghan, Dympna.;
    Looking Well to Linens: Women and Cultural Production in Othello and Shakespeare's England.  In: Howard, Jean E. (ed. and introd.); Shershow, Scott Cutler (ed. and introd.); Hawkes, Terence (preface) Marxist Shakespeares. London, England: Routledge; 2001. xii, 304 pp. ISBN: 9780415202343; (pbk.); 9780415202336; (hbk.); pp. 53-81(29)

  32. Cannan, Paul D.;
    A Short View of Tragedy and Rhymer's Proposals for Regulating the English Stage.  In: Review of English Studies 52(2001): pp. 207-226(20)

  33. Carlson, Andrew.;
    Oteller and Desdemonum.  In: Theatre History Studies. Pleasant Hill: 2010. Vol. 30; p. 176-186 (11)

  34. Cheesman, Tom.;
    Shakespeare and Othello in Filthy Hell: Zaimoglu and Senkel's Politico-Religious Tradaptation.  In: Forum for Modern Language Studies, 2010 Apr; 46 (2): pp. 207-220(14)

  35. Chiljan, Katherine.;
    Shakespeare Suppressed:The Uncensored Truth About Shakespeare and His WorksA Book of Evidence and Explanationby.  In: Brief Chronicles Vol. III (2011), pp. 235-293(59)

  36. Clegg, Cyndia Susan.;
    Othello's Tragedy and Uncommon Law.  In: Ben Jonson Journal: Literary Contexts in the Age of Elizabeth, James and Charles, 2009 May; 16 (1-2): pp. 216-247(32)

  37. Cohen, S.;
    I Am What I Am Not: Identifying with the Other in Othello.  In: Shakespeare Survey. Cambridge: 2011, vol. 64, pp. 163-179(17)

  38. Collington, Philip D.;
    Othello the Traveller.  In: Early Theatre: A Journal Associated with the Records of Early English Drama, 2005 Dec; 8 (2): pp. 73-100 (28)

  39. Comensoli Viviana.;
    Identifying Othello: Race and the Colonial (non)Subject.  In: Early Theatre, Volume 7, issue 2, 2004, pp. 90-96(7)

  40. Comensoli Viviana, Theodora Jankowski, Bryan Reynolds.;
    Subjectivity, Theory and Early Modern Drama.  In: Early Theatre: A Journal Associated with the Records of Early English Drama, 2004; 7 (2): pp. 87-119(33)

  41. Criniti, Steve.;
    Othello: A Hawk among Birds.  In: Literature Film Quarterly, 2004; 32 (2): pp. 115-121(7)

  42. Cslbi, Maurizio.;
    Civil Monsters: race, eroticism and the body in early modern literature and culture.  In: SEDERI, 13 (2003): pp. 11-21(11)

  43. Cummins, P.D.;
    Shakespeare and Madness. A Paper presented to The Judicial Conference of Australia Melbourne Colloquium11 October 2009. 24 pp.
     
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  44. Daileader, Celia R.;
    Introduction. Othellophilia.  In: Racism, Misogyny, and the Othello Myth. Inter-racial Couples from Shakespeare to Spike Lee. Cambridge University Press, 2005. ISBN-13: 9780521848787; ISBN-10: 0521848784; pp. 1-10(10)

  45. Dauber, Antoinette B.;
    Allegory and Irony in 'Othello'.  In: Shakespeare Survey Online c Cambridge University Press, 2007, pp. 123-133(11)

  46. Demeter, J.;
    Pearls in Beauteous Ladies' Eyes: Shakespeare, Race, and Riots in the American Metropolis.  In: Journal of Narrative Theory, 2011, vol. 41, no. 3, pp. 378-400(23)

  47. Demeter, Jason M.;
    This is a Theatre of Assault: Amiri Baraka's Dutchman and a Civil Rights Othello.  In: Journal Demeter, 2011, pp. 79-97(19)

  48. Desmet, Christy.;
    Confession; or, the Blind Heart: An Antebellum Othello.  In: Borrowers and Lenders: The Journal of Shakespeare and Appropriation, 2005 Spring; 1 (1): [no pagination]. 24 pp.

  49. Dickinson, Peter.;
    Duets, Duologues and Black Diasporic Theatre: Djanet Sears, William Shakespeare and Others.  In: Modern Drama, 2002 Summer; 45 (2): pp. 188-208(21)

  50. DiSanto, Michael John.;
    Nothing If Not Critical: Stanley Cavell's Skepticism and Shakespeare's Othello.  In: Dalhousie Review, 2001 Autumn; 81 (3): pp. 359-382 (24)

  51. Djordjevic, Igor.;
    Goodnight Desdemona (Good Morning Juliet): From Shakespearean Tragedy to Postmodern Satyr Play.  In: Comparative Drama, 2003 Spring; 37 (1): pp. 89-115(27)

  52. Djundjung, Jenny M.;
    Iago and the Ambiguity of His Motives in Shakespeare's Othello.  In: k@ ta, vol. 4, no. 1, June 2002: pp. 1-11(11)

  53. Dolan, Frances E.;
    Shakespeare and Marriage: An Open Question.  In: Literature Compass, 8/9 (2011): pp. 620-634(15)

  54. Drabek, Pavel.;
    There's Magicke in the web of it: The occult dimension of Shakespeare's Othello.  In: Theory and Practice in English Studies 4 (2005): Proceedings from the Eighth Conference of British, American and Canadian Studies. Brno: Masarykova univerzita. Pp. 43-50(8)

  55. Drakakis, John.;
    Jews, bastards, and black rams (and women): representations of 'otherness' in Shakespearean texts.  In: SEDERI 13 (2003): pp. 55-75(21)

  56. Draudt, Manfred.;
    The Real Thing? Adaptations, Transformations and Burlesques of Shakespeare, Historic and Post-Modern.  In: Ilha do Desterro Florianopolis no 49, jul./dez. 2005, pp. 289-314(26)

  57. Duggan, Robert.;
    Big-Time Shakespeare and the Joker in the Pack: The Intrusive Author in Martin Amis's Money.  In: Journal of Narrative Theory, 2009 Winter; 39 (1): pp. 86-108(23)
     
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  58. Edgecombe, Rodney Stenning.;
    'Put Out the Light' in Othello 5.2  In: ANQ: A Quarterly Journal of Short Articles, Notes, and Reviews, 2008 Summer; 21 (3): pp. 8-11 (4)

  59. Egan, Gabriel.;
    Tragedies: Hamlet and Othello.  In: Gabriel Egan., Shakespeare. Edinburgh University Press Ltd, 2007. Chapter 3, pp. 81-120(40)

  60. Erickson, Peter.;
    'Othello's Back': Othello as Mock Tragedy in Rita Dove's Sonata Mulattica.  In: Journal of Narrative Theory, 2011 Fall; 41 (3): pp. 362-377 (16)

  61. Erickson, Peter.;
    Respeaking Othello in Fred Wilson's Speak of Me as I Am.  In: Art Journal, 2005 Summer; 64 (2): 4-19(16)

  62. Erkan, Ayça Ülker.;
    Valiant Othello Versus Cynical Iago: New Histpricist and Psychoanalytic Approach to Shakespeare's Tragedy Othello.  In: Uluslararası Sosyal Araştırmalar Dergisi The Journal of International Social ResearchVolume: 3 Issue: 12 Summer 2010, pp. 441-448(8)

  63. Estrin, Barbara L.;
    'I Had Rather Adopt a Child Than Get It': Mythical Lost Children in Caryl Phillips's The Nature of Blood.  In: ARIEL: A Review of International English Literature, 2003 Oct; 34 (4): pp. 23-50 (28)

  64. Evans, Robert C.;
    Flattery in Shakespeare's Othello: The Relevance of Plutarch and Sir Thomas Elyot.  In: Comparative Drama, 2001 Spring; 35 (1): pp. 1-41(41)

  65. Felske, Claudia Klein.;
    Beyond the Page: Students as Actor-Readers.  In: The English Journal, Vol. 95, No. 1 (Sep., 2005), pp. 58-63(6)

  66. Fike, Matthew.;
    The Primitive in Othello: A Post-Jungian Reading.  In: Journal of Jungian Scholarly Studies, Vol. 1, No. 4, 2005, 26 pp.

  67. Fleissner, Robert F.;
    Othello as 'Faire' and Aaron's Child as 'Base': Analogous Problems in Consulting the Oxford English Dictionary.  In: ANQ: A Quarterly Journal of Short Articles, Notes, and Reviews, 2003 Summer; 16 (3): pp. 5-9 (5)

  68. Fleissner, Robert F.;
    The Arabian context of Othello as India Indian-like: Evidence from Wroth as well as Marlowe and Nashe.  In: English Language Notes. Boulder: Sep 2004. Vol. 42, no. 1; pp. 3-12(10)

  69. Floyd-Wilson, Mary.;
    Moor, Race, and the Study of English Renaissance Literature: A Brief Retrospective.  In: Literature Compass, 3/5(2006), pp. 1044-1052(9)

  70. Ford, John R.;
    Clemson Shakespeare Festival XIV (2005): 'Making the Beast': Actors from the London Stage Perform Othello.  In: Upstart Crow, 2005; 25: pp. 113-117 (5)
     
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  71. Galchinsky, Michael.;
    On Poetry and Terror: Shakespeare on September 12.  In: South Atlantic Review, 2001 Fall; 66 (4): pp. 141-144(4)

  72. Ganapathy-Dore, Geetha.;
    Shakespeare in Rushdie/Shakespearean Rushdie.  In: ATLANTIS. Journal of the Spanish Association of Anglo-American Studies. 31.2 (December 2009): pp. 9-22(14)

  73. Ghisalberti, Giouse.;
    The Gypsy "Test of the Handkerchief" in Othello.  In: International Journal of English and Literature, Vol. 1, issue 1(2011), pp. 10-34(25)

  74. Gibson, John.;
    Reality & The Language of Fiction.  In: Writing the Austrian Traditions: Relations between Philosophy and Literature. Ed. Wolfgang Huemer and Marc-Oliver Schuster. Edmonton, Alberta: Wirth-Institute for Austrian and Central European Studies, 2003. pp. 49-65(17)

  75. Gil, Daniel Juan.;
    Avant-Garde Technique and the Visual Grammar of Sexuality in Orson Welles's Shakespeare Films.  In: Borrowers and Lenders: The Journal of Shakespeare and Appropriation, 2005 Fall-Winter; 1 (2): [no pagination]. 27 pp.

  76. Glytzouris, Antonis.;
    The Deadlock of Modernism in Greek Drama: Kazantzakis's Othello Returns.  In: Journal of Modern Greek Studies, 2007 Oct; 25 (2): pp. 181-194(14)

  77. Grace Tiffany.;
    Shakespeare and Santiago de Compostela.  In: Renascence. Milwaukee: Winter 2002. Vol. 54, Iss. 2; pp. 86-107 (22)

  78. Grady, Hugh.;
    Theory "After Theory": Christopher Pye's Reading of "Othello".  In: Shakespeare Quarterly. Washington: Winter 2009. Vol. 60, no. 4; pp. 453-459 (7)

  79. Grinnell, Richard W.;
    Witchcraft, Race, and the Rhetoric of Barbarism in Othello and 1 Henry IV.  In: Upstart Crow, 2004; 24: pp. 72-80(9)

  80. Grosholz, Emily.;
    Kenneth Burke and Shakespeare.  In: The Hudson Review Volume LXI, Number 3 (Autumn 2008). pp. 537-544(8)

  81. Gruber, Elizabeth.;
    'Betray'd to Shame': Venice Preserved and the Paradox of She-Tragedy.  In: Connotations: A Journal for Critical Debate, 2006-2007; 16 (1-3): pp. 158-171(14)

  82. Gruber, Elizabeth.;
    Erotic Politics Reconsidered: Desdemona's Challenge to Othello.  In: Borrowers and Lenders: The Journal of Shakespeare and Appropriation, 2008 Spring-Summer; 3 (2): [no pagination]. 16 pp.

  83. Gruber, Elizabeth.;
    Insurgent Flesh: Epistemology and Violence in Othello and Mariam.  In: Women's Studies: An Interdisciplinary Journal, 2003 June; 32 (4): pp. 393-410 (18)
     
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  84. Halio, Jay L.;
    Shakespeare's Conception of Tragedy: The Middle Tragedies.  In: 戲　劇　研　究 第 4 期 Journal of Theater Studies, July 2009, pp. 1-14(14)

  85. Hall, Kim F.;
    Othello and the Problem of Blackness.   In: Dutton, Richard (ed.); Howard, Jean E. (ed.) A Companion to Shakespeare's Works, Volume I: The Tragedies. Malden, MA: Blackwell; 2003. x, 491 pp. ISBN: 9781405136051; pp. 357-374(18)

  86. Hanson, Elizabeth.;
    Brothers of the State: Othello, Bureaucracy, and Epistemological Crisis.  In: Orlin, Lena Cowen (ed. and introd.) New Casebooks: Othello. Basingstoke, England: Palgrave Macmillan; 2004. ix, 269 pp. ISBN: 9780333633571; pp. 125-147(23)

  87. Harris, H.S.;
    The Base Indian in Judea.  In: Not Said But Shown (Philosophical Studies of Literature), 2007. Chap. 11, pp. 316-335(20)

  88. Haslem, Lori Schroeder.;
    Black Devils, White Witches, and the Chains of Magic in Titus Andronicus and Othello.  In: The Upstart Crow. Clemson: 2001. Vol. 21; p. 66-81 (16)

  89. Hassel, R. Chris, Jr.;
    Intercession, Detraction, and Just Judgment in Othello.  In: Comparative Drama, 2001 Spring; 35 (1): pp. 43-67(25)

  90. Hattaway, Michael.;
    Over their Heads: Iago, Vices, and "Denotement".  In: Theta VIII - Theatre Tudor. Juillet 2009, pp. 89-104(16)

  91. Heather, James.;
    Dido's Ear: Tragedy and the Politics of Response.  In: Shakespeare Quarterly, 2001 Fall; 52 (3): pp. 360-382(23)

  92. Helena, Grehan;
    TheatreWorks' Desdemona: Fusing Technology and Tradition.  In: TDR: The Drama Review: A Journal of Performance Studies, 2001 Fall; 45 (3 [T171]): pp. 113-125 (13)

  93. Herbert, L.;
    Othello Error: Facial Profiling, Privacy, and the Suppression of Dissent.  In: Ohio State Journal of Criminal Law, 5(2007), no. 1, pp. 79-129(51)

  94. Himberg, Kay.;
    Discussion Statement: 'This Is Where the Action Is': Performing Emotions in the 'Twin Plays about love,' The Two Noble Kinsmen and Othello.  In: Wissenschaftliches Seminar Online, 2003; 1: pp. 41-46(6)

  95. Hirsch, Eric.;
    The Rhetorical "Beast with Two Backs": Zeugma in Shakespeare's Othello.  In: cjlc: Columbia Journal of Literary Criticism, vol. 7, Spring 2009, pp. 20-28(9)

  96. Hodgdon, Barbara.;
    Race-ing Othello, Re-Engendering White-Out.  In: Orlin, Lena Cowen (ed. and introd.) New Casebooks: Othello. Basingstoke, England: Palgrave Macmillan; 2004. ix, 269 pp. ISBN: 9780333633571; pp. 190-219(30)

  97. Holmer, Joan Ozark.;
    Desdemona, Woman Warrior: 'O, These Men, These Men!' (4.3.59).  In: Medieval and Renaissance Drama in England: An Annual Gathering of Research, Criticism and Reviews, 2005; 17: pp. 132-164 (33)

  98. Holmes, Jonathan.;
    A world elsewhere': Shakespeare in South Africa.  In: Shakespeare Survey 55 (2002): pp. 271-284(14)

  99. Hornback, Robert.;
    Emblems of Folly in the First Othello: Renaissance Blackface, Moor's Coat, and 'Muckender'.  In: Comparative Drama, 2001 Spring; 35 (1): pp. 69-99(31)

  100. Hunt, Maurice.;
    Cassio's Coat.  In: Upstart Crow, 2006-2007; 26: pp. 61-69(9)

  101. Hunt, Maurice.;
    Impregnating Ophelia.  In: Neophilologus, October 2005, vol. 89, no. 4, pp. 641-663(23)

  102. Hunt, Maurice.;
    Shakespeare's Venetian Paradigm: Stereotyping and Sadism in The Merchant of Venice and Othello.  In: Papers on Language and Literature: A Journal for Scholars and Critics of Language and Literature, 2003 Spring; 39 (2): pp. 162-184(23)
     
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  103. Ick, Judy Celine A.;
    Otelo, Intercultural Spectatorship, and Ocular Proof.  In: Asian Theatre Journal, 2011 Spring; 28 (1): pp. 129-148(20)

  104. Idrees, Mohammad.;
    Trust is a very Powerful Emotion That is Easily Abused: In Shakespeare's Othello, Honest Iago's Arts of Villainy Based on Trust Bring about the Destruction That The Ottomans Could not Wreak on Venetians over Cyprus.  In: Gomal University Journal of Research, 21(2005): pp. 122-126 (5)

  105. Ignatieva, Maria.;
    Stanislavsky's Second Othello: The Great Director's Last Revelations.  In: Cuadernos de filologia inglesa, 7, no. 2 (2001): pp. 1-10(10) [Argues that K. S. Stanislavsky's 1930 production of Othello reflects "the turmoil of the socialist era" in the play's emphasis on the slander of the innocent and on Othello as the one who would cleanse society. English and Spanish summaries, 1-2.]

  106. Jackson, Russell.;
    Shakespeare Performed: Shakespeare in Gdansk, August 2006.  In: Shakespeare Quarterly. Washington: Spring 2007. Vol. 58, Iss. 1; pp. 93-108 (16)

  107. Jancso, Daniella.;
    Othello's Apprenticeship in the Theatre of Passion.  In: Wissenschaftliches Seminar Online, 2003; 1: pp. 10-14(5)

  108. Johnson, Angela Beumer & Ciancio, Stacey.;
    Young Adult Literature, Race, Arts, & Confidence: At-risk Students Building Critical Literacy with Lester's Othello.  In: The Alan Review. Youngstown: Spring 2003. Vol. 30, no. 3; pp. 41-46(6)

  109. Johnston, Andrew James.;
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